Category Archives: Folk

Bang on a Can Marathon: 12 hours of free music tomorrow

The Winter Garden during the 2009 Bang on a Can Marathon. (Copyright 2009, Steven P. Marsh)

The Bang on a Can Marathon, one of the highlights of the New Music scene in New York City, is tomorrow. Don’t miss it.

It’s the perfect way to spend a summer Sunday, sampling new music and taking in the sights and sounds of  Battery Park’s waterfront. You can come and go as you please in the climate-controlled Winter Garden, and you don’t even have to leave for a meal, because many of the Winter Garden restaurants will remain open throughout the performance.

Among the acts featured throughout the day are Vernon Reid, perhaps best known for his involvement in Living Colour, Signal ensemble and the fantastic Burkina Electric. But there’s plenty more to hear, see and do throughout the 12 hours.

  • When: Noon to midnight, Sunday, June 27.

Scroll down or click here for the full schedule and details in a previous Will You Miss Me When I’m Gone? post.

Kelly Flint’s fourth act

Kelly Flint

If you remember the great NYC lounge band Dave’s True Story, you know Kelly Flint, the flame-haired singer, who doubled as the band’s smoldering sex symbol (apologies to frontman Dave Cantor and bass player Jeff Eyrich).

Late in DTS’s history, Kelly, who’s married to Jeff, gave birth to Ben, their beautiful son. Then she started performing as a singer-songwriter, moving into a very simple, confessional sort of performing — just girl and her guitar, sometimes with bass backing — which was something she has told me she had wanted to do for years.

But now comes the lovely Kelly’s fourth act, as an actress.

She hit the stage of Manhattan Repertory Theatre last night, and will appear again tonight and tomorrow, in a staging of Man on the Moon, a play by William Holland. It’s one of two works in Manhattan Rep’s Spring Play Festival 2010. Kelly’s not giving any clues about her character in the play, but she does have the female lead. I wish I could get there to see her make what surely will be a star turn. But I’m already booked elsewhere for all her performances.

If you go, please let your fellow Will You Miss Me When I’m Gone? readers know what it was like by sending in a full report.

Doors open at 8:30 pm and the show starts at 8:45, running an hour. Manhattan Rep Theater, 303 West 42nd St., 3rd Floor. $20 cash. Rservations: (646) 329-6588.

Tickets for new Wilco indie music and art fest on sale tomorrow

Wilco

Adventurous Chicago-based band Wilco has announced it will curate and headline the new Solid Sound Festival, an independently promoted and ticketed festival of music, art and comedy for three days this summer — Aug. 13-15 — at the Massachusetts Museum of Contemporary Art (MASS MoCA) in North Adams, Mass. Early-bird tickets ($86.50 including fees and parking) will be available starting at 10 am ET tomorrow on the band’s web site.

Jeff Tweedy, center, and Wilco.

Wilco headlines the weekend, giving its only East Coast performance of the summer. Wilco side projects, including Glenn Kotche‘s On Fillmore, The Nels Cline Singers, The Autumn Defense featuring John Stirratt and Pat Sansone and Mikael Jorgensen‘s Pronto.

The Solid Sound Festival at MASS MoCA also will feature additional musical performances, a comedy stage, interactive installations and exhibits (including the Solid Sound Stompbox Station, an interactive guitar pedal exhibit created and demonstrated by Wilco guitarist Nels Cline, a concert-poster screening demonstration, planned workshops by luthiers and more), plus film, video installations and DJs.

The area is beautiful, with plenty of outdoor activities nearby as well as cultural attractions in Williamstown to the west.

Ticketholders will have full access to the spectacular MASS MoCA campus, which offers 150,000 square feet of galleries. MASS MoCA, a renovated 19th century textile mill, is the largest center for contemporary visual and performing arts in the U.S. Art on display in the galleries during the festival includes the Sol LeWitt Retrospective, Inigo Manglano Ovalleʼs Gravity is a Force to be Reckoned with, Petah Coyneʼs Material World: Sculpture to Environment, Leonard Nimoyʼs Secret Selves and a new installation by Michael Oatman.

Stay tuned to Will You Miss Me When I’m Gone? for more details as they become available.

Buy your tickets now, because the price will rise to $99.50 after June 1.

