Category Archives: Blues

Daniel Breaker and special guests played Joe’s Pub

Daniel Breaker and his crew at Joe's Pub. (Photos 2012, Steven P. Marsh)

Broadway star spices up his elegant cabaret set with help from fab up-and-comer Jo Lampert and Broadway vet Morgan James

The inimitable Daniel Breaker at Joe's Pub.

We’re hoping Daniel Breaker is going to be a regular on the Joe’s Pub stage. His performance there Sunday night, April 22 — his second cabaret show there — showcase the winning singer/actor even better than the first. He seemed more comfortable in his role as a front man, and less like an actor putting on a show.

Jo Lampert kills it at Joe's Pub, with drummer Christian Cassan in the background.

With the help of a dozen or so musical compatriots — including drummer Christian Cassan and music director/guitarist Jon Spurney from his time in the hit musical “Passing Strange” — Breaker put on a great show.

He sang original and classic cabaret numbers, and even dipped into rock with Nirvana’s “Smells Like Teen Spirit,” charming the crowd all evening.

Breaker’s special guest vocalists once again gave him a run for his money. In Breaker’s last show at Joe’s, guest Condola Rashad  threatened to steal the spotlight altogether with her amazing power and charming stage persona.

Breaker clearly didn’t feel threatened. He chose equally intense guests for this show. Jo Lampert, who not long ago was a production assistant at Joe’s Pub and who was involved in the Public Theater’s incarnation of “Passing Strange,” blew the doors off with her rendition of Beyonce‘s “Halo,” and also filled in superbly on backing vocals.

Morgan James, currently in the cast of "Godspell" on Broadway, at Joe's Pub.

Morgan James, who’s in the ensemble with “Godspell” on Broadway, also did a great job.

Kelvin Dinkins Jr. and William Jackson Harper (a must-see in our book after his amazing work “The Total Bent” at the Public Theater) helped out on backing vocals.

Marah’s Dave Bielanko and Christine Smith returning to New York for benefit show

Marah: Christine Smith and Dave Bielanko

In recent years, the wild, Philadelphia-born rock band Marah has stripped down. Essentially, it’s now just Dave Bielanko and Christine Smith at the core, performing as a duo at time and recruiting bandmates for bigger shows.

After a stint in Brooklyn, they’ve have moved into an old farmhouse in the wilds of central Pennsylvania, with a phone line for incoming calls only. They’ve been working on a couple of records, about which more in our next post.

But for now, let’s focus on this week. Marah is coming out of wilderness to do a few shows, one of which is this Sunday, April 29, at The Bowery Electric at 327 Bowery in Manhattan.

They’re performing on the first night of two-evening benefit concert for a friend who took her own life last year and left two teenage children behind.

Marah to play at Benefit for Lucinda’s Kids

It looks like this benefit will be a real blast, with a lot of other amazing artists.

It’s all to raise money for the children of Lucinda Gallagher, a 37-year-old super music fan from Hoboken who took her life in December.

In an exclusive Will You Miss Me When I’m Gone? interview (which we’ll share fully in our next post), Christine spoke about Marah’s connection with Gallagher:

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Why can’t we just love Fountains of Wayne for what it is?

Fountains of Wayne at the Bowery Ballroom. (Photos © 2011, Steven P. Marsh)

Weird that Fountains of Wayne, a band that crafts wonderful, highly relatable pop songs gets so much qualified praise and downright hate.

Well, I’m going on record to say, unapologetically, that after 15 years together FoW still knows how to rock.

Chris Collingwood and drummer Brian Young.

Reviews of the band’s new album, their first for Yep Roc, have been mixed. I get the sense that a lot of reviewers feel guilty about unabashedly enjoying and recommending the music of a band that’s been around for 15 years and has made only five albums in that time.

Well, this is one band that knows how to put on a good show. So let’s just love them for what they are.

The band proved how well it still clicks when it played the Bowery Ballroom on Aug. 3, I figured FoW would be going heavy on new material, since the show was less than a week ahead of the release of  Sky Full of Holes. (It’s out today, and if you haven’t heard anything from it yet, you’re missing out on a wonderful collection of songs.)

To their credit, the band kicked off the set with two great old songs “Little Red Light” and “The Valley of Malls” before diving into the excellent, bittersweet new “Summer Place” and then returning to the back catalog for “Someone to Love.”

