Category Archives: Pop and Rock

Merry MexMas with El Vez and Los Straitjackets

El Vez rocks The Bowery Ballroom. (Photos copyright 2009, Steven P. Marsh)

The holidays have given Will You Miss Me When I’m Gone? plenty of shows to check out, but little time to say much about them. So today is catch-up day on one of the season’s most enjoyable holiday shows:  El Vez, the Mexican Elvis, and masked surf rockers Los Straitjackets.

El Vez and Los Straitjackets filled the Bowery Ballroom with their special brand of Christmas spirit on Saturday night, Dec. 5.

El Vez is serious.

It put an awesome new spin on El Vez’s longstanding Merry MexMas holiday tour, as Los Straitjackets brought a slightly different musical sensibility to El Rey de Rock ‘n Roll’s show. El Vez normally tours with his own band, the Memphis Mariachis.

El Vez in Santa suit.

The new pairing freshened El Vez’s wonderful mash-ups of traditional holiday songs with punk and rock classics.

If you weren’t there, you missed a real treat. Be sure to plan early next year. Enjoy the photos.

Colman’s Big-Ass 40th Birthday!

Colman Domingo does the dance of the flaming pastry with De'Adre Aziza, Soara-Joye Ross and Eisa Davis. (Photos copyright 20009, Steven P. Marsh)

Actor Colman Domingo‘s birthday is Nov. 28. He celebrated at home with some close friends.

Colman channeling Maya Angelou.

Two nights later, on Nov. 30, he turned Joe’s Pub into a reasonable facsimile of his living room two nights later when he threw Colman Domingo’s BIG ASS 40th Birthday Party for his friends, family and fans. It was an evening of irresistible fun.

The stage was filled with singing and stories from Colman’s varied acting career, some from Passing Strange (De’Adre Aziza, Eisa Davis and musical director Jon Spurney) and others, including Ari Gold, Marva Hicks, Soara-Joye Ross and director Charles Randolph Wright, from other acting ventures.

Colman, who is one of the sweetest and most genuinely real actors I know, was touched by the audience’s enthusiasm. And he was thrilled to donate the evening’s proceeds to the Save the Children charity.

If you missed it, nothing I can write here could really recreate the moment, so just sit back and enjoy lots more photos after the jump.

Colman, De'Adre, Eisa, Ari, Marva and Neil Totton join voices.

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Monday night at Joe’s Pub: Clearly a Passing Strange family gathering

You can see the intensity in Paul Oakley Stovall's eyes.

Thanksgiving is a time when families come together. But this year, the Monday night after Thanksgiving is family day for Strange Freaks — people who love Passing Strange, its creators, its cast, and all the people inextricably linked to each other through the fantastic musical and movie. Monday night is when Joe’s Pub at NYC’s Public Theater turns into Strange Freaks Central with shows involving Stew, Colman Domingo and special guests during two shows that evening.

First there’s a performance of Clear, a new musical experience by Paul Oakley Stovall. Paul is the tall, striking young NYC-based singer who linked up with the Passing Strange crew during auditions for the show.

He’s an amazingly talented singer, who’s been heard before at Joe’s Pub, most memorably  on a bill with PS creators Stew and Heidi Rodewald and PS cast members. His show-in-the works, Clear, is the latest offspring of  PS, since Stew wrote some of the music. (Paul also has a day job working for the Obama administration. For a revealing interview with Paul in The Advocate, click here.)

Clear is being billed as an “opera poem” that will take you from the South Side of Chicago to the rooftops of Stockholm, from an ER in Minneapolis to the Blue Mosque in Istanbul.  Paul wrote the book and lyrics, and collaborated with  Stew, Tom Kitt and others on the music. It’s produced by Steve and Ruth Hendel.

It is directed by Krissy Vanderwarker.

The  cast features Joshua Kobak, Yassmin Alers, Chris Anderson and Brad Simmons.

Check out a track from the show on the Joe’s Pub web site.  It sounds like a winner to me. Click here to listen.

Here’s Paul’s take on the piece, from an interview by Tonya Pinkins:

Clear was inspired by a piece I was working on about Bayard Rustin. Google him folks. He’s too deep to summarize. Stew and I wrote some great music. That piece went in a different direction (and we are still working on it together) but I had all these songs about a strong Black man, who was gay, passionate, political and, among many other things, a survivor. I began to rework lyrics, pull some songs from my other songwriting ventures and collaborators and create this semi-autobiographical piece about our universal human desire to rise out of our self-created fogs and live a life that is CLEAR. It will be told in a very unique way. Sort of mix between Sandra Bernhardt, Passing Strange, and Mario Cantone’s Laugh Whore. Structured, but freewheeling. And I’ve got the most amazing people on stage with me. So, I’m very much looking forward to finding out how people respond to this “pop poem opera” as I am starting to call it.

