Category Archives: Concerts

Sarah Lee Guthrie and Johnny Irion bring Wassaic Way to Saturday’s Wassaic Festival

Sarah Lee Guthrie and Johnny Irion at Wilco's Solid Sound Festival in 2011. (Photo © 2011, Steven P. Marsh)

Sarah Lee Guthrie and Johnny Irion at Wilco’s Solid Sound Festival in 2011. (Photo © 2011, Steven P. Marsh)

Sarah Lee Guthrie and Johnny Irion are making a Hudson Valley appearance on Saturday, Aug. 3 at the all-free Wassaic Festival in Dutchess County, which starts today and runs through Sunday (Aug. 2-4).

There’s something nice about hitting the namesake town in the early stages of touring their latest album, the seriously charming Wassaic Way. The husband-and-wife-duo (she’s daughter of Arlo Guthrie and granddaughter of Woody Guthrie) are really proud of the self-released album (which is to be released Aug. 6) they made with Wilco’s Jeff Tweedy and Pat Sansone.

Stay tuned for a full interview with the creative couple. But for now, I just wanted to alert you to their gig coming Saturday. I’ve never been to the Wassaic Project, a center that aims to create context for art making and strengthening local community by increasing social and cultural capital through inspiration, promotion and creation of contemporary visual and performing art. It’s at the very last stop on Metro-North Railroad’s Harlem Line. This is the sixth year for the festival, a free, three-day event featuring art, music, dance, and community featuring over 100 artists, 25 bands, film screenings, dance performances and more.

If you go

Sarah Lee Guthrie and Johnny Irion perform at 6 p.m. Saturday, Aug 3.,  on the Luther Barn Stage. The Wassaic Festival began today (Aug. 2)  with various art events. Music and dance start around 6 p.m. This wrap up Sunday with a community breakfast, kids events and more music.

The Wassaic Project is at The Maxon Mills,  37 Furnace Bank Road , Wassaic, NY 12592. It’s in walking distance of the Wassaic Metro-North station with connections from Grand Central Terminal. ADMISSION IS FREE, but tickets are required for some events. Check the full schedule here.

Stew stirs things up with fantastic new songs at Barbès

The hat was more crumpled at Barbès on July 25, but Stew's energy was at a peak. (Photo © 2012, Steven P.  Marsh)

The hat was more crumpled than this at Barbès on July 25 and Stew’s energy level seemed higher than usual. (Photo © 2012, Steven P. Marsh)

By the time his latest gig in his musical living room (aka Park Slope, Brooklyn, boîte Barbès) rolled around Thursday night, July 25, singer-songwriter and Tony Award winner Stew had dumped his original staged plan to play versions of his songs from Passing Strange and other numbers from his extensive repertoire.

Instead, he launched into a tight song cycle “inspired by recent events.” In other words, songs about George Zimmerman and the Trayvon Martin case. If yoy don’t know what I’m talking about, it’s time to get out from under that rock where you’ve been living and catch up on the news!

If you’re a Passing Strange fan who passed on the show for one reason or another and are thinking now that this make you feel OK about missing, hold that thought. I’m here to tell you differently. Continue reading

A foretaste of New Jersey rock without Maxwell’s: Speed the Plough, East of Venus play Mexicali Live

Speed the Plough performs at Mexicali Live in Teaneck, N.J. on July 18, 2013. (Photo © 2013, Steven P. Marsh)

Speed the Plough performs at Mexicali Live in Teaneck, N.J. on July 18, 2013. (Photo © 2013, Steven P. Marsh)

We know what it’s going to be like without Maxwell’s. We learned it pretty clearly at Mexcali Live in Teaneck, N.J., on Thursday, July 18.

Speed the Plough, a very Maxwell’s-identified band, ripped through an excellent headlining set after warmups by Lianne Smith and East of Venus.

Toni (Paruta) Baumgartner and Cindi Merklee of Speed the Plough.  (Photo © 2013, Steven P. Marsh)

Toni (Paruta) Baumgartner and Cindi Merklee of Speed the Plough. (Photo © 2013, Steven P. Marsh)

Nobody in the audience crowded the edge of the stage, which is tradition at Maxwell’s. Not there’s anything wrong with that. It just seemed a little alien. But you had the distinct feeling that if you tried to stand in front of the stage, you’d be shouted away by the audience or escorted away by management. So it seemed better to keep a bit of distance.

Only one person in the crowd stood near the front of a rather cavernous room filled with tables, chairs and stools — and he was far, far from his usual front-and-center spot.

