Tag Archives: Meredith Monk

Bang on a Can Marathon moving to Brooklyn with promise of ‘politics, resistance and love’

Asphalt Orchestra performing at the 2015 Bang on a Can Marathon at the Winter Garden in Manhattan on June 21. (© 2015 Steven P. Marsh/willyoumissme.com)

Asphalt Orchestra performing at the 2015 Bang on a Can Marathon at the Winter Garden in Manhattan on June 21. (© 2015 Steven P. Marsh/willyoumissme.com)

Bang on a Can, the premiere purveyor of New Music in New York City, is rebooting its  iconic Marathon concert with a move to Brooklyn in May, after a year off. Organizers promise it will be an “8-hour marathon concert of politics, resistance, and love.”

The Marathon lost its downtown Manhattan home of a decade at the Winter Garden of the World Financial Center (now renamed Brookfield Place). The organizers skipped a 2016 edition, but promised a new location for the its 30th anniversary this year.

They delivered on that promise Thursday, announcing that the genre-busting musical celebration lands at the Brooklyn Museum on May 6, from 2-10 p.m.

The Marathon was somewhat itinerant prior to its 10-year run at the Winter Garden, spending time at mostly Manhattan venues, ranging from the Soho art gallery where it started in 1987, to the Abrons Arts Center in the Lower East Side, to Lincoln Center’s Alice Tully Hall.

Despite its Manhattan roots, this won’t be the first time the Marathon was held in Brooklyn. In 2000 and 2001, it was staged at BAM, just a block or two away from Bang on a Can’s longtime headquarters on Hanson Place in Fort Greene. Continue reading

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Check out the Bang on a Can Marathon: Hear amazing music for free

Bang on a Can founder Michael Gordon introduces a performance of his composition "Exalted," featuring the Young People’s Chorus of New York City and JACK Quartet, at the 2011 Bang on a Can Marathon. (Photo  © 2011, Steven P. Marsh/willyoumissme.com)

Bang on a Can founder Michael Gordon introduces a performance of his composition “Exalted,” featuring the Young People’s Chorus of New York City and JACK Quartet, at the 2011 Bang on a Can Marathon. (Photo © 2011, Steven P. Marsh/willyoumissme.com)

Roomful of Teeth, Jherek Bischoff, Anonymous 4, So Percussion, more featured on 8-hour program

Head to the Winter Garden at Brookfield Place at the World Financial Center  in lower Manhattan on Sunday afternoon for a fantastic exploration of New Music.

The 2014 edition of the annual Bang on a Can Marathon starts at 2 p.m. and runs through 10 p.m. You can come and go as you please, sampling everything from serious compositions by Bang on a Can‘s founding composers — Michael Gordon, Julia Wolfe, and David Lang — to works by rock band The National’s Bryce Dessner, along with performances by the inimitable Meredith Monk, Jherek Bischoff, So Percussion, and female vocal quartet Anonymous 4.

Tap or click here to see the full performance schedule.

This event is really a must to experience in person — you’ll see artists mingling with audience in chance encounters throughout the show, get to see and buy CDs and merchandise at the huge merch table, and maybe even take a break to go shopping in the urban mall.

And be sure to check out Found Sound Nation, which hosts its Street Studio – a mobile recording studio where anyone can spontaneously create and record original music!

If you can’t get there, you don’t have to miss out, though. It will be webcast in HD audio and videol.

Tap or click here to WATCH LIVE.

 

Steve Reich at MASS MoCA

Composers David Lang and Steve Reich at MASS MoCA on Saturday, July 25. (Copyright 2009, Steven P. Marsh)

Composers David Lang and Steve Reich discuss the life and work of artist Sol Lewitt, whose wall drawings are the subject of a retrospective at MASS MoCA. (Copyright 2009, Steven P. Marsh)

Every summer for eight years running, a New England museum of contemporary art becomes a museum of contemporary sound for a couple of weeks when Bang on a Can moves in.

This year’s festival started July 14 when NYC-based Bang on a Can’s founders Michael Gordon, Julia Wolfe and David Lang, plus staff, and a crew of teachers joined  35 young musicians and composers at the Massachusetts Museum of Contemporary Art (MASS MoCA) in North Adams, Mass.

While there, the students, called fellows, spend their days working with faculty members — some of the best players, conductors and composers on the contemporary music scene today — and preparing music for two gallery recitals a day over the course of the 2 1/2 week program. It’s a musical boot camp, where the boundaries between work and play are happily blurred as participants flow from gallery recitals to concerts to informal jam sessions at working-class town taverns.

Every year, the festival also eatures a major figure from the contemporary music scene as special guest, an artist who typically interacts with the fellows and often plays with them onstage.

Performing Music for Pieces of Wood while the composer looks on.

Performing Music for Pieces of Wood in a gallery adjacent to the Sol Lewitt exhbit while the composer looks on.

This year’s festival is a little different. Steve Reich, a master of minimalism, who, like Meredith Monk, Don Byron, and Terry Riley, has been in a guest artists at previous Bang on a Can summer festivals, is more  featured artist. He made an appearance on Saturday, July 25, to reminisce about his friendship with the late Sol Lewitt, whose wall drawings are the subject of a massive retrospective show at the museum.

Sol Lewitt turned to bright colors in his later wall drawings, like these on the third floor of the MASS MoCA exhibit.

Sol Lewitt turned to bright colors in his later wall drawings, like these on the third floor of the MASS MoCA exhibit.

Reich was also feted with performances of his music in the gallery and the courtyard of the museum and in a more formal way with an evening concert including one of his best-known works, Music for 18 Musicians, and one of his toughest, Eight Lines.

Reich and wife Beryl Korot listen to David Cossin play drums.

Reich and wife Beryl Korot listen to a percussion performance in the MASS MoCA courtyard.

It was a splendid day, with lost of spirited playing. Reich looked quite pleased with the results, and I was thrilled to see the black box theater packed for the evening performance.

Bang on a Can’s rendition of Music for 18 Musicians (which actually involved 19 musicians in this particular presentation) was played well and with emotionally satisfying results. Eight Lines, written for eight players, but performed herre in a version for 16, came together well. It was a testament to the professionalism and dedication of the players that they were able to pull together a credible performance of the difficult piece in less than two weeks.

If you haven’t checked out MASS MoCA yet, I urge you to do it. The museum is spectacular and the art changes dramatically from year to year. And Bang on a Can’s festival, dubbed Banglewood as a play on the much more conventional Tanglewood Music Festival nearby, will open your eyes and ears.

The crowning achievement of each summer’s festival is the marathon. This year’s six-hour marathon runs from 4-10 p.m. this Saturday, Aug. 1, in the Hunter Center at MASS MoCA. It will feature a host of works, including George Antheil’s Ballet Mechanique and Shaker Loops, one of John Adams‘ early works. Tickets are available by clicking here. $24.