Category Archives: Free

Fela! visits Brooklyn

Sahr Ngaujah inhabits the character of Fela Ankiulapo Kuti, backed up by five Queens and a super-hot big band. (Photos copyright 2010, Steven P. Marsh)

Cast of Broadway Afrobeat musical thrills crowd in free concert at St. Ann’s Warehouse

Sahr Ngaujah

Sahr Ngaujah and the cast and band of the smash-hit Broadway musical Fela! didn’t let the rain dampen their spirits on Monday night, Oct. 4. And the appealing bunch didn’t even seem to be bothered that they were working on what would normally be their night off for the week, since Broadway theaters are dark on Mondays.

Fela! The Music of Fela Kuti, was a gift to Brooklyn and the city from St. Ann’s Warehouse, a cutting-edge performance organization in Dumbo. It was supposed to draw crowds to Brooklyn Bridge Park nearby, but the rains forced it inside the St. Ann’s space at 38 Water Street. The people at St. Ann’s handled the transition nicely, opening everything up quickly and accommodating a huge crowd with ease.

The show’s hot band and great Afrobeat dancers and backup singers — representing the many wives of Fela Anikulapo Kuti, the Nigerian creator of Afrobeat whose life story the musical tells in broad brushstrokes — locked in perfectly with  Ngaujah to deliver 90 minutes of music.

Click through to the jump for more photos.

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New Music Bake Sale: Music, Conversation, Beer and, yes, actual baked goods!

Arturo en el Barco's Bake Sale table featured cupcakes and particularly tasty flan de queso. (Photos copyright 2010, Steven P. Marsh)

The 2nd Annual New Music Bake Sale took over the decrepitly beautiful Irondale Center’s space in Fort Greene, Brooklyn, on Saturday, Sept. 25 for more than six hours.

The concept was pretty simple: Bring together a bunch of people who make new music — performers, producers, record companies and the like — in a place where they can make music, talk about music, drink beer and sell sweet and savory baked goods to raise money for their efforts.

Kathleen Supové at her Bake Sale table.

We don’t know how successful the financial part of the evening was, but the place was constantly full of people and activity throughout the event. We sampled the food, beer and music and found it excellent — especially the Sixpoint Sweet Action!

Many of our favorite New Music folks were there throughout the evening, including, but hardly limited to, Todd Reynolds, Matt Marks, Mellissa Hughes, Courtney Orlando, Ken Thomson, Jessica Schmitz, Ted Hearne, David T. Little, Steven Swartz, Glenn Cornett, Franz Nicolay, Caleb Burhans, Kathleen Supové and Oscar Bettison.

Todd Reynolds and Ken Thomson perform Ken's "Storm Drain."

We can hardly wait for next year’s event.

But enough words. Let’s get to the images. Click through to the jump for more photos. Continue reading

Kristin Hersh reads and sings

Journalist Katherine Lanpher interviews Kristin Hersh. (Photos copyright 2010, Steven P. Marsh)

Kristin Hersh, founder of the legendary band Throwing Muses, who’s now performing solo when she’s not fronting her new band 50FOOTWAVE, is on the road talking about her amazing new memoir, Rat Girl. It’s based on her teenage diaries and gives a look into her beautifully messy mind and crazy life.

She visited Barnes & Noble on Union Square in New York City on Tuesday, where she spent an hour chatting with journalist Katherine Lanpher, reading excerpts from her gripping memoir and playing some songs.

Kristin Hersh sings

Kristin has had quite a life, and deals with much of it in the memoir. She nearly died when she was hit by a car while riding her bicycle in Providence, R.I., when she was 16 — her face, reflected in the mirrored sunglasses of a Good Samaritan at the scene, was “hamburger with hair,” she recounts. She was diagnosed with bipolar disorder. She started college at age 15, younger than everyone else and out of place, and bonded with another out-of-place student, the much older actress Betty Hutton. Continue reading

The fantasy begins: High Tor on High Tor

High Tor on High Tor: The audience view. (Photos copyright 2010, Steven P. Marsh)

If you missed High Tor on High Tor on Saturday, check out the photos in this report and get yourself to High Tor State Park by 3 p.m. Sunday to see this great play for yourself!