Never mind that the sound at Mexicali is crisp and the raised stage provides sight lines that are, to say the least, more audience-friendly than Maxwell’s. Continue reading

Asphalt Orchestra plays the Pixies: Surfer Rosa — FREE this Sunday

Asphalt Orchestra performing on the Lincoln Center Plaza. (Photo © 2010, Steven P. Marsh)

Asphalt Orchestra performing on the Lincoln Center Plaza. (Photo © 2010, Steven P. Marsh)

Avant-garde marching band will open for a Kronos Quartet ‘Kronos at 4o’ show

Asphalt Orchestra hits Lincoln Center Out of Doors this Sunday, July 28 with a brand-new project: a cover of the fan-favorite Pixies album Surfer Rosa.

The avant-garde marching band, a cocreation of LCOOD and Bang on a Can, is well known for its inventive reinvention of pop songs mixed with compositions written specifically for the costumed clan.

Asphalt Orchestra co-leader Ken Thomson describes the evening this way:

We are covering the classic Pixies record Surfer Rosa.
45 minutes of new music, Asphalt-style, choreographed and on stage.
All arranged by us in super-cool arrangements that use the original as a canvas for truly new versions of these tunes.

The free show starts at 6 p.m. with a set of Asphalt classics (Bjork, Zappa, Bregovic) on the plaza.

At 6:30, the music moves to the Damrosch Park Bandshell where Jacob Garchik’s “atheist gospel trombone project” The Heavens will be performed.

Asphalt plays next and then the evening’s headliner, Kronos Quartet, takes over.
Every second of music is free, with no ticket required and nobody hassling you for a  “donation” at the gate. Lincoln Center Out of Doors is one of those rare New York City institutions that truly is free — even free of guilt.

Bangin’ it up at the Bang on a Can Summer Music Festival

To call Mark Stewart a guitarist would be a disservice. The multi-talented redhead leads participants at MASS MoCA in making some noise with some of his homemade tubes during the 2010 Bang on a Can Summer Music Festival. (Photo © 2010, Steven P. Marsh)

It’s a disservice to call Mark Stewart a guitarist. He leads a group at MASS MoCA in making some noise with some of his homemade tubes during the 2010 Bang on a Can Summer Music Festival. (Photo © 2010, Steven P. Marsh)

18 days of fantastic summer music in the Berkshires

Today’s subject: MASS MoCA.

I’ve written a lot lately about the Massachusetts Museum of Contemporary Art, especially in the last month or two because of Wilco’s splendid Solid Sound Festival, held on the museum campus in North Adams, Mass., in late June.

When Wilco announced the inaugural Solid Sound back in 2010, I pretty much knew it would be great because I had already seen MASS MoCA host many, many editions of the Bang on a Can Summer Music Festival — colloquially known at Banglewood.

If you’ve been a regular reader of Will You Miss Me When I’m Gone?, you already know something about the Bang on a Can program. This summer’s program is the 12th annual festival on the beautiful industrial MASS MoCA grounds.

But maybe you’re not a musician, or at least not one who wants to participate in the festival. How does this matter to you?

Rain on the MASS MoCA campus. (Photo © 2011, Steven P. Marsh)

Rain on the MASS MoCA campus. (Photo © 2011, Steven P. Marsh)

That’s easy. Festival participants do their learning in public, putting on recitals six days a week and participating in a public Marathon concert on the final day. There’s also a performance of Bang on a Can co-founder Julia Wolfe‘s Steel Hammer, a full-length piece that weaves together the many variations of the John Henry folk legend.

So there’s plenty of professional-quality entertainment  for people who are just interested in listening and looking at some modern art. (Click through to the jump for schedule and ticketing information.)

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Mission of Burma shows added in Maxwell’s final days

Mission of Burma at The Bell House in Gowanus, Brooklyn. (Photo © 2011, Steven P. Marsh)

Mission of Burma at The Bell House in Gowanus, Brooklyn. (Photo © 2011, Steven P. Marsh)

UPDATE: second, Early show added; ticket links on the jump

Seminal Boston post-punk band Mission of Burma is a late addition to the schedule of shows during the final days of Maxwell’s in Hoboken.

MoB, which comprises founding members Roger Miller, Clint Conley and Peter Prescott, plus Bob Weston who long ago replaced original tape manipulator/sound engineer Martin Swope, has been added in two time slots — 6 p.m. and 9 p.m. — on Sunday, July 28, just days before the club’s last show on July 31.

20130719-123546.jpgWhile bands from Sonic Youth to R.E.M. have cited Mission of Burma as an influence, the band’s strongest Maxwell’s connection is with Yo La Tengo. But don’t expect to see YLT’s Ira Kaplan, Georgia Hubley or James McNew in the crowd or onstage for this one. YLT is playing the Fuji Rock Festival in Niigata Prefecture, Japan, that day.

With a little luck, they’ll be back to New Jersey in time to take part in Maxwell’s closing ceremonies.

