Category Archives: Broadway

Nyack’s Bill Irwin puts on his ‘Old Hats’ again

Bill Irwin in the world premiere run of "Old Hats" at Signature Theatre Company. (© 2013 Joan Marcus)

Bill Irwin in the world première run of “Old Hats” at Signature Theatre Company. (© 2013 Joan Marcus)

Scroll to the bottom of this post for access to a special 2-for-1 ticket deal for Bill Irwin’s “Old Hats,” which returns to Off-Broadway next week. Then click through to read the full story.

 

You know Bill Irwin.

Maybe you didn’t see him on Broadway, clowning around onstage in baggy pants in “Fool Moon” 1n 1993, or playing the comical Mr. McAfee in “Bye Bye Birdie” in 2011.

Maybe you didn’t grow up with him as Mr. Noodle on “Sesame Street.”

But if you watch “CSI: Crime Scene Investigation,” “Law and Order SVU,” or “Sleepy Hollow,”  you’ve probably seen him playing everything from psychologists to over-the-top villains.

Bill Irwin as the title character in "Uncle Vanya" at Lake Lucille, NY, in 2007. (©2007 Steven P. Marsh/willyoumissme.com)

Bill Irwin as the title character in “Uncle Vanya” on Lake Lucille in New City in 2007. (©2007 Steven P. Marsh/willyoumissme.com)

Or maybe you saw him locally, in some of the summer plays on Lake Lucille in northern New City. He appeared as the title character in Anton Chekhov’s “Uncle Vanya” in 2007 and the clown Radish in Chekhov’s “Platonov” in 2008.

He’s a versatile actor who admits he works hard to stay that way for a practical reason: to pay the bills. (The Lake Lucille shows may be an exception since they’re labors of love for all involved!)

“It isn’t really an aesthetic choice as much as it is just trying to make the monthly nut,” he told me recently as we sat down for a chat for The Journal News/lohud.com.

He says he and wife Martha Roth take the need to pay the bills pretty seriously.

Bill Irwin clowns around as Radish in Chekhov's "Platonov" on Lake Lucille in New City in 2008. (©2008 Steven P. Marsh/willyoumissme.com)

Bill Irwin clowns around as Radish in Chekhov’s “Platonov” on Lake Lucille in New City in 2008. (©2008 Steven P. Marsh/willyoumissme.com)

“Everybody has a monthly nut, but we have a chant: Monthly nut, monthly nut!”

Irwin and David Shiner, his partner-in-clowning, are returning to the New York City stage next week for a return engagement of their 2013 revue “Old Hats” — with splendid young singer-songwriter Shaina Taub as their onstage foil, master of ceremonies, and music director, filling the shoes of quirky chanteuse Nellie McKay, who originated the part.

The show was a delight the first time around, and sounds like it’ll be just as much of a hoot this time — with some changes that’ll make it well worth seeing again.

Check out my FULL INTERVIEW by clicking here, or pick up this Sunday’s edition of The Journal News on your local newsstand.

GO HERE FOR INFORMATION ON HOW TO GET 2 TICKETS FOR THE PRICE OF 1.

Mary Bridget Davies: More than a Janis Joplin tribute artist

Mary Bridget Davies does Janis Joplin and a whole lot more at B.B. King's Blues Club in Manhattan. (© 2014 Steven P. Marsh/willyoumissme.com)

Mary Bridget Davies does Janis Joplin and a whole lot more at B.B. King’s Blues Club in Manhattan. (© 2014 Steven P. Marsh/willyoumissme.com)

If you go to see Mary Bridget Davies‘ show at B.B. King’s Blues Club in Manhattan, don’t count on an evening of Janis Joplin.

If you do, you’ll be setting yourself up for disappointment, like the woman standing near me at the bar on Monday night. She was wearing a muumuu and a multicolored headband, which made her look like she was ready for a psychedelic Sixties sort of evening.

But when Davies kicked into a set that was heavier on non-Joplin songs, including some massive versions of some Amy Winehouse hits, the woman started getting antsy, asking people around her if they knew whether Davies would be doing “songs from the show” at some point. Continue reading

Jonathan Larson’s lasting impact honored in song (video)

The crowd gathers to hear Jonathan Larson's dad and sister talk about the late composer in the Grand Tier lobby at New York City Center on June 25, 2014. (© 2014 Steven P. Marsh/willyoumissme.com)

The crowd gathers to hear Jonathan Larson’s dad and sister talk about the late composer in the Grand Tier lobby at New York City Center on June 25, 2014. (© 2014 Steven P. Marsh/willyoumissme.com)

New York City Center Encores! Off-Center (whose website is offline at this writing) revived “Rent” creator Jonathan Larson’s autobiographical show, “tick, tick … BOOM!” last week.

