Tag Archives: Stew

Stew in Brooklyn tonight

20131123-153753.jpg I’ll be at the new BRIC House tonight to check out Stew’s Listening Party, a work-in-progress show.

Interestingly, this was originally billed as Stew and Heidi’s Listening Party, and was supposed to be a collaboration with his longtime collaborator Heidi Rodewald. But her name has disappeared from the program.

I haven’t heard reports from last night’s premiere, but I’m sure it was a trip. I’m booked at the7:30 pm show, which originally was scheduled to he the second andfinal gig. However, another show was added at 10 pm.

So if you got shut out before, you may be able to get tickets for tonight’s late
show by tapping here.

I’ll try to get take some photos and post them here later.

Stew and Heidi to unveil works in progress in Brooklyn on Nov. 22 and 23

Heidi Rodewald and Stew, creators of Broadway's Passing Strange, are presenting a Brooklyn house party in November to share their works in progress.

Heidi Rodewald and Stew, creators of Broadway’s Passing Strange, are presenting a Brooklyn house party in November to share their works in progress.

Creators of Passing Strange and collaborators in The Negro Problem join the inaugural season at BRIC House

BRIC (Brooklyn Information and Culture), the organization behind the great Celebrate Brooklyn! concert series, is opening the BRIC Arts | Media House to provide a permanent stage for new and established artists to explore their work.

BRIC House, at 647 Fulton Street, next door to the BAM Harvey Theater, formally opens Oct. 3. And it already has a great lineup scheduled, including two-nights of creative mashups from Tony and OBIE Award winner Stew and longtime collaborator and OBIE Award winner Heidi Rodewald.

They’re the people behind Broadway’s Passing Strange and the core members of the band The Negro Problem.

In two performances in November, the pair will unveil a show that includes pieces of several projects they have in development, including three musicals, a video-art work, two song-cycles and poems and songs that likely will show up on their next record in some form.

More information and ticket links after the jump. Continue reading

Stew stirs things up with fantastic new songs at Barbès

The hat was more crumpled at Barbès on July 25, but Stew's energy was at a peak. (Photo © 2012, Steven P.  Marsh)

The hat was more crumpled than this at Barbès on July 25 and Stew’s energy level seemed higher than usual. (Photo © 2012, Steven P. Marsh)

By the time his latest gig in his musical living room (aka Park Slope, Brooklyn, boîte Barbès) rolled around Thursday night, July 25, singer-songwriter and Tony Award winner Stew had dumped his original staged plan to play versions of his songs from Passing Strange and other numbers from his extensive repertoire.

Instead, he launched into a tight song cycle “inspired by recent events.” In other words, songs about George Zimmerman and the Trayvon Martin case. If yoy don’t know what I’m talking about, it’s time to get out from under that rock where you’ve been living and catch up on the news!

If you’re a Passing Strange fan who passed on the show for one reason or another and are thinking now that this make you feel OK about missing, hold that thought. I’m here to tell you differently. Continue reading

Stew & The Negro Problem at Barbès: A refuge from the storm and a special surprise

Blizzard? Who cares, when there’s a chance to see Stew, Heidi and the gang in an intimate Brooklyn boîte

Stew and Heidi Rodewald perform with a version of their band, The Negro Problem, at Barbès in Park Slope, Brooklyn in March 2011. And yes, that's Joe McGinty in the foreground.  (Photo © 2011, Steven P. Marsh)

Stew and Heidi Rodewald perform with a version of their band, The Negro Problem, at Barbès in Park Slope, Brooklyn in March 2011. And yes, that’s Joe McGinty in the foreground. (Photo © 2011, Steven P. Marsh)

If the predicted nightmare blizzard doesn’t bring New York City to a screeching halt on Friday, you should be at  Barbès in Brooklyn’s Park Slope neighborhood to catch a surprisingly un-publicized gig by Stew & The Negro Problem.

(Click through to the jump for all the details.) Continue reading

Stew, Heidi & The Negro Problem to play the final Weeksville Garden Party in Brooklyn on Saturday

Stew & Heidi Rodewald of The Negro Problem. (Photo © 2012, Steven P. Marsh)

Will You Miss Me When I’m Gone‘s favorite band, The Negro Problem, is playing a gig in Brooklyn this Saturday, July 28. They’re in the hood for the fourth and final installment of the Weeksville Garden Party, a July tradition of free weekly performances at the Weeksville Heritage Center at 1698 Bergen Street between Rochester and Buffalo Avenues in Brooklyn’s Crown Heights neighborhood.

The Weeksville Heritage Center itself, dedicated to the unique history of the 19th Century village of Weeksville, founded by free blacks, is worth exploring. We’d recommend arriving early — doors are at 4, with The Negro Problem set to perform at 6 — to check the place out.

Remember, it’s free. But if you like the show and the museum, they’ll gladly accept donations. We know WYMMWIG‘s readers are generous. Don’t let us down.

Have you seen The Total Bent yet?

Stew, Heidi and members of The Loser's Lounge at Barbés in Park Slope, Brooklyn. (Photos © Steven P. Marsh)

Will You Miss Me When I’m Gone? was supposed to see The Total Bent, the new show by Stew and Heidi Rodewald of Passing Strange fame, in one of its very first Public Lab performances at The Public Theater in downtown Manhattan last month. But then construction delays at the theater — the Public is undergoing a massive, and much-needed, facelift — got in the way.

That created some pretty massive chaos, forcing The Total Bent‘s schedule to push back. Some shows, including ours, were canceled and rebooked.

So we haven’t seen the show yet. We’ll be there for the penultimate performance on Sunday afternoon, March 18.

All the changes also forced the scuttling of interviews and press access to the creative team.

