Category Archives: Music

Dance to Afrobeat at Midsummer Night Swing

Lincoln Center (Copyright 2010, Steven P. Marsh)

If the smash Broadway musical Fela! gave you the itch to hear more Afrobeat music, Lincoln Center’s Midsummer Night Swing lineup for this summer, announced today, will help you scratch it. Fela Kuti’s son Femi and his band Positive Force are scheduled to perform on July 12, with a a lesson in how to dance to the driving African beat taught by Maija Garcia, associate choreographer of the musical and a DJ set by Sahr Ngaujah, the actor who created the title role in Fela!

Femi Kuti

And if Afrobeat’s not your cup of tea, there are plenty of other styles of music and dance on offer during the 15 nights of performances at Lincoln Center’s Damrosch Park.

The cutting-edge programming by Lincoln Center Director of Public Programming Bill Bragin features the New York debuts of four bands: narcotango from Argentina, The Time Jumpers from Nashville, New Orleans’ Moonshiners, and Salsa Band La-33 from Columbia.

Bragin says: “The series offers an array of dance music styles including salsa, swing, disco, and tango.  For the first time this summer we are presenting a night of bhangra, the frenetic, hypnotic dance music from India by way of London and New York.  Famed DJ Rekha will spin bhangra and Bollywood beats with her special guest Red Baraat for a dance party like no other on July 8th.  Another highlight will be an appearance by Femi Kuti & Positive Force on July 12th.  Kuti, the son of Fela Anikulapo Kuti of FELA! on Broadway fame, extends the tradition with his contemporary Afrobeat sound.”

The shows start at 6:30 pm with a dance lesson, followed by live music and dancing from 7:30-10.

Tickets and passes are on sale now. Multi-evening Swing Passes are priced at $90 for six nights, and $160 for the full season.  Tickets for individual evening events are $17.

The Swing box office is located in the lobby of Avery Fisher Hall, Broadway and 65th Street. Tickets for individual events and passes can be purchased in advance or on the night of the event at a box office in Damrosch Park.  Tickets and passes can also be purchased through CenterCharge at (212) 721-6500, or online. Twitter users can follow Midsummer Night Swing  @LCSwing for ongoing news and updates.

Click through to the jump for more info and the full lineup: Continue reading

Tickets for new Wilco indie music and art fest on sale tomorrow

Wilco

Adventurous Chicago-based band Wilco has announced it will curate and headline the new Solid Sound Festival, an independently promoted and ticketed festival of music, art and comedy for three days this summer — Aug. 13-15 — at the Massachusetts Museum of Contemporary Art (MASS MoCA) in North Adams, Mass. Early-bird tickets ($86.50 including fees and parking) will be available starting at 10 am ET tomorrow on the band’s web site.

Jeff Tweedy, center, and Wilco.

Wilco headlines the weekend, giving its only East Coast performance of the summer. Wilco side projects, including Glenn Kotche‘s On Fillmore, The Nels Cline Singers, The Autumn Defense featuring John Stirratt and Pat Sansone and Mikael Jorgensen‘s Pronto.

The Solid Sound Festival at MASS MoCA also will feature additional musical performances, a comedy stage, interactive installations and exhibits (including the Solid Sound Stompbox Station, an interactive guitar pedal exhibit created and demonstrated by Wilco guitarist Nels Cline, a concert-poster screening demonstration, planned workshops by luthiers and more), plus film, video installations and DJs.

The area is beautiful, with plenty of outdoor activities nearby as well as cultural attractions in Williamstown to the west.

Ticketholders will have full access to the spectacular MASS MoCA campus, which offers 150,000 square feet of galleries. MASS MoCA, a renovated 19th century textile mill, is the largest center for contemporary visual and performing arts in the U.S. Art on display in the galleries during the festival includes the Sol LeWitt Retrospective, Inigo Manglano Ovalleʼs Gravity is a Force to be Reckoned with, Petah Coyneʼs Material World: Sculpture to Environment, Leonard Nimoyʼs Secret Selves and a new installation by Michael Oatman.

Stay tuned to Will You Miss Me When I’m Gone? for more details as they become available.

Buy your tickets now, because the price will rise to $99.50 after June 1.

 

Steve Earle and Allison Moorer welcome their first child

Steve Earle and Allison Moorer making music together at the 2007 Bumbershoot Music Festival.

Congratulations are in order for singer-songwriter couple Steve Earle and Allison Moorer after the birth of their first child, John Henry Earle.

Steve’s rep just announced that John Henry was born at 10:07 am yesterday, weighing eight pounds, two ounces and measuring 21 inches long.

