Tag Archives: Maxwell’s

The wait’s almost over: First new album from the Schramms in 15 years is finished, awaiting release

Dave Schramm backs up Chris Stamey at Little City Books in Hoboken, New Jersey, on April 20, 2018. (Photo copyright 2018, Steven P. Marsh/willyoumissme.com)The Schramms have finished their first new album in 15 years, the band’s founder and guitarist Dave Schramm tells us, and is slated for release sometime later this year.

It’s the Schramms’ first album since 2003’s live “official bootleg” collection, “2000 Weiss Beers From Home.”

Schramm, a Hoboken, New Jersey, -based guitar wizard who has played with Human Switchboard and Yo La Tengo, and is closely associated with the indie music scene centered on Maxwell’s, revealed the news the other day at Little City Books, co-owned by Kate Jacobs, another Hoboken music icon.

“It’s recorded,” he says, adding that it is slated for release sometime this year on Hoboken’s Bar/None Records, which has been busy this year with a sparkling new release “Everybody’s Insecure” from Elk City and a beautiful rerelease of “Shore Leave,” the debut album by Feelies percussionist Dave Weckerman’s Yung Wu.

Schramm said he has been hoping for a spring release, but indicated that didn’t seem likely now.

Nothing’s listed on the Bar/None website so far.

A post on the band’s website dated Dec. 2, 2009, which appears to be the latest update, said a new album was “nearing completion.” It looks like Schramm was a little optimistic about the timetable back then.

The band’s Facebook page, which appears not to have been updated since 2015, lists a lineup of Schramm on guitar and vocals, Andrew Harris Burton on keys and vocals, Jon Graboff on guitar and vocals, Al Greller on Bass, and Ron Metz on drums.

The best time for Speed the Plough is ‘Now’

Now slice.jpg

Mark your calendar now: Speed the Plough is ready to party.

The North Jersey chamber rockers have been playing the songs from their splendid new album, aptly titled “Now,” for awhile. But now they’re ready to make it official with a record release party.

STP will jam the tiny stage of The HiFi Bar (formerly Brownie’s) in Manhattan’s East Village on Thursday night, Feb. 25, to celebrate its release.

nowcover “Now” is Speed the Plough’s eighth album, and is notable for its fresh-but-familiar sound and the fact that it’s the first release by the newly revived Coyote Records.

Coyote was responsible for some of the early releases by Yo La Tengo, The Feelies, Beat Rodeo, Chris Stamey,and other leading lights of the Hoboken indie rock scene that centered on Maxwell’s. It was co-founded by Steve Fallon, who also ran Maxwell’s before giving it all up and moving to Rehoboth Beach, Delaware, where he opened a collectibles shop called Gidget’s Gadgets.

It’s fitting in so many ways that “Now” is Coyote’s first release in years. Speed the Plough  started playing in 1984, during the golden age of the Hoboken scene, and has persevered — with an evolving membership always anchored by stalwarts Toni and John Baumgartner — through so many changes.

“Now” is a perfect example of Speed the Plough’s ability to ability to adapt.

The album preserves the feel of the band’s earlier work without  sounding dated. This disc embraces the talents of the new members — vocalist/guitaristsEd Seifert and Michael Baumgartner, bassist Cindi Merklee, and drummer John Demeski.

Seven of the album’s 12 tracks are John Baumgartner compositions featuring vocals by him or Toni, along with Toni’s traditional wind instruments. They’re every bit as good as anything they’ve done before. The haunting “Midnight in the World” — with its refrain of “Calling you ’cause I don’t know what to do” — is a particular earworm.

Their son, Michael, comes on strong with three contributions: “Garden,” a rocker that is probably the first of the gravel-voiced songwriter’s that I ever heard live, “Hey, Blue,” a gentle love song, and a brief (1:47), driving, Hüsker Dü-ish rocker, “Ed’s Song.”  that closes the disc.

Seifert contributes “Be With You,” a delightful, loping folk-rocker with spare, repeated lyrics.

Merklee steps forward in a way that I’ve been waiting to hear, offering a beautiful, plaintive homage to novelist Carson McCullers wiht “Miss Amelia.”

IF YOU GO

What: Speed the Plough record release party

When: 7:30 p.m., Thursday, Feb. 25

Where: The HiFi Bar, 169 Avenue A, Manhattan

Tickets: Free, donations accepted, with all proceeds going to the artists. Shows in this small venue tend to fill up, but if you arrive early, you’ll likely have no problem getting in. Making a donation in advance online guarantees entry.

