Category Archives: Folk

Johnny Irion and Sarah Lee Guthrie ready to hit the road again

The married music makers open up about new album Wassaic Way, working with Jeff Tweedy and keeping their family life in balance after 14 years of marriage

Sarah Lee Guthrie and Johnny Irion perform atop an artwork in a gallery at the Massachusetts Museum of Contemporary Art in North Adams, Mass., during the Solid Sound festival in 2011. (Photo © 2011, Steven P. Marsh)

Sarah Lee Guthrie and Johnny Irion perform atop an artwork in a gallery at the Massachusetts Museum of Contemporary Art in North Adams, Mass., during the Solid Sound festival in 2011. (Photo © 2011, Steven P. Marsh)

Alongside a two-lane back road in the Berkshires region of Western Massachusetts sits a solid, simple frame home.

Sited on what appears to be at least a couple of acres atop a hill, its nearest neighbor is farther than you can throw a stone, but not so far as to be out of sight.

The house is far enough from the main highway to provide a peaceful retreat, but with easy access to civilization — whether you consider that North Adams, Pittsfield, Boston or beyond.

The silence — at least outdoors, anyway — is broken only by the occasional animal noise or the air-horn warning and rumble of one of the freight trains that pass through on a regular basis.

Inside, it’s a very different story.

That’s where Sarah Lee Guthrie and Johnny Irion are raising their kids — “counting the cousins, on any given day there are four to six. But normally, two: Olivia’s 11, Sophia’s 6,” Johnny told Will You Miss Me When I’m Gone? in an exclusive interview.

And it’s home base for their business. Downstairs, in a studio-basement-rehearsal space, the married musical duo practice and record their music.

Things are really happening for Sarah Lee and Johnny. They seem like a duo on the verge of overnight success — albeit after one very long and ofttimes sleepless night.

But we’ll get to that in a minute. First, let’s clear up something: While Sarah Lee and Johnny aren’t household names, there’s something about them that rings the bell.

It’s that Guthrie thing, right? Continue reading

New collection skims the cream of Caffè Lena’s rich musical history

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Live At Caffè Lena: Music From America’s Legendary Coffeehouse, 1967-2013 is slated for release on Sept. 24.

A review of Live At Caffè Lena: Music From America’s Legendary Coffeehouse, 1967-2013, with buying and streaming links after the jump

I’ve always meant to visit the legendary Caffè Lena, the tiny coffeehouse at 47 Phila Street in Saratoga Springs, N.Y.

Devonsquare, the sweet-harmonizing folk-rock trio, first piqued my curiosity about Lena and Bill Spencer’s cafe (or caffè, as they dubbed it, using two f’s) with their song “Caffè Lena” on the  1987 album Walking on Ice.

Caffè Lena was a place of mythical proportions to me then. For one reason or another, I never found myself in Saratoga Springs.

After all, I live close to The Turning Point in Piermont, N.Y., a music cafe that is, while 16 years younger than Caffè Lena, has a similar mission and musical profile.

And then there was the Towne Crier in Pawling, N.Y.,  from 1972 until closing in June with plans to reopen soon in Beacon. That gave me a backup option just a bit farther afield than The Turning Point.

So  I never got myself motivated sufficiently to make the trek to Saratoga Springs.

I should have known I was missing out. And now the Tompkins Square record label has  shoved into my face some very real evidence of exactly how much I’ve missed. Continue reading

Sarah Lee Guthrie and Johnny Irion bring Wassaic Way to Saturday’s Wassaic Festival

Sarah Lee Guthrie and Johnny Irion at Wilco's Solid Sound Festival in 2011. (Photo © 2011, Steven P. Marsh)

Sarah Lee Guthrie and Johnny Irion at Wilco’s Solid Sound Festival in 2011. (Photo © 2011, Steven P. Marsh)

Sarah Lee Guthrie and Johnny Irion are making a Hudson Valley appearance on Saturday, Aug. 3 at the all-free Wassaic Festival in Dutchess County, which starts today and runs through Sunday (Aug. 2-4).

