Category Archives: Music

12 hours of free music at the Bang on a Can Marathon

The World Financial Center Winter Garden was packed for last year's Bang on a Can Marathon. (Photo copyright 2009, Steven P. Marsh)

Every year, the Bang on a Can Marathon brings a wide range of new music and spectacular performers to New York City to perform in a massive free concert — and this year is no exception. The Marathon is coming up in just two weeks, from noon to midnight on Sunday, June 27, at the World Financial Center Winter Garden at 220 Vesey Street in Lower Manhattan.

Burkina Electric, an African band organized by composer Lukas Ligeti (second from right) is just one of the great acts at the Bang on a Can Marathon.

This year’s program will, as always, feature Bang on a Can’s house band, the Bang on a Can All-Stars, and a host of other great acts, including Living Colour’s eclectic guitarist Vernon Reid, African band Burkina Electric, John Hollenbeck Large Ensemble, Signal ensemble and Gamelan Galak Tika.

Bang on a Can has been presenting these marathons since 1987 at various locations around NYC. Since moving to the WFC, thanks to the generosity of co-presenter Arts World Financial Center and the River to River festival, admission has been free. The Marathon turns the Winter Garden into a big, 12-hour party, with people coming and going and the mood shifting with the performers and the changing natural light pouring through the glass walls.

Click here to check out photos and coverage of last year’s Marathon by Will You Miss Me When I’m Gone?

Click to the jump for the full list of performers and schedule.

Continue reading

Procol Harum thrills with its return to the U.S. after a seven-year absence

Procol Harum, with Gary Brooker on voice and keyboards, Geoff Einhorn on guitar, Geoff Dunn on drums, Matt Pegg on bass and Josh Phillips on Hammond organ, at The Tarrytown Music Hall on June 10, 2010. (Photos copyright 2010, Steven P. Marsh)

A huge blast from the past shook The Tarrytown Music Hall to its foundations last night when Procol Harum took the stage of the 1885 show palace for 2 1/2 hours.

This is the band’s first visit to the United States since 2003, when it hit the road — making a stop in New York at the late, lamented Bottom Line club — in support of its last studio album, The Well’s On Fire.

The Tarrytown Music Hall.

For those who remember PH from its early days — the band became an international phenomenon with the 1967 hit “A Whiter Shade of Pale” — singer-pianist Gary Brooker is the only onstage member left from those days. But Brooker, who co-writes the band’s songs with lyricist Keith Reid, Procol’s nonperforming member, is the voice of the band. As long as he’s singing, there’s no doubt that it’s Procol Harum.

The crowd files in.

Brooker’s voice has gotten a bit gravelly and more nuanced over the years, but the 65-year-old showed last night that he’s still got his vocal chops. He and the rest of the quintet ripped through an energetic set, covering the whole range of the band’s 43-year history.

Brooker couldn’t help but point out that anyone in the audience who had money invested with Lehmann Brothers would see the prescience of one of the band’s newest songs, “Wall Street Blues,” from The Well’s On Fire, seemed

The band, and the audience, are a little less energetic than they once were. But the music stands the test of time. There was no dancing in the aisles and the crowd — comprising people of all ages, including a few pre-teens — was pretty respectful. But the performance brought fans to their feet numerous times throughout the evening and ended with a standing ovation when the band wrapped the set.

Procol Harum is on tour in the U.S. now, opening for Jethro Tull, a band whose heyday coincided with PH. To a die-hard Procol Harum fan, there’s something wrong with Tull as the headliner. But, luckily, Procol took time off from its opening duties to book some shows of its own while it’s touring with Tull. Procol’s playing tomorrow night, with Renaissance opening, at the Showroom at the Tropicana Casino & Resort in Atlantic City tomorrow (June 12, 2010) and next Wednesday (June 16, 2010) at Longwood Gardens in Kennett Square, Pa. (The Longwood show is sold out, but tickets are likely available from resellers.)

More photos after the jump.

Continue reading

Stew, Heidi and The Negro Problem in world premiere at BAM

Heidi Rodewald and Stew, creators of Broadway's Passing Strange, return to the stage this October. (Copyright 2009, Steven P. Marsh)

Stew and Heidi Rodewald, the creators of Broadway’s cult favorite Passing Strange, and this season’s Making It at St. Ann’s Warehouse will be back on the boards this fall with a show as part of the Brooklyn Academy of Music’s Next Wave Festival.

Stew in "Making It" at St. Ann's Warehouse in February. (Copyright 2010, Steven P. Marsh)

The show, called Brooklyn Omnibus, is billed as a 75-minute song cycle about the borough that Stew calls his part-time home (his girlfriend and their child live there) and where Heidi seems to have settled full-time. It’s scheduled to run Oct. 20-23.

