Category Archives: Concerts

Stew in Brooklyn tonight

20131123-153753.jpg I’ll be at the new BRIC House tonight to check out Stew’s Listening Party, a work-in-progress show.

Interestingly, this was originally billed as Stew and Heidi’s Listening Party, and was supposed to be a collaboration with his longtime collaborator Heidi Rodewald. But her name has disappeared from the program.

I haven’t heard reports from last night’s premiere, but I’m sure it was a trip. I’m booked at the7:30 pm show, which originally was scheduled to he the second andfinal gig. However, another show was added at 10 pm.

So if you got shut out before, you may be able to get tickets for tonight’s late
show by tapping here.

I’ll try to get take some photos and post them here later.

Symphony Space celebrates 70th anniversary of Kurt Weill’s One Touch of Venus in spectacular style

kwThere was a lot to celebrate at Symphony Space in Manhattan on Monday night.

First, it was the reason everybody was there: a musical tribute to Kurt Weill’s longest-running Broadway show, One Touch of Venus, with an amazing orchestra and a fabulous array of singers.

First, it was the 70th anniversary of the snappy show — down to the day!

Second, it turned out to be the eve of the release of the decade-delayed Jay Records cast recording of the full show, which features quite a few of the singers from the Symphony Space performance — including a transcendent Melissa Errico (who noted “I’m wearing same dress I word 20 years ago … after three kids,” referring to her star turn in the lead role of the 1996 Encores! revival),  the always- welcome Ron Raines, and the smooth-voiced Brent Barrett. (It’s available now on iTunes, with a CD release to follow at an unspecified date.)

Third, the chief dancer from the original production, Sono Osato— whose work we got to see in a wonderful collage of moving and still images at the top of the show — was in the audience and took the spotlight for a hearty round of applause. Continue reading

Haverstraw’s Jamie Block on the gift of a comeback after battling his demons

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Revealing interview comes ahead of Hudson Valley premiere of his Whitecaps On The Hudson album Friday at The Turning Point

Whitecaps-On-The-Hudson-by-Jamie-Block-300x300 Singer-songwriter Jamie
Block
, a longtime Hudson Valley resident,
will be doing his first Hudson Valley concert in ages at The
Turning Point in Piermont on Friday, Sept. 27. It’ll be the first
time he and his band have played the songs from his latest album,
Whitecaps On The Hudson, in a Hudson River venue. He sat down with
me for a candid discussion of his comeback and his music for
lohud.com/The Journal News. Read
the full interview here
.
Friday’s show starts at 8:30 p.m., with doors at 7:30, at The
Turning Point Cafe, 468 Piermont Ave., Piermont. Tickets
are $15 and available by clicking or tapping here.
Visit
The Turning Point wesbsite or call 845-359-1089 for more
information

Stew and Heidi to unveil works in progress in Brooklyn on Nov. 22 and 23

Heidi Rodewald and Stew, creators of Broadway's Passing Strange, are presenting a Brooklyn house party in November to share their works in progress.

Heidi Rodewald and Stew, creators of Broadway’s Passing Strange, are presenting a Brooklyn house party in November to share their works in progress.

Creators of Passing Strange and collaborators in The Negro Problem join the inaugural season at BRIC House

BRIC (Brooklyn Information and Culture), the organization behind the great Celebrate Brooklyn! concert series, is opening the BRIC Arts | Media House to provide a permanent stage for new and established artists to explore their work.

BRIC House, at 647 Fulton Street, next door to the BAM Harvey Theater, formally opens Oct. 3. And it already has a great lineup scheduled, including two-nights of creative mashups from Tony and OBIE Award winner Stew and longtime collaborator and OBIE Award winner Heidi Rodewald.

They’re the people behind Broadway’s Passing Strange and the core members of the band The Negro Problem.

In two performances in November, the pair will unveil a show that includes pieces of several projects they have in development, including three musicals, a video-art work, two song-cycles and poems and songs that likely will show up on their next record in some form.

More information and ticket links after the jump. Continue reading

Sarah Lee Guthrie and Johnny Irion wow at the Mercury Lounge

20130918-200556.jpg I was expecting a good show from Sarah Lee Guthrie and Johnny Irion on Tuesday night. But what I and a criminally
small audience gotvat the Mercury Lounge was a sweet, spot on show that focused on songs
from their new Jeff Tweedy/Patrick Sansone-produced album
Wassaic Way.

While focusing on the news material — which sounds fantastic live, with the super-tight band supporting the lovely married couple — the show didn’t scrimp on older songs.

They even went a bit further afield, throwing in a cover of Neil Young’s “Unknown Legend.”

They closed by getting off the stage to do a couple of closing numbers, including the lovely “When the Lilacs Are in Bloom.”

