Category Archives: Recordings

Jihae gives her music a kick, launches Kickstarter campaign today (videos)

New project gives Fans a chance to support the sultry singer for as little as $1

Jihae, the Seoul, South Korea, -born Renaissance woman has shifted the spotlight back onto her musical career.

Jihae performs at the Mercury Lounge in 2012. (Photo © 2012, Steven P. Marsh)

Jihae performs at the Mercury Lounge in 2012. (Photo © 2012, Steven P. Marsh)

Best known to many as one of the distinctive faces of the Eileen Fisher fashion line, the mononymic Jihae (full name: Jihae Kim), has for years worked as a singer, multi-instrumentalist and operator of a small indie music label, Septem.

Her performance style is slinky, sexy and mysterious, with overtones of earthiness signaled by her penchant for leather biker jackets.

This morning she launched a Kickstarter campaign to fund completion of her 4th album, Illusion of You, and the tour to support it.

Project involves Dave Stewart, Leonard Cohen, more

Dave Stewart of Eurythmics is the executive producer, plays on several tracks and makes a guest appearance in the Kickstarter video. He says Jihae’s latest work “reminds me of something like [David] Bowie whispering secrets to the Velvet Underground.”

The album, due out in January if this campaign goes well, features a song co-written by Jihae, Stewart and the venerable Leonard Cohen. Jihae’s press kit calls that track, titled “It Just Feels,”  an “epic orgasm-themed song.”

Continue reading

Speed the Plough: Still going strong 30 years on

An interview published Feb.16, 1996, in The Record of North Jersey, in advance of a Speed the Plough show at Maxwell's.

North Jersey rockers look ahead with 6 new tracks on retrospective out Sept. 17 on Bar/None, play Hoboken Arts & Music Festival Sept. 29

Speed the Plough performs at Mexicali Live in Teaneck, N.J. on July 18, 2013. (Photo © 2013, Steven P. Marsh)

Speed the Plough performs at Mexicali Live in Teaneck, N.J. on July 18, 2013. (Photo © 2013, Steven P. Marsh)

I have to call myself a latecomer to Speed the Plough.

Sure, I knew them in the 1990s, and in 1996 even interviewed then-members Brenda Sauter and Rich Barnes for The Record, the newspaper then based in Hackensack, N.J. But by then the band was already 13 years into its career.
for a long time.

So, mathematically at least, that makes me a relative newbie. But, like most bands in the extended family of The Feelies, Speed the Plough has gone through many changes in personnel and has continued to make new, and often quite loyal, fans, throughout its three decades.

John Baumgartner joins The Feelies on July 8, 2013, during the band's final Fourth of July shows at Maxwell's. (Photo © 2013, Steven P. Marsh)

John Baumgartner joins The Feelies on July 8, 2013, during the band’s final Fourth of July shows at Maxwell’s. (Photo © 2013, Steven P. Marsh)

But this year, two years after its last album, STP is commemorating the three-decade mark with an album.  The Plough and the Stars, available for preorder now by clicking here, may be a box set, but it’s definitely no pine box ready  for burial.

STP has always marched to the sound of its own drummer (now, and often, a Demeski!), with its somewhat pastoral sound. But it’s also never stopped moving forward, however incrementally at times. Continue reading

Johnny Irion and Sarah Lee Guthrie ready to hit the road again

The married music makers open up about new album Wassaic Way, working with Jeff Tweedy and keeping their family life in balance after 14 years of marriage

Sarah Lee Guthrie and Johnny Irion perform atop an artwork in a gallery at the Massachusetts Museum of Contemporary Art in North Adams, Mass., during the Solid Sound festival in 2011. (Photo © 2011, Steven P. Marsh)

Sarah Lee Guthrie and Johnny Irion perform atop an artwork in a gallery at the Massachusetts Museum of Contemporary Art in North Adams, Mass., during the Solid Sound festival in 2011. (Photo © 2011, Steven P. Marsh)

Alongside a two-lane back road in the Berkshires region of Western Massachusetts sits a solid, simple frame home.

