Tag Archives: Nadia Sirota

Tonight’s the night: Sam Amidon solo banjo show at Rockwood Music Hall

Sam Amidon at the Mercury Lounge, New York City.

Sam Amidon on banjo at the Mercury Lounge in New York City last year. (Photo © 2010, Steven P. Marsh)

If you’re in the mood for some great banjo music rooted in old-timey tradition but presented with a very modern flair, head to Rockwood Music Hall at 7 p.m. tonight (Wednesday, Dec. 28) to catch Vermonter Sam Amidon in a solo show.

Here’s how he describes the show:

End Of Year Contemplation through Banjosong

While I cannot even dare hope to match the fine calibration of Kirsten Dunst’s recent acting performances (most notably Marie Antoinette, Wimbledon, and Melancholia), I do wish that as 2011 draws to a close we can sing a few murder ballads and old love songs together and maybe it will snow.

Amidon is  an ace on the banjo, and delivers murder ballads and other traditional numbers in creative and compelling ways. He’s a bit of a deadpan performer, but there’s humor beneath the surface, too.

And even though this is billed as a solo banjo show (probably a good thing, because Rockwood’s stages aren’t particularly suited to bands of any size), Sam has lots of friends in New York. So you can never be sure who might drop in to join him or just to check out his set.

His talented circle of friends includes Beth Orton, Thomas “Doveman” Bartlett, violist Nadia Sirota and composer/pianist Nico Muhly,  to name just a few.

Even if none of his pals show up, chances are you’ll wind up feeling like a friend by the end of his set.

$15. Doors at  7 p.m. Rockwood Music Hall, 196 Allen Street, Manhattan. (212) 477-4155

Advertisements

Wood and wire: Nadia Sirota and Line C3 play Galapagos

Nadia Sirota performs OMFG with the composer, Our Lady J, on the piano at Galapagos last night. .

Nadia Sirota performs OMFG with the composer, Our Lady J, on the piano at Galapagos last night. .

New Amsterdam Records has a reputation for taking risks with  lesser-known cutting-edge musicians and giving them a chance to really shine. The label last night launched a new monthly series call Archipelago at Galapagos Art Space in the Dumbo section of Brooklyn. New Amsterdam tested the waters, so to speak, in the spring with a short series dubbed Undiscovered Islands. The new series ‘ name continues the water-land theme (appropriate at a venue where some of the seats appear to float in a pool of water).

There’s plenty of self-interest involved, as virtually all of the Archipelago performers are New Amsterdam artists. But because the label has such an interesting mix of talented performers, there’s little chance of a dud.

The series kicked off last night with a set by one of the label’s most inventive and skilled artists, violist Nadia Sirota, and the percussion quartet Line C3. The six-year-old quartet (Haruka Fujii, John Ostrowski, Eric Poland, and Chris Thompson) doesn’t appear to be on New Amsterdam’s roster — though I wouldn’t be surprised if that were in the works — and I was not familiar with them before last night.

The performers mixed it up, playing together and separately throughout the all-too-short program. Nadia kicked off the evening with the premiere of Future Shock by New Amsterdam co-director William Brittelle, a percolating blend of Nadia’s viola and electronics. Line C3 took the stage to perform a 2004 piece written for the quartet by Nico Muhly, Ta and Clap.

Line C3 performs Speak Softly by David T. Little.

Line C3 performs Speak Softly by David T. Little.

Go to the jump to see Line C3’s video of Ta and Clap and read more about last night’s show. Continue reading