 

Karen Elson conquers NYC

Karen Elson and her band at Manhattan's (Le) Poisson Rouge, including (to her right) Rachelle Garniez on accordion and vocals and brother brother-in-law Jackson Smith on guitar. (Photos copyright 2010, Steven P. Marsh)

Call me jaded, but my expectations for Karen Elson‘s NYC solo debut at (Le) Poisson Rouge last night were not extremely high.

I expected a short, but entertaining set of competent singing and playing. But what I got was much better than that. Supermodel Karen’s vocal chops are as shimmering and lovely as her amazing good looks.

Cover art for Karen's album, The Ghost Who Walks.

While it remains to be seen whether Karen (the willowy redheaded model also known as Mrs. Jack White) has staying power as a solo artist, she showed us that she certainly has the chops.

She performed 13 tunes, backed by a five-piece band that included Jackson Smith (daughter of punk goddess Patti and Karen’s brother-in-law, by way of his marriage last year to Meg White, Jack White’s ex-wife) and the super-talented accordionist/vocalist/keyboard player Rachelle Garniez, a longtime cohort from the downtown NYC cabaret group The Citizens Band. All but one song is from her upcoming album, The Ghost Who Walks, out May 25 on Jack White’s Third Man/XL Recordings. She also did her interpretation of “Milk and Honey,” a tune written by a New York folkie, the late Jackson C. Frank, and made more famous via covers by Nick Drake and Sandy Denny.

Karen Elson at (Le) Poisson Rouge.

The crowd at (Le) Poisson Rouge was not the usual NYC music audience. There were clearly a lot of people there from the music industry and the fashion world, including magazine editors like Vogue’s Grace Coddington (a famous redhead like Karen) and photographer Annie Leibovitz. Most everyone it the sold-out house seemed pretty respectful and paid attention to the music — something that’s often not the case when it comes to curiosity shows like this one.

Those who attended last night hoping that Karen’s husband would show up were disappointed. There was no sign of Jackie White, of Jesse and Jackson’s mom, or Jackson’s wife. But that was a good thing, keeping the focus on the music.

The opening act was an unannounced duo of a woman on keyboard and man on xylophone. Since they never introduced themselves and barely said a word during their largely instrumental set, I’m willing to bet that many people in the audience had no idea that they were hearing from Jesse Smith (daughter of Patti) and her musical partner Michael Campbell. They are an enormously talented duo. But their performing style and dour stage presence don’t make for an interesting set. Their music would be great for meditation or as a sonic backdrop, but their lack of dynamism hampers their ability to present themselves as a strong live act.

Please click through to the jump for more, including Karen’s set list.

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Beth Orton in the spotlight at The Bell House

Beth Orton charms at The Bell House on Monday night. (Photos copyright 2010, Steven P. Marsh)

Beth Orton is always charming and has a brilliant way with songs. She brings new life to the tunes she resurrects and covers, and has a unique sensibility on her new numbers as well.

At The Bell House in Brooklyn on Monday night, Beth pulled off a strong performance despite battling the remnants of what she described as walking pneumonia. Despite her vocal challenges, Beth’s understated vocals reminded the audience of her amazing ability as a song stylist.

As a performer, Beth comes off as a perfectionist and a bit awkward at the same time. She started a couple of songs over because she wasn’t satisfied with the way they were going.

Early on in her set, Beth deadpanned: “Hi, I’m shy.”

Sorry to disagree, Beth, but no, you’re anything but shy.

It feels like Beth rarely tours here. This visit one was tiny — one show in Los Angeles, at Largo, and two in New York, the first on Sunday night at Manhattan’s City Winery. But she did five shows in NYC less than a year ago. As I recall, she was getting over an illness that time, too.

This mini-tour took advantage of a budding partnership between Beth and her opener, Sam Amidon. Sam is a Vermont-born singer who has come to specialize in quirky interpretations of traditional American folk songs. Sam’s spare, airy, almost stumbling version of O Death is one of my favorite takes on the tune. He and keyboard player Thomas “Doveman” Bartlett worked together in the opening set, with a bit of help from Sam’s brother, Stefan. Beth joined them for a bit, too. Sam and Thomas returned the favor during Beth’s set.

A full set list and some of my photos also made it onto Beth’s official fan site. Thanks to the great webmaster, Tim, for that!

More photos of Beth, Sam and Thomas after the jump.

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RIP Kate McGarrigle

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Canadian folksinger Kate McGarrigle, the head of a musical dynasty, who’s best known known by younger music fans as the mother of Rufus and Martha Wainwright, died last night. She was 63, and died of clear-cell carcinoma.