 

Don’t miss Condo Fucks (you know who they are), Antietam and Speed the Plough at Cake Shop – with ticket link

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Don’t risk missing this show: Read through to the jump for a link to advance-sale tickets

Cake Shop is celebrating its 10th anniversary this month by hosting shows featuring artists who have played the tiny but influential underground (literally and figuratively) Lower East Side club during that decade.

While most Cake Shop shows, including the #CS10 anniversary specials, are pay-at-the-door affairs, it seems that management made a wise choice to provide advance sale tickets for the gig on Friday, May 22, featuring Condo Fucks, a “Connecticut” band whose fictional bio offers clues for the uninitiated:

Eschewing such Condo Fucks originals as ‘Fuckin’ Gary Sandy’ and ‘Let’s Get Rid Of New Haven’, the trio – Georgia Condo (drums), Kid Condo (guitar), and James McNew (bass) – instead tear through covers of The Small Faces, Richard Hell, Beach Boys, Electric Eels, Troggs, Flaming Groovies and Slade classics in the style that previously won them so much acclaim from the Nutmeg State’s music journalists and radio programmers all those years ago.

Still not sure who these musicians are? You haven’t been paying attention. So shame on you. Continue reading

Yo La Tengo getting ‘Extra ‘Painful’ at The Town Hall this week

Yo La Tengo: Georgia Hubley, Ira Kaplan, James McNew (Photo by Carlie Armstrong)

Yo La Tengo: Georgia Hubley, Ira Kaplan, James McNew (Photo by Carlie Armstrong)

You can never be sure which Yo La Tengo you’ll see when you go to a show.

The cult-favorite indie rock band is a chameleonic act whose sound can careen from gentle, rhythmic folk rock to noisy guitar freakout to cover-band-style garage rock and back again — sometimes all in the same set.

YLT co-founder Ira Kaplan sat down with me the other day for an interview in advance of the band’s shows at The Town Hall in Manhattan this week — on Wednesday, with Antietam opening, and Thursday with The Feelies.) Tickets to the shows are $32.50 and $42.50, plus fees, and are available by going here to visit Ticketmaster.

We covered a wide range of topics, and Kaplan even dropped a surprising hint about the band’s unique Hannukah shows (eight shows, with multiple guests, over the eight nights of the Festival of Lights) that seemed to come to a screeching halt when Maxwell’s, the revered Hoboken, N.J., rock club that hosted them for more than a decade, closed in 2013.

Read the full interview online now by going here now, or see it in all its print glory by picking up a copy of The Journal News on Tuesday.

Update: Rodeo Bar announces shutdown

Rodeo Bar is ending its policy of free live music at the end of July.

New York’s Longest-Running Honky-Tonk to shut down at the end of July; The Eugene Chrysler Band to play the venue’s final show

UPDATE: Around 11:45 a.m. Thursday, just hours after Will You Miss Me When I’m Gone? posted an item confirming that Manhattan’s Rodeo Bar was no longer booking bands, the bar posted a notice on Facebook  that it’s shutting down altogether  after July 27. This is the full post:

Dear Rodeo Bar patrons and music lovers,

We are deeply saddened to announce that after 27 years in business, Rodeo Bar and Grill is closing its doors after July 27, 2014.

Here at New York’s longest-running honky-tonk, we stayed open during some of the city’s toughest times — Hurricane Sandy, the 2003 blackout, 9/11 — but recent rent increases, combined with a changing landscape, have made it impossible for us continue.

For the past three decades, Rodeo Bar has been home to thousands of bands, and we’re proud to have helped define the country, Americana and rockabilly scene in New York City for all these years. But more than that, we were supported by an incredible community of people from New York and all over the world who helped make this bar great. We can’t thank y’all enough.

For the rest of July, we’re open every night, and the music schedule is killer — and free, as it always has been. So come on down and join us for every show, every Shiner, and every moment with the horse trailer we call home. We’re going out with our boots on.

Much Love, and Until the Buffalo Sings,

Rodeo Bar

The final show at the Rodeo has just been announced: The Eugene Chrysler Band at 10 p.m. on Saturday, July 26. The announcement promises free CDs and guest stars.

My original post appears after the jump.

Continue reading

Yo La Tengo played The Bell House, a little late for Hanukkah

Yo La Tengo started with a quiet set in front of some tree props. (Photos © 2013, Steven P. Marsh/willyoumissme.com)

Yo La Tengo started with a quiet set in front of some tree props. (Photos © 2013, Steven P. Marsh/willyoumissme.com)

In apparent confirmation of the notion that its annual, eight-night Hanukkah concerts died along with Maxwell’s, the Hoboken music club, Yo La Tengo skipped performing during the Festival of Lights this year. But the Hoboken-based band did manage to pull together a four-night, end-of-year run at The Bell House in Brooklyn over the weekend.

