Category Archives: News

Brian Wilson comes alive

Brian Wilson at the Highline Ballroom. (© 2011, Steven P. Marsh)

The funny thing about Brian Wilson, the man who masterminded the Beach Boys, is that he doesn’t look like he really cares all that much about his legendary surf-and-sun band’s music.

Sure, he’s got all the moves down, gives the heavily scripted introductions you’d expect. He was pretty much the picture of a legendary bandleader when he brought his act to Manhattan’s Highline Ballroom in Manhattan on Sunday, June 12. But he had that faraway look in his eyes.

Brian Wilson and his band.

But for the first half of the show, Wilson and company performed spirited versions of a hit parade of Beach Boys classics, include “Good Vibrations,” “Heroes and Villains,” “Sloop John B” and “God Only Knows.”

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At long last: New Beirut confirms new disc this summer

Beirut

Hear a brand-new Beirut track, East Harlem, by clicking here.

Wonder where Beirut has gone? Well, the band is finally back with a new album. The band’s publicist just announced that Beirut’s first full-length album in four years, The Rip Tide, is due for release Aug. 30. Bandleader Zach Condon is putting it out on his own label, Pompeii Records, “so as to keep total creative control.”

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Get ready for the Bang on a Can Marathon

Asphalt Orchestra at Lincoln Center Out of Doors on Aug. 4, 2010. © 2010, Steven P. Marsh

Asphalt Orchestra will open the 2011 edition of the Bang on a Can Marathon by performing "Carlton" by Stes and Heidi Rodewald and "Opus 81" by Yoko Ono. (Photo © 2010, Steven P. Marsh)

Memorial Day may be the unofficial start of summer, but it doesn’t really get started for us at Will You Miss Me When I’m Gone? until the annual Bang on a Can Marathon arrives.

This year’s edition is Sunday, June 19. It’s scheduled to run from 11 a.m. to midnight, meaning we’re in for a real treat of 13 continuous hours of music — all for FREE at the World Financial Center Winter Garden in Manhattan’s Battery Park City.

Todd Reynolds at Littlefield's, Feb. 13, 2011. © 2011 Steven P. Marsh

Todd Reynolds

Scheduling problems (also known as my day job) last year made it hard to take in much of the daylong (mostly indoors) event.

We managed to listen only for a couple of hours. We’re not going to let that happen this year. We’ve made sure to save the time and date this year. You should, too.

This year’s edition features many of our favorites, including Bang on a Can’s house band, the All-Stars, electro-acoustic violinist extraodinaire Todd Reynolds (performing a World Premiere of his work Transamerica), avant garde marching band Asphalt Orchestra, the fabulous New Music ensemble Signal, singer-composer-director Toby Twining, cellist Maya Beiser and the truly wonderful Young People’s Chorus of New York City.

Toby Twining

Toby Twining (Ben Sozanski photo)

Aside from our recurring favorites, this year’s marathon also features a performance by the Sun Ra Arkestra in the 8-10 p.m. slot, and the Glenn Branca Ensemble as the day’s closer.

Aside from works by Bang on Can founders Julia Wolfe, Michael Gordon and David Lang, the day features music by luminaries such as Philip Glass. Iannis Xenakis and Michael Nyman. However, the music of Steve Reich, a godfather of Bang on a Can, is absent from the program.

Click through for the full schedule or download a copy here.

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It’s harvest time for Speed the Plough — and The Trypes, too

Speed the Plough: John Baumgartner, Dan Francia, Ian Francia, Michael Baumgartner, Marc Francia and Toni Baumgartner.

There are some big doings at Speed the Plough HQ. The latest incarnation of the band, a part of network of bands linked to The Feelies, has announced a deal for their new CD.

They’ve signed with Great Meadows, N.J, -based Dromedary Records, which will issue the band’s new disc, Shine, in August.  The lineup for the new album will feature the great guitar and vocal work of new Plough-man Ed Seifert (of Ed Seifert and the Stimulus Package, though you may also recognize Ed as The Feelies’ tech) and guest appearances by two former STPers and current members of Wild Carnation, Brenda Sauter (who’s also in The Feelies) and Rich Barnes.

What’s more, a compilation of tunes from The Trypes, another part of The Feelies’ family, is also nearing completion.

Click through to the jump for the full announcement. And be sure to check out the Speed the Plough website for updates. Continue reading

Stew: Thank God I’m off Broadway

Heidi Rodewald and Stew. (Copyright 2009, Steven P. Marsh)

Stew & Heidi returning to the Public Theater

Stew, the singer-songwriter who fronts The Negro Problem and wrote the hit musical Passing Strange with musical partner Heidi Rodewald, makes much of his testy relationship with Broadway.

In fact, he makes specific reference to it in one of the newer Negro Problem tunes. He repeats, with great emphasis, “thank God I’m off Broadway.”

Thorny relationship notwithstanding, Stew and Heidi return next season to the scene of the crime, the place where Passing Strange took root and flowered: New York City’s Public Theater. Their new show, titled The Total Bent, is set for its world premiere on Feb. 14, 2012.