Sited on what appears to be at least a couple of acres atop a hill, its nearest neighbor is farther than you can throw a stone, but not so far as to be out of sight.

The house is far enough from the main highway to provide a peaceful retreat, but with easy access to civilization — whether you consider that North Adams, Pittsfield, Boston or beyond.

The silence — at least outdoors, anyway — is broken only by the occasional animal noise or the air-horn warning and rumble of one of the freight trains that pass through on a regular basis.

Inside, it’s a very different story.

That’s where Sarah Lee Guthrie and Johnny Irion are raising their kids — “counting the cousins, on any given day there are four to six. But normally, two: Olivia’s 11, Sophia’s 6,” Johnny told Will You Miss Me When I’m Gone? in an exclusive interview.

And it’s home base for their business. Downstairs, in a studio-basement-rehearsal space, the married musical duo practice and record their music.

Things are really happening for Sarah Lee and Johnny. They seem like a duo on the verge of overnight success — albeit after one very long and ofttimes sleepless night.

But we’ll get to that in a minute. First, let’s clear up something: While Sarah Lee and Johnny aren’t household names, there’s something about them that rings the bell.

It’s that Guthrie thing, right? Continue reading

New collection skims the cream of Caffè Lena’s rich musical history

125

Live At Caffè Lena: Music From America’s Legendary Coffeehouse, 1967-2013 is slated for release on Sept. 24.

A review of Live At Caffè Lena: Music From America’s Legendary Coffeehouse, 1967-2013, with buying and streaming links after the jump

I’ve always meant to visit the legendary Caffè Lena, the tiny coffeehouse at 47 Phila Street in Saratoga Springs, N.Y.

Devonsquare, the sweet-harmonizing folk-rock trio, first piqued my curiosity about Lena and Bill Spencer’s cafe (or caffè, as they dubbed it, using two f’s) with their song “Caffè Lena” on the  1987 album Walking on Ice.

Caffè Lena was a place of mythical proportions to me then. For one reason or another, I never found myself in Saratoga Springs.

After all, I live close to The Turning Point in Piermont, N.Y., a music cafe that is, while 16 years younger than Caffè Lena, has a similar mission and musical profile.

And then there was the Towne Crier in Pawling, N.Y.,  from 1972 until closing in June with plans to reopen soon in Beacon. That gave me a backup option just a bit farther afield than The Turning Point.

So  I never got myself motivated sufficiently to make the trek to Saratoga Springs.

I should have known I was missing out. And now the Tompkins Square record label has  shoved into my face some very real evidence of exactly how much I’ve missed. Continue reading

Sarah Lee Guthrie and Johnny Irion bring Wassaic Way to Saturday’s Wassaic Festival

Sarah Lee Guthrie and Johnny Irion at Wilco's Solid Sound Festival in 2011. (Photo © 2011, Steven P. Marsh)

Sarah Lee Guthrie and Johnny Irion at Wilco’s Solid Sound Festival in 2011. (Photo © 2011, Steven P. Marsh)

Sarah Lee Guthrie and Johnny Irion are making a Hudson Valley appearance on Saturday, Aug. 3 at the all-free Wassaic Festival in Dutchess County, which starts today and runs through Sunday (Aug. 2-4).

There’s something nice about hitting the namesake town in the early stages of touring their latest album, the seriously charming Wassaic Way. The husband-and-wife-duo (she’s daughter of Arlo Guthrie and granddaughter of Woody Guthrie) are really proud of the self-released album (which is to be released Aug. 6) they made with Wilco’s Jeff Tweedy and Pat Sansone.

Stay tuned for a full interview with the creative couple. But for now, I just wanted to alert you to their gig coming Saturday. I’ve never been to the Wassaic Project, a center that aims to create context for art making and strengthening local community by increasing social and cultural capital through inspiration, promotion and creation of contemporary visual and performing art. It’s at the very last stop on Metro-North Railroad’s Harlem Line. This is the sixth year for the festival, a free, three-day event featuring art, music, dance, and community featuring over 100 artists, 25 bands, film screenings, dance performances and more.

