Category Archives: News

Stew, Heidi and The Negro Problem in world premiere at BAM

Heidi Rodewald and Stew, creators of Broadway's Passing Strange, return to the stage this October. (Copyright 2009, Steven P. Marsh)

Stew and Heidi Rodewald, the creators of Broadway’s cult favorite Passing Strange, and this season’s Making It at St. Ann’s Warehouse will be back on the boards this fall with a show as part of the Brooklyn Academy of Music’s Next Wave Festival.

Stew in "Making It" at St. Ann's Warehouse in February. (Copyright 2010, Steven P. Marsh)

The show, called Brooklyn Omnibus, is billed as a 75-minute song cycle about the borough that Stew calls his part-time home (his girlfriend and their child live there) and where Heidi seems to have settled full-time. It’s scheduled to run Oct. 20-23.

Interestingly, the performers are listed as “Stew & The Negro Problem,” which could signal a return to form for the longtime collaborators. They’ve billed most of their band efforts in recent years as The Broadway Problem, or some other — I daresay more politically correct — variation on their original band name.

Stay tuned for more details!

Free dance party today in Manhattan’s Riverside Park

GlobeSonic Dance System's DJs: Fabian Asultany, Bill Bragin (aka DJ Acidophilus) and Derek Beres.

Looking for a way to enjoy the great outdoors today and get your dance on? Check out the free GlobeSonic Sound System dance party in Riverside Park today. The party starts on the early side, at 4 p.m., and runs until 11 on the Hudson River pier at 68th Street. This is the sixth season of GlobeSonic parties on the pier.

All you need to bring is your dancing shoes. And did I mention that admission is free?

GlobeSonic features three DJs, Fabian Alsultany, Derek Beres and Bill Bragin (director of public programming at Lincoln Center and former director of Joe’s Pub), plus Duke Mushroom on percussion.

We’ve been to GlobeSonic parties before, and they’re always a great mix of beat-heavy international tracks. Today will be our first time seeing GlobeSonic on the pier. It should be a wild party.

Roky Erickson and Okkervil River rocked Webster Hall

Okkervil River (Lauren Gurgiolo, guitar, Will Sheff, guitar-vocals, Scott Brackett, keyboards-trumpet, Cully Symington, drums, Patrick Pestorius, bass, and Justin Sherburn, keyboards-guitar) back legendary psychedelic rocker Roky Erickson on Tuesday night, May 25, at Webster Hall. (Photos copyright 2010, Steven P. Marsh)

An Unlikely Pairing

As unlikely as it may have seemed at first, the new collaboration between psychedelic rock legend Roky Erickson and Austin, Texas-based band Okkervil River, the results are stunning.

Their new album together, True Love Cast Out All Evil, was the first evidence of a truly symbiotic musical relationship. But with enough studio tricks, just about anybody can make a decent album. The true test is in live performance.

Well, they proved to a New York audience — a melding of gray-beard, old-school Roky fans and younger Okkervil River aficionados — at Webster Hall in the East Village last night (May 25, 2010) that they really know how to kick out the jams live, too. Continue reading

Reconsidering the encore: Jeff Mangum at the Chris Knox benefit

The lobby of (Le) Poisson Rouge, complete with fish tank.

Thursday’s magnificent Chris Knox benefit show at (Le) Poisson Rouge is one that will give music fans a lot to ponder for years to come — along with raft of great memories.

When I wrote yesterday that I wished Jeff Mangum had not done an encore to his spectacular mid-show set, I wasn’t criticizing him or his performance. After the encore was over, I was as thrilled as anyone in the crowd to have heard him do yet another song.  But before he started “Engine,” I was fearful that the perfect moment he created in his four-song set might somehow be damaged.

The Neutral Milk Hotel frontman seemed so happy to be playing in public to such an adoring audience that his return for an encore seemed natural rather than forced. I asked the show’s organizer, Ben Goldberg, about how it all happened organically.

Benefit organizer Ben Goldberg.

“It’s funny, I fully wasn’t expecting Jeff to play again once he got offstage,” Ben tells Will You Miss Me When I’m Gone? “He seemed both elated and relieved it was over.

“But then he heard people screaming and was like, ‘Should I do Engine? You think I should do Engine?’ So, it kind of felt like a true encore – not planned.

“In fact, Dimmer [the New Zealand band that played next] was already coming out to set up. I had to stop them so he could play!

“I know what you mean about the encore being a bit of a tag-on, but I don’t know…everyone singing along like they did…it seemed special in and of itself.”

The experience clearly blew away Ben — just like it did the rest of the crowd. “It’s terrible to be the organizer of a big show like that and feel completely emotionally drained halfway through!”