There’s something nice about hitting the namesake town in the early stages of touring their latest album, the seriously charming Wassaic Way. The husband-and-wife-duo (she’s daughter of Arlo Guthrie and granddaughter of Woody Guthrie) are really proud of the self-released album (which is to be released Aug. 6) they made with Wilco’s Jeff Tweedy and Pat Sansone.

Stay tuned for a full interview with the creative couple. But for now, I just wanted to alert you to their gig coming Saturday. I’ve never been to the Wassaic Project, a center that aims to create context for art making and strengthening local community by increasing social and cultural capital through inspiration, promotion and creation of contemporary visual and performing art. It’s at the very last stop on Metro-North Railroad’s Harlem Line. This is the sixth year for the festival, a free, three-day event featuring art, music, dance, and community featuring over 100 artists, 25 bands, film screenings, dance performances and more.

If you go

Sarah Lee Guthrie and Johnny Irion perform at 6 p.m. Saturday, Aug 3.,  on the Luther Barn Stage. The Wassaic Festival began today (Aug. 2)  with various art events. Music and dance start around 6 p.m. This wrap up Sunday with a community breakfast, kids events and more music.

The Wassaic Project is at The Maxon Mills,  37 Furnace Bank Road , Wassaic, NY 12592. It’s in walking distance of the Wassaic Metro-North station with connections from Grand Central Terminal. ADMISSION IS FREE, but tickets are required for some events. Check the full schedule here.

Bangin’ it up at the Bang on a Can Summer Music Festival

To call Mark Stewart a guitarist would be a disservice. The multi-talented redhead leads participants at MASS MoCA in making some noise with some of his homemade tubes during the 2010 Bang on a Can Summer Music Festival. (Photo © 2010, Steven P. Marsh)

It’s a disservice to call Mark Stewart a guitarist. He leads a group at MASS MoCA in making some noise with some of his homemade tubes during the 2010 Bang on a Can Summer Music Festival. (Photo © 2010, Steven P. Marsh)

18 days of fantastic summer music in the Berkshires

Today’s subject: MASS MoCA.

I’ve written a lot lately about the Massachusetts Museum of Contemporary Art, especially in the last month or two because of Wilco’s splendid Solid Sound Festival, held on the museum campus in North Adams, Mass., in late June.

When Wilco announced the inaugural Solid Sound back in 2010, I pretty much knew it would be great because I had already seen MASS MoCA host many, many editions of the Bang on a Can Summer Music Festival — colloquially known at Banglewood.

If you’ve been a regular reader of Will You Miss Me When I’m Gone?, you already know something about the Bang on a Can program. This summer’s program is the 12th annual festival on the beautiful industrial MASS MoCA grounds.

But maybe you’re not a musician, or at least not one who wants to participate in the festival. How does this matter to you?

Rain on the MASS MoCA campus. (Photo © 2011, Steven P. Marsh)

Rain on the MASS MoCA campus. (Photo © 2011, Steven P. Marsh)

That’s easy. Festival participants do their learning in public, putting on recitals six days a week and participating in a public Marathon concert on the final day. There’s also a performance of Bang on a Can co-founder Julia Wolfe‘s Steel Hammer, a full-length piece that weaves together the many variations of the John Henry folk legend.

So there’s plenty of professional-quality entertainment  for people who are just interested in listening and looking at some modern art. (Click through to the jump for schedule and ticketing information.)

Continue reading

Americanarama Festival of Music: Bob Dylan, Wilco and My Morning Jacket in Bridgeport, Conn.

Bob Dylan at the Webster Bank Arena, Bridgeport, Conn., on July 19, 2013.(Photo © 2013, Steven P. Marsh)

Bob Dylan gets sassy on the harmonica. (Photo © 2013, Steven P. Marsh)

Nothing compares to your first time

When Bob Dylan hit the stage of the Webster Bank Arena on Friday night, July 19, I reached a major milestone.