The Melodic opened the early show with a nicely textured, Nick Drake-influenced set.

Indie-rock guitar god Tommy Keene plays The Iridium on Sept. 12

Tommy Keene

Tommy Keene

Timing really is everything. If Tommy Keene’s new album had been ready just two months sooner, he would have been touring in July.

And if Keene — one of the iconic guitarist and shockingly overlooked songwriters of ‘80s indie rock — had been touring in July, he surely would have been on the schedule to play at Maxwell’s during the Hoboken music club’s final days.

“It’s too bad my tour was a little later, or I might have tried to get on one of those last shows. We played there [Maxwell’s] quite a bit,” Keene told Will You Miss Me When I’m Gone? recently by phone.

“I used to read the New York Rocker in the early ‘80s, like ‘81, and I used to read all about this place. And it seemed like this secret, special, VIP kind of place that people would go to,” he recalled.

It’s too bad, because the classic Keene-penned tune “Places That Are Gone” would have been a fitting tribute to the final days of Maxwell’s.

Continue reading

Susan Cowsill’s 39-year trip to an opening spot with Rodriguez

Susan Cowsill

Susan Cowsill

Former Cowsills member to share bill with legendary singer-songwriter at Barclays Center on Oct. 9

I’m sitting here wondering why I don’t have any photos of Susan Cowsill.

Even before starting this blog, I often took photos at shows to create lasting memorabilia. I’m not sure if I’ve even seen her since 2009, when this blog started. I know I saw her at least once on her own in New York, after catching her perform numerous times with her old band, the late, lamented Continental Drifters.

But nevermind that.

She and her lusty, raggedly-pushed-to-the-edge vocal style will be back in New York in October, when she opens a Barclays Center show for Rodriguez (aka Detroit-based 1970s singer-songwriter Sixto Díaz Rodríguez), who rediscovered the spotlight via the award-winning 2012 documentary Searching for Sugar Man. Continue reading

The Walking Dead? Maxwell’s planning to reopen in Hoboken

Preparing for the wake at Maxwell's on July 31, 11th Street next to the club was blocked off. (Photo © 2013, Steven P. Marsh)

Preparing for the “wake” at Maxwell’s on July 31, 11th Street next to the club was blocked off. (Photo © 2013, Steven P. Marsh)

Something feels wrong — no, make that preposterous — about the idea of saying farewell to an old friend at a raucous wake only to see that friend return to the land of the living a matter of weeks later.

But that’s just what seems to be happening at Maxwell’s, the much-loved bar-restaurant-music venue in Hoboken, N.J.

Erica Seitzman/Facebook

(Erica Seitzman/Facebook)

The place has seen limited action — as a rain venue for a concert and a one-shot studio for a Justin Timberlake concert-cum-Target-commercial.

But over the Labor Day weekend, some eagle-eyed Hobokenites spotted “Help Wanted” posters seeking staff of the restaurant-bar.

I don’t think I’m alone in feeling like I’m in the middle of an episode of “The Walking Dead,” which, if nothing else, has taught us that while the Walkers look like those we knew and loved, they’re not who they appear to be.

Maxwell's founder Steve Fallon, left, and booker/co-owner Todd Abramson at Maxwell's "wake." (Photo © 2013, Steven P. Marsh)

Maxwell’s founder Steve Fallon, left, and booker/co-owner Todd Abramson at Maxwell’s “wake.” (Photo © 2013, Steven P. Marsh)

After 35 years, Maxwell’s closed on July 31 with a block party outside and a long evening of shows — punctuated by plenty of reminiscences and a few tears — inside the music room. The end came after Todd Abramson, co-owner, music booker and public face of the club, decided he’d had enough of the problems that come running such a business in the uber-gentrified Mile Square City.

Justin Timberlake's Maxwell's tweet.

Justin Timberlake’s Maxwell’s tweet.

On Aug. 8 — barely a week after the shutdown — the lights were back on and the restaurant was pressed into service to host a show by Swingadelic, originally scheduled for nearby Frank Sinatra Park. It was part of Hoboken Administrator of Cultural Affairs Geri Fallo‘s backup plan, the Cliffview Pilot reported, to avoid a rain-out.

It all made sense. First, Swingadelic’s founder is bassist Dave Post, who also happens to be a co-owner of Maxwell’s. Second, despite the extensive partying there in the club’s final days, the place apparently was left with a decent amount of quaffables to keep the bar stocked.

Then along came Timberlake, a musician who I’m guessing never set foot in Maxwell’s while it was in business.

