Category Archives: World Music

Bang on a Can Marathon moving to Brooklyn with promise of ‘politics, resistance and love’

Asphalt Orchestra performing at the 2015 Bang on a Can Marathon at the Winter Garden in Manhattan on June 21. (© 2015 Steven P. Marsh/willyoumissme.com)

Asphalt Orchestra performing at the 2015 Bang on a Can Marathon at the Winter Garden in Manhattan on June 21. (© 2015 Steven P. Marsh/willyoumissme.com)

Bang on a Can, the premiere purveyor of New Music in New York City, is rebooting its  iconic Marathon concert with a move to Brooklyn in May, after a year off. Organizers promise it will be an “8-hour marathon concert of politics, resistance, and love.”

The Marathon lost its downtown Manhattan home of a decade at the Winter Garden of the World Financial Center (now renamed Brookfield Place). The organizers skipped a 2016 edition, but promised a new location for the its 30th anniversary this year.

They delivered on that promise Thursday, announcing that the genre-busting musical celebration lands at the Brooklyn Museum on May 6, from 2-10 p.m.

The Marathon was somewhat itinerant prior to its 10-year run at the Winter Garden, spending time at mostly Manhattan venues, ranging from the Soho art gallery where it started in 1987, to the Abrons Arts Center in the Lower East Side, to Lincoln Center’s Alice Tully Hall.

Despite its Manhattan roots, this won’t be the first time the Marathon was held in Brooklyn. In 2000 and 2001, it was staged at BAM, just a block or two away from Bang on a Can’s longtime headquarters on Hanson Place in Fort Greene. Continue reading

Sufi rocker Salman Ahmad fights polio and oppression with music

Salman Ahmad (Photo by Chris Ramirez)

Salman Ahmad (Photo by Chris Ramirez)

Salman Ahmad was born in Pakistan, but he developed his love of rock and roll during the formative teen years he spent in Tappan, New York, a town in southern Rockland County.

Today, a quarter century after founding the multi-million selling band Junoon in Pakistan, where he returned in his late teens, he’s still making music. Now, more than ever, it’s in service to his humanitarian spirit as much as to his Rockland-born rock and roll heart.

I had the chance to speak with Ahmad by Skype the other day about his life and work.

Though music is his life, he’s also a trained physician. Right now, he’s back in Pakistan, using his celebrity, and a bit of his medial savvy, in the battle to eradicate polio there.

But all the while, he’s looking over his shoulder, because, while he’s a Muslim like most in his homeland, he’s a known target for extremists who don’t like the Western influence he brings with him.

Go here.to read the whole interview, done for The Journal News/lohud.com.

 

 

WIN TICKETS to see legendary Brazilian Sixties psychedelic band Os Mutantes at LPR — the band’s only US show this year

Os Mutantes 1968: Arnaldo Baptista, Rita Lee, and Sérgio Dias Baptista.

Os Mutantes 1968: Arnaldo Baptista, Rita Lee, and Sérgio Dias Baptista.

One Will You Miss Me When I’m Gone? reader has a treat in store: A free pair of  tickets to see Brazilian psychedelic rock band Os Mutantes at Manhattan’s (le) poisson rouge.

It’s the band’s only U.S. date this year, and thanks to the wonderful folks at LPR, I have a pair to give away. Read through to the jump to learn how to enter.

Os Mutantes has been a favorite of mine for some years, although I knew nothing about the band in its heyday. Email and the Internet have helped me learn a lot about what was going elsewhere in the world while I was growing up hearing the Beatles on the radio.

Brothers Arnaldo Baptista and Sérgio Baptista Dias joined forces in 1966 with singer Rita Lee to form a band that became a key part of  the wildly experimental Tropicália movement in their homeland.

Here’s Os Mutantes’ debut album from 1968. It still sounds remarkable after all these years.

TICKET ENTRY INFO AFTER THE JUMP

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John Cohen: ‘I’m drowning in my past’

John Cohen  (Photo: Carucha L. Meuse/The Journal News)

John Cohen (Photo: Carucha L. Meuse/The Journal News)

I got the chance recently to spend an hour or so talking to John Cohen, one of the legendary figures of the musical and artistic scene of Greenwich Village in the 1960s, for The Journal News/lohud.com.

Cohen, the founder of the New Lost City Ramblers is still making music — now with a trio of much younger musical traditionalists in the Down Hill Strugglers — promoting his documentary films, working creating a cultural center in his hometown of Putnam Valley, New York, and preparing to start painting again.

The 82-year-old says he has explored so many ways of expressing his creativity over the years that “I’m drowning in my past.”

Check out the full interview online at lohud.com by tapping or clicking here. Or pick up a copy of the Tuesday, March 10, edition of The Journal News.

The Feelies perform on the silver screen and live in Westchester County

The Feeles perform as The Willies in Jonathan Demme's 1986 movie "Something Wild."

The Feelies perform as The Willies in Jonathan Demme’s 1986 movie “Something Wild.”

Music and film fans will get a rare opportunity to see some time travel at the Jacob Burns Film Center in Pleasantville, N.Y., on Sunday, June 1, when The Feelies take the stage.