It was my first time seeing the legend perform live.

Yes, you might think that given the underlying theme of this blog, I would have seen him before — probably many times.

Bob Dylan at the Webster Bank Arena, Bridgeport, Conn., on July 19, 2013.(Photo © 2013, Steven P. Marsh)

Bob Dylan spent plenty of time playing the grand piano. (Photo © 2013, Steven P. Marsh)

Sure, I treasure his music. I have many of his albums. A friend and neighbor of mine managed him once, way back before Albert Grossman hooked up with him.

But Dylan was playing arenas by the time I learned to care about him. And I just don’t like arena shows, the distance, the impersonality, the commercialism.

But when I saw the lineup for this summer’s touring Americanarama Festival of Music, I decided it was time to make an exception so that I could finally see Dylan. I figured that even if Bob was awful, I’d be able to cross him off my bucket list and still get plenty of value out of Wilco and My Morning Jacket. Continue reading

Jay Farrar still can’t say Jeff Tweedy’s name

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The cover of Jay Farrar’s memoir, Falling Cars and Junkyard Dogs

 

Uncle Tupelo co-founder Jay Farrar‘s easy-reading memoir, Falling Cars and Junkyard Dogs, came out in March, but it landed rather quietly — at least in my world.

It was only a few days ago that I really became aware of the collection of vignettes by the ultra-serious Farrar. Some of the reviews have been unkind, but that didn’t stop me from buying it and devouring it in a matter of a few hours.

Farrar made great music in Uncle Tupelo, and has continued on a reverential path since the band’s acrimonious 1994 breakup. But that’s not the subject of this collection of short passages from just about every part of his life but the Uncle Tupelo part.

Continue reading

Sam Phillips leaves them wanting more

Sam Phillips

Sam Phillips

We’ve all heard the expression “always leave them wanting more” many times.

Whether in the context of showbiz or romance, the quote — attributed, with a great degree of uncertainty, to Walt Disney and P.T. Barnum — always seems applicable.

Sam Phillips' Push Any Button

Sam Phillips’ Push Any Button

Singer-songwriter Sam Phillips (the sexy former “Christian Cyndi Lauper” formerly known as Leslie Phillips) must have taken that to heart when she cut her new, self-released album, Push Any Button.

It clocks in at a splendidly listenable 29 minutes, with 10 tracks. And it definitely leaves them wanting more.

Her resolved wavered, though, after she finished the album.

Continue reading

Make time for Lincoln Center Out Of Doors | ALL SHOWS FREE

Singer-songwriter Erin McKeown performs at the 2012 Lincoln Center Out Of Doors festival. (Photo © 2012, Steven P. Marsh)

Singer-songwriter Erin McKeown was one of many performers at the 2012 Lincoln Center Out Of Doors festival. (Photo © 2012, Steven P. Marsh)

Stellar summer lineup of free concerts

The flyer for Lincoln Center Out Of Doors arrived in my mailbox the other day. It reminded me that I hadn’t posted a single word about this free outdoor concert series yet.

So here goes. It’s a super linuep, as always, meticulously planned by Bill Bragin, director of public programming, and his amazing team.

For now, just let me mention a few names: Kronos Quartet, Asphalt Orchestra, Allen Toussaint, Sahr Ngaujah, Dan Deacon, Jherek Bischoff, Jacob Garchik, Dan Zanes and Ozomatli. (Along with Nick Lowe, My Brightest Diamond, Trixie Whitley, James Burton and Desert Blues. And Rubén Blades, Jason Isbell, Sleepy LaBeef and Amanda Palmer & Grand Theft Orchestra.)

Does that whet your appetite? If not, you’re probably reading the wrong blog.

The free outdoor shows start July 24 and run through Aug. 11 at various locations around the Lincoln Center campus on Manhattan’s Upper West Side.