(Photos © 2013, Steven P. Marsh/willyoumissme.com)

Never forget your roots.

Sunday night’s show was all YLT, all the time. It didn’t have the special attraction of guest artists and comedians opening for and playing with YLT’s Georgia Hubley, Ira Kaplan and James McNew. But it was a splendid way to wrap up the year anyway.

On Sunday, YLT opened with a set of quiet versions of songs, largely from this year’s album, “Fade.” For the second set, they cut loose, rocking out on a huge set of songs.

(Photo © 2013, Steven P. Marsh/willyoumissme.com)

Joe Puleo on Farfisa.

Oh, and I’m slightly wrong about the “no guest artists” thing. The band’s longtime tour manager and man-about-town Joe Puleo joined them on Farfisa for one number. I guess that counts.

(Photo © 2013, Steven P. Marsh/willyoumissme.com)

A huge tech and front-of-house sound area kept things running smoothly and quickly.

Enjoy more photos after the jump.

Continue reading

The Walking Dead? Maxwell’s planning to reopen in Hoboken

Preparing for the wake at Maxwell's on July 31, 11th Street next to the club was blocked off. (Photo © 2013, Steven P. Marsh)

Preparing for the “wake” at Maxwell’s on July 31, 11th Street next to the club was blocked off. (Photo © 2013, Steven P. Marsh)

Something feels wrong — no, make that preposterous — about the idea of saying farewell to an old friend at a raucous wake only to see that friend return to the land of the living a matter of weeks later.

But that’s just what seems to be happening at Maxwell’s, the much-loved bar-restaurant-music venue in Hoboken, N.J.

Erica Seitzman/Facebook

(Erica Seitzman/Facebook)

The place has seen limited action — as a rain venue for a concert and a one-shot studio for a Justin Timberlake concert-cum-Target-commercial.

But over the Labor Day weekend, some eagle-eyed Hobokenites spotted “Help Wanted” posters seeking staff of the restaurant-bar.

I don’t think I’m alone in feeling like I’m in the middle of an episode of “The Walking Dead,” which, if nothing else, has taught us that while the Walkers look like those we knew and loved, they’re not who they appear to be.

Maxwell's founder Steve Fallon, left, and booker/co-owner Todd Abramson at Maxwell's "wake." (Photo © 2013, Steven P. Marsh)

Maxwell’s founder Steve Fallon, left, and booker/co-owner Todd Abramson at Maxwell’s “wake.” (Photo © 2013, Steven P. Marsh)

After 35 years, Maxwell’s closed on July 31 with a block party outside and a long evening of shows — punctuated by plenty of reminiscences and a few tears — inside the music room. The end came after Todd Abramson, co-owner, music booker and public face of the club, decided he’d had enough of the problems that come running such a business in the uber-gentrified Mile Square City.

Justin Timberlake's Maxwell's tweet.

Justin Timberlake’s Maxwell’s tweet.

On Aug. 8 — barely a week after the shutdown — the lights were back on and the restaurant was pressed into service to host a show by Swingadelic, originally scheduled for nearby Frank Sinatra Park. It was part of Hoboken Administrator of Cultural Affairs Geri Fallo‘s backup plan, the Cliffview Pilot reported, to avoid a rain-out.

It all made sense. First, Swingadelic’s founder is bassist Dave Post, who also happens to be a co-owner of Maxwell’s. Second, despite the extensive partying there in the club’s final days, the place apparently was left with a decent amount of quaffables to keep the bar stocked.

Then along came Timberlake, a musician who I’m guessing never set foot in Maxwell’s while it was in business.

Hundreds of fans lined up and then flooded the streets around Maxwell's in Hoboken where Justin Timberlake is filming a commercial for Target. Wednesday, Aug. 28, 2013. -- Joe Shine/For The Jersey Journal

Hundreds of fans lined up and then flooded the streets around Maxwell’s in Hoboken where Justin Timberlake is filming a commercial for Target. Wednesday, Aug. 28, 2013. — Joe Shine/For The Jersey Journal

His crew took over the empty club for a one night fan concert (well, a one-SONG appearance for a Target commercial) in the still-equipped music room. Thousands crowded the streets outside the shuttered club, The Jersey Journal reported. Fans weighed in effusively on Facebook and Twitter, often with disparaging comments.

Timberlake drew some particularly amusing snarkiness on Twitter from Yo La Tengo, a band that got its start in Hoboken and is indelibly linked to the club.