Continue reading

This Strange Freak’s name is fog

The Englert Theatre, one of the University of Iowa's performing arts venues in Iowa City. (Photo courtesy Jacob Yarrow, Unversity of Iowa)

Weather scuttles Stew & The Negro Problem’s Iowa Omnibus show — for now

What does Mother Nature have against Iowa City, Ia.?

Stew at Joe's Pub on Jan. 23, 2012. (Photo © 2012, Steven P. Marsh)

In 2008, the Iowa River overran its banks and devastated the city, destroying much property in the city, including the notable Max Abramovitz-designed Hancher Auditorium on the University of Iowa campus.

The flood-ravaged Hancher Auditorium, designed by Max Abramovitz, the architect of Avery Fisher Hall in New York City.

The latest natural disaster didn’t cause physical damage that we know of, but the psychic damage is certainly huge. A “freak fog” closed the local airport and kept Stew and Heidi Rodewald and their band, The Negro Problem, from making it to Iowa City in time for their Feb. 2 gig.

As we reported the other day, Stew & The Negro Problem were to present Iowa Omnibus as the centerpiece of a Feb. 2 show at the Englert Theatre, a civic auditorium that is housing some of UI’s performing arts productions. It was commissioned by UI’s Hancher Auditorium, the campus performing arts presenter, inspired by Stew and Heidi’s 2010 Brooklyn Omnibus shows, as well as their hit musical, Passing Strange.

Continue reading

How Stew and Heidi took on Iowa City

Stew & Heidi Rodewald at Joe's Pub in New York City. (Photos © 2012, Steven P. Marsh)

Remember Stew & Heidi Rodewald of The Negro Problem‘s theatrical show, Brooklyn Omnibus at the Brooklyn Academy of Music in 2010? It made a lot of sense. Both of these creative people had spent time living in the County of Kings and knew it pretty well. And the songs reflected their experiences there.

Jacob Yarrow (Photo by Tom Jorgensen)

It was a bit of a surprise when Stew, in the middle of a Jan. 23 CD-release show at Joe’s Pub in Manhattan, asked the audience: “Remember Brooklyn Omnibus? We’re doing an Iowa City Omnibus.”

The Englert Theater, one of the University of Iowa's performing arts venues in Iowa City. (Photo courtesy Jacob Yarrow, Unversity of Iowa)

Thanks to the magic of Twitter, we quickly found out who was behind this Iowa City venture, and took some time to get the lowdown for you.

It turns out that Jacob Yarrow, programming director of the University of Iowa’s Hancher Auditorium in Iowa City, saw the Spike Lee film version of Stew and Heidi’s Broadway show, Passing Strange. That was enough to give him a real hankering to bring some of Stew and Heidi’s music in the Midwest, tailored to the flood-ravaged city. So he got in touch and commissioned the duo to do an Omnibus for them.

It takes the stage on Thursday, Feb. 2. As of last week, Yarrow hadn’t heard a note of Stew and Heidi’s work, but was looking forward to hearing it. As he explains after the jump, the Iowa City commission pretty much gave the duo free rein.

My guess is that Iowa City and the University of Iowa will never be quite the same again after Stew and Heidi’s visit.

Continue reading

Image

Last chance to see Stew & The Negro Problem in NYC

Stew, Heidi Rodewald and The Negro Problem at Joe’s Pub on Jan. 23, 2012. (Photo © 2012, Steven P. Marsh)

If you didn’t get to Joe’s Pub last night to see Stew &  The Negro Problem and grab a copy of the new album, Making It, all is not lost. 

They’ve got another CD-release show at Joe’s at 9:30 tonight (Tuesday, Jan. 24). Tickets, $30, are available here. Book now. If you miss it, you’ll be sorry.
 

Stew just can’t shed his Negro Problem

Stew in his breakup show, "Making It," at St. Ann's Warehouse in February 2010. (Copyright 2010, Steven P. Marsh)

Three shows at Joe’s Pub mark Tuesday’s release of Stew & The Negro Problem’s new album, Making It

The cover of Making It features a photo by Stew's daughter, Bibi.

First of all, let’s say “welcome black” to Stew & The Negro Problem.

It’s been 10 long years since Stew (born Mark Stewart in 1961) and his band The Negro Problem made a proper, official album: 2002’s Welcome Black. But on Tuesday, Jan. 24, the wait is officially over when Making It gets its official release.

Thank goodness. It’s long overdue. But you’ll surely find it worth the wait.

It’s a crazy, creative look at the breakup of Stew’s relationship with his longtime girlfriend and musical collaborator Heidi Rodewald. The breakup came in the run-up to the pair’s amazing theater project,  Passing Strange, which briefly thumbed its nose at the Broadway establishment from the Belasco Theatre over six months in 2008. (It also lives on in a Spike Lee film of the show’s final performances.)

Heidi Rodewald and Stew. (Copyright 2009, Steven P. Marsh)

Stew and Heidi managed to survive the breakup and continue their artistic relationship, albeit not without some problems. This album documents the breakup, and in some ways, the promise of their continued collaboration.

This is Stew’s fourth album under the rather provocative name of The Negro Problem, though on  this release on TNP records, the band is billed as “Stew & The Negro Problem.” And even though Stew seemed to abandon the band name in favor of his own moniker, Stew and Heidi haven’t released a rock album since 2003’s Something Deeper Than These Changes, billed simply to Stew. (Yes, there was a Passing Strange soundtrack in 2008, but that wasn’t a Stew record, let alone a Negro Problem record!)

Let’s just say it’s about time! It’s always seemed to me that Stew needs The Negro Problem to fuel his angry-not-as-young-as-he-used-to-be-man persona. (Truth be told, he’s used The Negro Problem name occasionally in recent years, but this seems to be a definitive return home.) Continue reading