Tag Archives: Georgia Hubley

‘Surface Noise’: A self-effacing title for Jennifer O’Connor’s brilliant new album

The cover of Jennifer O'Connor's album "Surface Noise" (March 4, 2016, Kiam Records) features an ambitious abstract painting, "There 48," by Brooklyn artist Joan LeMay.

The cover of Jennifer O’Connor’s album “Surface Noise” (March 4, 2016, Kiam Records) features an ambitious abstract painting, “There 48,” by Brooklyn artist Joan LeMay.

I’ve never been one to make best-of lists when it comes to music. I enjoy so much of what I hear that it’s difficult to pick favorites.

So I won’t say that Jennifer O’Connor‘s forthcoming album, “Surface Noise,” out March 4, 2016, on Kiam Records, is a sure-fire pick for my best of 2016 list, since I’m not likely to compile one.

I can say it’s the best new album I’ve heard so far in this still-young year — and I fully expect to feel that way about it when this year is winding down.

“Surface Noise” is packed with 12 songs that explore love, loss, and the challenges of life with a casual brilliance about this album that makes it the best work this talented artist has produced so far.

ORDER JENNIFER O’CONNOR’S “SURFACE NOISE” VIA KIAM RECORDS NOW — GO HERE

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Don’t miss Condo Fucks (you know who they are), Antietam and Speed the Plough at Cake Shop – with ticket link

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Don’t risk missing this show: Read through to the jump for a link to advance-sale tickets

Cake Shop is celebrating its 10th anniversary this month by hosting shows featuring artists who have played the tiny but influential underground (literally and figuratively) Lower East Side club during that decade.

While most Cake Shop shows, including the #CS10 anniversary specials, are pay-at-the-door affairs, it seems that management made a wise choice to provide advance sale tickets for the gig on Friday, May 22, featuring Condo Fucks, a “Connecticut” band whose fictional bio offers clues for the uninitiated:

Eschewing such Condo Fucks originals as ‘Fuckin’ Gary Sandy’ and ‘Let’s Get Rid Of New Haven’, the trio – Georgia Condo (drums), Kid Condo (guitar), and James McNew (bass) – instead tear through covers of The Small Faces, Richard Hell, Beach Boys, Electric Eels, Troggs, Flaming Groovies and Slade classics in the style that previously won them so much acclaim from the Nutmeg State’s music journalists and radio programmers all those years ago.

Still not sure who these musicians are? You haven’t been paying attention. So shame on you. Continue reading

Yo La Tengo played The Bell House, a little late for Hanukkah

Yo La Tengo started with a quiet set in front of some tree props. (Photos © 2013, Steven P. Marsh/willyoumissme.com)

Yo La Tengo started with a quiet set in front of some tree props. (Photos © 2013, Steven P. Marsh/willyoumissme.com)

In apparent confirmation of the notion that its annual, eight-night Hanukkah concerts died along with Maxwell’s, the Hoboken music club, Yo La Tengo skipped performing during the Festival of Lights this year. But the Hoboken-based band did manage to pull together a four-night, end-of-year run at The Bell House in Brooklyn over the weekend.

(Photos © 2013, Steven P. Marsh/willyoumissme.com)

Never forget your roots.

Sunday night’s show was all YLT, all the time. It didn’t have the special attraction of guest artists and comedians opening for and playing with YLT’s Georgia Hubley, Ira Kaplan and James McNew. But it was a splendid way to wrap up the year anyway.

On Sunday, YLT opened with a set of quiet versions of songs, largely from this year’s album, “Fade.” For the second set, they cut loose, rocking out on a huge set of songs.

(Photo © 2013, Steven P. Marsh/willyoumissme.com)

Joe Puleo on Farfisa.

Oh, and I’m slightly wrong about the “no guest artists” thing. The band’s longtime tour manager and man-about-town Joe Puleo joined them on Farfisa for one number. I guess that counts.

(Photo © 2013, Steven P. Marsh/willyoumissme.com)

A huge tech and front-of-house sound area kept things running smoothly and quickly.