Adam Schlesinger

Frontmen Chris Collingwood, the band’s main singer, and Adam Schlesinger, the bass player (who you may know better through his work as composer of the Broadway musical Cry Baby or as a member of pop supergroup Tinted Windows), led the band on a romp through songs old and new, saving fan favorite “Radiation Vibe” with bits of other pop songs, including Paul McCartney and Wings tune “Jet,” into the mix before the final verse.

Jody Porter blows smoke.

Lead guitarist Jody Porter showed off his individuality throughout the set, sometimes to the point of looking like he was somewhere else, perhaps in another band. He also made a point to take advantage of a loophole in NYC no-smoking rules that allow performers onstage to puff away.

Brian Young on drums (he also plays with the Pixies), kept time well, but stayed in the background, literally as well as figuratively. He never showed off or grabbed for the spotlight. He just bashed the skins, and quite well.

Nicole Atkins, a Neptune, N.J., native, opened the evening with a scorching set, accompanied only by her guitarist, the very talented Irina Yalkowsky. Nicole thanked Fountains of Wayne for inviting her to be part of Jersey Night at the Bowery Ballroom (in case you don’t know, Fountains of Wayne was a long-lived lawn-ornament shop in Wayne, N.J.), even though FoW isn’t really a Jersey band.

Nicole Atkins, right, with Irina Yalkowsky.

Chapin Sisters: Sibling harmony at Rockwood Music Hall

The Chapin Sisters: Lily and Abigail Rose (Photos © 2011, Steven P. Marsh)

Abigail Rose Chapin and Lily Chapin have been playing as the Chapin Sisters since 2004, when they followed family tradition and started making music as a trio with half-sister Jessica Craven.

That family tradition runs deep. Their dad is popular folksinger Tom Chapin. He and his brothers, Steve and the late Harry, performed as the Chapin Brothers from the late 1950s into the ’60s before venturing into their own musical worlds. The Chapin Sisters’ grandfather, the late great jazz drummer Jim, was also in the Chapin Brothers band for part of its existence.  Their cousin, Jen Chapin, is also a contemporary folksinger.

Abby and Lily grew up in Rockland County, N.Y., which Will You Miss Me When I’m Gone? calls home. Their mom, Bonnie Chapin, even named her longrunning women’s clothing shop in Piermont, N.Y., Abigail Rose and Lily Too, after her daughters. But they got their careers rolling in Los Angeles seven years ago. So while they’ve toured and played the East Coast before, we hadn’t gotten around to catching them live.

More new york area shows coming up

Proud dad Tom Chapin listens from the bar, leaning against the pillar, right.

Last night (Friday, July 15) we got our opportunity to hear the duo at Rockwood Music Hall on Manhattan’s Lower East Side Rockwood Music Hall. And although they have other gigs coming up in the area — one of them just steps from the family home, at The Turning Point in Piermont at 8 p.m. July 19— their proud parents showed up to lend support.

The lightly attended set was a great treat — and far too short.

The sisters have really perfected the vocal harmonies so closely identified with the Everly Brothers and the Louvin Brothers, tackling classic folk themes and timeless relationship-troubles issues in their songs. Both of them have distinctive, strong, well-controlled voices that can come to the fore at a moment’s notice and then effortlessly dive back into seamless harmony. Lily’s voice is the lower of the two, and she’s a more physically expressive performer than her sister, who takes the high parts and has a sweeter, slightly more subdued approach to her performing.

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Will you be in North Adams for Wilco’s Solid Sound Festival?

Last year's Solid Sound Festival kicked off with beautiful skies. (© 2010 Steven P. Marsh)

Are you joining Will You Miss Me When I’m Gone? in North Adams, Mass., today for the beginning of the second annual edition of Wilco’s Solid Sound Festival?

If you haven’t decided yet, it’s NOT TOO LATE. So all of you last-minute types should definitely keep reading.

Wilco at the 2010 Solid Sound Festival.

As it did last year, it’s taking over the campus of MASS MoCA, the fantastic contemporary art museum that has made this struggling former factory town a destination for lovers of art and music.

And the best thing for you last-minute types is that passes are still available for $124.50. Unlike last year, single-day tickets are also available at $65 for today or Sunday and $78 for Saturday.

Click through to the jump for more photos from last year’s festival and more info about this weekend’s activities.