Saturday was a perfect day for a picnic or a play — or both — in High Tor State Park in New City, N.Y.

Indian (Robert Fellows) sets the scene.

That’s exactly what nearly 150 people got the chance to do when they got to the park for a free reading of the play High Tor by Maxwell Anderson. If you missed Saturday’s performance, shame on you. But you have one more chance on Sunday.

High Tor is staged under the open sky on the slopes of the mountain whose name it took as its title. It’s a funny, charming play that really hits home about the environment and the question of what’s really important in life.

Judith (Michele Danna) and Van Van Dorn (Nolan Muna) are in love, but she can't accept his decidedly unmodern attitude toward life.

It’s comical and entertaining while dealing with these serious issues. And for anyone who knows the area, it feels authentic, with characters talking about local landscapes and history.

Hawks wheeled overhead as the play began.

This is the play that helped start a serious movement to by galvanizing neighbors and environmentalists to preserve the peak.  In 1943, after the death of Elmer Van Orden, who owned a huge hunk of High Tor, citizens groups raised the funds to purchase some of the land and turn it over to the Palisades Interstate Park Commission for preservation. Grassroots groups also persuaded millionaire railroad magnate Archer Huntington to donate his adjacent estate of 470 acres to the park commission to the park commission. Decades after High Tor became a state park , 78 acres were added to it as a result of litigation by West Branch to prevent development. These included the Van Orden farm, the actual site of the play.

The audience was relaxed.

West Branch Conservation Association, Rockland’s Land Trust, is producing the play to increase public awareness of the threats to open space and to the many artists who have lived and those who still live on and near South Mountain Road, and their work.

More photos and details about his production after the jump.

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Free staged reading of High Tor on High Tor premieres today

Julie Andrews and Bing Crosby in the 1956 TV version of High Tor. The new production of High Tor on High Tor uses music composed for this teleplay.

The free staged reading of Maxwell Anderson’s thought-provoking play High Tor starts today (Saturday, Aug. 21) at High Tor State Park — the patch of open space in north New City, N.Y., on the mountain from which the play takes its title.

The 1936 comedy-fantasy, written by a resident of the High Tor neighborhood along South Mountain Road, helped fuel an interest in land preservation in the area that is going strong today.

Click here for a video interview with Terri Thal of the West Branch Conservation Association, Rockland’s land trust, which is producing the play to call attention to open-space preservation issues that persist today and here for a LoHud blog item and photo gallery related to the show.

The free show is being staged at 3 p.m. Saturday and Sunday. Parking is free. Seating is provided. Come early and have a picnic in the beautiful mountainside park. Click here for directions and more details.

Click here for a fun item about the vineyard that once occupied part of High Tor, and some details of the West Branch Conservation Association’s successful battle to save it from development.

Revival of Maxwell Anderson’s ‘High Tor’ play to be performed on the slopes of High Tor

See A free reading of the play that helped save this rockland County peak from destruction

In just 10 days from today, on Saturday, Aug. 21 and Sunday, Aug. 22, we’ll get a chance to see a performance of High Tor, a play that really did change the world.

The West Branch Conservation Association, Rockland County’s Land Trust,  is producing two performances of Maxwell Anderson’s New York Drama Critics’ Circle Best Play Award winner for 1937 on the on mountain the play was written to save and from which it takes its name.

Write what you know

The old adage for writing is that you do your best when you “write what you know.” That’s what famed playwright Maxwell Anderson did in 1936.

Maxwell Anderson, left, accepts the 1936 New York Drama Critics Circle Award in 1936, a year before he won it again, this time for "High Tor."

Anderson was a resident of South Mountain Road in New City, an area that had become artists colony over the years, attracting creative folks such as Kurt Weill and Lotte Lenya, John Houseman, cartoonist Milton Caniff — along with Burgess Meredith and Alan Jay Lerner, who lived just over South Mountain in Pomona. Continue reading

Chekhov under an open sky

Ivanov (Rob Campbell) dances on the water of Lake Lucille in the magical conclusion to Chekhov's Ivanov. (Photos copyright 2010, Steven P. Marsh)

Lake Lucille echoed with the sounds of stagecraft for five days last week as a company of 60 actors, musicians and various other theater professionals put together a free, outdoor production of Ivanov, by Anton Chekhov, performed from a new translation by Curt Columbus.

