Tag Archives: Colman Domingo

In performance now: Colman Domingo’s warmhearted ‘Dot’

Dot.jpg

Colman Domingo, the theatrical triple threat (actor on stage, film, and TV, playwright, and director) and someone from whom I’ve always been able to count on getting a hug since the day we met in 2007 during the Public Theater run of “Passing Strange,”is at it again.

His latest play, “Dot,” had its first performance Thursday night at Manhattan’s Vineyard Theatre  a place that’s shown him a lot of love over the years.

The “Fear the Walking Dead” star’s heartwarming autobiographical “A Boy and His Soul” had a good run there in 2009, and he appeared there in the off-Broadway premiere of “The Scottsboro Boys” the following year before he went to Broadway with the show. (His second play, “Wild With Happy,” was presented at the Public Theater.) Continue reading

‘I’m talkin’ little Jimmy Baldwin, baby — you gotta go to Another Country if you wanna get to Giovanni’s Room

‘Passing Strange’ alums bring new work to the New York stage in celebration of James Baldwin

BaldwinSome of my readers may recognize the main headline of this post as a quote from the musical play “Passing Strange.”

It’s Mr. Franklin, the church choir director talking, sitting in a VW Bug with some of his musical charges, holding a “prayer circle” whose sacramental ritual involved smoking weed.

It was hardly the only touching moment in the 2008 Tony-winning musical, but it was one of the more memorable.

I often say, jokingly, that everything in my life somehow connects to “Passing Strange.” When I look at the artists and performances that have inspired me over the years since I first encountered the show in a developmental form then known as “Travelogue,” back around 2004, many of them are somehow connected to the existential musical play.

Later this month, three key members of the “Passing Strange” family — Stew, who wrote the book and lyrics and co-wrote the music with Heidi Rodewald, and actors from the original production Colman Domingo and Eisa Davis — and a slew of other notable writers and performers will be involved in the New York Live Arts “Live Ideas Festival: James Baldwin, This Time!”  (Tap or click here for schedule and ticket options.)

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New World Stages responds to talk that The Scottsboro Boys will make a New York comeback there

New World Stages marquee, 340 West 50th Street, Manhattan. (Photo courtesy New World Stages)

‘No conversations’ about staging the Kander and Ebb musical, says NWS managing director

When we reported the news that one of the producers of The Scottsboro Boys publicly proclaimed the show was returning soon to an NYC stage, Will You Miss Me When I’m Gone? offered it with a grain of salt.

It’s a good thing, because the the people at New World Stages, the house specifically named by the producer, are denying shooting down the idea — at least for now.

Michael Coco, NWS managing director, got back to us with this response:

Currently, all five theaters at NWS are filled with successful productions all with open ended contracts.  We do not anticipate any changes in our programming in the near future.

We followed up with Coco on this to clarify further. Continue reading

New World Stages responds to talk that The Scottsboro Boys will make a New York comeback there

New World Stages marquee, 340 West 50th Street, Manhattan. (Photo courtesy New World Stages)

‘No conversations’ about staging the Kander and Ebb musical, says NWS managing director

When we reported the news that one of the producers of The Scottsboro Boys publicly proclaimed the show was returning soon to an NYC stage, Will You Miss Me When I’m Gone? offered it with a grain of salt.

It’s a good thing, because the the people at New World Stages, the house specifically named by the producer, are denying shooting down the idea — at least for now.

Michael Coco, NWS managing director, got back to us with this response:

Currently, all five theaters at NWS are filled with successful productions all with open ended contracts. We do not anticipate any changes in our programming in the near future.

We followed up with Coco on this to clarify further.

Continue reading

The Public Theater announces its promising new season

How can any theater lineup featuring the talents of David Byrne, Fatboy Slim, Colman Domingo, Michael John LaChiusa, Edna Ferber and more go wrong?

New York’s Public Theater has just announced its schedule for the 2012-2013 theater season.

We’re particularly excited to see the world premiere of  David Byrne and Fatboy Slim’s musical Here Lies Love on the bill and are looking forward to the New York premiere of the musical Giant, based on Edna (Show Boat) Ferber’s novel with lyrics and music by Michael John LaChiusa.

But then there’s Colman Domingo‘s play Wild With Happy getting its world premiere, too!