The rock show of the year

Chris Knox

The year may be far from over, but Will You Miss Me  When I’m Gone? has a feeling that the Chris Knox benefit at Manhattan club (Le) Poisson Rouge tonight is very likely to be the highlight of the year for those lucky enough to have gotten in.

We may have lagged a bit it posting while we search for new funding sources to keep WYMMWIG? going, but that hasn’t kept us away from the clubs and concert halls of New York and environs. And, with a bit of luck, we’ll be back with some recent updates tomorrow.

For now, you’ll have to settle for this.

For starters, you might ask, who’s Chris Knox and why does he need a benefit?

Well, unless you’ve been living under a rock, you can probably guess the answer to the second half of the question. Chris Knox is a musician, and, like most committed, full-time musicians, he doesn’t have adequate health care. (Not to be too grim about it, but the rock world has lost way too many of its best to the lack of proper health care — think Jay Bennett, for instance.)

The reclusive Jeff Mangum of Neutral Milk Hotel is making a very, very rare appearance at the Chris Knox benefit.

Now, back to the first part of the question. Knox, 57, is a New Zealand rocker who with Alex Bathgate formed Tall Dwarfs, a pioneer of the lo-fi rock movement. He had a series of strokes last year, and now his musical descendants are lining up to pay him back for his tremendous influence by raising money to pay his medical bills.

Those musical descendants make up a list of indie rock’s’ best and brightest — and most reclusive.

The scheduled appearance of Jeff Mangum, the brains behind Neutral Milk Hotel, is stirring the most interest. He’s  been rather reclusive for the last 10 years, but is slated to play a short set tonight.

And then there’s the rest of the list (and organizer Ben Goldberg of BaDaBing Records says the lineup has been changing by the day), which includes: Yo La Tengo, the Magnetic Fields’ Claudia Gonson (can Stephin Merritt stay away?), TV on the Radio’s Kyp Malone, Portastatic, The Clean, Sharon Van Etten, David Kilgour and who knows how many more.

Goldberg won’t even think about giving out a set list, so if you’re going, you need to get there early and plan to stay late. And don’t expect to see the usual host of photos on WYMMWIG? tomorrow, because all cameras are banned — there won’t even be a house photographer! Given how tightly this thing has been run, I pity the first jerk who’s caught taking photos during the show!

Continue reading

Kelly Flint’s fourth act

Kelly Flint

If you remember the great NYC lounge band Dave’s True Story, you know Kelly Flint, the flame-haired singer, who doubled as the band’s smoldering sex symbol (apologies to frontman Dave Cantor and bass player Jeff Eyrich).

Late in DTS’s history, Kelly, who’s married to Jeff, gave birth to Ben, their beautiful son. Then she started performing as a singer-songwriter, moving into a very simple, confessional sort of performing — just girl and her guitar, sometimes with bass backing — which was something she has told me she had wanted to do for years.

But now comes the lovely Kelly’s fourth act, as an actress.

She hit the stage of Manhattan Repertory Theatre last night, and will appear again tonight and tomorrow, in a staging of Man on the Moon, a play by William Holland. It’s one of two works in Manhattan Rep’s Spring Play Festival 2010. Kelly’s not giving any clues about her character in the play, but she does have the female lead. I wish I could get there to see her make what surely will be a star turn. But I’m already booked elsewhere for all her performances.

If you go, please let your fellow Will You Miss Me When I’m Gone? readers know what it was like by sending in a full report.

Doors open at 8:30 pm and the show starts at 8:45, running an hour. Manhattan Rep Theater, 303 West 42nd St., 3rd Floor. $20 cash. Rservations: (646) 329-6588.

Signal plays Philip Glass

Brad Lubman conducts Signal with Michael Riesman. (Photos copyright 2010, Steven P. Marsh)

Signal, the stunning young contemporary chamber ensemble, did a great job performing some of the works of Philip Glass at Manhattan’s (Le) Poisson Rouge on Sunday evening. They gave the New York premiere of Glassworks, the 1981 suite that in a recorded version became ubiquitous to the point of absurdity in its day as it seemed to be on everyone’s cassette Walkman during that time. Other works performed included Music in Similar Motion and selections from the opera La Belle et la Bête and Anima Mundi.

Michael Riesman, longtime keyboardist and musical director for the Philip Glass Ensemble joined Signal for Sunday’s two shows, and made new arrangements of some of the works.

Sadly, Glass himself did not show up for the early show, which many fans hoped would happen. But the heavy-lidded senior statesmen of minimalism did make it to the second set, to the apparent delight of that audience.