Clear, a concert reading. 7:30 pm on Monday, Nov. 30, at Joe’s Pub, 425 Lafayette Street, Manhattan. Tickets, available here, are $20.

Colman Domingo is celebrating his 40th birthday with a performace at Joe's Pub on Monday night.

Then, at 9:30, right after Clear, the amazing Colman Domingo, to whom regular readers of this blog need no introduction, will flex his musical and thespian muscles in a show that celebrates his 40th birthday (which actually falls on Saturday). Colman promises lots of special guests and surprises. Proceeds will benefit Save the Children.

I’ll let Colman explain the deal to you in his own words. And if you don’t recognize the names he drops, you just haven’t been paying attention. I’m guessing that Paul and his crew are likely to stick around for this one:
Celebrate my 40th Birthday with me at Joe’s Pub on November 30th. Anika, De’Adre, Eisa, Ari, Daniel, Jon and more will perform with me. Together we will sponsor children in need this year. That would be a great gift. Buy your ticket today.
Colman Domingo’s BIG ASS 40th Birthday Party, 7:30 pm on Monday, Nov. 30, at Joe’s Pub, 425 Lafayette Street, Manhattan. Tickets, available here, are $20.

New Care Bears on Fire video: “Barbie Eat a Sandwich”

Check out this wonderfully entertaining animated video by one of my absolute favorite young bands, Care Bears on Fire. It’s called “Barbie Eat a Sandwich,” and offers some wry commentary on the pressures young women face in modern Western culture. It’s also just a really cool song and a great video, directed splendidly by Daisy Edwards.

Grace Hilbig, the charming actress who plays Barbie, is also quite a find. She does a lot of improv and also has her own daily video channel,  Daily Grace, which you can check out by clicking here.

Mikel Rouse unveils Gravity Radio at Galapagos

Mikel full ensemble

Mikel Rouse, the Saint Louis-born composer who lives and works in NYC’s Hell’s Kitchen,  probably is best-known for his multi-media operas, particularly his trilogy of Failing Kansas (1995), Dennis Cleveland (1996) and The End of Cinematics (2005). So it was a bit of a surprise to get a first peek at the songs for his latest show Gravity Radio, in a stripped-down concert format at Galapagos Art Space in the Dumbo section of Brooklyn on Oct. 23. (Sorry it took so long to post this!) It was a special CD release party that turned into a well-mannered, deeply affecting chamber-rock concert.

Mikel Rouse

Mikel Rouse

The CD is officially released this Tuesday, while the full-blown Gravity Radio show will go on tour starting in January, hitting New York at a yet-undetermined date.

The songs that make up Gravity Radio are interspersed with dialogue (read at Galapagos and on the CD by TONY nominated/OBIE Award winning actress Veanne Cox) ripped from the news of the day, touching on topics like Afghanistan, the tanking economy and such. (When the full-blown show hits the road, these news dispatches will be altered and updated with the news of the day).

The Bongos at Maxwell’s

The Bongos at Maxwell's. (Copyright 2009, Steven P. Marsh)

The Bongos at Maxwell's. (Copyright 2009, Steven P. Marsh)

If you didn’t go see The Bongos at Maxwell’s in Hoboken last night, you missed a magical evening. The band was tight and very much into performing for a (surprisingly light) hometown crowd. You have another chance to see Richard Barone, James Mastro, Rob Norris and Frank Giannini tonight at Hiro Ballroom in Manhattan, where they’re performing a CMJ show.

The Bongos' set list at Maxwell's.

The Bongos' set list at Maxwell's.

They played two solids sets, performing just about every song in their catalogue — which isn’t huge, since they only recorded two full albums and one EP in their 1980s heyday. But they played every one of them with great joy and energy. Plus, they threw in a couple of covers and a couple of their own songs that were never released.

They were joined by Dennis Kelly, who played synthesizer in the band’s early days, and Nick Celeste, a singer and guitarist who worked with Richard on his first post-Bongos project, Cool Blue Halo, in 1987.

Check out more photos of last night’s show after the jump.

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Clem Snide’s long-overdue return to NYC

Clem Snide's Eef Barzelay. (Photos copyright 2009, Steven P. Marsh)

Clem Snide's Eef Barzelay. (Photos copyright 2009, Steven P. Marsh)

Clem Snide, we missed you badly. How long had it been, anyway?