Check out the whole lineup by clicking or tapping here (http://bit.ly/15MOo6P).

I hope to see you there.

Speed the Plough joins Bar/None’s July 24 farewell to Maxwell’s

Speed the Plough at Maxwell's on Oct. 20, 2012. (Photo © 2012, Steven P. Marsh)

Speed the Plough at Maxwell’s on Oct. 20, 2012. (Photo © 2012, Steven P. Marsh)

STP is part of a promised ‘cavalcade of mystery stars’ joining Headliners Freedy Johnston and Band, James Mastro’s Health & Happiness Show and Chris Stamey with Anton Fier and Gene Holder

Myrna and the Hangar Boys (Human Switchboard’s Myrna Marcarian, Jared Michael Nickerson, Dave Schramm and Ron Metz) join lineup

WFMU to broadcast live from the lounge

Even before Maxwell’s closing was announced, Speed the Plough was gearing up get active again. The band, which can trace its lineage back to The Feelies through The Trypes, became active in 2009 after a long hiatus, but has been picking up steam lately in anticipation of a new album — a compilation of some of its long-out-of-print music from the early days plus six brand-new tracks.

But now they’re preparing to say goodbye to the venerated Hoboken club with one last gig there, on Thursday, July 24, as part of a Bar/None record label lineup.

Continue reading

Saying goodbye to Maxwell’s: Share your ideas for the final show

Patrons enter Maxwell's at 11th and Washington streets in Hoboken, N.J., on July 5, 2013, (Photo © 2013, Steven P. Marsh)

Patrons enter Maxwell’s at 11th and Washington streets in Hoboken, N.J., on July 5, 2013, (Photo © 2013, Steven P. Marsh)

We’ve been thinking a lot about closing night at Maxwell’s, the well-loved Hoboken, N.J., music club that hosts its last show on July 31.

There’s a selfish motive, in part, of course: How can WE get to be there. Surely with all the bands and fans that have passed through the Washington Street club over the last 35 years there will be far, far more people trying to get in than the small (capacity 200) venue can possibly hold. With closing a bit over three weeks away, Todd Abramson, the club’s booker and co-owner, is working on a plan.

Todd Abramson with the New York Post's Mary Huhn in Austin in 2003.

Todd Abramson with the New York Post’s Mary Huhn at South by Southwest in Austin, Texas, in 2003.

But, as he told us by phone this morning, “there’s no news here” just yet. He definitely has some ideas about ways to make it accessible to more people and to level the playing field for those who want to be there. But he says he still has a lot to work out.

What we know is that “a,” the first band to play Maxwell’s, is supposed to reunite for the farewell show. And The Bongos, the much better-known band that grew out of “a,” will also be on the bill. But after that, just about everything is pure speculation.

Since things are in flux, you have a chance to weigh in with ideas of your own.

How should the final show be handled? Should it run all day. Should it be free on a first-come, first-served basis, a normal Maxwell’s price ($15-$25 from TicketFly) or should it be premium priced, a la Neil Young at the Capitol Theatre in Port Chester, N.Y., where’s the best seats are tabbed at $285? (Then again, when speaking of Maxwell’s, there are no SEATS, really.)

What about timing? July 31 is a weekday. Should the show start at 9 and go all night? Or should it start in the early afternoon and go on and on?

Who else — band, solo artist, influential individual or fan — be a part of the show in some way?

Don’t just tell us who or what. Tell us why — make a case for your idea. There should be a good reason for every eulogy and every participant in the farewell proceedings.

The sky’s the limit. Share you ideas in the comments section. Get a conversation going. Have fun thinking of the wildest ways possible to pay tribute to Maxwell’s incredible legacy.

Meanwhile, The Bongos promise details of some sort about the show on their Facebook page soon. And keep an eye on Will You Miss Me When I’m Gone? We’ll be sure to let you know of any developments as soon as we can dig them up.