The funny thing about Brian Wilson, the man who masterminded the Beach Boys, is that he doesn’t look like he really cares all that much about his legendary surf-and-sun band’s music.
Sure, he’s got all the moves down, gives the heavily scripted introductions you’d expect. He was pretty much the picture of a legendary bandleader when he brought his act to Manhattan’s Highline Ballroom in Manhattan on Sunday, June 12. But he had that faraway look in his eyes.
But for the first half of the show, Wilson and company performed spirited versions of a hit parade of Beach Boys classics, include “Good Vibrations,” “Heroes and Villains,” “Sloop John B” and “God Only Knows.”
They were note perfect, thanks in large measure to the members of LA’s Wondermints (Darien Sahanaja, Nicky “Wonder” Walusko, Mike D’Amico and Probyn Gregory), who comprise the core of Wilson’s band, along with the amazing vocalist, Jeff Foskett and muti-instrumentalist Scott Bennett. And they had an attentive crowd on the second of a three-night stand at the supper club in the Meatpacking District, where fans paid $125 a pop to see and hear the legendary Wilson.
It wasn’t until the second half, when he and the band performed Brian Wilson Reimagines Gershwin, a project that was suggested by composer George Gershwin’s estate.
When he started playing keyboards or bass on Gershwin tunes like “I Got Rhythm,” “Rhapsody in Blue” and “Summertime,” the faraway look vanished, Wilson’s face brightened, and he performed like his life depended on it.
Too bad that at least some members of the audience left during the break, after Wilson said he’d be back to play Gershwin. The second set was more engaging and lively than the first.
As one of my tablemates said, the whole show “exceeded my expectations.” Wilson was not a dinosaur cranking out the hits — however expertly. He was a man truly connected to the music he was performing.