Regardless of all the time that had passed, the crowd at the Mercury Lounge last Tuesday showed plenty of love as Eef Barzelay and company ripped through a superb set of songs new and old. Eef even apologized for being away so long.

More photos after the jump.
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Darker and more deviant than ever: The Tiger Lillies at St. Ann’s Warehouse

Martyn Jacques, darker than dark, with a voice like a countertenor from Hell!

The Tiger Lillies' frontman Martyn Jacques at St. Ann's Warehouse: Darker than dark, with a voice like a countertenor from Hell! (Photos copyright 2009, Steven P. Marsh)

The Tiger Lillies are at St. Ann’s Warehouse in Dumbo, Brooklyn, tonight. You should be too.

The dark and cynical British trio (their web site declares them to be “The world’s formost Death Oompah band”) took the stage there last night for the first of two shows celebrating the 20th anniversary of the band. The result was a spectacularly entertaining romp through the enormous Tiger Lillies catalogue of deviance and black humor, including their award-winning work for the off-Broadway show Shockheaded Peter.

Behind the cynical exterior is musical genius. Jacques sings — often in a falsetto or countertenor range oozing with evil — and commands the stage in white face makeup that gives him the air of a demented, evil clown He’s supported by his bandmates, who bring their own amusing styles to the show: bassist Adrian Stout (the tall one), who grins a bit and mugs from time to time,  and drummer Adrian Huge (the stout one), who is the complete clown of the group.

The Tiger Lillies perform at 8 o’clock tonight. St. Ann’s Warehouse, 38 Water Street, Dumbo, Brooklyn. Tickets are still available. Click here for more info. $32.

Adrian Huge is angry.

Adrian Huge is angry.

Here’s a taste of The Tiger Lillies performing “Angry” at Raimundhof in Vienna, Austria last February:

Check out a host of photos of last night’s madness after the jump.

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An incentive to check out our friends at Bold As Love

BoldAsLove

If you haven’t checked out the blog Bold As Love (The mainstreaming of Black rock music and the evolution of the new Black imagination), you really should. The blog, a friend of Will You Miss Me When I’m Gone?, always provides provocative and entertaining reading.

And now there’s an extra incentive to check it out. Bold As Love is offering a 17-track compilation album for free. Just click here to go to the post that has all the info you need to get your copy. Check it out. And be sure to go back to Bold As Love regularly for great new posts — right after you’ve checked in on WYMMWIG, of course!

Os Mutantes: Mutant music at Webster Hall

Sergio Diás leading Os Mutantes through a rollicking set at NYC's Webster Hall. (Photos copyright 2009, Steven P. Marsh)

Sergio Diás and Bia Mendes leading Os Mutantes through a rollicking set at NYC's Webster Hall. (Photos copyright 2009, Steven P. Marsh)

The Will You Miss Me When I’m Gone? team has no real excuse for missing out on the original incarnation of Os Mutantes— except for the fact that the whole team (that would be me) never went to Brazil, was kept in a cage for most of the Sixties and was only allowed to listen to baseball games on they tiny transistor radio his grandmother gave to him after extracting a promise that he wouldn’t use it to listen to “the devil’s music.”

So it was a revelation when the legendary psychedelic band reunited in 2006 (after a hiatus that started in 1978) and I started listening to the original recordings. The sound was of its time, but not dated, spectacularly playful and inventive. And the reunited band — which at that time included both founding brothers Sergio Diás and Arnaldo Baptista — did not disappoint when I saw them at the Rose Theater at Jazz at Lincoln Center in 2007.

That show was full of pomp and circumstance in a formal theater. The audience was seated, and stayed that way pretty much to the end. Os Mutantes is a rock band, and I didn’t feel I got the full impact sitting through that show, no matter how strong it was musically.

So I was thrilled to see Os Mutantes (with a new lineup, as Arnaldo has left the band and the awesome and earthy Bia Mendes has stepped in as the female singer, replacing Zélia Duncan, a somewhat chillier vocalist who during the early part of the reunion replaced original singer Rita Lee) booked at Webster Hall last Thursday. Although it’s not my favorite place to see a show, at least it was a real rock club, which somehow seemed more fitting for such a rockin’ band.

We were not disappointed. Sergio —  the proud 58-year-old who rocked out like he was half that age — and company put on a fantastic show.

For more photos of Os Mutantes, Brooklyn-based opener DeLeon, and an Os Mutantes video, click through to the jump. Continue reading