If you go

Sarah Lee Guthrie and Johnny Irion perform at 6 p.m. Saturday, Aug 3.,  on the Luther Barn Stage. The Wassaic Festival began today (Aug. 2)  with various art events. Music and dance start around 6 p.m. This wrap up Sunday with a community breakfast, kids events and more music.

The Wassaic Project is at The Maxon Mills,  37 Furnace Bank Road , Wassaic, NY 12592. It’s in walking distance of the Wassaic Metro-North station with connections from Grand Central Terminal. ADMISSION IS FREE, but tickets are required for some events. Check the full schedule here.

Bangin’ it up at the Bang on a Can Summer Music Festival

To call Mark Stewart a guitarist would be a disservice. The multi-talented redhead leads participants at MASS MoCA in making some noise with some of his homemade tubes during the 2010 Bang on a Can Summer Music Festival. (Photo © 2010, Steven P. Marsh)

It’s a disservice to call Mark Stewart a guitarist. He leads a group at MASS MoCA in making some noise with some of his homemade tubes during the 2010 Bang on a Can Summer Music Festival. (Photo © 2010, Steven P. Marsh)

18 days of fantastic summer music in the Berkshires

Today’s subject: MASS MoCA.

I’ve written a lot lately about the Massachusetts Museum of Contemporary Art, especially in the last month or two because of Wilco’s splendid Solid Sound Festival, held on the museum campus in North Adams, Mass., in late June.

When Wilco announced the inaugural Solid Sound back in 2010, I pretty much knew it would be great because I had already seen MASS MoCA host many, many editions of the Bang on a Can Summer Music Festival — colloquially known at Banglewood.

If you’ve been a regular reader of Will You Miss Me When I’m Gone?, you already know something about the Bang on a Can program. This summer’s program is the 12th annual festival on the beautiful industrial MASS MoCA grounds.

But maybe you’re not a musician, or at least not one who wants to participate in the festival. How does this matter to you?

Rain on the MASS MoCA campus. (Photo © 2011, Steven P. Marsh)

Rain on the MASS MoCA campus. (Photo © 2011, Steven P. Marsh)

That’s easy. Festival participants do their learning in public, putting on recitals six days a week and participating in a public Marathon concert on the final day. There’s also a performance of Bang on a Can co-founder Julia Wolfe‘s Steel Hammer, a full-length piece that weaves together the many variations of the John Henry folk legend.

So there’s plenty of professional-quality entertainment  for people who are just interested in listening and looking at some modern art. (Click through to the jump for schedule and ticketing information.)

Continue reading

Jay Farrar still can’t say Jeff Tweedy’s name

20130719-115250.jpg

The cover of Jay Farrar’s memoir, Falling Cars and Junkyard Dogs

 

Uncle Tupelo co-founder Jay Farrar‘s easy-reading memoir, Falling Cars and Junkyard Dogs, came out in March, but it landed rather quietly — at least in my world.

It was only a few days ago that I really became aware of the collection of vignettes by the ultra-serious Farrar. Some of the reviews have been unkind, but that didn’t stop me from buying it and devouring it in a matter of a few hours.

Farrar made great music in Uncle Tupelo, and has continued on a reverential path since the band’s acrimonious 1994 breakup. But that’s not the subject of this collection of short passages from just about every part of his life but the Uncle Tupelo part.

Continue reading

Speed the Plough joins Bar/None’s July 24 farewell to Maxwell’s

Speed the Plough at Maxwell's on Oct. 20, 2012. (Photo © 2012, Steven P. Marsh)

Speed the Plough at Maxwell’s on Oct. 20, 2012. (Photo © 2012, Steven P. Marsh)

STP is part of a promised ‘cavalcade of mystery stars’ joining Headliners Freedy Johnston and Band, James Mastro’s Health & Happiness Show and Chris Stamey with Anton Fier and Gene Holder

Myrna and the Hangar Boys (Human Switchboard’s Myrna Marcarian, Jared Michael Nickerson, Dave Schramm and Ron Metz) join lineup

WFMU to broadcast live from the lounge

Even before Maxwell’s closing was announced, Speed the Plough was gearing up get active again. The band, which can trace its lineage back to The Feelies through The Trypes, became active in 2009 after a long hiatus, but has been picking up steam lately in anticipation of a new album — a compilation of some of its long-out-of-print music from the early days plus six brand-new tracks.

