Tag Archives: Michael Gordon

Bang on a Can Marathon: Today’s the day

Bang on a Can Marathon 2018

Artists scheduled to perform at the Bang on a Can Marathon 2018

What day could be more appropriate than Mothers’ Day for the mother of  all Bang on a Can Marathons.

The free 10-hour multi-genre show kicks off at noon at New York University’s Skirball Center for the Performing Arts.

Featured artists and composers include Bang on a Can founders David Lang, Michael Gordon, and Julia Wolfe, along with one of their mentors, Terry Riley — and, of course, the Bang on a Can All Stars.

But performances aren’t limited to contemporary classical. Singer-songwriter and Magnetic Fields‘ frontman Stephin Merritt is appearing in the first hour of the show, with cellist bandmate Sam Davol, to appeal to the pop audience. Another artist with proven crossover appeal, Brooklyn singer-songwriter Xenia Rubinos, appears later in the day.

If you can’t make it to Skirball, a livestream is scheduled. GO HERE to connect (free registration required to watch).

Check out the full performance schedule after the jump

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Bang on a Can Marathon moving to Brooklyn with promise of ‘politics, resistance and love’

Asphalt Orchestra performing at the 2015 Bang on a Can Marathon at the Winter Garden in Manhattan on June 21. (© 2015 Steven P. Marsh/willyoumissme.com)

Asphalt Orchestra performing at the 2015 Bang on a Can Marathon at the Winter Garden in Manhattan on June 21. (© 2015 Steven P. Marsh/willyoumissme.com)

Bang on a Can, the premiere purveyor of New Music in New York City, is rebooting its  iconic Marathon concert with a move to Brooklyn in May, after a year off. Organizers promise it will be an “8-hour marathon concert of politics, resistance, and love.”

The Marathon lost its downtown Manhattan home of a decade at the Winter Garden of the World Financial Center (now renamed Brookfield Place). The organizers skipped a 2016 edition, but promised a new location for the its 30th anniversary this year.

They delivered on that promise Thursday, announcing that the genre-busting musical celebration lands at the Brooklyn Museum on May 6, from 2-10 p.m.

The Marathon was somewhat itinerant prior to its 10-year run at the Winter Garden, spending time at mostly Manhattan venues, ranging from the Soho art gallery where it started in 1987, to the Abrons Arts Center in the Lower East Side, to Lincoln Center’s Alice Tully Hall.

Despite its Manhattan roots, this won’t be the first time the Marathon was held in Brooklyn. In 2000 and 2001, it was staged at BAM, just a block or two away from Bang on a Can’s longtime headquarters on Hanson Place in Fort Greene. Continue reading

Check out the Bang on a Can Marathon: Hear amazing music for free

Bang on a Can founder Michael Gordon introduces a performance of his composition "Exalted," featuring the Young People’s Chorus of New York City and JACK Quartet, at the 2011 Bang on a Can Marathon. (Photo  © 2011, Steven P. Marsh/willyoumissme.com)

Bang on a Can founder Michael Gordon introduces a performance of his composition “Exalted,” featuring the Young People’s Chorus of New York City and JACK Quartet, at the 2011 Bang on a Can Marathon. (Photo © 2011, Steven P. Marsh/willyoumissme.com)

Roomful of Teeth, Jherek Bischoff, Anonymous 4, So Percussion, more featured on 8-hour program

Head to the Winter Garden at Brookfield Place at the World Financial Center  in lower Manhattan on Sunday afternoon for a fantastic exploration of New Music.

The 2014 edition of the annual Bang on a Can Marathon starts at 2 p.m. and runs through 10 p.m. You can come and go as you please, sampling everything from serious compositions by Bang on a Can‘s founding composers — Michael Gordon, Julia Wolfe, and David Lang — to works by rock band The National’s Bryce Dessner, along with performances by the inimitable Meredith Monk, Jherek Bischoff, So Percussion, and female vocal quartet Anonymous 4.

Tap or click here to see the full performance schedule.

This event is really a must to experience in person — you’ll see artists mingling with audience in chance encounters throughout the show, get to see and buy CDs and merchandise at the huge merch table, and maybe even take a break to go shopping in the urban mall.

And be sure to check out Found Sound Nation, which hosts its Street Studio – a mobile recording studio where anyone can spontaneously create and record original music!

If you can’t get there, you don’t have to miss out, though. It will be webcast in HD audio and videol.

Tap or click here to WATCH LIVE.

