Free show alert: Theo Bleckmann sings Kate Bush

Theo Bleckmann and his all-star players do Kate Bush songs at (Le) Poisson Rouge. (Photos 2010, Steven P. Marsh)

It’s been 16 months since we saw the great singer Theo Bleckmann do his best Kate Bush impression in his show Hello Earth! The Music of Kate Bush, at (Le) Poisson Rouge in the Village.

Theo Bleckmann

Take our word for it, it was pretty awesome.But if you won’t take our word for it, check out a live recording from that September 2010 show here.

Bleckmann, who got a Grammy nomination for his interpretation of the songs of Charles Ives, is a great song interpreter with supple voice and a real feel for his material. You can get a listen to the latest version of his fabulous show tonight and it won’t cost a penny.

You’ll be entertained and enthralled by this week’s Target Free Thursdays presentation at Lincoln Center’s newest public space, the David Rubenstein Atrium, on Broadway between W. 62nd and W. 63rd Streets. There’s food ( the good sandwiches of ‘wichcraft) and plenty of seats.

Just show up by 8:30 p.m. (earlier if you hope to get a seat) at the Atrium to catch Hello Earth! The Music of Kate Bush.

Sam Amidon and friends at Rockwood Music Hall

Banjo and guitar onstage before Sam Amidon's set at Rockwood Music Hall.

The first clue that Sam Amidon wasn't really going to be performing banjo only at Rockwood Music Hall 2 on Wednesday. (Photos © 2011, Steven P. Marsh)

UPDATE: New photos added!

Don’t say we didn’t warn you!

As predicted, Sam Amidon‘s solo banjo show at Rockwood Music Hall on Wednesday night was neither solo nor banjo only. But we’re not complaining. The multitalented Amidon took to Rockwood’s Stage 2 along with a banjo, guitar, fiddle, baby grand piano and a handful of mics.

Sam Amidon at Rockwood Music Hall.

He treated the solid crowd to about 70 minutes of his lovely, mournful folksongs. Just a few numbers into his set, Sam was joined by longtime collaborator Thomas Bartlett, the pianist and singer better known as Doveman.

Then, maybe 15 or 20 minutes into the show, Sam started looking for another guest. “Paul, do you think Beth went to the wrong Rockwood? I told her 2, but I didn’t tell her there was 2.” The man he addressed as Paul got up from his stageside table briefly and came back with the lady in question — Beth Orton, his collaborator of the last year or two and, by appearances, his partner in life. (Sam’s loving looks toward Beth and the tiny baby she carried with her were hard to interpret as anything other than paternal!)

It didn’t take long for Sam to drag Beth onstage with him for a couple of numbers, too.

Sam Amidon and Beth Orton at Rockwood Music Hall.

While this show broke no new ground, it was a great, thoughtful way to move toward the end of 2011. Thanks, Sam, Thomas and Beth!

Tonight’s the night: Sam Amidon solo banjo show at Rockwood Music Hall

Sam Amidon at the Mercury Lounge, New York City.

Sam Amidon on banjo at the Mercury Lounge in New York City last year. (Photo © 2010, Steven P. Marsh)

If you’re in the mood for some great banjo music rooted in old-timey tradition but presented with a very modern flair, head to Rockwood Music Hall at 7 p.m. tonight (Wednesday, Dec. 28) to catch Vermonter Sam Amidon in a solo show.

Here’s how he describes the show:

End Of Year Contemplation through Banjosong

While I cannot even dare hope to match the fine calibration of Kirsten Dunst’s recent acting performances (most notably Marie Antoinette, Wimbledon, and Melancholia), I do wish that as 2011 draws to a close we can sing a few murder ballads and old love songs together and maybe it will snow.

Amidon is  an ace on the banjo, and delivers murder ballads and other traditional numbers in creative and compelling ways. He’s a bit of a deadpan performer, but there’s humor beneath the surface, too.

And even though this is billed as a solo banjo show (probably a good thing, because Rockwood’s stages aren’t particularly suited to bands of any size), Sam has lots of friends in New York. So you can never be sure who might drop in to join him or just to check out his set.

His talented circle of friends includes Beth Orton, Thomas “Doveman” Bartlett, violist Nadia Sirota and composer/pianist Nico Muhly,  to name just a few.

Even if none of his pals show up, chances are you’ll wind up feeling like a friend by the end of his set.

$15. Doors at  7 p.m. Rockwood Music Hall, 196 Allen Street, Manhattan. (212) 477-4155

Condola Rashad: Stick Fly’s not-so-secret weapon

Producer Alicia Keys to appear at post-show talkbacks this week

Condola Rashad outside the Cort Theatre. (Photo © 2011, Steven P. Marsh)

When Will You Miss Me When I’m Gone? saw a preview performance of Stick Fly on Broadway, we had a great time. The show is flawed, never quite making a clear point while keeping the audience entertained.

But we decided to check out Lydia R. Diamond‘s play (being promoted far and wide in the name of Alicia Keys, one of the producers of the comedic family drama with a twist) even before we knew what the show was about. That’s because we we were blown away by the actor with a below-the-title billing who absolutely steals the show: Condola Rashad.

