If you find yourself in Oregon before the end of August, be sure to set aside a few hours to check out the world premiere of the latest musical play by Stew and Heidi Rodewald of The Negro Problem at the Oregon Shakespeare Festival in Ashland.
For fans, “Family Album” will seem familiar, as they’ve incorporated songs fans have heard TNP play in concert or in other, less-structured, theater pieces over the years. And charismatic guitarist Christian Gibbs, who was a linchpin in Stew and Heidi’s breakthrough show, “Passing Strange,” steps forward to take a larger role in this show.
You’ll see what I mean by the familiarity when you watch the show’s video trailer and read the review in the Los Angeles Times. After you’ve had a look, go here for more information and to buy tickets.
The show was created with director Joanna Settle, a longtime Stew-and-Heidi collaborator who now heads the theater school at Philadelphia’s University of the Arts.
Tickets have been selling well, but as of today, there are 16 performance dates for which seats are still available. Prices range from $25 to $99. Go here now for more information and tickets. The run ends Aug. 31.
The hat was more crumpled than this at Barbès on July 25 and Stew’s energy level seemed higher than usual. (Photo © 2012, Steven P. Marsh)
By the time his latest gig in his musical living room (aka Park Slope, Brooklyn, boîte Barbès) rolled around Thursday night, July 25, singer-songwriter and Tony Award winner Stew had dumped his original staged plan to play versions of his songs from Passing Strange and other numbers from his extensive repertoire.
Instead, he launched into a tight song cycle “inspired by recent events.” In other words, songs about George Zimmerman and the Trayvon Martin case. If yoy don’t know what I’m talking about, it’s time to get out from under that rock where you’ve been living and catch up on the news!
If you’re a Passing Strange fan who passed on the show for one reason or another and are thinking now that this make you feel OK about missing, hold that thought. I’m here to tell you differently. Continue reading
Posted in Concerts, Jazz, Music, Pop and Rock, RIP
Tagged BAM, Barbès, Brian Drye, Brooklyn, Brooklyn Academy of Music, Drye & Drye, Heidi Rodewald, Howard Drye, Joanna Settle, Mike McGinnis, Park Slope, Passing Strange, sexy, Sexy Brooklyn Mommy, Stew, The Negro Problem
UPDATE: Stew Sez Showtime’s now 9:30 p.m.
Photo from Stew’s Facebook announcement of the upcoming gig at Barbès.
There was a moment or two of confusion Thursday morning when Stew,the singer-songwriter and Tony winner for the book of Passing Strange posted on Facebook that he and his band, The Negro Problem, would be appearing two weeks from now at “our beloved Barbès” and included the date of Oct. 25.
Stew, Heidi and an incarnation of The Negro Problem at Barbés in 2011. (Photo © 2011, Steven P. Marsh)
Well, fans of Stew’s work won’t have to wait that long. Maybe Stew is just jonesing for Fall. But according to the Barbès calendar, it’s Thursday, July 25, at 10 p.m., which is in two weeks.
Whew. Glad I could clear that up.
Stew posted a Facebook update on Friday, July 19, saying showtime was changed to 9:30. So I’m getting there by 9 just to be on the safe side:
showtime for stew & the negro problem’s BARBES show this THURSDAY JULY 25th is now 9:30. We will play some songs inspired by recent events.
Posted in Broadway, Concerts, Music, Pop and Rock, Theater
Tagged Barbès, Broadway, Brooklyn, Heidi Rodewald, Joanna Settle, Martha's Vineyard, Park Slope, Passing Strange, Stew & The Negro Problem, The Public Theater, The Total Bent, Tony Award, Vineyard Arts Project
Stew, Heidi and members of The Loser's Lounge at Barbés in Park Slope, Brooklyn. (Photos © Steven P. Marsh)
Will You Miss Me When I’m Gone? was supposed to see The Total Bent, the new show by Stew and Heidi Rodewald of Passing Strange fame, in one of its very first Public Lab performances at The Public Theater in downtown Manhattan last month. But then construction delays at the theater — the Public is undergoing a massive, and much-needed, facelift — got in the way.
That created some pretty massive chaos, forcing The Total Bent‘s schedule to push back. Some shows, including ours, were canceled and rebooked.
So we haven’t seen the show yet. We’ll be there for the penultimate performance on Sunday afternoon, March 18.
All the changes also forced the scuttling of interviews and press access to the creative team.
Posted in Music, News, Theater
Tagged Anspacher Theater, Broadway & Me, Heidi Rodewald, Joanna Settle, Passing Strange, Stew, The Public Theater, The Total Bent, tickets
Heidi Rodewald and Stew. (Copyright 2009, Steven P. Marsh)
Stew & Heidi returning to the Public Theater
Stew, the singer-songwriter who fronts The Negro Problem and wrote the hit musical Passing Strange with musical partner Heidi Rodewald, makes much of his testy relationship with Broadway.
