Category Archives: Country

Americanarama Festival of Music: Bob Dylan, Wilco and My Morning Jacket in Bridgeport, Conn.

Bob Dylan at the Webster Bank Arena, Bridgeport, Conn., on July 19, 2013.(Photo © 2013, Steven P. Marsh)

Bob Dylan gets sassy on the harmonica. (Photo © 2013, Steven P. Marsh)

Nothing compares to your first time

When Bob Dylan hit the stage of the Webster Bank Arena on Friday night, July 19, I reached a major milestone.

It was my first time seeing the legend perform live.

Yes, you might think that given the underlying theme of this blog, I would have seen him before — probably many times.

Bob Dylan at the Webster Bank Arena, Bridgeport, Conn., on July 19, 2013.(Photo © 2013, Steven P. Marsh)

Bob Dylan spent plenty of time playing the grand piano. (Photo © 2013, Steven P. Marsh)

Sure, I treasure his music. I have many of his albums. A friend and neighbor of mine managed him once, way back before Albert Grossman hooked up with him.

But Dylan was playing arenas by the time I learned to care about him. And I just don’t like arena shows, the distance, the impersonality, the commercialism.

But when I saw the lineup for this summer’s touring Americanarama Festival of Music, I decided it was time to make an exception so that I could finally see Dylan. I figured that even if Bob was awful, I’d be able to cross him off my bucket list and still get plenty of value out of Wilco and My Morning Jacket. Continue reading

Jay Farrar still can’t say Jeff Tweedy’s name

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The cover of Jay Farrar’s memoir, Falling Cars and Junkyard Dogs

 

Uncle Tupelo co-founder Jay Farrar‘s easy-reading memoir, Falling Cars and Junkyard Dogs, came out in March, but it landed rather quietly — at least in my world.

It was only a few days ago that I really became aware of the collection of vignettes by the ultra-serious Farrar. Some of the reviews have been unkind, but that didn’t stop me from buying it and devouring it in a matter of a few hours.

Farrar made great music in Uncle Tupelo, and has continued on a reverential path since the band’s acrimonious 1994 breakup. But that’s not the subject of this collection of short passages from just about every part of his life but the Uncle Tupelo part.

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Make time for Lincoln Center Out Of Doors | ALL SHOWS FREE

Singer-songwriter Erin McKeown performs at the 2012 Lincoln Center Out Of Doors festival. (Photo © 2012, Steven P. Marsh)

Singer-songwriter Erin McKeown was one of many performers at the 2012 Lincoln Center Out Of Doors festival. (Photo © 2012, Steven P. Marsh)

Stellar summer lineup of free concerts

The flyer for Lincoln Center Out Of Doors arrived in my mailbox the other day. It reminded me that I hadn’t posted a single word about this free outdoor concert series yet.

So here goes. It’s a super linuep, as always, meticulously planned by Bill Bragin, director of public programming, and his amazing team.

For now, just let me mention a few names: Kronos Quartet, Asphalt Orchestra, Allen Toussaint, Sahr Ngaujah, Dan Deacon, Jherek Bischoff, Jacob Garchik, Dan Zanes and Ozomatli. (Along with Nick Lowe, My Brightest Diamond, Trixie Whitley, James Burton and Desert Blues. And Rubén Blades, Jason Isbell, Sleepy LaBeef and Amanda Palmer & Grand Theft Orchestra.)

Does that whet your appetite? If not, you’re probably reading the wrong blog.

The free outdoor shows start July 24 and run through Aug. 11 at various locations around the Lincoln Center campus on Manhattan’s Upper West Side.

Check out the whole lineup by clicking or tapping here (http://bit.ly/15MOo6P).

I hope to see you there.

Jon Langford and a Maxwell’s memory lapse

The Jon Langford Threesome, from left, at Maxwell's: Tony Maimone, Steve Goulding, Jon Langford. (Photo © 2013, Steven P. Marsh)

The Jon Langford Threesome, from left, at Maxwell’s: Tony Maimone, Steve Goulding, Jon Langford. (Photo © 2013, Steven P. Marsh)

Jon Langford looked truly puzzled on the stage of Maxwell’s.

The Jon Langford Threesome's set list at Maxwell's. (Photo © 2013, Steven P. Marsh)

The Jon Langford Threesome’s set list at Maxwell’s. (Photo © 2013, Steven P. Marsh)

The Welsh-born rocker has played at the Hoboken, N.J., club many times — “37 1/2… the half because tonight’s not done yet” — over the years in many bands, from the Mekons to the Three Johns.

On Tuesday, July 9, his show was billed as “Jon Langford’s Threesome feat. Tony Maimone and Steve Goulding performing Mekons, Waco Bros. and Jon Langford songs from throughout the centuries

“Did the Waco Brothers ever play here,” he asked, during a portion of the set where his cranked out several of that band’s best-loved tunes.