This production of Chekhov on Lake Lucille was particularly welcomed because it marked the return of a neighborhood tradition. The annual run was broken last summer when host-producers Melissa Kievman and Brian Mertes moved to the West Coast for personal and professional reasons. But they kept their wonderful brownstone house — which is the centerpiece of the set for each Chekhov production — and managed to return this summer with a bigger-than-ever performance and neighborhood cookout and potluck supper at intermission.

Melissa Kievman, Brian Mertes and the band.

You could call it summer camp for theater professionals. Most of the volunteer staff spent the week living in tents, eating meals alfresco in the neighborhood and working to create a context for Chekhov’s drama in the suburban landscape of the Lake Lucille neighborhood.

It drew hundreds of guests to enjoy the creative staging under clear skies with moderate summer temperatures.

Dozens of neighbors and local businesses provided support for an undertaking that costs thousands of dollars. This year, the West Branch Conservation Association, Rockland’s Land Trust, helped produce the play with a grant obtained by the office of Assemblyman Kenneth P. Zebrowski and the late state Sen. Thomas P. Morahan. The Tisch East Alumni Council help with a microgrant for costuming.

The production uses the natural features. Here Ivanov makes an entrance from the lake itself.

Ivanov emerges, dripping wet.

Ivanov walks through the audience toward the stage.

As is often the case in Chekhov, the characters complain of boredom.

But Jesse J. Perez, who played Kosikh, choreographed some great routines to keep things interesting:

Check out more photos after the jump.

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Ethel Fair Launches Lincoln Center Out Of Doors

Crews were making the final preparations to Damrosh Park on Tuesday night for Wednesday's premiere of the 2010 edition of Lincoln Center Out Of Doors. (Copyright 2010, Steven P. Marsh)

The fabulous Lincoln Center Out of Doors festival starts Wednesday night with a bit of Civil Rights Movement street theater at 6:30 at Barclays Capital Grove (the sponsored name for the plaza between Lincoln Center Theater and Avery Fisher Hall and moves into full-bore music mode at 7:30 in Damrosch Park with Ethel Fair: The Songwriters.

Ethel is Ralph Farris (viola), Mary Rowell (violin), Dorothy Lawson (cello) and Cornelius Dufallo (violin).

Ethel is a string quartet like no other string quartet you’ve seen or heard. These four skilled players, who are quite active together and separately on the international contemporary music scene, have been working in collaborative mode over the past several years. Their latest project, which has its world premiere at the Lincoln Center Out of Doors festival,  features the quartet yoked with songwriters who are quite well known on their own. Pop tunesmith Adam Schlesinger (a member of pop bands Fountains of Wayne and Ivy and composer of Broadway’s “Cry Baby”), assisted by Mike Viola (Candy Butchers), has created a work with Ethel. Other collaborators include folk-blues dynamo Dayna Kurtz, punk-New Wave pioneer Tom Verlaine (Television) and folky Argentine singer-songwriter Juana Molina.

Ethel always pushes boundaries with its work. This collaborative effort appears to reach for a broader, more mainstream appeal than some of the band’s more left-of-center efforts, such as its ongoing TruckStop project, which takes the band on the road to work with and celebrate indigenous cultures. But it’s certain to provide a richly entertaining evening.

No Snakes In This Grass is the title of the theater piece, written by James Magnuson and directed by Mical Whitaker, that kicks off the evening. It’s a comedy set in the Garden of Eden that deals issues of race and the Fall.

This is just the first night of a jam-packed schedule of fabulous free music and performance art that runs through Aug. 15. For the full Lincoln Center Out of Doors schedule, read the press release after the jump. Continue reading

Celebrate the 4th of July with Stew and Dan Zanes

Dan Zanes.

Stew, of The Negro Problem and Passing Strange, has a lot on his plate these days, what with a new Shakespeare score being performed in Connecticut right now, a couple of musicals in the pipeline and some concert appearances. All of that is in the news section on the left side of Stew’s homepage.