It’s no surprise that The Total Bent is a story about a musician. (Full description after the jump.) After all, Passing Strange was that, although it had a biographical arc that the promised new show appears to lack.  (I wonder if they’ve actually started writing yet? They tend to be very deadline-motivated.)

The Strange pair are working with director Joanna Settle, who forged a deal with them to direct a show at The Public around the time Passing Strange was ending its Broadway run.

Stew and Heidi have been involved in Settle’s creative process for a couple of years, writing music for her Shakespeare on the Sound outdoor productions for the last two years.

Granted, a show at The Public doesn’t give Stew and Heidi a guaranteed ride on the Broadway Limited, but the odds are decent. We shall see.

Click through to the jump for details about the show.

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Help novelist Charles Bock and his family

Tickets for this star-studded benefit to assist acclaimed New York novelist are on sale. Buy yours now by clicking here

Charles Bock (Photo by Diana Colbert)

I met novelist Charles Bock when he was in the final stages of writing his first novel, “Beautiful Children.” We met while Charles was toiling anonymously as a day-rate writer. A 2008 New York Times Magazine cover story described it as  “a very unhappy stint as a rewrite man at a supermarket tabloid.”

However unhappy that time may have been — and there’s not doubt of that — there were some good moments too.

Many of us were rooting for Charles to succeed, to finish the novel and break out of tabloid hell. We were proud to see him get a book deal, and even more proud to read the extraordinary result of his 11 years of labor.

We came to realize that despite projecting a tattooed, tough-guy image, Charles is a warm, loving man with a great rock-and-roll spirit.

In on Dec. 11, December, 2008, less than a year after the novel was published, Charles and wife Diana Colbert had a lovely daughter, Lily.

In July 2009, Diana was diagnosed with acute myelogenous leukemia. By November 2009, she had a bone-marrow transplant. Diana was hopeful and positive in posts on her Facebook page. But a few months ago, the disease returned. Continue reading

The Negro Problem: Stew, Heidi and friends come home to Joe’s Pub

Stew, Heidi Rodewald and The Negro Problem at Joe's Pub on Friday, Jan. 7, 2011. (Photos copyright 2011, Steven P. Marsh)

Stew, Heidi Rodewald and their current incarnation of The Negro Problem came home to NYC — to Joe’s Pub at The Public Theater — on Jan. 7.

What a homecoming it was.  The show was rocking and well-paced, with old favorites — many reimagined in one way or another — and newer material from last fall’s Brooklyn Omnibus, a show premiered at the Brooklyn Academy of Music.

“Ken,” the never-fails-to-get-laughs tune about Barbie’s boyfriend Ken secretly being gay, was done with a reggae feel to it. And they did “Willow Song” from their music for last summer’s Shakespeare on the Sound production of Othello. They also did a great rendition of Stew’s self-proclaimed best song ever, “Gary Come Home,” written for TV’s SpongeBob SquarePants cartoon show.

The current incarnation of The Negro Problem, Stew and Heidi’s first project together, is really just the pair of them backed by Joe McGinty‘s Loser’s Lounge crew plus awesome longtime guitarist Jon Spurney. (Spurney wasn’t in the earliest incarnations of The Negro Problem, but then again, neither was Heidi. Spurn was, however, involved from the beginning with the material that eventually became the acclaimed musical, Passing Strange.)

The place was packed. The show was great. And it seemed to go by in a flash.

Will You Miss Me When I’m Gone? was thrilled to be there. We’ll shut up now so you can look at the photos. (Video will come later!)

Stew in his Utilikilt with a new approach to hairstyling, and Heidi at Joe's Pub.

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Maybe we haven’t seen the last of The Last Town Chorus

It was a real shock to go through the Will You Miss Me When I’m Gone? photo library and discover that there’s not a single image socked away of one of our absolute favorite bands ever: The Last Town Chorus.

And since Megan Hickey, the awesome lap-steel guitar-playing heart and soul of TLTC, stopped gigging nearly two years ago, we had the feeling we might never get a chance to correct that omission.

A new single

Now there’s hope. On Christmas Eve, Megan finally released a new recording, the single “Keep Burnin’,” on iTunes. It seems to be a song she’s been working on since 2008. And it’s the first new track she’s released in that time. Her last new release was the single “Loud and Clear,” which she put out in 2008 as an”album version,” though the album clearly that hasn’t come together yet. (TLTC’s last album, “Wire Waltz,” came out way back in March 2007!)

The new tune is worth the wait. Her voice sounds a little different, more natural and a touch less dressed up than on her previous recordings. It’s a voice that’s as beautiful and clear as a bell as possible. She’s retained her amazing ability to bring tears to our eyes in the way few singers can. We’re looking forward to more track, soon!

So, with a new song out, can performing be far behind? WYMMWIG is eager to see and hear Megan play again. And other fans are eager too.

