Category Archives: Classical

People’s Commissioning Fund: Make your own music

Want to feel like a Medici or some other patron of the arts but don’t have the treasury to make it happen?

Everyone who gives — even just a few dollars — to Bang on a Can’s People’s Commissioning Fund is a minimogul responsible for the creation of a handful of musical works every year.

Commissioners, as Bang calls its donors to the PCF, get to hear the fruits of their efforts in concert in Manhattan on Thursday evening, Feb. 10. This year’s commissioned composers are Nick Brooke, hometown hero Bryce Dessner of the Brooklyn-based rock band The National and tabla-electronic-hip hop wizard Karsh Kale

This year’s concert is programmed as part of the Ecstatic Music Festival, a two-month cornucopia of music by like-minded composers and performers being presented at Merkin Concert Hall near Lincoln Center.

If you’ve already donated and have some free time at 5 p.m. on the day before the concert, you can see the musicians, and some or all of the composers, up close in a free dress rehearsal. You’ll even get the chance to ask questions and rub elbows with the artists and other commissioners at an informal reception afterward. Contact BoaC’s director of development, Tim Thomas, tim@bangonacan.org, for more info.

The Bang on a Can All-Stars, the house band, handles the playing duties for virtually all the commissions. They also be filling out the program with some other great music, including Steve Martland‘s Horses of Instruction, Convex/Concave/Concord by Danish minimalist Pelle Gudmundsen Holmgreen, and Believing by BoaC cofounder Julia Wolfe.

Here’s how BoaC cofounder David Lang describes the PCF process in a nutshell: “Over 14 years the People’s Commissioning Fund (PCF) is as liberating a force in music as we had imagined it would be. We are still pooling together the contributions large and small of hundreds of music lovers from around the world, adding penny to penny, combining lonesome individual gifts into awe inspiring communities of power and cold cash.  And then we give that money to bold, innovative, questioning, dedicated and highly inventive composers. We commission them, we rehearse their music intensively, we hold special events so that the members of the PCF can meet the musicians and composers that their generosity supports, and then we play that music in New York and often all around the world.  It is an amazing and beautiful thing.”

Beautiful, indeed. We here at Will You Miss Me When I’m Gone? have supported the PCF from the beginning. We couldn’t be more proud of what our pennies have helped create.

The details:

7:30 p.m., Thursday, Feb. 10. Bang on a Can 2011 People’s Commissioning Fund Concert, Merkin Concert Hall, 129 W. 67th St. (between Broadway and Amsterdam), Manhattan. $25.

TwoSense: Old guard piano meets new guard cello

Australian pianist Lisa Moore and American cellist Ashley Bathgate join forces as TwoSense.

We at Will You Miss Me When I’m Gone? can’t think of a better way to kick off the New Year than with New Music.

So we’ll be at (Le) Poisson Rouge in Manhattan on Tuesday night, Jan. 4, for the New York City debut of TwoSense. It’s a New Music Super Duo and commissioning powerhouse comprising Lisa Moore, the superb Australian pianist who was a longtime member of the Bang on a Can All-Stars, and Ashley Bathgate, the Saratoga Springs, N.Y., native who’s the All-Stars’ latest cellist. Oh, and in addition to playing their primary instruments, both women will sing. Lisa will also play melodica, while Ashley adds kick drum to the duo’s sound.

Ashley and Lisa are both passionate about New Music and are a joy to watch and hear.

Ashley Bathgate at (Le) Poisson Rouge in September, 2010. (Copyright 2010, Steven P. Marsh)

Here’s how they describe the mission of TwoSense:

TwoSense is a concert series and commissioning venture established by Ashley Bathgate and Lisa Moore presenting new, experimental commissions paired with mainstream works for cello and piano and guest artists. Both emerging and distinguished composers are writing works for TwoSense. The TwoSense mission seeks to ensure the inclusion of this music in the library of great chamber music. Please join us! PS – all the composers who are alive will be there!

And if the mere presence of Ashley and Lisa isn’t enough to persuade you to attend, check out the guest performers: Iva Bittová, voice/violin, Kelli Kathman, flute and Andy Akiho, steel pans.

