Tag Archives: Kurt Weill

Symphony Space celebrates 70th anniversary of Kurt Weill’s One Touch of Venus in spectacular style

kwThere was a lot to celebrate at Symphony Space in Manhattan on Monday night.

First, it was the reason everybody was there: a musical tribute to Kurt Weill’s longest-running Broadway show, One Touch of Venus, with an amazing orchestra and a fabulous array of singers.

First, it was the 70th anniversary of the snappy show — down to the day!

Second, it turned out to be the eve of the release of the decade-delayed Jay Records cast recording of the full show, which features quite a few of the singers from the Symphony Space performance — including a transcendent Melissa Errico (who noted “I’m wearing same dress I word 20 years ago … after three kids,” referring to her star turn in the lead role of the 1996 Encores! revival),  the always- welcome Ron Raines, and the smooth-voiced Brent Barrett. (It’s available now on iTunes, with a CD release to follow at an unspecified date.)

Third, the chief dancer from the original production, Sono Osato— whose work we got to see in a wonderful collage of moving and still images at the top of the show — was in the audience and took the spotlight for a hearty round of applause. Continue reading

Eisa Davis and The Cradle Will Rock — perfect together

cradleI saw the premiere
performance of the new Encores!
Off-Center
reading of The Cradle Will Rock at New York
City Center on Wednesday night. I didn’t spend a lot of time
analyzing casting decisions or reading up on this production. I
knew Anika Noni Rose,
Raúl Esparza and Danny
Burstein
were in key roles, but aside from that,
avoided reading about it. It was an effort to preserve an element of surprise. And
given that I’ve been spending som much time at Maxwell’s and other
rock events, there really wasn’t time. So what a pleasant
surprise when the curtain opened and there, front and
center, was Eisa Davis. It seemed
almost too perfect that an actor with a radical heritage (she’s a
niece of activist Angela
Davis
, a relationship Eisa explored in her
play Angela’s Mixtape) performing in a show
about union-busting and based on the timeless us-versus-them theme.
(Many theatergoers were introduced to Eisa through the Tony
Award-winning musical Passing
Strange
.)

Continue reading

Free staged reading of High Tor on High Tor premieres today

Julie Andrews and Bing Crosby in the 1956 TV version of High Tor. The new production of High Tor on High Tor uses music composed for this teleplay.

The free staged reading of Maxwell Anderson’s thought-provoking play High Tor starts today (Saturday, Aug. 21) at High Tor State Park — the patch of open space in north New City, N.Y., on the mountain from which the play takes its title.

The 1936 comedy-fantasy, written by a resident of the High Tor neighborhood along South Mountain Road, helped fuel an interest in land preservation in the area that is going strong today.

Click here for a video interview with Terri Thal of the West Branch Conservation Association, Rockland’s land trust, which is producing the play to call attention to open-space preservation issues that persist today and here for a LoHud blog item and photo gallery related to the show.

The free show is being staged at 3 p.m. Saturday and Sunday. Parking is free. Seating is provided. Come early and have a picnic in the beautiful mountainside park. Click here for directions and more details.

Click here for a fun item about the vineyard that once occupied part of High Tor, and some details of the West Branch Conservation Association’s successful battle to save it from development.

Revival of Maxwell Anderson’s ‘High Tor’ play to be performed on the slopes of High Tor

See A free reading of the play that helped save this rockland County peak from destruction

In just 10 days from today, on Saturday, Aug. 21 and Sunday, Aug. 22, we’ll get a chance to see a performance of High Tor, a play that really did change the world.

The West Branch Conservation Association, Rockland County’s Land Trust,  is producing two performances of Maxwell Anderson’s New York Drama Critics’ Circle Best Play Award winner for 1937 on the on mountain the play was written to save and from which it takes its name.

Write what you know

The old adage for writing is that you do your best when you “write what you know.” That’s what famed playwright Maxwell Anderson did in 1936.

Maxwell Anderson, left, accepts the 1936 New York Drama Critics Circle Award in 1936, a year before he won it again, this time for "High Tor."

Anderson was a resident of South Mountain Road in New City, an area that had become artists colony over the years, attracting creative folks such as Kurt Weill and Lotte Lenya, John Houseman, cartoonist Milton Caniff — along with Burgess Meredith and Alan Jay Lerner, who lived just over South Mountain in Pomona. Continue reading