Allison and Steve wed in 2005 and live in New York City’s Greenwich Village.

Congratulations to the happy parents. Will You Miss Me When I’m Gone? wishes them all the best!

Signal tackles Helmut Lachenmann tonight

Composer Helmut Lachenmann joins Signal Enselmble and JACK Quartet to celebrate his 75th birthday on Saturday night.

German composer Helmut Lachenmann celebrates his 75th birthday at Columbia University’s Miller Theatre tonight when he joins Signal Ensemble and  JACK Quartet for the final Composer Portrait concert of the Miller season.

Lachenmann says he believes in “music which, in order to be grasped, does not require a privileged intellectual training, but can rely uniquely upon its compositional clarity and logic.”

The audience will have the rare chance to hear Lachenmann playing 2 of his solo piano works, and he will also be joining Signal as the spoken text soloist on one piece.

Additionally, cellist Lauren Radnofsky (Signal’s executive director) will be playing Pression, a wild 1969 piece for solo cello, The JACK Quartet (which includes violist John Pickford Richards, well known to New York audiences for his work with Alarm Will Sound) will be joining Signal in the ensemble and also performing his most difficult string quartet.

Here’s a video of Lachenmann speaking about his work:

And go to YouTube to see and hear Lachenmann playing his Wiegenmusick, which is on tonight’s program.

This is one of Signal’s biggest projects to date, and is expected to lead to a CD/surround sound DVD release.

It’s also a chance to hear the wonderfully flexible and talented Signal, directed by Brad Lubman, perform Lachenmann’s challenging compositions, which are somewhat different than its typical repertoire.

The program covers four decades of Lachenmann’s composing life with these pieces: Wiegenmusik for solo piano (1963), Pression for solo cello (1969-1970), Ein Kinderspiel for solo piano (1980), String Quartet No. 2 Reigen seliger Geister (1989) and …Zwei Gefühle… featuring Lachenmann himself as spoken-text soloist (1991-1992).

The evening will also include a discussion with Lachenmann and Yale professor Seth Brodsky. It should be an amazing evening of music.

Composer Portrait: Helmut Lachenmann, 8 pm tonight, Thursday, April 1, Miller Theatre,  116th St. & Broadway on the campus of Columbia University. Tickets $25, available online and at the door.

Sufjan Stevens, Shara Worden guest with the Clogs

Bryce Dessner, Shara Worden and Padma Newsome. (Photos copyright 2010, Steven P. Marsh)

Sufjan Stevens joins the Clogs on banjo.

The Clogs, with Padma Newsome on vocals, violins, harmonium, keyboard and a few other instruments, and Bryce Dessner (The National) on guitars and other strummed strings, entranced the crowd at The Bell House in Brooklyn on Wednesday night.

A very pregnant Shara Worden (My Brightest Diamond) added her own beautiful, haunting vocal vocal touches. Other permanent members of Clogs are Rachael Eliott on bassoon and Thomas Kozumplik on percussion. The Bell House performance was supplemented by a second percussionist and horn section at times.

But the real surprise of the evening was greeted by an audible gasp when Sufjan Stevens appeared onstage to play banjo on one song.

Clogs music is a bit difficult to pigeonhole. It’s definitely not rock, but it’s not classical. It bridges the two and winds up being unique. At one point Bryce made reference to a review that called one of the group’s songs “knotty.” Shara promised to try to sing in as knotty a fashion as possible.

Click through to the jump for more information and photos. Continue reading

The other side of sax

Euphonique Saxophone Quartet performs at NYC's Church of the Epiphany on March 21: Michael Bomwell, soprano, Loren Stillman. alto, Ken Thomson, baritone, and Justin Flynn, tenor. (Copyright 2010, Steven P. Marsh)

Euponique Saxophone Quartet provided some great entertainment on Manhattan’s Upper East Side on Sunday. They played a lively program of classical transcriptions mixed with new pieces, showcasing the versatility of a family of instruments that many casual listeners associate primarily with jazz and popular music.

Euphonique is the brainchild of Michael Bomwell, a versatile player (playing the Kenny G-associated soprano sax in Euphonique) who has one foot in the traditional world of saxophone, given his involvement with the Motor City Horns and experience with Clarence Clemons. The quartet’s baritone player, Ken Thomson, is the amazing, energetic saxophonist/composer from Brooklyn who plays in Gutbucket, Alarm Will S0und and the Asphalt Orchestra (and more) and teaches at the Bang on a Can Summer Music Festival. To more Brooklyn-based saxophonists/composers Loren Stillman, on alto, and Justin Flynn, on tenor, round out the quartet.

