Tag Archives: Broadway

Nyack’s Bill Irwin puts on his ‘Old Hats’ again

Bill Irwin in the world premiere run of "Old Hats" at Signature Theatre Company. (© 2013 Joan Marcus)

Bill Irwin in the world première run of “Old Hats” at Signature Theatre Company. (© 2013 Joan Marcus)

Scroll to the bottom of this post for access to a special 2-for-1 ticket deal for Bill Irwin’s “Old Hats,” which returns to Off-Broadway next week. Then click through to read the full story.

 

You know Bill Irwin.

Maybe you didn’t see him on Broadway, clowning around onstage in baggy pants in “Fool Moon” 1n 1993, or playing the comical Mr. McAfee in “Bye Bye Birdie” in 2011.

Maybe you didn’t grow up with him as Mr. Noodle on “Sesame Street.”

But if you watch “CSI: Crime Scene Investigation,” “Law and Order SVU,” or “Sleepy Hollow,”  you’ve probably seen him playing everything from psychologists to over-the-top villains.

Bill Irwin as the title character in "Uncle Vanya" at Lake Lucille, NY, in 2007. (©2007 Steven P. Marsh/willyoumissme.com)

Bill Irwin as the title character in “Uncle Vanya” on Lake Lucille in New City in 2007. (©2007 Steven P. Marsh/willyoumissme.com)

Or maybe you saw him locally, in some of the summer plays on Lake Lucille in northern New City. He appeared as the title character in Anton Chekhov’s “Uncle Vanya” in 2007 and the clown Radish in Chekhov’s “Platonov” in 2008.

He’s a versatile actor who admits he works hard to stay that way for a practical reason: to pay the bills. (The Lake Lucille shows may be an exception since they’re labors of love for all involved!)

“It isn’t really an aesthetic choice as much as it is just trying to make the monthly nut,” he told me recently as we sat down for a chat for The Journal News/lohud.com.

He says he and wife Martha Roth take the need to pay the bills pretty seriously.

Bill Irwin clowns around as Radish in Chekhov's "Platonov" on Lake Lucille in New City in 2008. (©2008 Steven P. Marsh/willyoumissme.com)

Bill Irwin clowns around as Radish in Chekhov’s “Platonov” on Lake Lucille in New City in 2008. (©2008 Steven P. Marsh/willyoumissme.com)

“Everybody has a monthly nut, but we have a chant: Monthly nut, monthly nut!”

Irwin and David Shiner, his partner-in-clowning, are returning to the New York City stage next week for a return engagement of their 2013 revue “Old Hats” — with splendid young singer-songwriter Shaina Taub as their onstage foil, master of ceremonies, and music director, filling the shoes of quirky chanteuse Nellie McKay, who originated the part.

The show was a delight the first time around, and sounds like it’ll be just as much of a hoot this time — with some changes that’ll make it well worth seeing again.

Check out my FULL INTERVIEW by clicking here, or pick up this Sunday’s edition of The Journal News on your local newsstand.

GO HERE FOR INFORMATION ON HOW TO GET 2 TICKETS FOR THE PRICE OF 1.

Stew and The Negro Problem returning to Barbès

UPDATE: Stew Sez Showtime’s now 9:30 p.m.

Photo from Stew's Facebook announcement of the upcoming gig at Barbès.

Photo from Stew’s Facebook announcement of the upcoming gig at Barbès.

There was a moment or two of confusion Thursday morning when Stew,the singer-songwriter and Tony winner for the book of Passing Strange posted on Facebook that he and his band, The Negro Problem, would be appearing two weeks from now at “our beloved Barbès” and included the date of Oct. 25.

Stew, Heidi and an incarnation of The Negro Problem at Barbés in 2011. (Photo © 2011, Steven P. Marsh)

Stew, Heidi and an incarnation of The Negro Problem at Barbés in 2011. (Photo © 2011, Steven P. Marsh)

Well, fans of Stew’s work won’t have to wait that long. Maybe Stew is just jonesing for Fall. But according to the Barbès calendar, it’s Thursday, July 25, at 10 p.m., which is in two weeks.