Interestingly, the performers are listed as “Stew & The Negro Problem,” which could signal a return to form for the longtime collaborators. They’ve billed most of their band efforts in recent years as The Broadway Problem, or some other — I daresay more politically correct — variation on their original band name.

Stay tuned for more details!

Free dance party today in Manhattan’s Riverside Park

GlobeSonic Dance System's DJs: Fabian Asultany, Bill Bragin (aka DJ Acidophilus) and Derek Beres.

Looking for a way to enjoy the great outdoors today and get your dance on? Check out the free GlobeSonic Sound System dance party in Riverside Park today. The party starts on the early side, at 4 p.m., and runs until 11 on the Hudson River pier at 68th Street. This is the sixth season of GlobeSonic parties on the pier.

All you need to bring is your dancing shoes. And did I mention that admission is free?

GlobeSonic features three DJs, Fabian Alsultany, Derek Beres and Bill Bragin (director of public programming at Lincoln Center and former director of Joe’s Pub), plus Duke Mushroom on percussion.

We’ve been to GlobeSonic parties before, and they’re always a great mix of beat-heavy international tracks. Today will be our first time seeing GlobeSonic on the pier. It should be a wild party.

WOOM charms New York with DIY rock

Sara Magenheimer and Eben Portnoy make charmingly DIY music together as WOOM onstage at Death By Audio in Williamsburg, Brooklyn, on May 19, 2010. (Photos coypright 2010, Steven P. Marsh)

WOOM, a charming, Oakland, Calif., -based DIY duo, played two shows in New York City before heading to Europe to tour as an opener for Xiu Xiu well into June.

Will You Miss Me When I’m Gone? was fortunate to catch their set at Death By Audio in South Williamsburg, Brooklyn, last Wednesday (May 19, 2010), the night before they headed to Newark Liberty International Airport to head out on tour. The pair — Eben Portnoy on guitar and vocals and Sara Magenheimer on vocals and electronics — played a fuzzy, beat-driven set that was an absolute joy to hear.

WOOM at Death By Audio.

An Intimate Exchange of Ideas

The pair played their hearts out, bouncing ideas back and forth between them casually but with obvious skill.

The band is due back in New York City at the end of June for the Northside Festival, which runs from June 24-28 in Williamsburg and Greenpoint. Festival badges are $50 and available here.

WOOM’s first full-length album is scheduled to drop on June 28 on Ba Da Bing Records. In the meantime, check out WOOM’s music on MySpace.

Roky Erickson and Okkervil River rocked Webster Hall

Okkervil River (Lauren Gurgiolo, guitar, Will Sheff, guitar-vocals, Scott Brackett, keyboards-trumpet, Cully Symington, drums, Patrick Pestorius, bass, and Justin Sherburn, keyboards-guitar) back legendary psychedelic rocker Roky Erickson on Tuesday night, May 25, at Webster Hall. (Photos copyright 2010, Steven P. Marsh)

An Unlikely Pairing

As unlikely as it may have seemed at first, the new collaboration between psychedelic rock legend Roky Erickson and Austin, Texas-based band Okkervil River, the results are stunning.

Their new album together, True Love Cast Out All Evil, was the first evidence of a truly symbiotic musical relationship. But with enough studio tricks, just about anybody can make a decent album. The true test is in live performance.

Well, they proved to a New York audience — a melding of gray-beard, old-school Roky fans and younger Okkervil River aficionados — at Webster Hall in the East Village last night (May 25, 2010) that they really know how to kick out the jams live, too. Continue reading

Reconsidering the encore: Jeff Mangum at the Chris Knox benefit

The lobby of (Le) Poisson Rouge, complete with fish tank.

Thursday’s magnificent Chris Knox benefit show at (Le) Poisson Rouge is one that will give music fans a lot to ponder for years to come — along with raft of great memories.

When I wrote yesterday that I wished Jeff Mangum had not done an encore to his spectacular mid-show set, I wasn’t criticizing him or his performance. After the encore was over, I was as thrilled as anyone in the crowd to have heard him do yet another song.  But before he started “Engine,” I was fearful that the perfect moment he created in his four-song set might somehow be damaged.

The Neutral Milk Hotel frontman seemed so happy to be playing in public to such an adoring audience that his return for an encore seemed natural rather than forced. I asked the show’s organizer, Ben Goldberg, about how it all happened organically.

Benefit organizer Ben Goldberg.

“It’s funny, I fully wasn’t expecting Jeff to play again once he got offstage,” Ben tells Will You Miss Me When I’m Gone? “He seemed both elated and relieved it was over.

“But then he heard people screaming and was like, ‘Should I do Engine? You think I should do Engine?’ So, it kind of felt like a true encore – not planned.

“In fact, Dimmer [the New Zealand band that played next] was already coming out to set up. I had to stop them so he could play!

“I know what you mean about the encore being a bit of a tag-on, but I don’t know…everyone singing along like they did…it seemed special in and of itself.”

