
Patrons enter Maxwell’s at 11th and Washington streets in Hoboken, N.J., on July 5, 2013, (Photo © 2013, Steven P. Marsh)
We’ve been thinking a lot about closing night at Maxwell’s, the well-loved Hoboken, N.J., music club that hosts its last show on July 31.
There’s a selfish motive, in part, of course: How can WE get to be there. Surely with all the bands and fans that have passed through the Washington Street club over the last 35 years there will be far, far more people trying to get in than the small (capacity 200) venue can possibly hold. With closing a bit over three weeks away, Todd Abramson, the club’s booker and co-owner, is working on a plan.

Todd Abramson with the New York Post’s Mary Huhn at South by Southwest in Austin, Texas, in 2003.
But, as he told us by phone this morning, “there’s no news here” just yet. He definitely has some ideas about ways to make it accessible to more people and to level the playing field for those who want to be there. But he says he still has a lot to work out.
What we know is that “a,” the first band to play Maxwell’s, is supposed to reunite for the farewell show. And The Bongos, the much better-known band that grew out of “a,” will also be on the bill. But after that, just about everything is pure speculation.
Since things are in flux, you have a chance to weigh in with ideas of your own.
How should the final show be handled? Should it run all day. Should it be free on a first-come, first-served basis, a normal Maxwell’s price ($15-$25 from TicketFly) or should it be premium priced, a la Neil Young at the Capitol Theatre in Port Chester, N.Y., where’s the best seats are tabbed at $285? (Then again, when speaking of Maxwell’s, there are no SEATS, really.)
What about timing? July 31 is a weekday. Should the show start at 9 and go all night? Or should it start in the early afternoon and go on and on?
Who else — band, solo artist, influential individual or fan — be a part of the show in some way?
Don’t just tell us who or what. Tell us why — make a case for your idea. There should be a good reason for every eulogy and every participant in the farewell proceedings.
The sky’s the limit. Share you ideas in the comments section. Get a conversation going. Have fun thinking of the wildest ways possible to pay tribute to Maxwell’s incredible legacy.
Meanwhile, The Bongos promise details of some sort about the show on their Facebook page soon. And keep an eye on Will You Miss Me When I’m Gone? We’ll be sure to let you know of any developments as soon as we can dig them up.
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