It was important enough that it lured Karen Olivo, a Broadway star (an alum of “Rent” and “In the Heights”) who has otherwise abandoned New York in favor of a life in Wisconsin, back to town.

And it really got actor and “In The Heights” creator Lin-Manuel Miranda fired up to write some reflections on Larson for The New York Times.

Leslie Odom Jr., of “Rent” and TV’s “Smash” fame, rounded out the cast.

If you missed it, that’s a terrible shame. But you can read the New York Daily News review here and check out the Times review here.

I saw the first performance, on Wednesday, and made a point to arrive early for the pre-show “Lobby Project” event in the hot-as-Hades Grand Tier lobby featuring Larson’s dad and sister talking about their late relative and promoting awareness of Marfan syndrome, the genetic disorder that contributed to his untimely death.

When “Rent” became a big hit after Larson’s death, his family and friends set up the Jonathan Larson Performing Arts Foundation to provide grants for composers, lyricists, and book writers in musical theater. The grants program is now run by the American Theatre Wing as Jonathan Larson Grants.

After Larson’s relatives spoke about him, the subject of the grants program came up, and it was announced that 107 people had received money from it so far  — and that many of those people were in the packed lobby.

That’s when people pulled out sheet music or opened it on their mobile devices and broke into a serenade, performing Larson’s iconic “Rent” tune “Season of Love.”

It was a grand moment.

I managed to catch much of it on video. Check it out:

 

 

 

 

Riding in The General took Tom Wopat far beyond Hazzard County

Tom Wopat brings his vast songbook to Rockwells in Pelham, N.Y., on Friday night. (Handout photo)

Tom Wopat brings his vast songbook to Rockwells in Pelham, N.Y., on Friday night. (Handout photo)

‘Dukes of Hazzard’ star will show off his vocal chops at Rockwells in Pelham Friday night, May 9

It’s difficult to hear Tom Wopat’s name without thinking of “The Dukes of Hazzard,” the hit TV show that made the dark-haired Wisconsin native and his blond co-star John Schneider pin-up boys for teens for years.

Find out what Wopat’s has to say about his days in The General and where his career has taken him since then in my interview with him for The Journal News/lohud.com. Check it out online now by tapping or clicking here. To see it in print, pick up a copy of The Journal News on Friday.

Stew brings ‘The New Stew Review’ to 54 Below (Video)

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There’s still time to grab tickets to see Stew, the Tony Award-winning creator of Broadway’s wildest ride, “Passing Strange,” in the cabaret setting of Manhattan’s 54 Below on Friday or Saturday night.

Stew’s work speaks for itself. He’s created a great deal of thoughtful, memorable, and provocative songs for theater, with “Passing Strange” and other shows, and for clubs as a solo performer and with his band, The Negro Problem.

He’s been a favorite of mine for 15 years. His “New Stew Review” promises a preview of upcoming shows, along with old favorites. If experience is any guide, he’ll offer plenty of surprises.

A trip to 54 Below, in the cellar of Studio 54, 254 West 54th Street, Manhattan, can be a bit pricey. But Stew is worth it. Tickets for his shows, which start at 8 p.m., are $40-55, plus a $25 per person minimum. But use the code PUBLIC54 to get a reasonable discount.

Tickets and more information are available here.

Check out the video of Stew and co-creator Heidi Rodewald after the jump.

Continue reading

Symphony Space celebrates 70th anniversary of Kurt Weill’s One Touch of Venus in spectacular style

kwThere was a lot to celebrate at Symphony Space in Manhattan on Monday night.

First, it was the reason everybody was there: a musical tribute to Kurt Weill’s longest-running Broadway show, One Touch of Venus, with an amazing orchestra and a fabulous array of singers.

First, it was the 70th anniversary of the snappy show — down to the day!

Second, it turned out to be the eve of the release of the decade-delayed Jay Records cast recording of the full show, which features quite a few of the singers from the Symphony Space performance — including a transcendent Melissa Errico (who noted “I’m wearing same dress I word 20 years ago … after three kids,” referring to her star turn in the lead role of the 1996 Encores! revival),  the always- welcome Ron Raines, and the smooth-voiced Brent Barrett. (It’s available now on iTunes, with a CD release to follow at an unspecified date.)

Third, the chief dancer from the original production, Sono Osato— whose work we got to see in a wonderful collage of moving and still images at the top of the show — was in the audience and took the spotlight for a hearty round of applause. Continue reading

Stew and The Negro Problem returning to Barbès

UPDATE: Stew Sez Showtime’s now 9:30 p.m.

Photo from Stew's Facebook announcement of the upcoming gig at Barbès.

Photo from Stew’s Facebook announcement of the upcoming gig at Barbès.

There was a moment or two of confusion Thursday morning when Stew,the singer-songwriter and Tony winner for the book of Passing Strange posted on Facebook that he and his band, The Negro Problem, would be appearing two weeks from now at “our beloved Barbès” and included the date of Oct. 25.