“Three times!” came the cry from the crowd.

The crowd gathers in the back room at Maxwell's for the Jon Langford Threesome. (Photo © 2013, Steven P. Marsh)

The crowd gathers in the back room at Maxwell’s for the Jon Langford Threesome. (Photo © 2013, Steven P. Marsh)

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Saying goodbye to Maxwell’s: Share your ideas for the final show

Patrons enter Maxwell's at 11th and Washington streets in Hoboken, N.J., on July 5, 2013, (Photo © 2013, Steven P. Marsh)

Patrons enter Maxwell’s at 11th and Washington streets in Hoboken, N.J., on July 5, 2013, (Photo © 2013, Steven P. Marsh)

We’ve been thinking a lot about closing night at Maxwell’s, the well-loved Hoboken, N.J., music club that hosts its last show on July 31.

There’s a selfish motive, in part, of course: How can WE get to be there. Surely with all the bands and fans that have passed through the Washington Street club over the last 35 years there will be far, far more people trying to get in than the small (capacity 200) venue can possibly hold. With closing a bit over three weeks away, Todd Abramson, the club’s booker and co-owner, is working on a plan.

Todd Abramson with the New York Post's Mary Huhn in Austin in 2003.

Todd Abramson with the New York Post’s Mary Huhn at South by Southwest in Austin, Texas, in 2003.

But, as he told us by phone this morning, “there’s no news here” just yet. He definitely has some ideas about ways to make it accessible to more people and to level the playing field for those who want to be there. But he says he still has a lot to work out.

What we know is that “a,” the first band to play Maxwell’s, is supposed to reunite for the farewell show. And The Bongos, the much better-known band that grew out of “a,” will also be on the bill. But after that, just about everything is pure speculation.

Since things are in flux, you have a chance to weigh in with ideas of your own.

How should the final show be handled? Should it run all day. Should it be free on a first-come, first-served basis, a normal Maxwell’s price ($15-$25 from TicketFly) or should it be premium priced, a la Neil Young at the Capitol Theatre in Port Chester, N.Y., where’s the best seats are tabbed at $285? (Then again, when speaking of Maxwell’s, there are no SEATS, really.)

What about timing? July 31 is a weekday. Should the show start at 9 and go all night? Or should it start in the early afternoon and go on and on?

Who else — band, solo artist, influential individual or fan — be a part of the show in some way?

Don’t just tell us who or what. Tell us why — make a case for your idea. There should be a good reason for every eulogy and every participant in the farewell proceedings.

The sky’s the limit. Share you ideas in the comments section. Get a conversation going. Have fun thinking of the wildest ways possible to pay tribute to Maxwell’s incredible legacy.

Meanwhile, The Bongos promise details of some sort about the show on their Facebook page soon. And keep an eye on Will You Miss Me When I’m Gone? We’ll be sure to let you know of any developments as soon as we can dig them up.

The Dough Rollers defy expectations at Brooklyn Bowl

The Dough Rollers, Brooklyn Bowl, June 26, 2013, © 2013, Steven P. Marsh

The Dough Rollers perform at Brooklyn Bowl on June 26, 2013. (Photos © 2013, Steven P. Marsh)

We don’t mind change. We may grow to love a band’s sound, but if it never evolves, a band can quickly becomes a parody of itself.

The Dough Rollers started off in 2008 as a high-concept conceit cooked up by two celebrity kids. Malcolm Ford (son of Harrison Ford) and Jack Byrne (son of Gabriel Byrne and Ellen Barkin) bonded over the love of old blues music, and started playing together. Their act — two guys in sharp, retro outfits, hair slicked back, etc. — tried to replicate the classic sound of the blues. While the two of them were the core of the group, they often had fiddle-vocalist Julia Tepper as a co-conspirator. (She joined them on their first, and so far only, album, the self-titled disc.)

The Dough Rollers in their earlier incarnation at The Bell House in Brooklyn, April 24, 2010. (Photo © 2010, Steven P. Marsh)

The Dough Rollers in their earlier incarnation at The Bell House in Brooklyn, April 24, 2010. (Photo © 2010, Steven P. Marsh)

Few acts could sustain the conceit. Leon Redbone is the only one that springs to mind at the moment, and his whole performing life is in character.

Click through to the jump for more photos and info. Continue reading

Ticket price for Wilco’s 2013 Solid Sound Festival increases $25 on March 11

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You have less than a week to buy your weekend passes to this great festival before the price goes up

Will You Miss Me When I’m Gone? has told you before, and is taking this opportunity to tell you again: Solid Sound, Wilco’s music and arts festival at MASS MoCA is one of the best music festivals ever. We’ve attended the first two editions and have no intention of missing V3 this year — on June 21-23 at the museum in North Adams, Mass.