Whew. Glad I could clear that up.

Stew posted a Facebook update on Friday, July 19, saying showtime was changed to 9:30. So I’m getting there by 9 just to be on the safe side:

showtime for stew & the negro problem’s BARBES show this THURSDAY JULY 25th is now 9:30. We will play some songs inspired by recent events.

Continue reading

Colman Domingo puts ‘Soul’ back into the Vineyard Theatre (updated with discount code to see ‘Wild With Happy’ for just $25)

Colman Domingo

Tickets on sale now for this one-time event

If you haven’t seen Colman Domingo‘s wonderful “A Boy and His Soul,” which was such a treat at the Vineyard Theatre a few years back, you’ll get another chance to check it out in January.

Tickets are on sale now for a one-night-only reading of Colman’s one-man (but multi-character) show.

You probably know him from “Passing Strange,” on Broadway or at the Public Theater. And maybe even from “The Scottsboro Boys” at the Vineyard or, briefly, on Broadway.

And I certainly hope you’re seeing the play he wrote and stars in at the Public Theater through Nov. 18, “Wild With Happy.”

UPDATE: See “Wild With Happy for just $25. Use the code STORM by calling (212) 967-7555 (daily noon-8pm), or visiting the Public Theater Box Office at 425 Lafayette Street (Sun & Mon 1-6pm; Tue-Sat 1-7:30pm) or by clicking here.

“A Boy and His Soul” tells a slice of Colman’s life story using his record collection (yes, remember records?) to lead the audience through. It will help bring “Wild” into sharper focus.

Colman’s a major talent, brimming with life, love and emotion.

James Earl Jones told Colman that “Wild” was “miraculous.” I couldn’t agree more. And “A Boy and His Soul” is just as miraculous. If you loved “Wild,” then “Boy” will flesh out Colman’s story for you. Yes, it’s theater. Yes, it’s fiction. But the underpinnings of both shows are first-rate, true-blue Colman.

“A Boy and His Soul,” a reading and pre-show toast. 7 p.m., Monday, Jan. 7, 2013. Vineyard Theatre, 108 E. 15th Street (Union Square East/Irving Place) in Manhattan. Call (212) 353-0303 or click here for tickets. $75.

Tony Award nominations announced

Read the full list of Tony nominees on the official tonys site. Click here

The 66th annual Tony Award nominations are out this morning, with a movie remake, Once, topping the list. But another film takeoff, the just-opened Leap of Faith, also got one in the Best Musical category.

There’s lots of other news to report, including the snubbing of big stars Bernadette Peters and Ricky Martin and the revamped Spider-Man, but we’ll leave that to other reports.

The full list is here.

New York Daily News theater critic Joe Dziemianowicz‘s report is here.

New York Times ArtsBeat blog report here.

Billboard’s take here.

Playbill.com offers coverage here and reaction here.

We told you Condola Rashad was great! Now the Tony Awards panel backs us up by nominating her as best featured actor in a play

Condola Rashad outside the Cort Theatre after a performance of Stick Fly. (Photo © 2011, Steven P. Marsh)

The Alicia Keys-produced play Stick Fly hung on at Broadway’s Cort Theatre for just 93 performances last winter. The play may have fallen a bit flat, despite every promotional effort. But one member of the cast made a big impression that has lasted well beyond that last performance on Feb. 26.

Condola Rashad (yes, the daughter of The Cosby Show alum Phylicia Rashad and former NFL wide receiver Ahmad Rashad) was that show’s secret weapon, as Will You Miss Me When I’m Gone? told you back in December.

On Tuesday morning, she was nominated as Best Featured Actor in a Play.