Kate, a Juno award winner and Member of the Order of Canada, was diagnosed with cancer in 2006.

Click here for a blog post on her death from the National Post, a Canadian newspaper, and here for the Toronto Star report.

Kate gave birth to Martha and Rufus, two gifted singers, during her marriage to singer-songwriter Loudon Wainwright III.

Kate performed for many years in a duo with her sister Anna as Kate and Anna McGarrigle, passing their folk-music traditions along to a large, extended family family of musicians, which, in addition to Loudon, Rufus and Martha, includes Maggie, Terre and Suzzy Roche who perform together as The Roches (the link: Suzzy had a daughter, singer-songwriter Lucy Wainwright Roche, with Loudon). The family had a tradition of gathering annually for Christmas concerts, sometimes at New York’s Carnegie Hall. The last McGarrigle Family Christmas concert, A Not So Silent Night, was held last Dec. 9 at London’s Royal Albert Hall. Here’s a video of Kate singing a new song, “Proserpina,” at that show:

Last Friday, Rufus’ web site announced that he was canceling his February/March tour of Australia and New Zealand “due to an illness in the family.”  Martha’s site indicates she has no upcoming concert dates.

Will You Miss Me When I’m Gone? sends best wishes to Kate’s extended family at this time of loss.

City Winery’s four nights for Haiti relief

Patti Smith is just one of the artists who will perform for Haiti relief at City Winery. (Copyright 2010, Steven P. Marsh)

Will You Miss Me When I’m Gone? will be at the first of four nights of fantastic Haiti-relief. I’d like to make all four, but I’m not sure I have the cash (it’s $75 minimum,  but it’s worth as it’s for an important cause!) or the free time to do that. But everyone who cares about music and about the tragedy in Haiti should try to make it to at least one of these shows. It’s a great way for music fans to make a contribution.

All four nights are shaping up to be amazing. Patti Smith, Yo La Tengo, John Wesley Harding, comedian Lewis Black, Vernon Reid, Corey Glover, Roseanne Cash, Brian Stokes Mitchell, Carolina Chocolate Drops and many more entertainers of all types. City Winery promises that more will be added.

The third night (Jan. 25) in particular, should be a great party given that U.S-based Tabou Combo (misspelled on the poster as Tambou Combo), one of the longest-running bands specializing in an irresistible Haitian dance music called compas (or konpa direk), is on the bill. I haven’t seen TC in years, but by all accounts it remains an amazing dance band.

City Winery’s goal is to raise $100,000 for Haiti relief over the four nights. Tickets ($75 general admission, $200 for Big-Hearted Donor tickets, which include a bottle of special wine) are tax deductible. Proceeds are being split among three charities: Wyclef Jean‘s Yele Haiti Foundation, Doctors Without Borders and Partners in Health.

Click here for more info and to buy tickets. As of this posting, it seems that tickets are still available for all four shows. Showtimes vary slightly from 8 to 9 pm, so check the time when you buy tickets. Unlike many City Winery shows, these shows are all general admission — although the $200 ticket will get you into the VIP area. My advice to you is to ignore your New York concert-going instincts to arrive late. If you want a good spot, arrive on time. Or even early! The good people at City Winery assure me that the kitchen will be open for all four shows, so you’ll be able to pass the time until the show starts with eating as well as drinking.

City Winery is at 155 Varick St., New York, NY 10013. Call (212) 608-0555 or email info@citywinery.com for more information.

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M Shanghai drives the Jalopy

M Shanghai String Band at the Jalopy Theater in Red Hook, Brooklyn, on Oct. 30, 2009

M Shanghai String Band at the Jalopy Theatre. (Copyright 2009, Steven P. Marsh)

M Shanghai String Band is easily one of the most creative and entertaining old-timey bands in New York City. And there was no shortage of creativity when the big band (counting as many as 12 players at full strength) to the stage of the Jalopy Theatre and School of Music in Brooklyn’s Red Hook neighorhood last Friday night.

Dressed in homemade skeleton costumes, the band played to a packed house, opening for the CD release party of Kelli Rae Powell, a ukulele player. Each player has a distinct personality and all are extremely accomplished, but no one of them seems to hog the spotlight or pretends to be is irreplaceable. I’ve seen them play in various configurations, with smaller forces or at full force through the grace of guest performers, and the band personality always shines through. This is a bunch of players who really enjoy what they’re doing. The result is some of the most infectious original music you could hope to hear.(You may recognize its member from other NYC bands. MSSB has links to The Ukuladies, Babe the Blue Ox, Gloria Deluxe and even the Bang on a Can contemporary music organization.)