Keys will be attending the show and conducting “an intimate post-show conversation” on Monday, Dec. 19 and Thursday, Dec. 22.

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Jon Brion’s long overdue New York City stand

Jon Brion

Jon Brion builds a song at (Le) Poisson Rouge in New York City, Oct. 3, 2011. (Photos © 2011, Steven P. Marsh)

The amazing composer/performer/arranger/producer Jon Brion is a fixture on the Los Angeles music scene, with his regular appearances at Largo— gigs that draw on his huge circle of musical friends. So it was a thrill to see that he was going to spend several nights in New York City this October. It was his first visit since 2002, when he spent a couple of night in residence at the Canal Room.

Jon Brion

John Brion

We got a chance to catch his set on Oct. 3, his third night at (Le) Poisson Rouge on Bleecker Street in Greenwich Village. He did not disappoint, working his butt off in his one-man-band style, looping guitar, piano and drums and moving seamlessly through the pop landscape with net or set list.

Check out more photos of  Jon’s Oct. 3 show after the jump.

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Thanks a lot, Chris Isaak

Bimbo's 365 Club (© 2011, Steven P. Marsh)

Bimbo's 365 Club (© 2011, Steven P. Marsh)

Will You Miss Me When I’m Gone? made a pilgrimage to the West Coast a couple of weeks ago. And this time, we were determined to hit a San Francisco music club we’d missed previously. It’s the supper club and music venue with the potentially provocative name: Bimbo’s 365 Club.

OK, we admit we weren’t put off by the name — it’s what Tuscan immigrant Agostino Giuntoli’s boss at a San Francisco restaurant called him because he couldn’t pronounce the kid’s name. (“Bimbo,” pronounced beem-bo, is Italian for boy.)  Giuntoli was a smart guy, who apparently didn’t have any problem with the nickname. And it turned out to be a much catchier name for the nightclub he opened with Monk Young, his name-challenged s former boss, now his partner, in 1931.

We really didn’t know much about the place until the advent of singer Chris Isaak‘s Showtime network sitcom, The Chris Isaak Show. If you don’t remember the show, it ran from 2001-2004 and pretty much purported to be a fly-on-the-wall look at Isaak’s life in San Francisco — although the show was actually shot in Vancouver. One of the show’s most endearing and curious features was Isaak’s regular pilgrimage to Bimbo’s basement to visit Mona, who in the show played the club’s mermaid Dolphina, for advice about his love life.

The mermaid — created through projections, not real women in tanks of water — was and still is a feature of the real Bimbo’s. Mona (actress BobbyJo Moore) appeared nude on a turntable in the basement. Her image was projected into a “tank” in the club’s lounge.

We needed to see Bimbo’s and check out the mermaid. And luckily, it turned out that Laura Marling was performing there while we were in town. (Don’t be misled by the “365” in the club’s name. It comes from the club’s former address at 365 Market St. and doesn’t refer to being open every night of the year.)

Laura Marling at Bimbo's 365 Club. (Photo © 2011, Steven P. Marsh)

Laura Marling and her band at Bimbo's 365 Club. (Photo © 2011, Steven P. Marsh)

It was great fun. Laura Marling was awesome, delivering a confident, rocking set. And her opener, Alessi’s Ark, a singer-songwriter with one backup player, did a surprisingly lovely performance.

Alessi's Ark at Bimbo's 365 Club. (Photo © 2011, Steven P. Marsh)

Alessi's Ark at Bimbo's 365 Club. (Photo © 2011, Steven P. Marsh)

But we couldn’t find any sign of the “real” Dolphina. Sure, there was a statue in the swanky lobby. But we couldn’t even immediately figure out where the mermaid tank was based.

Before the evening was over, we finally — and to our slight disappointment — discovered that Dolphina appears only occasionally at Bimbo’s, projected into a faux aquarium that spends most of its time behind curtains on the back bar. The rest of the time, there’s a small aquarium with some fish in it behind bar in the retro-elegant lounge.

The club has a no-cameras rule that they did try to enforce, so we had to rely on crappy BlackBerry photos inside the place. But here’s the tiny fish tank that had to suffice on Sept. 18:

The resident fishtank at Bimbo's is behind the cash register in the cocktail lounge, providing a point of reference to show how small the tank is. (© 2011, Steven P. Marsh)

The resident fish tank at Bimbo's is behind the cash register in the cocktail lounge, providing a point of reference to show how small the tank is. (© 2011, Steven P. Marsh)

By the way, don’t forget to check out music from Laura Marling, Alessi’s Ark, and Chris Isaak, who has a new album, Beyond the Sun, a tribute to the classic recordings of Sun Records of Memphis, out this month.

A feline diversion

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We interrupt our normally scheduled programming for a nonmusical announcement:

The Will You Miss Me When I’m Gone? household is about to adopt four cats. Yep, four feline Americans, as a friend describes cats. In one fell swoop. They are scheduled to arrive next Saturday, Aug. 20.