The band is booked at the celebrated film center as part of “Something Wild: The Films of Jonathan Demme,” a festival that runs through June 11 to celebrate the director (and longtime Feelies fan) of “Something Wild,” “Stop Making Sense,” “Storefront Hitchcock,” “Rachel Getting Married,” “Philadelphia,” and many, many more.

The Feelies are taking the stage after a screening of Demme’s dark 1986 romcom (did that conflation even exist back then?) “Something Wild.” The truly wacky movie about two good-hearted, but not exactly honest, people (Melanie Griffith and Jeff Daniels) searching for truth and love, features The Feelies (playing The Willies in the movie), along with a superbly curated soundtrack of pop songs from the era. Continue reading

Sarah Lee Guthrie and Johnny Irion bring Wassaic Way to Saturday’s Wassaic Festival

Sarah Lee Guthrie and Johnny Irion at Wilco's Solid Sound Festival in 2011. (Photo © 2011, Steven P. Marsh)

Sarah Lee Guthrie and Johnny Irion at Wilco’s Solid Sound Festival in 2011. (Photo © 2011, Steven P. Marsh)

Sarah Lee Guthrie and Johnny Irion are making a Hudson Valley appearance on Saturday, Aug. 3 at the all-free Wassaic Festival in Dutchess County, which starts today and runs through Sunday (Aug. 2-4).

There’s something nice about hitting the namesake town in the early stages of touring their latest album, the seriously charming Wassaic Way. The husband-and-wife-duo (she’s daughter of Arlo Guthrie and granddaughter of Woody Guthrie) are really proud of the self-released album (which is to be released Aug. 6) they made with Wilco’s Jeff Tweedy and Pat Sansone.

Stay tuned for a full interview with the creative couple. But for now, I just wanted to alert you to their gig coming Saturday. I’ve never been to the Wassaic Project, a center that aims to create context for art making and strengthening local community by increasing social and cultural capital through inspiration, promotion and creation of contemporary visual and performing art. It’s at the very last stop on Metro-North Railroad’s Harlem Line. This is the sixth year for the festival, a free, three-day event featuring art, music, dance, and community featuring over 100 artists, 25 bands, film screenings, dance performances and more.

If you go

Sarah Lee Guthrie and Johnny Irion perform at 6 p.m. Saturday, Aug 3.,  on the Luther Barn Stage. The Wassaic Festival began today (Aug. 2)  with various art events. Music and dance start around 6 p.m. This wrap up Sunday with a community breakfast, kids events and more music.

The Wassaic Project is at The Maxon Mills,  37 Furnace Bank Road , Wassaic, NY 12592. It’s in walking distance of the Wassaic Metro-North station with connections from Grand Central Terminal. ADMISSION IS FREE, but tickets are required for some events. Check the full schedule here.

Bangin’ it up at the Bang on a Can Summer Music Festival

To call Mark Stewart a guitarist would be a disservice. The multi-talented redhead leads participants at MASS MoCA in making some noise with some of his homemade tubes during the 2010 Bang on a Can Summer Music Festival. (Photo © 2010, Steven P. Marsh)

It’s a disservice to call Mark Stewart a guitarist. He leads a group at MASS MoCA in making some noise with some of his homemade tubes during the 2010 Bang on a Can Summer Music Festival. (Photo © 2010, Steven P. Marsh)

18 days of fantastic summer music in the Berkshires

Today’s subject: MASS MoCA.

I’ve written a lot lately about the Massachusetts Museum of Contemporary Art, especially in the last month or two because of Wilco’s splendid Solid Sound Festival, held on the museum campus in North Adams, Mass., in late June.

When Wilco announced the inaugural Solid Sound back in 2010, I pretty much knew it would be great because I had already seen MASS MoCA host many, many editions of the Bang on a Can Summer Music Festival — colloquially known at Banglewood.

If you’ve been a regular reader of Will You Miss Me When I’m Gone?, you already know something about the Bang on a Can program. This summer’s program is the 12th annual festival on the beautiful industrial MASS MoCA grounds.

But maybe you’re not a musician, or at least not one who wants to participate in the festival. How does this matter to you?

Rain on the MASS MoCA campus. (Photo © 2011, Steven P. Marsh)

Rain on the MASS MoCA campus. (Photo © 2011, Steven P. Marsh)

That’s easy. Festival participants do their learning in public, putting on recitals six days a week and participating in a public Marathon concert on the final day. There’s also a performance of Bang on a Can co-founder Julia Wolfe‘s Steel Hammer, a full-length piece that weaves together the many variations of the John Henry folk legend.

So there’s plenty of professional-quality entertainment  for people who are just interested in listening and looking at some modern art. (Click through to the jump for schedule and ticketing information.)