Iva Bittová, Czech violinist, vocalist and composer, will join TwoSense at (Le) Poisson Rouge. (Copyright 2010, Steven P. Marsh)

And then, as TwoSense says, all the living composers on the program will be in attendance. That list includes: Akiho, Bittová, Stephen Feigenbaum, Paul Kerekes, Jerome Kitzke, and Kate Moore. They’re also performing music by Leos Janacek.

TwoSense. 6:30 p.m. (show at 7:30), Le Poisson Rouge, 158 Bleecker St., Manhattan. Tickets are $15 and available by clicking here, or call (212) 505-FISH (3474).

Yale Percussion Group coming to Zankel Hall on Dec. 12

Members of the Yale Percussion Group rehearsing Thierry de Mey's Musique des Tables. (Photo by Bob Handelman)

We at Will You Miss Me When  I’m Gone? have a soft spot for percussion music and the ensembles that play it well.

So it should be no surprise that we’re excited about the Yale Percussion Group’s visit to New York on Sunday, Dec. 12. This exciting group of performers — Michael Compitello, John Corkill, Ian Rosenbaum, Yun-Chiu Candy Chiu, Leonardo Gorosito  and Adam Rosenblatt, directed by founder Robert van Sice — will be bringing four major percussion classics to the stage of Zankel Hall at Carnegie Hall.

Included is Mauricio  Kagel’s rarely performed Dressur to the Balinese-flavored mysticism in James Wood’s Village Burial With Fire.  Add to that Thierry de Mey’s Musique des Tables, played on amplified table, which is as much fun to watch as it is to hear and top it off with Steve Reich’s Sextet, and you’ve got a great evening of percussion music performed by top-notch players.

If you need proof, check out performance videos of YPG at work by clicking here.

Ticket contest

Boosey & Hawkes, Steve Reich’s publisher, is running a contest for free tickets. You have until 2 p.m. on Friday, Dec. 10, to enter. Click here to enter.  If you don’t win, read on for ticket-buying information.

musand Yale Percussion Group performs at 8 p.m. Sunday, Dec. 12. Zankel Hall at Carnegie Hall,  Seventh Avenue at 57th Street, Manhattan. Tickets, which are $15-25, are available at the box office or by clicking here.

Acclaimed for its virtuosity and electrifying stage presence, the Yale Percussion Group and its director, Robert Van Sice, perform four challenging and theatrical works that explore the limitless potential of percussion instruments, written by four singular contemporary composers: Mauricio Kagel, Steve Reich, Thierry de Mey, and James Wo

Kronos Quartet’s rare NYC club appearance at (Le) Poisson Rouge

 

David Harrington of Kronos Quartet at New York nightclub (Le) Poisson Rouge on Oct. 8, 2010. (Photos copyright 2010, Steven P. Marsh)

 

Groundbreaking ensemble sells out two nights at Greenwich Village nightspot

Kronos Quartet can and does regularly fill huge auditoriums for its programs. But for its latest appearance in New York City, the ensemble picked Greenwich Village’s (Le) Poisson Rouge, arguably the most welcoming venue for New Music New York City.

 

Kronos Quartet's cellist, Jeffrey Zeigler.

 

Kronos’ two-night program included a slew of premieres and put the spotlight on many New York-based composers and collaborators, including the super-talented young composer Missy Mazzoli (founder of the hot electroacoustic chamber ensemble Victoire), Bang on a Can founder Michael Gordon, guitarist Bryce Dessner of the bands Clogs and The National (formed in Cincinnatti but now based in Brooklyn) and the Young Peoples Chorus of New York City.

The 37-year-old, San Francisco-based qua
rtet  — David Harrington and John Sherba on violins, Hank Dutt on viola and Jeffrey Zeigler on cello — played a spirited set to a packed house on Friday evening, Oct. 8. The second installment is tonight, Saturday, Oct. 9, when Kronos offers a completely different program.

 

 

At the Friday show, Kronos kicked off with Dessner’s Aheym (Homeward), which he wrote for Kronos. Mazzoli’s lovely, lyrical Harp and Altar, also composed for Kronos, followed.

The first world premiere of the evening was Aleksandra Vrebalov‘s spell no. 4, for a changing world.