Guitarist-vocalists Austin Hughes and Matt Schickele (son of Peter “PDQ Bach” Schickele) and fiddle-saw-washboard player Philippa Thompson took many of the leads on Friday night. Philippa’s rendition of the Austin-penned “Bus Called Cemetery” was particularly effective for the beginning of the Halloween weekend.

MSSB has made three albums, all excellent. But the band needs to be seen live to get the full effect.

M Shanghai String Band’s next performance is at 9 pm on Nov.14, for the latest installment in its monthly Saturday-night revel in the basement of a Williamsburg Chinese restaurant from which the band took its name:   M Shanghai Den, 129 Havemeyer St. (between Grand & S.1st St.), Williamsburg, Brooklyn. Free admission.

Ukuleles but no bacon!

Three Ukuladies sing and play their namesake instruments in the Children's Adventure Garden at the New York Botanical Garden. (Copyright 2009, Steven P. Marsh)

Three Ukuladies sing and play their namesake instruments in the Children's Adventure Garden at the New York Botanical Garden. (Copyright 2009, Steven P. Marsh)

Cousin Bunny does the tap-dancing.

Cousin Bunny does the tap-dancing.

The Ukuladies, a quartet (three singers-ukulele-players and one dancer) hail from Regina, Canada, or Brooklyn, NY, or somewhere in between, depending on what you believe. On Sunday, the peripatetic four (twin sisters, their aunt and their tap-dancing cousin) stopped by the New York Botanical Garden in the Bronx to sing in the Children’s Adventure Garden.

It was a fun afternoon for children of all ages, as they sang their way through a rollicking selection of old-timey tunes, including my favorite, “Cookie Jar.” (After all, what kid doesn’t like cookies?) And they managed to educate the kids, make balloon animals for them and get them dancing before the afternoon was through.

I had only one quibble. Cousin  Bunny brought the frying pan, but she apparently forgot the bacon! How tragic. Bacon is one of the random things that the Ukuladies are known for sharing with their audience. Ah, well. Maybe next time!

Who needs roadies: Pete Seeger is 90 and still carries his own gear!

Pete Seeger is still carrying his own gear – at 90 years of age! (Copyright 2009, Steven P. Marsh)

Pete Seeger is still carrying his own gear – at 90 years of age! (Copyright 2009, Steven P. Marsh)

The crowd in Nyack’s Memorial Park was getting antsy after dark fell last night. The several hundred people gathered in the park on the banks of the Hudson River were waiting for one man: legendary folk singer Pete Seeger.

He was the headliner for the Health Care for All rally. The organizers kept assuring the crowd that Pete was on the way, racing to Nyack after an appearance in Manhattan’s Central Park. But by shortly after 7, it started looking like the rally’s 7:30 end time would come and go before Pete got there.

The crowd crowded the stage for a glimpse of Pete Seeger.

The crowd crowded the stage for a glimpse of Pete Seeger.

Then someone near the park entrance shouted, “He’s here. Somebody just saw him.” That caused some in the back of the crowd to turn and face the driveway into the park, expecting to see a livery car racing in. Instead, through the gathering darkness strode a rail-thin man in a chambray shirt and jeans, a floppy hat on his had, with two gig bags, one slug from each shoulder.

Yes, it was the 90-year-old folk icon, walking into the park, carrying his own gear. A roar rose up from the crowd, which seemed to double in size as people pushed forward to get a glimpse of Pete.

He apologized for being so late, explaining that this was is fourth event of the day — which he spent racing between his home in Beacon, to NYC to Nyack. And then he launched into energetic performances of  a handful of familiar songs, including a “rap” version of “English is Crazy,” a singalong of “This Land is Your Land,” and a beautiful rendition of his 1950 chart-topper “Goodnight, Irene.”

The energy was intense. And I’m sure that the doubters who left before Pete arrived are kicking themselves for missing out on such a vital performance.

A number of other musicians performed brief sets during the nearly four-hour-long rally, including the Roues Brothers of West Nyack, Tom Chapin of Piermont and Emory Joseph of NYC.

Check out the Nyack News & Views report here.

Click through to the jump for more photos. Continue reading