 

Bangin’ it up at the Bang on a Can Summer Music Festival

To call Mark Stewart a guitarist would be a disservice. The multi-talented redhead leads participants at MASS MoCA in making some noise with some of his homemade tubes during the 2010 Bang on a Can Summer Music Festival. (Photo © 2010, Steven P. Marsh)

It’s a disservice to call Mark Stewart a guitarist. He leads a group at MASS MoCA in making some noise with some of his homemade tubes during the 2010 Bang on a Can Summer Music Festival. (Photo © 2010, Steven P. Marsh)

18 days of fantastic summer music in the Berkshires

Today’s subject: MASS MoCA.

I’ve written a lot lately about the Massachusetts Museum of Contemporary Art, especially in the last month or two because of Wilco’s splendid Solid Sound Festival, held on the museum campus in North Adams, Mass., in late June.

When Wilco announced the inaugural Solid Sound back in 2010, I pretty much knew it would be great because I had already seen MASS MoCA host many, many editions of the Bang on a Can Summer Music Festival — colloquially known at Banglewood.

If you’ve been a regular reader of Will You Miss Me When I’m Gone?, you already know something about the Bang on a Can program. This summer’s program is the 12th annual festival on the beautiful industrial MASS MoCA grounds.

But maybe you’re not a musician, or at least not one who wants to participate in the festival. How does this matter to you?

Rain on the MASS MoCA campus. (Photo © 2011, Steven P. Marsh)

Rain on the MASS MoCA campus. (Photo © 2011, Steven P. Marsh)

That’s easy. Festival participants do their learning in public, putting on recitals six days a week and participating in a public Marathon concert on the final day. There’s also a performance of Bang on a Can co-founder Julia Wolfe‘s Steel Hammer, a full-length piece that weaves together the many variations of the John Henry folk legend.

So there’s plenty of professional-quality entertainment  for people who are just interested in listening and looking at some modern art. (Click through to the jump for schedule and ticketing information.)

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Bang on a Can Marathon: 9 hours of New Music in a new home this Sunday

A crowd of listeners at the 2011 Bang on a Can Marathon at the Winter Garden. (Photos © 2011, Steven P. Marsh)

A crowd of listeners at the 2011 Bang on a Can Marathon at the Winter Garden. (Photos © 2011, Steven P. Marsh)

This Sunday is a special day.

Yes, it’s Father’s Day, but that’s not it.

Sunday is also the day that Bang on a Can is throwing its big, genre-bending musical party for New York City — the Bang on a Can Marathon.

Mark your calendar and don’t miss it. But don’t head to the Winter Garden at the World Financial Center, where the free marathon New Music concert has been held for the last few years.

From 1-10 pm on Sunday (be sure to take Dad to brunch early and then bring him along to the show afterward), Bang on a Can will fill Pace University’s Michael Schimmel Center for the Arts at 3 Spruce Street with nine hours of music — some of it familiar, some you’ve probably never heard before.

It’s the kickoff event of the River to River Festival, one of the city’s great free performing-arts series.

Bang on a Can had to move the marathon this year because the Winter Garden is under construction. The Schimmel Center is a smaller venue, a concert hall with fixed seating rather than a mall atrium with open, casual seating. So that means changes in the format.

Asphalt Orchestra performing at the 2011 Bang on a Can Marathon.

Asphalt Orchestra performing at the 2011 Bang on a Can Marathon.

For starters, you’ll need to get a free seating pass before you go in to sample the sounds. That’s just so the organizers can make sure the audience never exceeds the capacity of the 743-seat hall. They’ll be handing out the passing starting at noon — an hour before the first onstage event — on a first-come, first-served basis, so get there early to snag a good seat.

In addition to listening to the music, be sure to jump in on Twitter, too, by following on @bangonacan.

While most of the action is in the hall, if you get there early, you’ll encounter Bang on a Can’s Found Sound Nation. From noon until 5 pm, it’ll be operating its Street Studio, where anyone who wants to give it a try can create and record original music. Look for it at Park Row and Spruce Street.

Check out the full schedule after the jump.

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A bright, musical — and FREE — way to end a dull, gray Tuesday

Miller Theatre’s Pop-Up Concerts are back

Ugh. It’s pretty grim to realize it’s only Tuesday. And what a nasty Tuesday it has turned out to be.

But there’s something happening tonight that’ll put a drink in your hand, a smile on your face and send you back out into the world with a head full of music: Pop-Up Concerts at Columbia University’s Miller Theatre.

And it won’t cost you a dime.

Here’s the deal: One Tuesday a month, this very cool program takes over the theater for a quick, casual get-together that ends in a very cool concert. Doors open at 5:30 p.m. Grab a free drink (thanks to Harlem Brewing Co.) when you get there, and hang out with fellow music lovers until the show starts at 6.

Tonight’s program is Minimalism’s Evolution. Sure, it sounds a little heady, maybe even academic. This is happening on an Ivy League campus, after all. But this series isn’t like any college course you might remember. Pop-Up Concerts let you get up close and personal with the artists in an informal performance that lasts just an hour.