But the most stunning performance moments of the evening came next, when Kronos introduced the Young Peoples Chorus, founded and conducted by Francisco Nuñez. The youngsters entered from the darkened sides of the room shrieking and howling the vocal parts of Terry Riley‘s Another Secret eQuation, which he wrote for Kronos and had its world premiere at Carnegie Hall’s Zankel Hall in March.

 

Composer Michael Gordon cheers the Young Peoples Chorus of New York City, with John Sherba and David Harrington of Kronos Quartet.

 

After a brief intermission, the Young Peoples Chorus rejoined Kronos for the world premiere of Gordon’s Exalted, an intensely emotional composition.

Click through to the jump for more words and photos about Kronos and collaborators. Continue reading

New Music Bake Sale: Music, Conversation, Beer and, yes, actual baked goods!

Arturo en el Barco's Bake Sale table featured cupcakes and particularly tasty flan de queso. (Photos copyright 2010, Steven P. Marsh)

The 2nd Annual New Music Bake Sale took over the decrepitly beautiful Irondale Center’s space in Fort Greene, Brooklyn, on Saturday, Sept. 25 for more than six hours.

The concept was pretty simple: Bring together a bunch of people who make new music — performers, producers, record companies and the like — in a place where they can make music, talk about music, drink beer and sell sweet and savory baked goods to raise money for their efforts.

Kathleen Supové at her Bake Sale table.

We don’t know how successful the financial part of the evening was, but the place was constantly full of people and activity throughout the event. We sampled the food, beer and music and found it excellent — especially the Sixpoint Sweet Action!

Many of our favorite New Music folks were there throughout the evening, including, but hardly limited to, Todd Reynolds, Matt Marks, Mellissa Hughes, Courtney Orlando, Ken Thomson, Jessica Schmitz, Ted Hearne, David T. Little, Steven Swartz, Glenn Cornett, Franz Nicolay, Caleb Burhans, Kathleen Supové and Oscar Bettison.

Todd Reynolds and Ken Thomson perform Ken's "Storm Drain."

We can hardly wait for next year’s event.

But enough words. Let’s get to the images. Click through to the jump for more photos. Continue reading

Ethel Fair Launches Lincoln Center Out Of Doors

Crews were making the final preparations to Damrosh Park on Tuesday night for Wednesday's premiere of the 2010 edition of Lincoln Center Out Of Doors. (Copyright 2010, Steven P. Marsh)

The fabulous Lincoln Center Out of Doors festival starts Wednesday night with a bit of Civil Rights Movement street theater at 6:30 at Barclays Capital Grove (the sponsored name for the plaza between Lincoln Center Theater and Avery Fisher Hall and moves into full-bore music mode at 7:30 in Damrosch Park with Ethel Fair: The Songwriters.

Ethel is Ralph Farris (viola), Mary Rowell (violin), Dorothy Lawson (cello) and Cornelius Dufallo (violin).

Ethel is a string quartet like no other string quartet you’ve seen or heard. These four skilled players, who are quite active together and separately on the international contemporary music scene, have been working in collaborative mode over the past several years. Their latest project, which has its world premiere at the Lincoln Center Out of Doors festival,  features the quartet yoked with songwriters who are quite well known on their own. Pop tunesmith Adam Schlesinger (a member of pop bands Fountains of Wayne and Ivy and composer of Broadway’s “Cry Baby”), assisted by Mike Viola (Candy Butchers), has created a work with Ethel. Other collaborators include folk-blues dynamo Dayna Kurtz, punk-New Wave pioneer Tom Verlaine (Television) and folky Argentine singer-songwriter Juana Molina.

Ethel always pushes boundaries with its work. This collaborative effort appears to reach for a broader, more mainstream appeal than some of the band’s more left-of-center efforts, such as its ongoing TruckStop project, which takes the band on the road to work with and celebrate indigenous cultures. But it’s certain to provide a richly entertaining evening.

No Snakes In This Grass is the title of the theater piece, written by James Magnuson and directed by Mical Whitaker, that kicks off the evening. It’s a comedy set in the Garden of Eden that deals issues of race and the Fall.