See for yourself, after the jump.

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UPDATED: Provocative musical ‘The Scottsboro Boys’ returning soon to the New York stage?

The cast of The Scottsboro Boys.

BREAKING NEWS: New World Stages reacts. Click HERE.

UPDATED: An earlier version of this post conflated the Broadway show where this news was overheard with the source’s current Broadway credits. This update clarifies the source’s credits and reflects that Will You Miss Me When I’m Gone? has now reached out to New World Stages and the producer for comment.

Will You Miss Me When I’m Gone? has heard an interesting bit of theater gossip. We’re not generally given to reporting gossip, but the source of this one seems impeccable.

At intermission during the matinee performance of Leap of Faith on Broadway Saturday, April 7, a man greeted some friends near the bar. We couldn’t help but hear him reveal to his friend that he’s a Broadway producer. We didn’t immediately recognize him, but he mentioned that he’s producing Clybourne Park, a straight play now on Broadway, as well as a current Broadway musical comedy.

As the conversation went on, the subject of the short-lived Kander and Ebb musical The Scottsboro Boys,came up. It turns out the guy also was a producer of that provocative, somewhat unsettling minstrel-style musical about an infamous racist incident involving accusations of rape by a white girl against nine black teenage boys in 1931.

“It’s coming back, soon, to New World Stages,” he said with obvious pride. Lately, New World is where Broadway shows that, for one reason or another are no longer viable in a Broadway house, take on new life. Rent was revived there, Avenue Q and Million Dollar Quartet live on there. And soon, it seems, The Scottsboro Boys will find new life there, too.

We didn’t recognize the producer who was doing all the talking. T-+here are only one or two producers whose images who are seared in our memory, including Elizabeth McCann and Steve Klein, both of whom were involved with Passing Strange. But a few minutes of research on IBDB.com and Google Images helped us figure out that the guy was, indeed, a producer of the shows in question. So we’re guessing he knows what he’s talking about.

Scottsboro got good reviews in its off-Broadway run at the Vineyard Theatre. (Full disclosure: Will You Miss Me When I’m Gone? is friend and huge fan of Colman Domingo, one of its stars.) It took us a bit of time to get past our feeling that it was somehow wrong to laugh at such a serious true story from the sad history of race relations in the United States. But once we set that aside and got into the spirit of the show, we really enjoyed it. But others in our audience, including a black couple we encountered nearby after the show, left feeling more uncomfortable than entertained.

The show fell flat when it moved to Broadway, running for just 29 previews and 49 regular  performances in the fall of 2010. The feelings of discomfort dogged it from the beginning of its run, and the show drew protesters who claimed it was racist. It also earned 12 Tony Award nominations and gained some rabid fans who continue to beat the drum for its return.

The Scottsboro Boys hasn’t disappeared. It got an extended run in Philadelphia earlier this year, and is set to begin performances April 29 at the Old Globe Theatre in San Diego, Calif. And it’s scheduled to play at the American Conservatory Theater in San Francisco starting June 21.

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Colman’s Big-Ass 40th Birthday!

Colman Domingo does the dance of the flaming pastry with De'Adre Aziza, Soara-Joye Ross and Eisa Davis. (Photos copyright 20009, Steven P. Marsh)

Actor Colman Domingo‘s birthday is Nov. 28. He celebrated at home with some close friends.

Colman channeling Maya Angelou.

Two nights later, on Nov. 30, he turned Joe’s Pub into a reasonable facsimile of his living room two nights later when he threw Colman Domingo’s BIG ASS 40th Birthday Party for his friends, family and fans. It was an evening of irresistible fun.

The stage was filled with singing and stories from Colman’s varied acting career, some from Passing Strange (De’Adre Aziza, Eisa Davis and musical director Jon Spurney) and others, including Ari Gold, Marva Hicks, Soara-Joye Ross and director Charles Randolph Wright, from other acting ventures.

Colman, who is one of the sweetest and most genuinely real actors I know, was touched by the audience’s enthusiasm. And he was thrilled to donate the evening’s proceeds to the Save the Children charity.

If you missed it, nothing I can write here could really recreate the moment, so just sit back and enjoy lots more photos after the jump.

Colman, De'Adre, Eisa, Ari, Marva and Neil Totton join voices.

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