Tickets for the 6 p.m. early show (doors at 5 p.m.) are $25 and available by clicking or tapping here. (http://ticketf.ly/18vaHSl)

Tickets for the 9 p.m. late show (doors at 8 p.m.), also $25, are available by clicking or tapping here. (http://ticketf.ly/12P2zYl)

Make time for Lincoln Center Out Of Doors | ALL SHOWS FREE

Singer-songwriter Erin McKeown performs at the 2012 Lincoln Center Out Of Doors festival. (Photo © 2012, Steven P. Marsh)

Singer-songwriter Erin McKeown was one of many performers at the 2012 Lincoln Center Out Of Doors festival. (Photo © 2012, Steven P. Marsh)

Stellar summer lineup of free concerts

The flyer for Lincoln Center Out Of Doors arrived in my mailbox the other day. It reminded me that I hadn’t posted a single word about this free outdoor concert series yet.

So here goes. It’s a super linuep, as always, meticulously planned by Bill Bragin, director of public programming, and his amazing team.

For now, just let me mention a few names: Kronos Quartet, Asphalt Orchestra, Allen Toussaint, Sahr Ngaujah, Dan Deacon, Jherek Bischoff, Jacob Garchik, Dan Zanes and Ozomatli. (Along with Nick Lowe, My Brightest Diamond, Trixie Whitley, James Burton and Desert Blues. And Rubén Blades, Jason Isbell, Sleepy LaBeef and Amanda Palmer & Grand Theft Orchestra.)

Does that whet your appetite? If not, you’re probably reading the wrong blog.

The free outdoor shows start July 24 and run through Aug. 11 at various locations around the Lincoln Center campus on Manhattan’s Upper West Side.

Check out the whole lineup by clicking or tapping here (http://bit.ly/15MOo6P).

I hope to see you there.

Maxwell’s adds Bern & The Brights, Val Emmich to final schedule

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Bern and The Brights and Val Emmich are the latest acts to join the schedule in Maxwell’s final days.

They’re playing Monday, July 29.

Bern & The Brights is a Montclair-based nerd-rock trio made up of Bernadette Malavarca, Catherine McGowan and Shawn Fafara. It’s a independent band that Tris McCall of The Star-Ledger recently called “the sort of act that is likely to be hurt by the closing” of Maxwell’s.

You may know Emmich best from his acting on “30 Rock” or “Ugly Betty.” But he’s also a Manalapan, N.J., native who has had an extensive career as a singer-songwriter.

For more information about the acts, click or tap here (http://ticketf.ly/12LqzXz).

Click or tap here (http://ticketf.ly/1bpawrN) for tickets. which are $10. Door time is 8 p.m., with the music scheduled to start at 8:30.

Speed the Plough joins Bar/None’s July 24 farewell to Maxwell’s

Speed the Plough at Maxwell's on Oct. 20, 2012. (Photo © 2012, Steven P. Marsh)

Speed the Plough at Maxwell’s on Oct. 20, 2012. (Photo © 2012, Steven P. Marsh)

STP is part of a promised ‘cavalcade of mystery stars’ joining Headliners Freedy Johnston and Band, James Mastro’s Health & Happiness Show and Chris Stamey with Anton Fier and Gene Holder

Myrna and the Hangar Boys (Human Switchboard’s Myrna Marcarian, Jared Michael Nickerson, Dave Schramm and Ron Metz) join lineup

WFMU to broadcast live from the lounge

Even before Maxwell’s closing was announced, Speed the Plough was gearing up get active again. The band, which can trace its lineage back to The Feelies through The Trypes, became active in 2009 after a long hiatus, but has been picking up steam lately in anticipation of a new album — a compilation of some of its long-out-of-print music from the early days plus six brand-new tracks.

But now they’re preparing to say goodbye to the venerated Hoboken club with one last gig there, on Thursday, July 24, as part of a Bar/None record label lineup.

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Eisa Davis and The Cradle Will Rock — perfect together

cradleI saw the premiere
performance of the new Encores!
Off-Center
reading of The Cradle Will Rock at New York
City Center on Wednesday night. I didn’t spend a lot of time
analyzing casting decisions or reading up on this production. I
knew Anika Noni Rose,
Raúl Esparza and Danny
Burstein
were in key roles, but aside from that,
avoided reading about it. It was an effort to preserve an element of surprise. And
given that I’ve been spending som much time at Maxwell’s and other
rock events, there really wasn’t time. So what a pleasant
surprise when the curtain opened and there, front and
center, was Eisa Davis. It seemed
almost too perfect that an actor with a radical heritage (she’s a
niece of activist Angela
Davis
, a relationship Eisa explored in her
play Angela’s Mixtape) performing in a show
about union-busting and based on the timeless us-versus-them theme.
(Many theatergoers were introduced to Eisa through the Tony
Award-winning musical Passing
Strange
.)

Continue reading