This is just the first night of a jam-packed schedule of fabulous free music and performance art that runs through Aug. 15. For the full Lincoln Center Out of Doors schedule, read the press release after the jump. Continue reading

Signal tackles Helmut Lachenmann tonight

Composer Helmut Lachenmann joins Signal Enselmble and JACK Quartet to celebrate his 75th birthday on Saturday night.

German composer Helmut Lachenmann celebrates his 75th birthday at Columbia University’s Miller Theatre tonight when he joins Signal Ensemble and  JACK Quartet for the final Composer Portrait concert of the Miller season.

Lachenmann says he believes in “music which, in order to be grasped, does not require a privileged intellectual training, but can rely uniquely upon its compositional clarity and logic.”

The audience will have the rare chance to hear Lachenmann playing 2 of his solo piano works, and he will also be joining Signal as the spoken text soloist on one piece.

Additionally, cellist Lauren Radnofsky (Signal’s executive director) will be playing Pression, a wild 1969 piece for solo cello, The JACK Quartet (which includes violist John Pickford Richards, well known to New York audiences for his work with Alarm Will Sound) will be joining Signal in the ensemble and also performing his most difficult string quartet.

Here’s a video of Lachenmann speaking about his work:

And go to YouTube to see and hear Lachenmann playing his Wiegenmusick, which is on tonight’s program.

This is one of Signal’s biggest projects to date, and is expected to lead to a CD/surround sound DVD release.

It’s also a chance to hear the wonderfully flexible and talented Signal, directed by Brad Lubman, perform Lachenmann’s challenging compositions, which are somewhat different than its typical repertoire.

The program covers four decades of Lachenmann’s composing life with these pieces: Wiegenmusik for solo piano (1963), Pression for solo cello (1969-1970), Ein Kinderspiel for solo piano (1980), String Quartet No. 2 Reigen seliger Geister (1989) and …Zwei Gefühle… featuring Lachenmann himself as spoken-text soloist (1991-1992).

The evening will also include a discussion with Lachenmann and Yale professor Seth Brodsky. It should be an amazing evening of music.

Composer Portrait: Helmut Lachenmann, 8 pm tonight, Thursday, April 1, Miller Theatre,  116th St. & Broadway on the campus of Columbia University. Tickets $25, available online and at the door.

The other side of sax

Euphonique Saxophone Quartet performs at NYC's Church of the Epiphany on March 21: Michael Bomwell, soprano, Loren Stillman. alto, Ken Thomson, baritone, and Justin Flynn, tenor. (Copyright 2010, Steven P. Marsh)

Euponique Saxophone Quartet provided some great entertainment on Manhattan’s Upper East Side on Sunday. They played a lively program of classical transcriptions mixed with new pieces, showcasing the versatility of a family of instruments that many casual listeners associate primarily with jazz and popular music.

Euphonique is the brainchild of Michael Bomwell, a versatile player (playing the Kenny G-associated soprano sax in Euphonique) who has one foot in the traditional world of saxophone, given his involvement with the Motor City Horns and experience with Clarence Clemons. The quartet’s baritone player, Ken Thomson, is the amazing, energetic saxophonist/composer from Brooklyn who plays in Gutbucket, Alarm Will S0und and the Asphalt Orchestra (and more) and teaches at the Bang on a Can Summer Music Festival. To more Brooklyn-based saxophonists/composers Loren Stillman, on alto, and Justin Flynn, on tenor, round out the quartet.

Sunday’s program honored J.S.  Bach’s birthday this month, kicking off with an arrangement of Bach’s Sinfonia to Cantata 29, arranged by Larry J. Long, the organist at The Church of the Epiphany, which hosted the concert. Long joined the quartet on this opening number and returned to the console later in the program to play the world premiere of  Epiphany, written for the occasion by Darin Lewis.) The group also performed Bach’s Prelude and Fugue (BWV 857) from The Well-Tempered Clavier and Aus Liebe will mein Heiland sterben, followed by contemporary composer Alexander Hamlin‘s piece, Dance #244449, inspired by the Bach aria.

The ensemble also honored the tradition of American saxophone music, performing “Quartette (Allegro de Concert)” by Caryl Florio, which was premiered by the New York Saxophone Quartet in 1879 and is billed as the first original work for saxophone quartet by an American composer.

