Tag Archives: Caleb Burhans

Bang on a Can Marathon: 9 hours of New Music in a new home this Sunday

A crowd of listeners at the 2011 Bang on a Can Marathon at the Winter Garden. (Photos © 2011, Steven P. Marsh)

A crowd of listeners at the 2011 Bang on a Can Marathon at the Winter Garden. (Photos © 2011, Steven P. Marsh)

This Sunday is a special day.

Yes, it’s Father’s Day, but that’s not it.

Sunday is also the day that Bang on a Can is throwing its big, genre-bending musical party for New York City — the Bang on a Can Marathon.

Mark your calendar and don’t miss it. But don’t head to the Winter Garden at the World Financial Center, where the free marathon New Music concert has been held for the last few years.

From 1-10 pm on Sunday (be sure to take Dad to brunch early and then bring him along to the show afterward), Bang on a Can will fill Pace University’s Michael Schimmel Center for the Arts at 3 Spruce Street with nine hours of music — some of it familiar, some you’ve probably never heard before.

It’s the kickoff event of the River to River Festival, one of the city’s great free performing-arts series.

Bang on a Can had to move the marathon this year because the Winter Garden is under construction. The Schimmel Center is a smaller venue, a concert hall with fixed seating rather than a mall atrium with open, casual seating. So that means changes in the format.

Asphalt Orchestra performing at the 2011 Bang on a Can Marathon.

Asphalt Orchestra performing at the 2011 Bang on a Can Marathon.

For starters, you’ll need to get a free seating pass before you go in to sample the sounds. That’s just so the organizers can make sure the audience never exceeds the capacity of the 743-seat hall. They’ll be handing out the passing starting at noon — an hour before the first onstage event — on a first-come, first-served basis, so get there early to snag a good seat.

In addition to listening to the music, be sure to jump in on Twitter, too, by following on @bangonacan.

While most of the action is in the hall, if you get there early, you’ll encounter Bang on a Can’s Found Sound Nation. From noon until 5 pm, it’ll be operating its Street Studio, where anyone who wants to give it a try can create and record original music. Look for it at Park Row and Spruce Street.

Check out the full schedule after the jump.

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Donnacha Dennehy and Alarm Will Sound leave us Hunger-ing for more

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Alarm Will Sound (Photo by Justin Bernhaut)

Famine isn’t a cheery topic. And when we’re talking about the Great Irish Famine of 1845-1852, it could seem like musty and old as well as unpleasant.

And, let’s face it, the Great Famine is not a happy subject.

Luckily, when the fantastic Irish composer and Crash Ensemble bandleader Donnacha Dennehy takes on the monumental subject, it assumes a magical, transcendent quality.

Dennehy and the awesome 20-member New Music ensemble Alarm Will Sound gave New York its first taste of The Hunger, a still in-progress theater piece that combines the ensemble with live singing by an Irish  sean nós singer and a mezzo-soprano, at Carnegie Hall’s Zankel Hall on Saturday night, April 6.

We were mesmerized for all 45 minutes of urgent playing coupled with recordings of Irish sean nós singing and the keening of a mother for her dead child, along with and live singing by the extraordinary Rachel Calloway.

Calloway sang lyrics based on the first-hand accounts of the famine by the American nonconformist Asenath Nicholson, who spent two years in Ireland working with those dying of starvation. Her words in song are gripping, terrifying and urgent.

The piece is destined to be a full evening of performance by Alarm Will Sound, sean nós singer Iarla  Ó Lionáird and one of our very favorite mezzos, Dawn Upshaw. While Upshaw will likely put the finished work into an even higher category, we were mightily impressed with Calloway’s work on Saturday.

This taste leaves us starving to hear more.

While The Hunger was the marquee event of Saturday’s program, Alarm Will Sound got plenty of opportunity to show off its New Music chops in the first half, as well. The evening was intended to draw attention to the fact that the 12-year-old group, led by Alan Pierson (who also helms the Brooklyn Philharmonic), has amassed quite a bit of music written specifically for it.