Be sure to save the dates of the next two installments of Pop-Up Concerts: Nov. 13 of 120 Years of Solo Piano and Dec. 11 for John Zorn for Strings.

Tonight you’ll get three members of the awesome Ensemble Signal: Courtney Orlando on violin, Lauren Radnofsky on cello and Paul Coleman on sound.

Read on for the full program and all the details you need to get there. Continue reading

People’s Commissioning Fund: Make your own music

Want to feel like a Medici or some other patron of the arts but don’t have the treasury to make it happen?

Everyone who gives — even just a few dollars — to Bang on a Can’s People’s Commissioning Fund is a minimogul responsible for the creation of a handful of musical works every year.

Commissioners, as Bang calls its donors to the PCF, get to hear the fruits of their efforts in concert in Manhattan on Thursday evening, Feb. 10. This year’s commissioned composers are Nick Brooke, hometown hero Bryce Dessner of the Brooklyn-based rock band The National and tabla-electronic-hip hop wizard Karsh Kale

This year’s concert is programmed as part of the Ecstatic Music Festival, a two-month cornucopia of music by like-minded composers and performers being presented at Merkin Concert Hall near Lincoln Center.

If you’ve already donated and have some free time at 5 p.m. on the day before the concert, you can see the musicians, and some or all of the composers, up close in a free dress rehearsal. You’ll even get the chance to ask questions and rub elbows with the artists and other commissioners at an informal reception afterward. Contact BoaC’s director of development, Tim Thomas, tim@bangonacan.org, for more info.

The Bang on a Can All-Stars, the house band, handles the playing duties for virtually all the commissions. They also be filling out the program with some other great music, including Steve Martland‘s Horses of Instruction, Convex/Concave/Concord by Danish minimalist Pelle Gudmundsen Holmgreen, and Believing by BoaC cofounder Julia Wolfe.

Here’s how BoaC cofounder David Lang describes the PCF process in a nutshell: “Over 14 years the People’s Commissioning Fund (PCF) is as liberating a force in music as we had imagined it would be. We are still pooling together the contributions large and small of hundreds of music lovers from around the world, adding penny to penny, combining lonesome individual gifts into awe inspiring communities of power and cold cash.  And then we give that money to bold, innovative, questioning, dedicated and highly inventive composers. We commission them, we rehearse their music intensively, we hold special events so that the members of the PCF can meet the musicians and composers that their generosity supports, and then we play that music in New York and often all around the world.  It is an amazing and beautiful thing.”

Beautiful, indeed. We here at Will You Miss Me When I’m Gone? have supported the PCF from the beginning. We couldn’t be more proud of what our pennies have helped create.

The details:

7:30 p.m., Thursday, Feb. 10. Bang on a Can 2011 People’s Commissioning Fund Concert, Merkin Concert Hall, 129 W. 67th St. (between Broadway and Amsterdam), Manhattan. $25.

Kronos Quartet’s rare NYC club appearance at (Le) Poisson Rouge

 

David Harrington of Kronos Quartet at New York nightclub (Le) Poisson Rouge on Oct. 8, 2010. (Photos copyright 2010, Steven P. Marsh)

 

Groundbreaking ensemble sells out two nights at Greenwich Village nightspot

Kronos Quartet can and does regularly fill huge auditoriums for its programs. But for its latest appearance in New York City, the ensemble picked Greenwich Village’s (Le) Poisson Rouge, arguably the most welcoming venue for New Music New York City.

 

Kronos Quartet's cellist, Jeffrey Zeigler.

 

Kronos’ two-night program included a slew of premieres and put the spotlight on many New York-based composers and collaborators, including the super-talented young composer Missy Mazzoli (founder of the hot electroacoustic chamber ensemble Victoire), Bang on a Can founder Michael Gordon, guitarist Bryce Dessner of the bands Clogs and The National (formed in Cincinnatti but now based in Brooklyn) and the Young Peoples Chorus of New York City.

The 37-year-old, San Francisco-based qua
rtet  — David Harrington and John Sherba on violins, Hank Dutt on viola and Jeffrey Zeigler on cello — played a spirited set to a packed house on Friday evening, Oct. 8. The second installment is tonight, Saturday, Oct. 9, when Kronos offers a completely different program.

 

 

At the Friday show, Kronos kicked off with Dessner’s Aheym (Homeward), which he wrote for Kronos. Mazzoli’s lovely, lyrical Harp and Altar, also composed for Kronos, followed.

The first world premiere of the evening was Aleksandra Vrebalov‘s spell no. 4, for a changing world.