Let me explain: Their person, an Upper West Side woman I’ve never met, took at tumble earlier this year and has been in a nursing home since then. Her relatives are moving her out West, and the cats can’t go with her. So they needed a home, something we discovered through the magic of facebook and friends at the the Cathedral Church of Saint John the Divine in Manhattan, where their person once worked.

So we’ll soon welcome Smudge (the eldest, a Siamese), Ari, Opal and Menace (blind in one eye, the youngest and most active and least-reserved of the bunch!) into our little house. What a beautiful thing it’ll be.

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Todd Reynolds, Sxip Shirey and friends steal the show

Sxip Shirey, Todd Reynolds and friends at Lincoln Center Out of Doors. (Photos © 2011, Steven P. Marsh)

How often do you go to a show and feel like you’ve heard such an amazing opening act that you’re ready to skip the headliner?

Not often, I’ll bet.

Todd Reynolds

But that’s exactly the way I felt at Lincoln Center Out of Doors on Wednesday night, Aug. 10. It was another triumph in New York’s best free outdoor concert series, which The New York Times describes perfectly as “generous, warm, high-spirited real entertainment for a big audience.”

Don’t get me wrong, Laurie Anderson was the headliner of the free show in Lincoln Center’s Damrosch Park. She is — and was that night — amazing. But openers Todd Reynolds and Sxip Shirey, joined by six violinists and a tuba player, blew the house down with their collaboration. I could have gone home floating on air after their set, feeling perfectly satisfied.

Lou Reed slips heads backstage at Lincoln Center Out of Doors.

Todd, the inimitable Digifiddler, kicked off his set with some of the inventive work from his new album, Outerborough. Laurie’s husband, Lou Reed, slipped through the crowd and backstage while Todd was really wailing on “Crossroads,” a Michael Lowenstern-composed “duet” with bluesman Robert Johnson.

In short order, Todd was joined by six more violinists, each of whom is pretty amazing in his or her own right (Caleb Burhans, Conrad Harris, Pauline Kim Harris, Yuki Numata, Courtney Orlando, and Ben Russell). The Sxip, the multi-instrumentalist clown prince of the NYC indie music scene entered along with Adam Matta (the Human Beatbox) and tuba player Don Godwin of Raya Brass Band. (Check out a rehearsal clip of Todd and Sxip cutting loose here.)

The energy that flowed among all these talented musicians as they jammed onstage was palpable. And there was lots of love flowing from stage to audience and back again.

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Rock out at Maxwell’s while you help young adults adapt to life after foster care

If you can’t picture yourself at Maxwell’s in Hoboken, N.J., at 3 o’clock on a Saturday afternoon, it’s time to make an exception.

Tomorrow, Aug. 13, that’s exactly where you should be. If you’re there, you’ll be helping young adults who have aged out of New Jersey’s foster-care system through the Roots & Wings foundation and listening to four great bands in the process: Speed the Plough, Yung Wu (a side project of Feelies percussionist Dave Weckerman), Wild Carnation (which includes Feelies bassist Brenda Sauter) and Charlotte Sometimes.

Of course this is just one of three shows, featuring 12 bands, being staged at the legendary Hoboken club this weekend as part of CamelFest 2011 in support of Roots & Wings. It’s sponsored by Great Meadows, N.J., -based Dromedary Records.

Photo by Katie Demeski

Speed the Plough (Photo by Katie Demeski)

Tonight’s show’s, which starts at 8, features Richard Barone, Robbers on High Street, Readymade Breakup and The Mommyheads. Tomorrow night, also at 8, it’s The 65’s, The Library is on Fire, Varsity Drag and Stuyvesant.

Tickets are $10 per show. They’re available online (click here for tonight, tomorrow afternoon, tomorrow night) and at the door.

Todd Reynolds, Sxip Shirey and an ‘awesome array of violinists’ open for Laurie Anderson tonight

The Digifiddler himself, Todd Reynolds. (Photos © 2011, Steven P. Marsh)

Sxip Shirey opening for Cibo Matto at Brooklyn Bowl in July 2011. (© 2011, Steven P. Marsh)

When Laurie Anderson takes the stage at Lincoln Center Out of Doors in Damrosch Park on Wednesday night, Aug. 10, the crowd will already have gotten wound up with the sonic stylings of the Digifiddler himself, Todd Reynolds, along with multi-instrumentalist Sxip Shirey, human beatbox Adam Matta, and a clutch of New York’s best violinists (Caleb Burhans, Conrad Harris, Pauline Kim Harris, Yuki Numata, Courtney Orlando, and Ben Russell).

I don’t know exactly what’s in store with this performance and haven’t asked Todd. I know it’ll be creative and entertaining — and I want to be surprised.

Adam Matta

Oh, and by the way, Laurie Anderson’s a great live performer, too. Be sure to stick around after Todd, Sxip and company are finished.

Laurie Anderson

The show starts at 7:30 p.m. at the Guggenheim Bandshell in Damrosch Park, behind New York State Theater in Lincoln Center. There are plenty of seats, room to roam and there are food and drink vendors on site. Admission is free.

Don’t miss it. It promises to be spectacular.