Stew, Heidi and an incarnation of The Negro Problem at Barbés in 2011. (Photo © 2011, Steven P. Marsh)

Stew, Heidi and an incarnation of The Negro Problem at Barbés in 2011. (Photo © 2011, Steven P. Marsh)

Well, fans of Stew’s work won’t have to wait that long. Maybe Stew is just jonesing for Fall. But according to the Barbès calendar, it’s Thursday, July 25, at 10 p.m., which is in two weeks.

Whew. Glad I could clear that up.

Stew posted a Facebook update on Friday, July 19, saying showtime was changed to 9:30. So I’m getting there by 9 just to be on the safe side:

showtime for stew & the negro problem’s BARBES show this THURSDAY JULY 25th is now 9:30. We will play some songs inspired by recent events.

Continue reading

Stew & The Negro Problem at Barbès: A refuge from the storm and a special surprise

Blizzard? Who cares, when there’s a chance to see Stew, Heidi and the gang in an intimate Brooklyn boîte

Stew and Heidi Rodewald perform with a version of their band, The Negro Problem, at Barbès in Park Slope, Brooklyn in March 2011. And yes, that's Joe McGinty in the foreground.  (Photo © 2011, Steven P. Marsh)

Stew and Heidi Rodewald perform with a version of their band, The Negro Problem, at Barbès in Park Slope, Brooklyn in March 2011. And yes, that’s Joe McGinty in the foreground. (Photo © 2011, Steven P. Marsh)

If the predicted nightmare blizzard doesn’t bring New York City to a screeching halt on Friday, you should be at  Barbès in Brooklyn’s Park Slope neighborhood to catch a surprisingly un-publicized gig by Stew & The Negro Problem.

(Click through to the jump for all the details.) Continue reading

Colman Domingo puts ‘Soul’ back into the Vineyard Theatre (updated with discount code to see ‘Wild With Happy’ for just $25)

Colman Domingo

Tickets on sale now for this one-time event

If you haven’t seen Colman Domingo‘s wonderful “A Boy and His Soul,” which was such a treat at the Vineyard Theatre a few years back, you’ll get another chance to check it out in January.

Tickets are on sale now for a one-night-only reading of Colman’s one-man (but multi-character) show.

You probably know him from “Passing Strange,” on Broadway or at the Public Theater. And maybe even from “The Scottsboro Boys” at the Vineyard or, briefly, on Broadway.

And I certainly hope you’re seeing the play he wrote and stars in at the Public Theater through Nov. 18, “Wild With Happy.”

UPDATE: See “Wild With Happy for just $25. Use the code STORM by calling (212) 967-7555 (daily noon-8pm), or visiting the Public Theater Box Office at 425 Lafayette Street (Sun & Mon 1-6pm; Tue-Sat 1-7:30pm) or by clicking here.

“A Boy and His Soul” tells a slice of Colman’s life story using his record collection (yes, remember records?) to lead the audience through. It will help bring “Wild” into sharper focus.

Colman’s a major talent, brimming with life, love and emotion.

James Earl Jones told Colman that “Wild” was “miraculous.” I couldn’t agree more. And “A Boy and His Soul” is just as miraculous. If you loved “Wild,” then “Boy” will flesh out Colman’s story for you. Yes, it’s theater. Yes, it’s fiction. But the underpinnings of both shows are first-rate, true-blue Colman.

“A Boy and His Soul,” a reading and pre-show toast. 7 p.m., Monday, Jan. 7, 2013. Vineyard Theatre, 108 E. 15th Street (Union Square East/Irving Place) in Manhattan. Call (212) 353-0303 or click here for tickets. $75.

Up for a Passing Strange road trip?

So glad he's not on Broadway: Stew and his adoring fans after the final Broadway performance of <i>Passing Strange</i> on July 20, 2008. (Photo by SPM, all rights reserved.)

He’s so glad he’s not on Broadway: Stew and his adoring fans after the final Broadway performance of Passing Strange on July 20, 2008. (Photo by SPM, all rights reserved.)

Just a month after hitting the Tribeca Film Festival, Spike Lee‘s film of Passing Strange will be screened at the Seattle International Film Festival on Saturday, May 23.

Spike Lee at the final Broadway performance of Passing Strange on July 20, 2008. (Photo by SPM, all rights reserved.)

Spike Lee at the final Broadway performance of Passing Strange. (Photo by SPM, all rights reserved.)

They’re doing an interview and Q&A session, oddly, before the screening, which no doubt will help avoid the really thorny audience queries, like what co-creator and narrator Stew really meant by “What’s inside is just a lie.”

Spike is also slated to get the SIFF’s 2009 Golden Space Needle Award for Outstanding Achievement in Directing.

Think that means they really, really wanted him to show up?