Even her guitars have been asking questions:

Megan divorced herself from New York City in a long, slow process. You could track it pretty clearly on her blog, The Last Town Chorus’ Travelogue. She started spending more and more (nontouring) time away from New York in early 2009. She started downsizing, selling equipment and finally gave up her record collection. That was a clear sign she was done, done, done with New York, at least for now, if not forever.

But Megan clearly did get the urge for going (as Tom Rush wrote), and so she finally did.

We should have seen it coming. We won’t get into her reasons. She’s told us some of them, and we’re sure there are many more. She can explain it herself if she wants to. The reasons don’t matter. What matters is that Megan seems to be finding her muse again. And our lives will be richer as a result.

We don’t know what’s next for Megan, and we haven’t yet asked. Chances are, Megan, who’s extraordinarily talented, beautiful and an all-around good person, will let us know soon.

Andy maybe we’ll get to fill that blank in our photo library.

In the meantime, we have “Keep Burnin’ ” to keep us going. Thanks, Megan.

R.I.P. Captain Beefheart, 1941-2010

The cover for Trout Mask Replica, one of Captain Beefheart's most bizarre and memorable images.

Captain Beefheart in the Mojave Desert, 1980. (Photo by Anton Corbijn)

Captain Beefeheart, born Don Van Vliet, died on Friday, Dec. 17, less than a month short of his 70th birthday.

He reportedly died of complications of multiple sclerosis.

He was a bizarre and influential musical genius. Here’s Pitchfork‘s bio:

Van Vliet collaborated with Frank Zappa before adopting the Captain Beefheart persona and forming Captain Beefheart and His Magic Band, his constantly shifting backing band, in 1964. On the strength of the blues-rock single “Diddy Wah Diddy”, Beefheart and his band signed to A&M. After the label rejected their debut album, Beefheart and co. re-recorded many of the songs and eventually released them as the classic 1967 debut album Safe as Milk.

After signing with Zappa’s Straight Records, Beefheart released the legendary 1969 double LP Trout Mask Replica. Following that surreal masterpiece, Beefheart recorded and released more albums, seesawing back and forth between euphoric bizarreness and more conventional rock. Beefheart retired from music after 1982’s Ice Cream for Crow, retreating to the Mojave Desert and focusing on his visual art. Though his art career was quite successful, he disappeared from public life, reportedly suffering from multiple sclerosis.

New York City’s preparing for an Unsilent Night

Composer Phil Kline hands out tapes to Unsilent Night/NYC participants in 2005.

New York, it’s time to get ready for Unsilent Night!

This musical happening, composed and orchestrated — in every sense of the word — by Phil Kline, returns to its roots in New York on Saturday, Dec. 18. It kicks off at 7 p.m. at the Washington Square Arch in Greenwich Village.

This is the 19th year for Unsilent Night in New York, where it all started in 1992.

It’s an amazing experience in which every participant is responsible for part of the music by carrying a boombox or other speaker-equipped music playback gadget to sent Kline’s ethereal composition through the cold night air.

There’s nothing specifically religious or sectarian about the music or the event, but it generates a warm, holiday spirit for most participants.

Be sure to arrive early and bring your own boom box. Dress warmly and prepare to have a great time!

You’ll save time and be better prepared if you bring your own CD or MP3 file to play on whatever system you’re using. Click here to download your part. CDs will also be available at the start.

Here’s  this year’s instructions, direct from the Unsilent Night website:

On December 18 at 7:00pm, Phil Kline will lead a massive chorus of boomboxes from the West Village to the East Village in the 19th annual holiday presentation of Unsilent Night. People will gather in Washington Square Park, and less than an hour and mile later, end up in Tompkins Square Park.

In NYC, it is recommended that participants arrive by 6:45 pm at the arch in Washington Square. 
Phil Kline will hand out a limited number of boomboxes—and cassettes and CD’s for those who bring their own players. The public is strongly encouraged to bring their own boomboxes and hold them high as they play the music. Mp3 downloads of the individual tracks will be available on this website after November 27, so pod-docks and other sound-blasters can be carried . People have even brought their laptops hooked up to large speakers mounted on a wagon.

“Unsilent Night was designed in 1992 to withstand the unreliability, playback delay and occasional quavering tones of cassettes, “ said Phil Kline in an interview with the San Francisco Examiner. “About 90 percent of people have CD players now, so I make CDs available as well, but there’s something about the twinkling, hallucinatory effect of a warbling cassette tape that I enjoy.”

The event is free, and will be held rain or shine.

Participants can e-mail unsilentnight@gmail.com for information.

The growing list of U.S. cities presenting Unsilent Night this year:
Asheville, Baltimore, Boulder, Charleston, SC, Charleston, WV, Chicago, Dallas, Los Angeles, New Haven, New York, Philadelphia, Salt Lake City, Traverse City and beyond the U.S.:
Hong Kong, Oxford, UK | Cambridge, Ontario | Vancouver, BC | Fredericton, NB.

More cities to come!