So she’s crossed the first hurdle. The Tony nominators have joined with WYMMWIG? in recognizing this young superstar. Now, Tony judges, it’s time to vote for her and give her the award she earned and so richly deserved.

Her reaction was sweet and humble, as you’d expect from the sassy-smart young actress. She took to Twitter to tell her fans:

Funny fact about Condola: She never watched The Cosby Show when she was growing up. “I was on the set!” she says in this interview with The Associated Press:

Daniel Breaker and special guests played Joe’s Pub

Daniel Breaker and his crew at Joe's Pub. (Photos 2012, Steven P. Marsh)

Broadway star spices up his elegant cabaret set with help from fab up-and-comer Jo Lampert and Broadway vet Morgan James

The inimitable Daniel Breaker at Joe's Pub.

We’re hoping Daniel Breaker is going to be a regular on the Joe’s Pub stage. His performance there Sunday night, April 22 — his second cabaret show there — showcase the winning singer/actor even better than the first. He seemed more comfortable in his role as a front man, and less like an actor putting on a show.

Jo Lampert kills it at Joe's Pub, with drummer Christian Cassan in the background.

With the help of a dozen or so musical compatriots — including drummer Christian Cassan and music director/guitarist Jon Spurney from his time in the hit musical “Passing Strange” — Breaker put on a great show.

He sang original and classic cabaret numbers, and even dipped into rock with Nirvana’s “Smells Like Teen Spirit,” charming the crowd all evening.

Breaker’s special guest vocalists once again gave him a run for his money. In Breaker’s last show at Joe’s, guest Condola Rashad  threatened to steal the spotlight altogether with her amazing power and charming stage persona.

Breaker clearly didn’t feel threatened. He chose equally intense guests for this show. Jo Lampert, who not long ago was a production assistant at Joe’s Pub and who was involved in the Public Theater’s incarnation of “Passing Strange,” blew the doors off with her rendition of Beyonce‘s “Halo,” and also filled in superbly on backing vocals.

Morgan James, currently in the cast of "Godspell" on Broadway, at Joe's Pub.

Morgan James, who’s in the ensemble with “Godspell” on Broadway, also did a great job.

Kelvin Dinkins Jr. and William Jackson Harper (a must-see in our book after his amazing work “The Total Bent” at the Public Theater) helped out on backing vocals.

New World Stages responds to talk that The Scottsboro Boys will make a New York comeback there

New World Stages marquee, 340 West 50th Street, Manhattan. (Photo courtesy New World Stages)

‘No conversations’ about staging the Kander and Ebb musical, says NWS managing director

When we reported the news that one of the producers of The Scottsboro Boys publicly proclaimed the show was returning soon to an NYC stage, Will You Miss Me When I’m Gone? offered it with a grain of salt.

It’s a good thing, because the the people at New World Stages, the house specifically named by the producer, are denying shooting down the idea — at least for now.

Michael Coco, NWS managing director, got back to us with this response:

Currently, all five theaters at NWS are filled with successful productions all with open ended contracts.  We do not anticipate any changes in our programming in the near future.

We followed up with Coco on this to clarify further. Continue reading

New World Stages responds to talk that The Scottsboro Boys will make a New York comeback there

New World Stages marquee, 340 West 50th Street, Manhattan. (Photo courtesy New World Stages)

‘No conversations’ about staging the Kander and Ebb musical, says NWS managing director

When we reported the news that one of the producers of The Scottsboro Boys publicly proclaimed the show was returning soon to an NYC stage, Will You Miss Me When I’m Gone? offered it with a grain of salt.

It’s a good thing, because the the people at New World Stages, the house specifically named by the producer, are denying shooting down the idea — at least for now.

Michael Coco, NWS managing director, got back to us with this response:

Currently, all five theaters at NWS are filled with successful productions all with open ended contracts. We do not anticipate any changes in our programming in the near future.

We followed up with Coco on this to clarify further.

Continue reading