Category Archives: Pop and Rock

The news at 11, Smithereens style

Jim Babjak, Severo "The Thrilla" Jornacion and Pat Dinizio of The Smithereens rock B.B. King's. (Photos copyright 2010, Steven P. Marsh)

Will You Miss Me When I’m Gone? has been preoccupied with paying the bills and going to shows in the first weeks of this year. As a result, we’re way behind in posting.

Sid Bernstein introduces The Smithereens at B.B. King's.

The Smithereens played their annual B.B. King’s show last month. It was a powerful set, the first half of which was a beautiful rendition of the hard-rocking band’s third official album, 1989’s 11. They opened the show with some early footage of the band performing and an introduction by Sid Bernstein, who brought the Beatles to Shea Stadium and who’s been a huge supporter of the Smithereens.

The band also played some of its superb cover of The Who’s Tommy, in anticipation of its participation in the March 2 Carnegie Hall tribute to The Who, in which The Smithereens have been invited to participate.

Dennis Diken keeps the beat.

Yes, this really is Pat DiNizio in the early days of The Smithereens.

The Smithereens have a great time.

Care Bears on Fire playing Nassau Coliseum

Care Bears on Fire, Izzy, Sophie and Jena (from left) rock Cake Shop on Saturday afternoon. (Photos copyright 2009, Steven P. Marsh)

Amazingly fun teen pop-punkers Care Bears on Fire pulled together the second in their series of Saturday afternoon showcases on Feb. 6 at Cake Shop on Manhattan’s Lower East Side. The tiny basement club is a perfect place for the girls to work on their sound and snarl in front of hardcore fans and with little to distract them from the music.

Things will be very differen this Saturday, when CBoF is on the Pop-Con bill at Nassau Coliseum opening for riot-inducing kiddie pop star Justin Bieber. Saturday’s show is probably one for parents to drop off their children and pick them up later. It’s not the kind of show that even I, a hardcore CBoF fan, will probably be able to tolerate. But it’s a great opportunity for the high-energy trio. And you can catch their next Let Them Eat Cake show at Cake Shop, 152 Ludlow St., on the Lower East Side on Saturday, March 6.

Check out more photos of the Cake Shop show and the other bands that performed at the showcase to benefit Haiti after the jump. Continue reading

Stew sez: The Negro Problem is touring this fall!

Stew and Heidi perform as The Broadway Problem at Lincoln Center Out of Doors last summer. (Copyright 2009, Steven P. Marsh)

Deep in his critique of the New York Magazine‘s piece about his upcoming show Making It, composer and bon vivant Stew lets drop a little bomb that is sure to please his fans, especially those outside of New York City: “The Negro Problem will be on tour this Fall.”

Stew, is that a promise? Or a tease? Let’s hope it’s the former.

Some form of The Negro Problem —  with Stew and Heidi Rodewald at the core but under names like The Broadway Problem — has played around NYC in the last year. But fans elsewhere have had to rely on the movie version of Passing Strange (on the big screen, on PBS, On Deman, or on DVD) to get anything resembling a TNP fix. So this is nothing but good news.

More on Making It, which begins its six-show run at St. Ann’s Warehouse in Dumbo, Brooklyn on Feb. 17, will follow. I just wanted to get this tidbit on the table.

City Winery’s four nights for Haiti relief

Patti Smith is just one of the artists who will perform for Haiti relief at City Winery. (Copyright 2010, Steven P. Marsh)

Will You Miss Me When I’m Gone? will be at the first of four nights of fantastic Haiti-relief. I’d like to make all four, but I’m not sure I have the cash (it’s $75 minimum,  but it’s worth as it’s for an important cause!) or the free time to do that. But everyone who cares about music and about the tragedy in Haiti should try to make it to at least one of these shows. It’s a great way for music fans to make a contribution.

All four nights are shaping up to be amazing. Patti Smith, Yo La Tengo, John Wesley Harding, comedian Lewis Black, Vernon Reid, Corey Glover, Roseanne Cash, Brian Stokes Mitchell, Carolina Chocolate Drops and many more entertainers of all types. City Winery promises that more will be added.

The third night (Jan. 25) in particular, should be a great party given that U.S-based Tabou Combo (misspelled on the poster as Tambou Combo), one of the longest-running bands specializing in an irresistible Haitian dance music called compas (or konpa direk), is on the bill. I haven’t seen TC in years, but by all accounts it remains an amazing dance band.

City Winery’s goal is to raise $100,000 for Haiti relief over the four nights. Tickets ($75 general admission, $200 for Big-Hearted Donor tickets, which include a bottle of special wine) are tax deductible. Proceeds are being split among three charities: Wyclef Jean‘s Yele Haiti Foundation, Doctors Without Borders and Partners in Health.