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Make time for Lincoln Center Out Of Doors | ALL SHOWS FREE

Singer-songwriter Erin McKeown performs at the 2012 Lincoln Center Out Of Doors festival. (Photo © 2012, Steven P. Marsh)

Singer-songwriter Erin McKeown was one of many performers at the 2012 Lincoln Center Out Of Doors festival. (Photo © 2012, Steven P. Marsh)

Stellar summer lineup of free concerts

The flyer for Lincoln Center Out Of Doors arrived in my mailbox the other day. It reminded me that I hadn’t posted a single word about this free outdoor concert series yet.

So here goes. It’s a super linuep, as always, meticulously planned by Bill Bragin, director of public programming, and his amazing team.

For now, just let me mention a few names: Kronos Quartet, Asphalt Orchestra, Allen Toussaint, Sahr Ngaujah, Dan Deacon, Jherek Bischoff, Jacob Garchik, Dan Zanes and Ozomatli. (Along with Nick Lowe, My Brightest Diamond, Trixie Whitley, James Burton and Desert Blues. And Rubén Blades, Jason Isbell, Sleepy LaBeef and Amanda Palmer & Grand Theft Orchestra.)

Does that whet your appetite? If not, you’re probably reading the wrong blog.

The free outdoor shows start July 24 and run through Aug. 11 at various locations around the Lincoln Center campus on Manhattan’s Upper West Side.

Check out the whole lineup by clicking or tapping here (http://bit.ly/15MOo6P).

I hope to see you there.

Os Mutantes played a Maxwell’s farewell show five days after appearing at Wilco’s Solid Sound Festival

The inimitable Sérgio Dias is the founding member who has kept Os Mutantes alive all these years. (Photos © 2013, Steven P. Marsh)

The inimitable Sérgio Dias is the founding member who has kept Os Mutantes alive all these years. (Photos © 2013, Steven P. Marsh)

We’re definitely old enough to have experienced Brazilian rock band Os Mutantes in its first incarnation in the mid-Sixties.

But timing isn’t really everything.

We grew up in a household where listening to rock ‘n roll (aka The Devil’s Music) was, shall we say, not encouraged. And we lived in a community outside of Philadelphia where conformity ruled. And being 11, or so when Os Mutantes started making music, we were at a tender age where that type of pressure was pretty effective in keeping us in line.

Sérgio Dias plays sitar at Maxwell's, Hoboken, N.J., on June 28, 2013.

Sérgio Dias shows off his sitar skills.

On top of everything else, Brazil might as well have been the other side of the moon.

So, all in all, it’s no surprise that we didn’t know anything at all about Os Mutantes — founded by brothers Arnaldo Baptista on bass, keyboards and vocals and Sérgio Dias Baptista on guitar and vocals — until the psychedelic band started its Second Act when it reunited in 2006.

We’re sorry we missed the band’s First Act, but we were hardly alone among American music fans. And we’re thrilled we didn’t miss the Second Act.

Singer Esmeria Bulgari with Sérgio Dias of Os Mutantes at Maxwell's. (Photo © 2013, Steven P. Marsh)

Singer Esmeria Bulgari with Sérgio Dias of Os Mutantes at Maxwell’s.

Continue reading

Bang on a Can Marathon: 9 hours of New Music in a new home this Sunday

A crowd of listeners at the 2011 Bang on a Can Marathon at the Winter Garden. (Photos © 2011, Steven P. Marsh)

A crowd of listeners at the 2011 Bang on a Can Marathon at the Winter Garden. (Photos © 2011, Steven P. Marsh)

This Sunday is a special day.

Yes, it’s Father’s Day, but that’s not it.

Sunday is also the day that Bang on a Can is throwing its big, genre-bending musical party for New York City — the Bang on a Can Marathon.

Mark your calendar and don’t miss it. But don’t head to the Winter Garden at the World Financial Center, where the free marathon New Music concert has been held for the last few years.

From 1-10 pm on Sunday (be sure to take Dad to brunch early and then bring him along to the show afterward), Bang on a Can will fill Pace University’s Michael Schimmel Center for the Arts at 3 Spruce Street with nine hours of music — some of it familiar, some you’ve probably never heard before.

It’s the kickoff event of the River to River Festival, one of the city’s great free performing-arts series.

Bang on a Can had to move the marathon this year because the Winter Garden is under construction. The Schimmel Center is a smaller venue, a concert hall with fixed seating rather than a mall atrium with open, casual seating. So that means changes in the format.

Asphalt Orchestra performing at the 2011 Bang on a Can Marathon.

Asphalt Orchestra performing at the 2011 Bang on a Can Marathon.

For starters, you’ll need to get a free seating pass before you go in to sample the sounds. That’s just so the organizers can make sure the audience never exceeds the capacity of the 743-seat hall. They’ll be handing out the passing starting at noon — an hour before the first onstage event — on a first-come, first-served basis, so get there early to snag a good seat.

In addition to listening to the music, be sure to jump in on Twitter, too, by following on @bangonacan.

While most of the action is in the hall, if you get there early, you’ll encounter Bang on a Can’s Found Sound Nation. From noon until 5 pm, it’ll be operating its Street Studio, where anyone who wants to give it a try can create and record original music. Look for it at Park Row and Spruce Street.

Check out the full schedule after the jump.

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