Hundreds of fans lined up and then flooded the streets around Maxwell's in Hoboken where Justin Timberlake is filming a commercial for Target. Wednesday, Aug. 28, 2013. -- Joe Shine/For The Jersey Journal

Hundreds of fans lined up and then flooded the streets around Maxwell’s in Hoboken where Justin Timberlake is filming a commercial for Target. Wednesday, Aug. 28, 2013. — Joe Shine/For The Jersey Journal

His crew took over the empty club for a one night fan concert (well, a one-SONG appearance for a Target commercial) in the still-equipped music room. Thousands crowded the streets outside the shuttered club, The Jersey Journal reported. Fans weighed in effusively on Facebook and Twitter, often with disparaging comments.

Timberlake drew some particularly amusing snarkiness on Twitter from Yo La Tengo, a band that got its start in Hoboken and is indelibly linked to the club.

YLT Tweets

And now, there’s the reopening. Yes, Maxwell’s is hiring staff to reopen the bar and restaurant, but, apparently, not the music room.

Post tells Tris McCall of The Star-Ledger that Maxwell’s will reopen as a bar and restaurant only, staying in operation until the place sells. (The business and a 10-year lease can be yours for just $625,000.) He said he wasn’t sure when he’d be reopening.”Hopefully, it won’t take too long to make a sale,” Post told McCall. “But even if I sold Maxwell’s tomorrow, it would take 90 days for the license to transfer.”

The Star-Ledger reports that Abramson — who was a constant presence in the restaurant, seating diners, delivering orders and overseeing proceedings — is not involved in the reopening.

 

Johnny Irion and Sarah Lee Guthrie ready to hit the road again

The married music makers open up about new album Wassaic Way, working with Jeff Tweedy and keeping their family life in balance after 14 years of marriage

Sarah Lee Guthrie and Johnny Irion perform atop an artwork in a gallery at the Massachusetts Museum of Contemporary Art in North Adams, Mass., during the Solid Sound festival in 2011. (Photo © 2011, Steven P. Marsh)

Sarah Lee Guthrie and Johnny Irion perform atop an artwork in a gallery at the Massachusetts Museum of Contemporary Art in North Adams, Mass., during the Solid Sound festival in 2011. (Photo © 2011, Steven P. Marsh)

Alongside a two-lane back road in the Berkshires region of Western Massachusetts sits a solid, simple frame home.

Sited on what appears to be at least a couple of acres atop a hill, its nearest neighbor is farther than you can throw a stone, but not so far as to be out of sight.

The house is far enough from the main highway to provide a peaceful retreat, but with easy access to civilization — whether you consider that North Adams, Pittsfield, Boston or beyond.

The silence — at least outdoors, anyway — is broken only by the occasional animal noise or the air-horn warning and rumble of one of the freight trains that pass through on a regular basis.

Inside, it’s a very different story.

That’s where Sarah Lee Guthrie and Johnny Irion are raising their kids — “counting the cousins, on any given day there are four to six. But normally, two: Olivia’s 11, Sophia’s 6,” Johnny told Will You Miss Me When I’m Gone? in an exclusive interview.

And it’s home base for their business. Downstairs, in a studio-basement-rehearsal space, the married musical duo practice and record their music.

Things are really happening for Sarah Lee and Johnny. They seem like a duo on the verge of overnight success — albeit after one very long and ofttimes sleepless night.

But we’ll get to that in a minute. First, let’s clear up something: While Sarah Lee and Johnny aren’t household names, there’s something about them that rings the bell.

It’s that Guthrie thing, right? Continue reading

New collection skims the cream of Caffè Lena’s rich musical history

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Live At Caffè Lena: Music From America’s Legendary Coffeehouse, 1967-2013 is slated for release on Sept. 24.

A review of Live At Caffè Lena: Music From America’s Legendary Coffeehouse, 1967-2013, with buying and streaming links after the jump

I’ve always meant to visit the legendary Caffè Lena, the tiny coffeehouse at 47 Phila Street in Saratoga Springs, N.Y.

Devonsquare, the sweet-harmonizing folk-rock trio, first piqued my curiosity about Lena and Bill Spencer’s cafe (or caffè, as they dubbed it, using two f’s) with their song “Caffè Lena” on the  1987 album Walking on Ice.

Caffè Lena was a place of mythical proportions to me then. For one reason or another, I never found myself in Saratoga Springs.

After all, I live close to The Turning Point in Piermont, N.Y., a music cafe that is, while 16 years younger than Caffè Lena, has a similar mission and musical profile.

And then there was the Towne Crier in Pawling, N.Y.,  from 1972 until closing in June with plans to reopen soon in Beacon. That gave me a backup option just a bit farther afield than The Turning Point.

So  I never got myself motivated sufficiently to make the trek to Saratoga Springs.

I should have known I was missing out. And now the Tompkins Square record label has  shoved into my face some very real evidence of exactly how much I’ve missed. Continue reading