Click here for more info and to buy tickets. As of this posting, it seems that tickets are still available for all four shows. Showtimes vary slightly from 8 to 9 pm, so check the time when you buy tickets. Unlike many City Winery shows, these shows are all general admission — although the $200 ticket will get you into the VIP area. My advice to you is to ignore your New York concert-going instincts to arrive late. If you want a good spot, arrive on time. Or even early! The good people at City Winery assure me that the kitchen will be open for all four shows, so you’ll be able to pass the time until the show starts with eating as well as drinking.

City Winery is at 155 Varick St., New York, NY 10013. Call (212) 608-0555 or email info@citywinery.com for more information.

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Owen Pallet: He’s not Final Fantasy anymore

Owen Pallett performs with the Bang on a Can All-Stars at the 2008 Bang on a Can Marathon at the World Financial Center Winter Garden. (Photo copyright 2008, Steven P. Marsh)

It’s no surprise that Owen Pallet, the talented young violinist who’s been plying his trade under the band name Final Fantasy, would have to come to terms with his name someday. And that day is here. He released his first album under his own name on Tuesday, after finally realizing he was getting too popular and known to avoid a trademark battle with the makers of the popular game of the same name.

He announced the name change last month. Even if you’ve never listened to any of his CDs, you’ve probably heard some of his work. Read more here.

If you’re one of the smart and lucky ones, you have tickets to his sold-out show at NYC’s Bowery Ballroom this Monday (Jan. 18). If you don’t have one of those cherished tickets, you can still get a taste of what Owen’s been up to by listening to Studio 360 with host Kurt Andersen this afternoon on WNYC radio.

Here’s a video of Owen in the WNYC studio performing “Lewis Takes Action.”

Studio 360 airs today at 4pm on WNYC 93.9FM and is repeated at 2pm tomorrow on AM820. You can also listen live online at WNYC’s web site or get a complete show podcast, Check out the Studio 360 web site for more information. You can also download two bonus tracks from Owen’s Studio 360 performance by clicking here.

Spoon is stirring the pot

Spoon will headline a show at Radio City Music Hall on March 26.

Is Spoon getting too big for its core fans? Give a listen to their new album, out next week, streaming now at NPR.org. From what I’ve heard so far, Britt Daniel and company have made their sound tighter and better focused than ever, without losing its identity.

But with a headlining gig at Radio City Music Hall on March 26 (tickets go on sale this Saturday), I have to wonder whether they’ve really broken through or if they’re over-reaching.

I plan to be there at Radio City to decide for myself. See you there?

Asphalt comes indoors

Asphalt Orchestra debuted at last summer's Lincoln Center Out of Doors Festival. (Photos copyright 2009, Steven P. Marsh)

Asphalt Orchestra, my very favorite avant-garde marching band — okay, I admit, it’s the only avant-garde marching band I know — high-steps it indoors tonight at Lincoln Center for a free show.

“We’re playing everything we’ve ever played — plus two new arrangements,” promises Asphalt saxophonist Ken Thomson.That means music by Frank Zappa, Meshuggah, Bjork, Tom Ze, Thomas Mapfumo, Stew and Heidi Rodewald, Goran Bregovic, Tyondai Braxton (of Battles), Charles Mingus and Conlon Nancarrow. Whew!

This is the only show the band — created by Bang on a Can for last summer’s the Lincoln Center Out of Doors Festiva — will be doing in NYC until the summer. And, while Asphalt is probably best seen and heard outdoors, marching up and down bleachers and wandering around the Lincoln Center campus, it’s a big plus that tonight’s show is indoors!

The show is scheduled to begin at 8:30 tonight in David Rubenstein Atrium at Lincoln Center, on Broadway between West 62nd and West 63rd streets, just east of the Plaza in the former Harmony Atrium space. It’s a perfect gateway to the arts center, with visitor information on all Lincoln Center tenants, a ticket office offering day-of-performance discounts, a performance space, a restaurant, free WiFi and restrooms.

Arrive early to get a good seat, as it’s first-come, first-served. For my part, I’m thinking about standing, just to remind me of my first experiences with Asphalt.

Asphalt Orchestra playing the world premiere performance of Stew and Heidi Rodewald's "Carlton."

Happy 63rd, Patti!

Patti Smith, sharper and more focused on her birthday. (Photos copyright 2009, Steven P. Marsh)

Patti Smith was still as giddy as a little girl last night, for the second of her three New Year’s shows at The Bowery Ballroom. She had reason to be happy — it was her 63rd birthday, or “burfday,” as she so charmingly says it.

But, unlike the first night, Patti brought a bit more snarl and a lot  more focus to the show. (She mentioned that The New York Times said she did some “bad things” on the first night. Check out that review, by Ben Ratliff, here.) The only slight disappointment last night was that the set list largely repeated the first night’s set. It was a spirited evening, though — good enough to make me regret my decision to skip tonight’s show to avoide the craziness of a Manhattan New Year’s Eve.

It didn't look like there were 63 candles on the cake that Jesse Smith brought onstage for her mom. But who's counting!