In fact, he makes specific reference to it in one of the newer Negro Problem tunes. He repeats, with great emphasis, “thank God I’m off Broadway.”
Thorny relationship notwithstanding, Stew and Heidi return next season to the scene of the crime, the place where Passing Strange took root and flowered: New York City’s Public Theater. Their new show, titled The Total Bent, is set for its world premiere on Feb. 14, 2012.
It’s no surprise that The Total Bent is a story about a musician. (Full description after the jump.) After all, Passing Strange was that, although it had a biographical arc that the promised new show appears to lack. (I wonder if they’ve actually started writing yet? They tend to be very deadline-motivated.)
The Strange pair are working with director Joanna Settle, who forged a deal with them to direct a show at The Public around the time Passing Strange was ending its Broadway run.
Stew and Heidi have been involved in Settle’s creative process for a couple of years, writing music for her Shakespeare on the Sound outdoor productions for the last two years.
Granted, a show at The Public doesn’t give Stew and Heidi a guaranteed ride on the Broadway Limited, but the odds are decent. We shall see.
Click through to the jump for details about the show.
It’s time for a better taste of The Negro Problem‘s fantastic show at Joe’s Pub on Jan 7 .
Here’s all the video Will You Miss Me When I’m Gone? managed to shoot in the crowded room.
The first clip is just an excerpt, the last minute or so of one of my favorite Stew/TNP songs, “Peter Jennings,” performed with as much joy and excitement as I’ve ever seen.
After that is “Willow Song,” a Stew and Heidi number that many in the audience hadn’t heard before. It was written for last summer’s production of Othello for Shakespeare on the Sound, an outdoor community Shakespeare program in Connecticut. (Stew and Heidi tackle Shakespeare’s Much Ado About Nothing for SotS Artistic Director Joanna Settle this summer.) It’s a beautiful, dreamy number that worked well in the play, but also stands alone surprisingly well.
Finally, for all you Passing Strange fans, there’s “Amsterdam.”
Posted in Concerts, Contemporary, Music, Pop and Rock, Theater
Tagged Broadway, Heidi Rodewald, Joanna Settle, Joe McGinty, Joe's Pub, Jon Spurney, Loser's Lounge, Othello, Passing Strange, Shakespeare on the Sound, Stew, The Negro Problem
Ivanov (Rob Campbell) dances on the water of Lake Lucille in the magical conclusion to Chekhov's Ivanov. (Photos copyright 2010, Steven P. Marsh)
Lake Lucille echoed with the sounds of stagecraft for five days last week as a company of 60 actors, musicians and various other theater professionals put together a free, outdoor production of Ivanov, by Anton Chekhov, performed from a new translation by Curt Columbus.
This production of Chekhov on Lake Lucille was particularly welcomed because it marked the return of a neighborhood tradition. The annual run was broken last summer when host-producers Melissa Kievman and Brian Mertes moved to the West Coast for personal and professional reasons. But they kept their wonderful brownstone house — which is the centerpiece of the set for each Chekhov production — and managed to return this summer with a bigger-than-ever performance and neighborhood cookout and potluck supper at intermission.
Melissa Kievman, Brian Mertes and the band.
You could call it summer camp for theater professionals. Most of the volunteer staff spent the week living in tents, eating meals alfresco in the neighborhood and working to create a context for Chekhov’s drama in the suburban landscape of the Lake Lucille neighborhood.
It drew hundreds of guests to enjoy the creative staging under clear skies with moderate summer temperatures.
Dozens of neighbors and local businesses provided support for an undertaking that costs thousands of dollars. This year, the West Branch Conservation Association, Rockland’s Land Trust, helped produce the play with a grant obtained by the office of Assemblyman Kenneth P. Zebrowski and the late state Sen. Thomas P. Morahan. The Tisch East Alumni Council help with a microgrant for costuming.
The production uses the natural features. Here Ivanov makes an entrance from the lake itself.
Ivanov emerges, dripping wet.
Ivanov walks through the audience toward the stage.
As is often the case in Chekhov, the characters complain of boredom.
But Jesse J. Perez, who played Kosikh, choreographed some great routines to keep things interesting:
Check out more photos after the jump.
Posted in Benefit, Free, Music, Theater
Tagged Anton Chekhov, Bill Irwin, Brian Mertes, Broadway, Chad I. Goodridge, Joanna Settle, Lake Lucille, Lake Lucille Property Owners Association, Melissa Kievman, Passing Strange, Shakespeare on the Sound, Tony Award, West Branch Conservation Association