One of its oldest commissions, David Lang‘s increase, composed in 2002, was the highlight of the first half. But the world premiere of the noisy, energetic Fly By Wire, by the suddenly ubiquitous Tyondai Braxton and New York premiere of Charles Wuorinen‘s Big Spinoff, were plenty of fun. Journeyman, composed by Alarm Will Sound’s pianist, John Orfe, also had its New York premiere Saturday.

Todd Reynolds, Sxip Shirey and friends steal the show

Sxip Shirey, Todd Reynolds and friends at Lincoln Center Out of Doors. (Photos © 2011, Steven P. Marsh)

How often do you go to a show and feel like you’ve heard such an amazing opening act that you’re ready to skip the headliner?

Not often, I’ll bet.

Todd Reynolds

But that’s exactly the way I felt at Lincoln Center Out of Doors on Wednesday night, Aug. 10. It was another triumph in New York’s best free outdoor concert series, which The New York Times describes perfectly as “generous, warm, high-spirited real entertainment for a big audience.”

Don’t get me wrong, Laurie Anderson was the headliner of the free show in Lincoln Center’s Damrosch Park. She is — and was that night — amazing. But openers Todd Reynolds and Sxip Shirey, joined by six violinists and a tuba player, blew the house down with their collaboration. I could have gone home floating on air after their set, feeling perfectly satisfied.

Lou Reed slips heads backstage at Lincoln Center Out of Doors.

Todd, the inimitable Digifiddler, kicked off his set with some of the inventive work from his new album, Outerborough. Laurie’s husband, Lou Reed, slipped through the crowd and backstage while Todd was really wailing on “Crossroads,” a Michael Lowenstern-composed “duet” with bluesman Robert Johnson.

In short order, Todd was joined by six more violinists, each of whom is pretty amazing in his or her own right (Caleb Burhans, Conrad Harris, Pauline Kim Harris, Yuki Numata, Courtney Orlando, and Ben Russell). The Sxip, the multi-instrumentalist clown prince of the NYC indie music scene entered along with Adam Matta (the Human Beatbox) and tuba player Don Godwin of Raya Brass Band. (Check out a rehearsal clip of Todd and Sxip cutting loose here.)

The energy that flowed among all these talented musicians as they jammed onstage was palpable. And there was lots of love flowing from stage to audience and back again.

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New Music Bake Sale: Music, Conversation, Beer and, yes, actual baked goods!

Arturo en el Barco's Bake Sale table featured cupcakes and particularly tasty flan de queso. (Photos copyright 2010, Steven P. Marsh)

The 2nd Annual New Music Bake Sale took over the decrepitly beautiful Irondale Center’s space in Fort Greene, Brooklyn, on Saturday, Sept. 25 for more than six hours.

The concept was pretty simple: Bring together a bunch of people who make new music — performers, producers, record companies and the like — in a place where they can make music, talk about music, drink beer and sell sweet and savory baked goods to raise money for their efforts.

Kathleen Supové at her Bake Sale table.

We don’t know how successful the financial part of the evening was, but the place was constantly full of people and activity throughout the event. We sampled the food, beer and music and found it excellent — especially the Sixpoint Sweet Action!

Many of our favorite New Music folks were there throughout the evening, including, but hardly limited to, Todd Reynolds, Matt Marks, Mellissa Hughes, Courtney Orlando, Ken Thomson, Jessica Schmitz, Ted Hearne, David T. Little, Steven Swartz, Glenn Cornett, Franz Nicolay, Caleb Burhans, Kathleen Supové and Oscar Bettison.

Todd Reynolds and Ken Thomson perform Ken's "Storm Drain."

We can hardly wait for next year’s event.

But enough words. Let’s get to the images. Click through to the jump for more photos. Continue reading