But now they’re preparing to say goodbye to the venerated Hoboken club with one last gig there, on Thursday, July 24, as part of a Bar/None record label lineup.

Continue reading

The Dough Rollers defy expectations at Brooklyn Bowl

The Dough Rollers, Brooklyn Bowl, June 26, 2013, © 2013, Steven P. Marsh

The Dough Rollers perform at Brooklyn Bowl on June 26, 2013. (Photos © 2013, Steven P. Marsh)

We don’t mind change. We may grow to love a band’s sound, but if it never evolves, a band can quickly becomes a parody of itself.

The Dough Rollers started off in 2008 as a high-concept conceit cooked up by two celebrity kids. Malcolm Ford (son of Harrison Ford) and Jack Byrne (son of Gabriel Byrne and Ellen Barkin) bonded over the love of old blues music, and started playing together. Their act — two guys in sharp, retro outfits, hair slicked back, etc. — tried to replicate the classic sound of the blues. While the two of them were the core of the group, they often had fiddle-vocalist Julia Tepper as a co-conspirator. (She joined them on their first, and so far only, album, the self-titled disc.)

The Dough Rollers in their earlier incarnation at The Bell House in Brooklyn, April 24, 2010. (Photo © 2010, Steven P. Marsh)

The Dough Rollers in their earlier incarnation at The Bell House in Brooklyn, April 24, 2010. (Photo © 2010, Steven P. Marsh)

Few acts could sustain the conceit. Leon Redbone is the only one that springs to mind at the moment, and his whole performing life is in character.

Click through to the jump for more photos and info. Continue reading

Bang on a Can Marathon: 9 hours of New Music in a new home this Sunday

A crowd of listeners at the 2011 Bang on a Can Marathon at the Winter Garden. (Photos © 2011, Steven P. Marsh)

A crowd of listeners at the 2011 Bang on a Can Marathon at the Winter Garden. (Photos © 2011, Steven P. Marsh)

This Sunday is a special day.

Yes, it’s Father’s Day, but that’s not it.

Sunday is also the day that Bang on a Can is throwing its big, genre-bending musical party for New York City — the Bang on a Can Marathon.

Mark your calendar and don’t miss it. But don’t head to the Winter Garden at the World Financial Center, where the free marathon New Music concert has been held for the last few years.

From 1-10 pm on Sunday (be sure to take Dad to brunch early and then bring him along to the show afterward), Bang on a Can will fill Pace University’s Michael Schimmel Center for the Arts at 3 Spruce Street with nine hours of music — some of it familiar, some you’ve probably never heard before.

It’s the kickoff event of the River to River Festival, one of the city’s great free performing-arts series.

Bang on a Can had to move the marathon this year because the Winter Garden is under construction. The Schimmel Center is a smaller venue, a concert hall with fixed seating rather than a mall atrium with open, casual seating. So that means changes in the format.

Asphalt Orchestra performing at the 2011 Bang on a Can Marathon.

Asphalt Orchestra performing at the 2011 Bang on a Can Marathon.

For starters, you’ll need to get a free seating pass before you go in to sample the sounds. That’s just so the organizers can make sure the audience never exceeds the capacity of the 743-seat hall. They’ll be handing out the passing starting at noon — an hour before the first onstage event — on a first-come, first-served basis, so get there early to snag a good seat.

In addition to listening to the music, be sure to jump in on Twitter, too, by following on @bangonacan.

While most of the action is in the hall, if you get there early, you’ll encounter Bang on a Can’s Found Sound Nation. From noon until 5 pm, it’ll be operating its Street Studio, where anyone who wants to give it a try can create and record original music. Look for it at Park Row and Spruce Street.

Check out the full schedule after the jump.

Continue reading