Heidi Rodewald and Stew. (Copyright 2009, Steven P. Marsh)

For all the Stew completists who read Will You Miss Me When I’m Gone?, tomorrow is the most important upcoming date. Stew is one of the “special guests” at the FREE Dan Zanes Jam & Jubilee, The Battery 4th of July Concert and Family Festival, presented by River To River in Battery Park.

Gates open at 1 p.m., with festivities kicking off an hour later. You can spend the day in Battery Park, dancing to the rhythms of La Cumbiamba eNeYe and singing along to Dan’s brand of Broadway classics! In addition to Stew, guests include spoken word poet Caridad De La Luz (La Bruja) and Joan Osborn.

You can even participate in the fun, as musicians of all ages are invited to perform 76 Trombones in a spectacular 4th of July Parade! You can download the sheet music and get detailed information on the festival website.

It should be a blast!

Victor Williams is Othello in the Shakespeare on the Sound production, with songs and music by Stew and Heidi Rodewald.

Meanwhile, if you haven’t been to Connecticut to see Othello, directed by Joanna Settle with songs and music by Stew and his longtime partner Heidi Rodewald, there’s still time.

Shakespeare on the Sound‘s Othello is performed outdoors at 7:30 nightly (except Monday) through July 11 at Baldwin Park, 100 Arch St., in Greenwich, Conn. While Stew and Heidi don’t perform live, you’ll get the full impact of their work on the recorded backing tracks and live singing by the actors. Last year Stew scored A Midsummer Night’s Dream for SotS, and is was fantastic.

Seating is on the ground around the stage, so be sure to bring blankets or low chairs (nothing that would block the view of people seated behind you) for comfort. Or if you want to go first class, you can fork over a $50 donation for a reserved seat in on of SotS’s chairs.

And why not arrive early and turn it into dinner theater! It’s a great spot for a picnic before the show. There is a concession stand selling decent food and beverages, including wine and beer.

Admission is by donation. You could walk through the gate without paying a dime, but that just wouldn’t be right. Show your support for Stew and Heidi by dropping a donation at the gate. $20 per person is suggested, but more or less is just fine.

nically free, but donations are expected at the gae.

The park is right on the Long Island Sound and within walking distance of the Metro-North station. It’s a beautiful setting, easily accessible from NYC. Click here for transit info.

Beach Fossils fills in at the last minute at South Street Seaport’s Pier 17

Beach Fossils at the Pier 17 Stage at South Street Seaport on Friday night, July 2. (Photos copyright 2010, Steven P. Marsh)

If not for Beach Fossils, Will You Miss Me When I’m Gone? would not have made it to South Street Seaport on Friday night. But we are very glad we did.

Dustin Payseur of Beach Fossils.

So the resourceful River To River Festival folks, who presented tonight’s free show at the Seaport, called the suddenly famous Dustin Payseur and his band of merry men — John Pena, Sennott Burke and Tommy Lucasto— to fill the headlining spot. And even though they’re from Brooklyn and not Texas (there’s a Texas On Tour event at the Seaport to which the show was thematically linked), they did a great job.

Beach Fossils kept the audience entranced.

The noisy but melodic young Brooklyn quartet agreed to fill in as headliner at the free show after YellowFever’s Jennifer Moore got stopped at the airport in Houston Friday morning for carrying a chef’s knife onto her NYC-bound airplane. (Her day job is in the kitchen at Rudy’s BBQ in Austin.) Although things were eventually sorted out, and Jennifer was deemed no threat to national security, all that happened too late for her to make another flight that would get her to the show on time.

Beach Fossils.

Beach Fossils played a solid set that lasted just under an hour. That’s when Dustin announced: “This is our last song. We were supposed to play longer, but we don’t have any more songs!”

Talk about truth in advertising. With only one rather new album out, it’s no surprise that the band had nothing else to play, But they left us wanting to know what comes next.

Opener Woven Bones also turned in a solid set for the slight crowd. They seemed much more on than when we saw them last month opening for The Ponys at the Mercury Lounge. Click through to the jump for more photos of Friday night’s sunset gig.

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