YLT Tweets

And now, there’s the reopening. Yes, Maxwell’s is hiring staff to reopen the bar and restaurant, but, apparently, not the music room.

Post tells Tris McCall of The Star-Ledger that Maxwell’s will reopen as a bar and restaurant only, staying in operation until the place sells. (The business and a 10-year lease can be yours for just $625,000.) He said he wasn’t sure when he’d be reopening.”Hopefully, it won’t take too long to make a sale,” Post told McCall. “But even if I sold Maxwell’s tomorrow, it would take 90 days for the license to transfer.”

The Star-Ledger reports that Abramson — who was a constant presence in the restaurant, seating diners, delivering orders and overseeing proceedings — is not involved in the reopening.

 

A foretaste of New Jersey rock without Maxwell’s: Speed the Plough, East of Venus play Mexicali Live

Speed the Plough performs at Mexicali Live in Teaneck, N.J. on July 18, 2013. (Photo © 2013, Steven P. Marsh)

Speed the Plough performs at Mexicali Live in Teaneck, N.J. on July 18, 2013. (Photo © 2013, Steven P. Marsh)

We know what it’s going to be like without Maxwell’s. We learned it pretty clearly at Mexcali Live in Teaneck, N.J., on Thursday, July 18.

Speed the Plough, a very Maxwell’s-identified band, ripped through an excellent headlining set after warmups by Lianne Smith and East of Venus.

Toni (Paruta) Baumgartner and Cindi Merklee of Speed the Plough.  (Photo © 2013, Steven P. Marsh)

Toni (Paruta) Baumgartner and Cindi Merklee of Speed the Plough. (Photo © 2013, Steven P. Marsh)

Nobody in the audience crowded the edge of the stage, which is tradition at Maxwell’s. Not there’s anything wrong with that. It just seemed a little alien. But you had the distinct feeling that if you tried to stand in front of the stage, you’d be shouted away by the audience or escorted away by management. So it seemed better to keep a bit of distance.

Only one person in the crowd stood near the front of a rather cavernous room filled with tables, chairs and stools — and he was far, far from his usual front-and-center spot.

Never mind that the sound at Mexicali is crisp and the raised stage provides sight lines that are, to say the least, more audience-friendly than Maxwell’s. Continue reading

Mission of Burma shows added in Maxwell’s final days

Mission of Burma at The Bell House in Gowanus, Brooklyn. (Photo © 2011, Steven P. Marsh)

Mission of Burma at The Bell House in Gowanus, Brooklyn. (Photo © 2011, Steven P. Marsh)

UPDATE: second, Early show added; ticket links on the jump

Seminal Boston post-punk band Mission of Burma is a late addition to the schedule of shows during the final days of Maxwell’s in Hoboken.

MoB, which comprises founding members Roger Miller, Clint Conley and Peter Prescott, plus Bob Weston who long ago replaced original tape manipulator/sound engineer Martin Swope, has been added in two time slots — 6 p.m. and 9 p.m. — on Sunday, July 28, just days before the club’s last show on July 31.

20130719-123546.jpgWhile bands from Sonic Youth to R.E.M. have cited Mission of Burma as an influence, the band’s strongest Maxwell’s connection is with Yo La Tengo. But don’t expect to see YLT’s Ira Kaplan, Georgia Hubley or James McNew in the crowd or onstage for this one. YLT is playing the Fuji Rock Festival in Niigata Prefecture, Japan, that day.

With a little luck, they’ll be back to New Jersey in time to take part in Maxwell’s closing ceremonies.

Tickets for the 6 p.m. early show (doors at 5 p.m.) are $25 and available by clicking or tapping here. (http://ticketf.ly/18vaHSl)

Tickets for the 9 p.m. late show (doors at 8 p.m.), also $25, are available by clicking or tapping here. (http://ticketf.ly/12P2zYl)

Sam Phillips leaves them wanting more

Sam Phillips

Sam Phillips

We’ve all heard the expression “always leave them wanting more” many times.

Whether in the context of showbiz or romance, the quote — attributed, with a great degree of uncertainty, to Walt Disney and P.T. Barnum — always seems applicable.

Sam Phillips' Push Any Button

Sam Phillips’ Push Any Button

Singer-songwriter Sam Phillips (the sexy former “Christian Cyndi Lauper” formerly known as Leslie Phillips) must have taken that to heart when she cut her new, self-released album, Push Any Button.

It clocks in at a splendidly listenable 29 minutes, with 10 tracks. And it definitely leaves them wanting more.

Her resolved wavered, though, after she finished the album.

Continue reading