Sunday’s program honored J.S.  Bach’s birthday this month, kicking off with an arrangement of Bach’s Sinfonia to Cantata 29, arranged by Larry J. Long, the organist at The Church of the Epiphany, which hosted the concert. Long joined the quartet on this opening number and returned to the console later in the program to play the world premiere of  Epiphany, written for the occasion by Darin Lewis.) The group also performed Bach’s Prelude and Fugue (BWV 857) from The Well-Tempered Clavier and Aus Liebe will mein Heiland sterben, followed by contemporary composer Alexander Hamlin‘s piece, Dance #244449, inspired by the Bach aria.

The ensemble also honored the tradition of American saxophone music, performing “Quartette (Allegro de Concert)” by Caryl Florio, which was premiered by the New York Saxophone Quartet in 1879 and is billed as the first original work for saxophone quartet by an American composer.

Euphonique also dipped into the string repertoire with a version of Four, for Tango, originally written for Kronos Quartet by the Argentine Tango composer and bandoneón player Astor Piazaolla. The saxophones brought to the fore interesting textures not apparent in the string version.

Karen Elson conquers NYC

Karen Elson and her band at Manhattan's (Le) Poisson Rouge, including (to her right) Rachelle Garniez on accordion and vocals and brother brother-in-law Jackson Smith on guitar. (Photos copyright 2010, Steven P. Marsh)

Call me jaded, but my expectations for Karen Elson‘s NYC solo debut at (Le) Poisson Rouge last night were not extremely high.

I expected a short, but entertaining set of competent singing and playing. But what I got was much better than that. Supermodel Karen’s vocal chops are as shimmering and lovely as her amazing good looks.

Cover art for Karen's album, The Ghost Who Walks.

While it remains to be seen whether Karen (the willowy redheaded model also known as Mrs. Jack White) has staying power as a solo artist, she showed us that she certainly has the chops.

She performed 13 tunes, backed by a five-piece band that included Jackson Smith (daughter of punk goddess Patti and Karen’s brother-in-law, by way of his marriage last year to Meg White, Jack White’s ex-wife) and the super-talented accordionist/vocalist/keyboard player Rachelle Garniez, a longtime cohort from the downtown NYC cabaret group The Citizens Band. All but one song is from her upcoming album, The Ghost Who Walks, out May 25 on Jack White’s Third Man/XL Recordings. She also did her interpretation of “Milk and Honey,” a tune written by a New York folkie, the late Jackson C. Frank, and made more famous via covers by Nick Drake and Sandy Denny.

Karen Elson at (Le) Poisson Rouge.

The crowd at (Le) Poisson Rouge was not the usual NYC music audience. There were clearly a lot of people there from the music industry and the fashion world, including magazine editors like Vogue’s Grace Coddington (a famous redhead like Karen) and photographer Annie Leibovitz. Most everyone it the sold-out house seemed pretty respectful and paid attention to the music — something that’s often not the case when it comes to curiosity shows like this one.

Those who attended last night hoping that Karen’s husband would show up were disappointed. There was no sign of Jackie White, of Jesse and Jackson’s mom, or Jackson’s wife. But that was a good thing, keeping the focus on the music.

The opening act was an unannounced duo of a woman on keyboard and man on xylophone. Since they never introduced themselves and barely said a word during their largely instrumental set, I’m willing to bet that many people in the audience had no idea that they were hearing from Jesse Smith (daughter of Patti) and her musical partner Michael Campbell. They are an enormously talented duo. But their performing style and dour stage presence don’t make for an interesting set. Their music would be great for meditation or as a sonic backdrop, but their lack of dynamism hampers their ability to present themselves as a strong live act.

Please click through to the jump for more, including Karen’s set list.

Continue reading

ETA3 to shine in Nyack

The stellar trio ETA3.

ETA3, a hip, young classical trio formed at the The Juilliard School that takes its name from a star-forming nebula in our galaxy. The trio’s name also happens to use the first letter of the first name of each member: flutist Emily Thomas, pianist Tomoko Nakayama and clarinetist Alexey Gorokholinsky.

They bring their unconventional lineup of flute, clarinet and piano to the stage of GraceMusic this Sunday afternoon at 4 o’clock. (Full disclosure: Will You Miss Me When I’m Gone? recently joined the board of this Nyack-based concert presenter. My only pay for that job, like the job of maintaining this blog, is the satisfaction of fostering the arts.)