Enjoy more photos after the jump.

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Hanukkah, Night 4, with Yo La Tengo at Maxwell’s in Hoboken (with set list)

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Check out lots of photos from Hanukkah Night 4, with Yo La Tengo, Kid Millions, Todd Barry and Real Estate at Maxwell’s in Hoboken, N.J.

Will You Miss Me When I’m Gone? was pleased to see a relatively young local band, Real Estate, on the bill for Night 4.

We love the old favorites, like The Feelies. But there are more than a few upstarts out there, and some of them are really good. Real Estate qualifies. The band’s singer-guitarist, Martin Courtney, clearly loves many of the same musical influences that Yo La Tengo‘s members revere.

Real Estate did a solid set and gave us our first opportunity ever to see them perform. We already liked their recorded sound. We need to see them again.

Todd Barry gave a perfectly timed, just-long-enough performance. He’s a musician’s comedian whose wry humor fit well with the feel of the evening.

Yo La Tengo.

Yo La Tengo.

We have dozens out more images from last night’s show after the jump, including a gallery of an Ira Kaplan organ freakout!
But before we get there, take a moment to check out the new video from YLT’s upcoming album, Fade, which drops on Jan. 15.

Good stuff, with the ever-wonderful Georgia Hubley on lead vocal, and great animation by her sister, Emily Hubley.

Here’s the set list, courtesy Frank & Earthy:

Spec Bebop
We’re An American Band
The Crying of Lot G
20th Century Boy (T-Rex)
Out the Window
The Point of It
The Summer
Don’t Have To Be So Sad
Double Dare (acoustic)
Big Day Coming (fast)
Nothing To Hide
Decora
Mushroom Cloud of Hiss

*(encore)*
Burnin’ For You (Blue Öyster Cult) (with Todd Barry on drums)
Our Way To Fall (with Martin Courtney of Real Estate on vocals)

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Hanukkah with Yo La Tengo at Maxwell’s in Hoboken — Sunday and Monday

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Yo La Tengo jammed with Fred Armisen on a second drum kit. (Photos © 2012, Steven P. Marsh)

Yo La Tengo continued its massively wonderful holiday tradition, kicking off the first of eight shows — one for each night of Hanukkah — on Saturday night. The proceeds from tickets and most merchandise goes to charity. (This year all the charities support Superstorm Sandy recovery efforts.)_

Will You Miss Me When I’m Gone? managed to score tickets to four of the eight nights — not an easy thing to do the way TicketFly is set up.

Our first night was Night 2, when the amazing Sun Ra Arkestra (imagine a DOZEN musicians on the tiny Maxwell’s stage!) was the opener and Fred Armisen of “Saturday Night Live” and “Portlandia” was both the comedian and a musical guest.

Night 3 featured Hoboken’s hometown heroes The Feelies, which opened with a very strong set, and the members of which sat in at various points of YLT’s set. Guitarist and vocalist Glenn Mercer was absolutely on fire all night. And Brenda Sauter did a great job on vocals for “You Ain’t Goin’ Nowhere.” “SNL” writer John Mulaney was the comic for Night 3.

We’ll be back tonight, but wanted to share some images of nights 2 and 3 with you now.

This is a tradition that has been going on for 11 years, YLT’s Ira Kaplan pointed out last night. We hope it continues for many years to come.

Click through to the jump for lots of photos from Sunday and Monday nights’ shows.

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The Feelies feeling independent

The Feelies at Maxwell's on Night 1 of the 2011 Independence Weekend. (Photos © 2011, Steven P. Marsh)

The Feelies kicked off Independence Weekend, as they’ve been doing for ages, at Maxwell’s in Hoboken last night (Friday, July 1)

It was a homecoming as always at Maxwell’s since that was the band’s home club for its entire existence.

Last night was the first of a three-night stand. The hometown crowd was not disappointed, with The Feelies starting just a bit after 9 p.m., the posted showtime, and playing until almost 12:30, with just one short intermission.

