Nadia Sirota performs OMFG with the composer, Our Lady J, on the piano at Galapagos last night. .
New Amsterdam Records has a reputation for taking risks with lesser-known cutting-edge musicians and giving them a chance to really shine. The label last night launched a new monthly series call Archipelago at Galapagos Art Space in the Dumbo section of Brooklyn. New Amsterdam tested the waters, so to speak, in the spring with a short series dubbed Undiscovered Islands. The new series ‘ name continues the water-land theme (appropriate at a venue where some of the seats appear to float in a pool of water).
There’s plenty of self-interest involved, as virtually all of the Archipelago performers are New Amsterdam artists. But because the label has such an interesting mix of talented performers, there’s little chance of a dud.
The series kicked off last night with a set by one of the label’s most inventive and skilled artists, violist Nadia Sirota, and the percussion quartet Line C3. The six-year-old quartet (Haruka Fujii, John Ostrowski, Eric Poland, and Chris Thompson) doesn’t appear to be on New Amsterdam’s roster — though I wouldn’t be surprised if that were in the works — and I was not familiar with them before last night.
The performers mixed it up, playing together and separately throughout the all-too-short program. Nadia kicked off the evening with the premiere of Future Shock by New Amsterdam co-director William Brittelle, a percolating blend of Nadia’s viola and electronics. Line C3 took the stage to perform a 2004 piece written for the quartet by Nico Muhly, Ta and Clap.
Line C3 performs Speak Softly by David T. Little.
Go to the jump to see Line C3’s video of Ta and Clap and read more about last night’s show. Continue reading →
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