Since there’s little repertoire written for their particular instrumentation, the talented trio adapt and arrange music themselves, often distilling pieces from larger orchestral compositions.

Sunday’s program features Debussy’s Prelude to The Afternoon of a Faun, Bartok’s Romanian Folk Dance and Tchaikovsky’s Russian Dance,  as well as Trio in Three Movements by Khachaturian  and Carmen Fantasy, adapted from a famous transcription by Sarasate.

In some vocabularies, ETA also stands for estimated time of arrival. They’ll arrive onstage at GraceMusic at 4 pm this Sunday, Feb. 28. The concert is in the beautiful nave of Grace Church, 130 First  Ave., Nyack, NY. Tickets are $15 at the door ($10 for seniors and $5 for students). For more information about GraceMusic, go here, click on Music in the navigation bar at the bottom of the page and on GraceMusic at the top of the Music Page. Or check out GraceMusic’s facebook page and become a fan.

Missy Mazzoli’s making an uproar

Composer and performer Missy Mazzoli. (Photo by Stephen Taylor)

Composer Missy Mazzoli‘s having a great year — and it’s only February. She’s been working hard to get her music heard, and it’s really coming together.

Tomorrow night and Sunday, her chamber opera Song from the Uproar is being performed by students from the Bard College Conservatory of Music Graduate Vocal Arts Program, run by the estimable soprano Dawn Upshaw. It’s part of an opera triple bill, which also includes Vinkensport, or The Finch Opera, a world premiere by David T. Little, and L’Enfant et les sortilèges by Maurice Ravel  in the amazing Sosnoff Theater on the Bard College campus in Annandale-on-Hudson. For more info about those shows and to buy tickets, priced from $20-$75, click here. If you’re willing to take a randomly assigned seat, you can pay just $10 by clicking here and using the password “triplebill.”

The lyrical piece examines the life of 19th Century Swiss explorer Isabelle Eberhardt, with text inspired by and responding to her journals, which Missy set to music for soprano and small ensemble, against a backdrop of film by Stephen Taylor. A 40-minute version of the piece presented last May at Galapagos Art Space in Brooklyn was enchanting and provocative entertainment.

Missy’s opera will be heard again in New York City in the spring, when it’s presented as part of New York City Opera’s Vox showcase of new operas. Although Vox hasn’t formally announced its season yet, Time Out New York‘s Olivia Giovetti reveals in an interview with Missy that it’ll be held April 30 and May 1 this year. Although the venue has not been announced, Vox has been presented for the past four years at Skirball Center for the Performing Arts at New York University.

Missy Mazzoli and her quintet Victoire.

Then, in her rock-club guise as leader of the quintet Victoire, Missy will be performing in March and April with American Composers Orchestra.

The first show is at 4 pm Sunday, March 21, at Dweck Center at the Brooklyn Public Library, Grand Army Plaza, Brooklyn.  Admission is free. Call (718) 230-2100 or click on www.brooklynpubliclibrary.org for more information.

The second show (on a bill also featuring Arp & Anthony Moore) is presented as part of the Wordless Music Series at 7:30 pm on Wednesday, April 7 at (Le) Poisson Rouge, 158 Bleecker Street, Manhattan.  Tickets are  $15. Call (212) 505-FISH or click here.

A Klezmer/Funkadelic storm hits (Le) Poisson Rouge

David Krakauer, Socalled and Fred Wesley are Abraham Inc.

Klezmer king David Krakauer, the tirelessly inventive clarinetist who leads Klezmer Madness!, trombonist Fred Wesley (whose credits include stints with James Brown, George Clinton’s Parliament/Funkadelic and the Count Basie Orchestra) and frequent Krakauer collaborator Socalled (a DJ whose real name is Josh Dolgin), are coming together at Manhattan’s (Le) Poisson Rouge tomorrow night to celebrate the release of Tweet Tweet, their debut CD as Abraham Inc.

If you’re one of those people who still thinks that the clarinet isn’t cool, and that klezmer is the music of your grandparents— something you’ve worked hard to escape — think again. Krakauer has been at the forefront of a modern movement to make klezmer cool, and he succeeds more every day.

Watch the video below, then check out this show, or get the CD, and you’ll be convinced. Sure, they’re three kinda goofy guys, but when they start grooving, they skillfully weave together elements of klezmer, funk and hip hop to create a really fresh sound.

Abraham Inc. with Girls in Trouble. 7 pm tomorrow (Thursday, Feb. 25) at (Le) Poisson Rouge, 158 Bleecker Street, Manhattan. $25 in advance. Tickets available here.