The experience clearly blew away Ben — just like it did the rest of the crowd. “It’s terrible to be the organizer of a big show like that and feel completely emotionally drained halfway through!”

The rock show of the year

Chris Knox

The year may be far from over, but Will You Miss Me  When I’m Gone? has a feeling that the Chris Knox benefit at Manhattan club (Le) Poisson Rouge tonight is very likely to be the highlight of the year for those lucky enough to have gotten in.

We may have lagged a bit it posting while we search for new funding sources to keep WYMMWIG? going, but that hasn’t kept us away from the clubs and concert halls of New York and environs. And, with a bit of luck, we’ll be back with some recent updates tomorrow.

For now, you’ll have to settle for this.

For starters, you might ask, who’s Chris Knox and why does he need a benefit?

Well, unless you’ve been living under a rock, you can probably guess the answer to the second half of the question. Chris Knox is a musician, and, like most committed, full-time musicians, he doesn’t have adequate health care. (Not to be too grim about it, but the rock world has lost way too many of its best to the lack of proper health care — think Jay Bennett, for instance.)

The reclusive Jeff Mangum of Neutral Milk Hotel is making a very, very rare appearance at the Chris Knox benefit.

Now, back to the first part of the question. Knox, 57, is a New Zealand rocker who with Alex Bathgate formed Tall Dwarfs, a pioneer of the lo-fi rock movement. He had a series of strokes last year, and now his musical descendants are lining up to pay him back for his tremendous influence by raising money to pay his medical bills.

Those musical descendants make up a list of indie rock’s’ best and brightest — and most reclusive.

The scheduled appearance of Jeff Mangum, the brains behind Neutral Milk Hotel, is stirring the most interest. He’s  been rather reclusive for the last 10 years, but is slated to play a short set tonight.

And then there’s the rest of the list (and organizer Ben Goldberg of BaDaBing Records says the lineup has been changing by the day), which includes: Yo La Tengo, the Magnetic Fields’ Claudia Gonson (can Stephin Merritt stay away?), TV on the Radio’s Kyp Malone, Portastatic, The Clean, Sharon Van Etten, David Kilgour and who knows how many more.

Goldberg won’t even think about giving out a set list, so if you’re going, you need to get there early and plan to stay late. And don’t expect to see the usual host of photos on WYMMWIG? tomorrow, because all cameras are banned — there won’t even be a house photographer! Given how tightly this thing has been run, I pity the first jerk who’s caught taking photos during the show!

Continue reading

Kelly Flint’s fourth act

Kelly Flint

If you remember the great NYC lounge band Dave’s True Story, you know Kelly Flint, the flame-haired singer, who doubled as the band’s smoldering sex symbol (apologies to frontman Dave Cantor and bass player Jeff Eyrich).

Late in DTS’s history, Kelly, who’s married to Jeff, gave birth to Ben, their beautiful son. Then she started performing as a singer-songwriter, moving into a very simple, confessional sort of performing — just girl and her guitar, sometimes with bass backing — which was something she has told me she had wanted to do for years.

But now comes the lovely Kelly’s fourth act, as an actress.

She hit the stage of Manhattan Repertory Theatre last night, and will appear again tonight and tomorrow, in a staging of Man on the Moon, a play by William Holland. It’s one of two works in Manhattan Rep’s Spring Play Festival 2010. Kelly’s not giving any clues about her character in the play, but she does have the female lead. I wish I could get there to see her make what surely will be a star turn. But I’m already booked elsewhere for all her performances.

If you go, please let your fellow Will You Miss Me When I’m Gone? readers know what it was like by sending in a full report.

Doors open at 8:30 pm and the show starts at 8:45, running an hour. Manhattan Rep Theater, 303 West 42nd St., 3rd Floor. $20 cash. Rservations: (646) 329-6588.

Signal plays Philip Glass

Brad Lubman conducts Signal with Michael Riesman. (Photos copyright 2010, Steven P. Marsh)

Signal, the stunning young contemporary chamber ensemble, did a great job performing some of the works of Philip Glass at Manhattan’s (Le) Poisson Rouge on Sunday evening. They gave the New York premiere of Glassworks, the 1981 suite that in a recorded version became ubiquitous to the point of absurdity in its day as it seemed to be on everyone’s cassette Walkman during that time. Other works performed included Music in Similar Motion and selections from the opera La Belle et la Bête and Anima Mundi.

Michael Riesman, longtime keyboardist and musical director for the Philip Glass Ensemble joined Signal for Sunday’s two shows, and made new arrangements of some of the works.

Sadly, Glass himself did not show up for the early show, which many fans hoped would happen. But the heavy-lidded senior statesmen of minimalism did make it to the second set, to the apparent delight of that audience.

More photos after the jump. Continue reading