Click through to the jump for more photos and info about the first night show. Also, check out a great Paste Magazine slideshow of a day in the life of The Feelies from their recent Philadelphia show at World Cafe Live.

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Hoboken rallies for Los Straitjackets guitarist Danny Amis

Danny Amis, also known as Daddy-O Grande of the legendary surf instrumental group Los Straitjackets (and who once played with Hoboken surf instrumental band The Raybeats), was diagnosed with multiple myeloma recently. He was uninsured at the time, but he managed to get help through the new Affordable Care Act and through the assistance of his music-industry friends.

One of the things his friends have done is throw benefit concerts. His Hoboken buddies got together at Maxwell’s on Wednesday night, June 2. It was a blast-from-the-past show with an amazing lineup: Tall Lonesome Pines, The Purple Knif, The Schramms, The Raybeats (joined briefly by Adele Bertei, former keyboard player and singer with James Chance and the Contortions), The Individuals and an unannounced set by Yo La Tengo.

It was announced at the show that Danny’s had a stem cell transplant and is doing well. Danny writes about his situation on his website.

It was a fantastic show, with a lot of crossover among the bands. It went on until after midnight, a tough thing for some people at a midweek show, but it was worth the long night. Those who left after Bar/None founder Glenn Morrow’s band, The Individuals, wrapped up missed the YLT set.

Click through to the jump for exclusive photos of the show from Will You Miss Me When I’m Gone?

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The Feelies on the Fourth

Glenn Mercer, Stanley Demeski and Bill Million of The Feelies at Maxwell's on July 4, 2009. (Copyright 2009, Steven P. Marsh)

Glenn Mercer, Stanley Demeski and Bill Million of The Feelies at Maxwell's on July 4, 2009. (Copyright 2009, Steven P. Marsh)

It would be easy to get used to making a tradition out of celebrating the Fourth of July with The Feelies.

Although their long-awaited comeback started at Maxwell’s in Hoboken

Bill Million and bassist Brenda Sauter.

Bill Million and bassist Brenda Sauter.

on June 30-July 2,  2008 (and those shows thrilled me) , they announced their return in a big way  two days later, opening for Sonic Youth in NYC’s Battery Park on the Fourth of July. The sun, sweat, humidity and the huge crowd just made the experience more intense. The band did not disappoint.

Percussionist Dave Weckerman seems content to stay in the background.

Percussionist Dave Weckerman seems content to stay in the background.

As you’ve probably read here earlier, The Feelies took over Maxwell’s for three nights this month, from July 2-4.

On that last night, thousands crammed the streets and waterfront of Hoboken to see the Macy’s fireworks, while dozens of true believers ignored the holiday hoopla and chose to watch the guitar pyrotechnics of Glenn Mercer and Bill Million instead.

I didn’t mind missing the fireworks outside, not at all.

Glenn Mercer

Glenn Mercer

The Feelies are a band that doesn’t offer too many surprises. Their shows are like your favorite jeans, well-worn, broken in  and perfectly comfortable. They feel good — and just right. They don’t throw many curve balls — even the multiple covers they did as encores over the three nights had little variation from night to night. But none of that matters to a true Feelies fan. In fact, curve balls might ruin the equilibrium.

At the July 4 show, I was positioned very close to the stage. That made for clearer shots of individual band members or pairings of players, but didn’t give me a chance to shoot an overview. So this will give you a very different perspective than the previous night’s shots.

Rich Barnes of Wild Carnation (and Brenda's husband) helped out on keyboard.

Rich Barnes of Wild Carnation (and Brenda's husband) helped out on keyboard.

My position made it tough to spot local heroes in the audience. But at the end of the night, I spotted Georgia Hubley and Ira Kaplan of Yo La Tengo returning to the music room as the majority of the crowd was filing out. You can always count on them being at a Feelies show. The only other face I wish had been in the crowd was filmmaker Jonathan Demme, who featured The Feelies as “The Willies” in his 1986 movie Something Wild. I guess that was his payback for making  Stop Making Sense two years earlier about the Talking Heads instead of The Feelies!