The evening had a few surprises. For me, the best came when James Mastro of Hoboken’s The Bongos, resplendent in a red hat, materialized onstage to assist on a cover of Neil Young’s Powderfinger. Last night’s version was much stronger than the opening night’s tepid effort, and Mastro’s professional attitude, great guitar work and solid vocals made a huge difference. (It would have been helpful if somebody had bothered to introduce James when he came onstage. While plenty of people in the audience recognized the local hero, his name wasn’t announced from stage until after he was done playing.)

Continue reading

Patti Smith: The original Punk Princess

Patti Smith and longtime collaborator Lenny Kaye kick off the the first of her 2009 New Year's shows with an intimate version of "Southern Cross." (Photos copyright 2009, Steven P. Marsh)

Patti Smith assured the sold-out crowd at the Bowery Ballroom last night that 2010 is going to be a better year. Not a perfect one, maybe, but better than 2009. And I think I can safely speak for the crowd when I say I sure hope she’s right. She reminded us that we’re having a blue moon this New Year’s Eve, and suggested it’s a sign of good luck.

Patti shows off a copy of her new book, Just Kids, at the beginning of last night's show.

Patti, who turned 63 today, kicked off her annual New Year’s run at the Bowery last night with a reading from her new book about her friendship with Robert Mapplethorpe, Just Kids, which is due out Jan. 19. She wandered onstage wearing a knit cap and a heavy black hoodie snatched right from her merch table because it was so cold backstage — and outside — last night.

“I just got it on my way here tonight,” she told the crowd with her crooked smile. “It’s not like I’m trying to do a commercial. I’m just excited. … (But) I know you can’t download it. It was a bit about her first days in New York back in 1967, a perfect vignette.

The evening quickly, but briefly, turned bittersweet as she memorialized three like-minded artists who died this year — including rock poet Jim Carroll and singer-songwriter Vic Chesnutt — by performing a beautiful acoustic version of Southern Cross with help from her longtime guitarist Lenny Kaye.

After a round of applause, Patti surrendered the stage to daughter Jesse Smith, who said not a word during her 25 minute piano ramble, accompanied by drums. glockenspiel and tubular bells. Jesse seems to be a competent player, but is visibly uncomfortable and uncertain onstage. Every time I see her perform, I wonder why she’s up there. Unlike her brother Jackson, who did not play guitar with his mom’s band last night as he often does, Jesse does not give the impression that she was born for the stage.

Jesse Smith and her band was the first-night opener.

Later, Patti reminded us that “Lenny Kaye played in Jim Carroll’s band. I did other things with Jim,” as she introduced Lenny for a version of Jim’s Still Life. That one drew a laugh. It was the first of two songs the band did without Patti – the second being a Tony Shanahan-led cover of Powderfinger in honor of Vic Chesnutt.

There were plenty of other charming moments and laughs throughout the evening as Patti plowed through at least one song from just about ever album. And even though she told the crowd she was still fighting the residue of illness, she sounded great and never faltered — except when she forgot the words to songs from time to time as she inevitably does at every show.

Continue reading

Gone too soon: Vic Chesnutt dead at 45 (UPDATE: Donate to help Vic’s family)

Vic Chesnutt wheels into the spotlight at the Bowery Ballroom in NYC on June 16, 2009. (Photos copyright 20009, Steven P. Marsh)

UPDATE: Longtime Vic Chesnutt collaborator Kristin Hersh has set up a web page for donations to help Vic’s survivors. Click here to donate. Kristin promises that all proceeds will go to the family to help cover the costs of Vic’s hospitalization and burial.

Singer-songwriter Vic Chesnutt, 45, who was confined to a wheelchair after breaking his neck in a car accident at age 18, died today after lapsing into a coma after taking an overdose of muscle relaxants earlier this week, family spokesman, Jem Cohen told The New York Times.

Vic's energy came out in a howl.

Kristin Hersh, a frequent collaborator with Chesnutt, said on Twitter that it was suicide. “No one knows much: another suicide attempt, looks bad, coma–if he survives, there may be brain damage,” Hersh Tweeted yesterday. “This time, it’s real scary: *this* time, he left a note, *this* time, he asked them to call me.”

The Athens, Ga., -based performer, had attempted suicide in the past. But the lyrics of the songs on his new album, In the Cut, seemed to signal a positive outlook on life. He even wrote directly about suicide in “Flirted With You All My Life,” writing “Everywhere I go, you’re always right there with me. I flirted with you all my life. Even kissed you once or twice… But clearly I was not ready. … Oh death, really I’m not ready, no no.”

Vic opened for Jonathan Richman at the Bowery Ballroom in NYC in June. He seemed as cantankerous as ever and full of life. After his set, he hung out with some younger men at the back of the room and talked about partying after the show. He seemed content, not as angry or hurting as in the past. Perhaps he had just learned to hide it better.

R.I.P., Vic.