Euphonique also dipped into the string repertoire with a version of Four, for Tango, originally written for Kronos Quartet by the Argentine Tango composer and bandoneón player Astor Piazaolla. The saxophones brought to the fore interesting textures not apparent in the string version.

ETA3 to shine in Nyack

The stellar trio ETA3.

ETA3, a hip, young classical trio formed at the The Juilliard School that takes its name from a star-forming nebula in our galaxy. The trio’s name also happens to use the first letter of the first name of each member: flutist Emily Thomas, pianist Tomoko Nakayama and clarinetist Alexey Gorokholinsky.

They bring their unconventional lineup of flute, clarinet and piano to the stage of GraceMusic this Sunday afternoon at 4 o’clock. (Full disclosure: Will You Miss Me When I’m Gone? recently joined the board of this Nyack-based concert presenter. My only pay for that job, like the job of maintaining this blog, is the satisfaction of fostering the arts.)

Since there’s little repertoire written for their particular instrumentation, the talented trio adapt and arrange music themselves, often distilling pieces from larger orchestral compositions.

Sunday’s program features Debussy’s Prelude to The Afternoon of a Faun, Bartok’s Romanian Folk Dance and Tchaikovsky’s Russian Dance,  as well as Trio in Three Movements by Khachaturian  and Carmen Fantasy, adapted from a famous transcription by Sarasate.

In some vocabularies, ETA also stands for estimated time of arrival. They’ll arrive onstage at GraceMusic at 4 pm this Sunday, Feb. 28. The concert is in the beautiful nave of Grace Church, 130 First  Ave., Nyack, NY. Tickets are $15 at the door ($10 for seniors and $5 for students). For more information about GraceMusic, go here, click on Music in the navigation bar at the bottom of the page and on GraceMusic at the top of the Music Page. Or check out GraceMusic’s facebook page and become a fan.

Missy Mazzoli’s making an uproar

Composer and performer Missy Mazzoli. (Photo by Stephen Taylor)

Composer Missy Mazzoli‘s having a great year — and it’s only February. She’s been working hard to get her music heard, and it’s really coming together.

Tomorrow night and Sunday, her chamber opera Song from the Uproar is being performed by students from the Bard College Conservatory of Music Graduate Vocal Arts Program, run by the estimable soprano Dawn Upshaw. It’s part of an opera triple bill, which also includes Vinkensport, or The Finch Opera, a world premiere by David T. Little, and L’Enfant et les sortilèges by Maurice Ravel  in the amazing Sosnoff Theater on the Bard College campus in Annandale-on-Hudson. For more info about those shows and to buy tickets, priced from $20-$75, click here. If you’re willing to take a randomly assigned seat, you can pay just $10 by clicking here and using the password “triplebill.”

The lyrical piece examines the life of 19th Century Swiss explorer Isabelle Eberhardt, with text inspired by and responding to her journals, which Missy set to music for soprano and small ensemble, against a backdrop of film by Stephen Taylor. A 40-minute version of the piece presented last May at Galapagos Art Space in Brooklyn was enchanting and provocative entertainment.

Missy’s opera will be heard again in New York City in the spring, when it’s presented as part of New York City Opera’s Vox showcase of new operas. Although Vox hasn’t formally announced its season yet, Time Out New York‘s Olivia Giovetti reveals in an interview with Missy that it’ll be held April 30 and May 1 this year. Although the venue has not been announced, Vox has been presented for the past four years at Skirball Center for the Performing Arts at New York University.

Missy Mazzoli and her quintet Victoire.

Then, in her rock-club guise as leader of the quintet Victoire, Missy will be performing in March and April with American Composers Orchestra.

The first show is at 4 pm Sunday, March 21, at Dweck Center at the Brooklyn Public Library, Grand Army Plaza, Brooklyn.  Admission is free. Call (718) 230-2100 or click on www.brooklynpubliclibrary.org for more information.

The second show (on a bill also featuring Arp & Anthony Moore) is presented as part of the Wordless Music Series at 7:30 pm on Wednesday, April 7 at (Le) Poisson Rouge, 158 Bleecker Street, Manhattan.  Tickets are  $15. Call (212) 505-FISH or click here.