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Tom Rush celebrates a half century onstage

Performs with many old friends in a sold-out ‘Club 47’ show at Boston Symphony Hall tonight

Watch starting at 7:30 tonight on Livestream (link after the jump)

Tom Rush (Photo by Michael Wiseman).

It’s hard to believe that singer Tom Rushhas been performing since 1962, but the calendar doesn’t lie.

Tom Rush onstage in 1962. (Photo by Jim Eng)

Tonight he’s marking the milestone with an intimate gathering at a little place in Boston – not far from his old stomping grounds at Club 47 in Cambridge – called Symphony Hall.

It’s a venue where Tom has held forth with his friends many times over the years. It can hold upwards of 2,600 people. Not bad for an old folkie to sell out a joint like that.

Will You Miss Me When I’m Gone? is planning to make the trek to Boston for this incredibly special show.

Continue reading

Holy huaraches, El Vez brings his Mex-Mas cheer to town tonight!

El Vez: This is not what we had in mind for the Yule Log!

Talk about short notice!

Will You Miss Me When I’m Gone? just realized this morning that Mex-Mas is upon us. December chill is in the air, and the scent of corn tortillas baking on the stone is everywhere, along with bags of oranges in red plastic stockings.

And you know what else Mex-Mas brings:

A visit from the one, the only El Vez (aka The Mexican Elvis).

That visit for New Yorkers is tonight (Wednesday, Dec. 5)  at Littlefield, 622 DeGraw St., Brooklyn. Tickets are $20 and available by clicking this link.

Doors are at 8 p.m. Comedian Jessica Delfino opens, followed by Corn Mo. And then, at 9:45, Mex-Mas will arrive!

Sorry for the late notice, but El Vez didn’t keep us posted on his tour dates this year. El Vez has done an annual Merry Mex-Mas tour for a long time. (El Vez 4 Prez is is other specialty, but that’s really only every four years.) Continue reading

Tickets for Wilco’s Solid Sound music and arts festival on sale now

A view of the Solid Sound Festival at MASS MoCA.

A view of the Solid Sound Festival at MASS MoCA.

First-rate festival returns after a one-year absence

We felt a void this year. After staging the Solid Sound Festival for two years in a row on the campus of the Massachusetts Museum of Contemporary Art in North Adams, Mass., Wilco decided to skip 2012.

It was disappointing. But that makes today’s news all the more delicious.

I suppose it’s no surprise. The fantastic three-day event requires an enormous amount of planning and commitment from every member of the band and it support staff. And while I’m sure the band didn’t lose money on the festival, it’s unlikely that it was a huge moneymaker, either.

Wilco perfoms on the main stage in Joe's Field at MASS MoCA.

Wilco perfoms on the main stage in Joe’s Field at MASS MoCA.

Wilco promised to return to the beautiful Berkshires in 2013, and the band is keeping that promise. “Early Worm” tickets for next year’s festival — running from June 21-23 — are available right now.

Those tickets are just $99, and well worth it. Click here to get tickets now.

Once they’re sold out, a limited number of “Early Bird” tickets will be available for $124 — still a relative bargain.

If you wait too long, you’ll have to settle for the $149 regular three-day passes.

Solid Sound is a family friendly event, with three-day passes for children ages 7-10 priced at a mere $50, while kids 6 and under are free.

If you can’t go all three days, or think you won’t want to (bad idea, in our opinion), there will be a limited number of one-day passes.

The festival promises two headlining Wilco sets on a fabulous field next to the factory complex that houses MASS MoCA. Wilco side projects and bands and comedians curated by Wilco members also will perform. You can also count on art installations, probably some films, and definitely a lot of great food and drink. Plus, in the past there have been pop-up stores, a coffee shop imported from Chicago, Wilco’s Jeff Tweedy in a charity dunk tank and falconry demonstration.

Oh, and we shouldn’t forget about access to the amazing exhibitions in the museum itself. The people who run the museum are fully invested in this festival — they’re not just renting the space out to the band.

The first two editions featured acts such as Mavis Staples, Levon Helm (RIP), Mountain Man, Thurston Moore, The Books, Syl Johnson, The Handsome Family, The Baseball Project, Here We Go Magic, Autumn Defense and many more.

While the 2013 lineup won’t be finalized for quite awhile, we guarantee this will be a great festival for anybody who likes Wilco.

You don’t need to be a super-fan to enjoy this festival. Jeff Tweedy and the other members of Wilco have diverse tastes in music and art, and all of those tastes have been on display in previous editions of the festival.

Camping and transportation from New York City and Boston is also available.