But the most stunning performance moments of the evening came next, when Kronos introduced the Young Peoples Chorus, founded and conducted by Francisco Nuñez. The youngsters entered from the darkened sides of the room shrieking and howling the vocal parts of Terry Riley‘s Another Secret eQuation, which he wrote for Kronos and had its world premiere at Carnegie Hall’s Zankel Hall in March.

 

Composer Michael Gordon cheers the Young Peoples Chorus of New York City, with John Sherba and David Harrington of Kronos Quartet.

 

After a brief intermission, the Young Peoples Chorus rejoined Kronos for the world premiere of Gordon’s Exalted, an intensely emotional composition.

Click through to the jump for more words and photos about Kronos and collaborators. Continue reading

Will You Miss Me When I’m Gone? recommends…

Shows we think you should check out during the week of Oct. 3-9

Composer Julia Wolfe (Photo by Peter Serling)

The Music of Julia Wolfe at (Le) POISSON ROUGE

Julia Wolfe is a composer of rare talent. The Bang on a Can cofounder is able to write in a classical idiom for string quartet as easily as in a rock mode for percussion ensemble.

On Oct. 3, she’ll be presenting a sampling of her work, including Stronghold for eight double basses, the string quartet Dig Deep, and LAD for bagpipes.  at (Le) Poisson Rouge. Julia will be in the house to discuss her work.

Performers include JACK Quartet, Robert Black and the Hartt Bass Band, and piper Matthew Welch.

6:30 p.m., Sunday, Oct. 3. (Le) Poisson Rouge, 158 Bleecker Street, Manhattan. (212) 505-FISH (3474) $15. Tickets available here.

Kronos Quartet (Photo by Jay Blakesberg)

Kronos Quartet at (Le) Poisson Rouge

Kronos Quartet, the pioneering modern string quartet, make two rare club appearances in New York City this week.

On Friday and Saturday, Oct. 8 and 9, Kronos is appearing at (Le) Poisson Rouge.

The program for Oct. 8 includes the New York premiere of Maria Schneider‘s String Quartet No. 1, a world premiere by Aleksandra Vrebalov, the premiere of Bang on a Can cofounder Michael Gordon‘s Exalted with the Young People’s Chorus of New York City and works by Bryce Dessner and Missy Mazzoli. On Oct. 9 Kronos is joined by special guest vocalist Judith Berkson for several pieces. Also featured are Clouded Yellow by Gordon as well as works by Clint Mansell, J.G. Thirlwell, and Dan Visconti.

7 p.m. Friday, Oct. 8. (Le) Poisson Rouge, 158 Bleecker Street, Manhattan. $25. Tickets available here.

Also 7 p.m. Saturday, Oct. 9. Tickets available here.

Ólöf Arnalds at The Bell House in Brooklyn on March 24, 2010. (Photo by Steven P. Marsh)

Ólöf Arnalds at Joe’s pub

Ólöf Arnalds seemed to be an uncertain, nervous performer when we saw her at The Bell House in March. But the Icelandic singer-songwriter writes lovely songs and makes delicately beautiful records.

We’re hoping she’ll be more confident when she stops in at Joe’s Pub,

9:30 p.m., Saturday, Oct. 9. Joe’s Pub, 425 Lafayette Street, Manhattan. $15. Click here or call (212) 967-7555 for tickets and more information.

12 hours of free music at the Bang on a Can Marathon

The World Financial Center Winter Garden was packed for last year's Bang on a Can Marathon. (Photo copyright 2009, Steven P. Marsh)

Every year, the Bang on a Can Marathon brings a wide range of new music and spectacular performers to New York City to perform in a massive free concert — and this year is no exception. The Marathon is coming up in just two weeks, from noon to midnight on Sunday, June 27, at the World Financial Center Winter Garden at 220 Vesey Street in Lower Manhattan.

Burkina Electric, an African band organized by composer Lukas Ligeti (second from right) is just one of the great acts at the Bang on a Can Marathon.

This year’s program will, as always, feature Bang on a Can’s house band, the Bang on a Can All-Stars, and a host of other great acts, including Living Colour’s eclectic guitarist Vernon Reid, African band Burkina Electric, John Hollenbeck Large Ensemble, Signal ensemble and Gamelan Galak Tika.

Bang on a Can has been presenting these marathons since 1987 at various locations around NYC. Since moving to the WFC, thanks to the generosity of co-presenter Arts World Financial Center and the River to River festival, admission has been free. The Marathon turns the Winter Garden into a big, 12-hour party, with people coming and going and the mood shifting with the performers and the changing natural light pouring through the glass walls.

Click here to check out photos and coverage of last year’s Marathon by Will You Miss Me When I’m Gone?

Click to the jump for the full list of performers and schedule.

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