More photos after the jump. Continue reading

Dance to Afrobeat at Midsummer Night Swing

Lincoln Center (Copyright 2010, Steven P. Marsh)

If the smash Broadway musical Fela! gave you the itch to hear more Afrobeat music, Lincoln Center’s Midsummer Night Swing lineup for this summer, announced today, will help you scratch it. Fela Kuti’s son Femi and his band Positive Force are scheduled to perform on July 12, with a a lesson in how to dance to the driving African beat taught by Maija Garcia, associate choreographer of the musical and a DJ set by Sahr Ngaujah, the actor who created the title role in Fela!

Femi Kuti

And if Afrobeat’s not your cup of tea, there are plenty of other styles of music and dance on offer during the 15 nights of performances at Lincoln Center’s Damrosch Park.

The cutting-edge programming by Lincoln Center Director of Public Programming Bill Bragin features the New York debuts of four bands: narcotango from Argentina, The Time Jumpers from Nashville, New Orleans’ Moonshiners, and Salsa Band La-33 from Columbia.

Bragin says: “The series offers an array of dance music styles including salsa, swing, disco, and tango.  For the first time this summer we are presenting a night of bhangra, the frenetic, hypnotic dance music from India by way of London and New York.  Famed DJ Rekha will spin bhangra and Bollywood beats with her special guest Red Baraat for a dance party like no other on July 8th.  Another highlight will be an appearance by Femi Kuti & Positive Force on July 12th.  Kuti, the son of Fela Anikulapo Kuti of FELA! on Broadway fame, extends the tradition with his contemporary Afrobeat sound.”

The shows start at 6:30 pm with a dance lesson, followed by live music and dancing from 7:30-10.

Tickets and passes are on sale now. Multi-evening Swing Passes are priced at $90 for six nights, and $160 for the full season.  Tickets for individual evening events are $17.

The Swing box office is located in the lobby of Avery Fisher Hall, Broadway and 65th Street. Tickets for individual events and passes can be purchased in advance or on the night of the event at a box office in Damrosch Park.  Tickets and passes can also be purchased through CenterCharge at (212) 721-6500, or online. Twitter users can follow Midsummer Night Swing  @LCSwing for ongoing news and updates.

Click through to the jump for more info and the full lineup: Continue reading

Tickets for new Wilco indie music and art fest on sale tomorrow

Wilco

Adventurous Chicago-based band Wilco has announced it will curate and headline the new Solid Sound Festival, an independently promoted and ticketed festival of music, art and comedy for three days this summer — Aug. 13-15 — at the Massachusetts Museum of Contemporary Art (MASS MoCA) in North Adams, Mass. Early-bird tickets ($86.50 including fees and parking) will be available starting at 10 am ET tomorrow on the band’s web site.

Jeff Tweedy, center, and Wilco.

Wilco headlines the weekend, giving its only East Coast performance of the summer. Wilco side projects, including Glenn Kotche‘s On Fillmore, The Nels Cline Singers, The Autumn Defense featuring John Stirratt and Pat Sansone and Mikael Jorgensen‘s Pronto.

The Solid Sound Festival at MASS MoCA also will feature additional musical performances, a comedy stage, interactive installations and exhibits (including the Solid Sound Stompbox Station, an interactive guitar pedal exhibit created and demonstrated by Wilco guitarist Nels Cline, a concert-poster screening demonstration, planned workshops by luthiers and more), plus film, video installations and DJs.

The area is beautiful, with plenty of outdoor activities nearby as well as cultural attractions in Williamstown to the west.

Ticketholders will have full access to the spectacular MASS MoCA campus, which offers 150,000 square feet of galleries. MASS MoCA, a renovated 19th century textile mill, is the largest center for contemporary visual and performing arts in the U.S. Art on display in the galleries during the festival includes the Sol LeWitt Retrospective, Inigo Manglano Ovalleʼs Gravity is a Force to be Reckoned with, Petah Coyneʼs Material World: Sculpture to Environment, Leonard Nimoyʼs Secret Selves and a new installation by Michael Oatman.

Stay tuned to Will You Miss Me When I’m Gone? for more details as they become available.

Buy your tickets now, because the price will rise to $99.50 after June 1.

 

Steve Earle and Allison Moorer welcome their first child

Steve Earle and Allison Moorer making music together at the 2007 Bumbershoot Music Festival.

Congratulations are in order for singer-songwriter couple Steve Earle and Allison Moorer after the birth of their first child, John Henry Earle.

Steve’s rep just announced that John Henry was born at 10:07 am yesterday, weighing eight pounds, two ounces and measuring 21 inches long.

Allison and Steve wed in 2005 and live in New York City’s Greenwich Village.

Congratulations to the happy parents. Will You Miss Me When I’m Gone? wishes them all the best!