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Great news: As predicted, Wilco’s Solid Sound Festival returns to MASS MoCA in 2011

When Wilco arrived at MASS MoCA last summer, the band even took over the museum's sign. (Photos copyright 2010, Steven P. Marsh)

Fantastic festival can only get better

We don’t like to brag (well, okay, sometimes we do), but Will You Miss Me When I’m Gone? predicted that Wilco’s Solid Sound Festival would become an annual event — even before this year’s inaugural gathering wrapped up.

Wilco HQ announced the news with an email this morning:

Greetings and Happy Holidays. We’ve got a last bit of news before heading home for the break. The big story here is that Solid Sound 2011 is officially ON and happening the weekend of June 24-26, once again at MASS MoCA in North Adams, MA. if you were there last year, we know you’ll be back. If not, well, this year you should know better. Ticket information and more will be announced on January 18. So keep an eye and ear out.

Safe travels and sweet holidays to you all. Thanks again for another great year in Wilcoworld. We’ll see you in 2011 with what will undoubtedly be a whole bunch of news regarding Wilco tours, records, the festival and so on. Cheers.

the HQ Staff

This years three-day event was held  in mid-August. It gave thousands of fans of all ages the run of the Massachusetts Museum of Contemporary Art (MASS MoCA) in the Berkshires town of North Adams, Mass. Participants got to hear lots of music from Wilco, the side projects of band members like Jeff Tweedy, Nels Cline, Pat Sansone, their friends, and got to sample comedians and films along with the spectacular art on the gritty former factory campus. It was well run, well curated and surprisingly chill.

The music was great, the scheduling tight without being overwhelming, the facilities were superb and the food and drink never seemed to run out. Everything worked together to make it one of the best and most memorable festivals around.

Wilco perfoms on the main stage in Joe's Field at MASS MoCA.

Museum management was thrilled to have as many as 5,000 well-behaved patrons on site at once, and obviously saw the festival as something worth bringing back. Museum Director Joe Thompson was singing the praises of the event all weekend, and made no secret of the fact that he supported the idea of doing it again in 2011.

And Cline brimmed with excitement about the festival when we spoke with him at Joe’s Pub in New York City, where he and fiancee Yuka Honda were checking out Sean Lennon and Charlotte Kemp Muhl‘s new project, The Ghost of a Saber Tooth Tiger.

Next year’s festival is earlier in the summer — June instead of August. So save the date and stay tuned for an update in a month.

Artist as audience: Pat Sansone checks out the boss’ day job

Pat Sansone of Wilco couldn’t stay away from Joe’s Field at MASS Moca on Sunday afternoon during boss Jeff Tweedy‘s solo set, the closing show of the fantastic Solid Sound Festival.

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Wilco amazes at Solid Sound Festival

Wilco could have played all night Saturday and nobody would have complained.

Okay, maybe a neighbor or two above Joe’s Field, the venue for the mainstage shows.

Wilco created the Solid Sound Festival at MASS MoCA, so it’s not a surprise that it is a great event. But it’s the friendliest, least commercialized music festival I can remember. It’s a very pleasant surprise.

Wilco played nearly 2 1/2 hours with just a short break before the encore set. You can find a set list elsewhere (I’ll try to find a good link when I’m at a computer), but suffice to say that every album was represented. (I was hoping for “Passenger Side” from A.M., but didn’t get that.)

This show was no sell-the-new-CD trip. Jeff Tweedy and company were having a great time and it showed.

Here’s hoping they make the Solid Sound Festival an annual thing. It’s a great core concept and MASS MoCA is a perfect, well-run venue for it.

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Solid Sound Festival: Wilco takes over MASS MoCA

Wilco has already begun taking over the Massachusetts Museum of Contemporary Art. The three-day Solid Sound Festival, curated by Wilco, starts Friday.

A weekend of music and art, side by side in the Berkshires

If you haven’t made your weekend plans yet, you really should think about heading to the Berkshires for the Solid Sound Festival in North Adams, Mass.

Solid Sound is the band Wilco‘s takeover of the entire complex occupied by the Massachusetts Museum of Contemporary Art (MASS MoCA), a fantastic 19th Century factory complex with an ever-changing lineup of modern art.

Wilco

While the museum is no stranger to hosting music events and other performing arts, the Solid Sound Festival is likely the first event that turns over the entire place — in fact, a good chunk of downtown North Adams, to a single event. As the museum website notes:

Just want to visit the galleries? We recommend you come a different weekend.

We anticipate that more than 5000 people will attend the Wilco Solid Sound Festival August 14 + 15. While the galleries will be open to non-festival goers that weekend, visitors who are looking for a contemplative time in the galleries and easy parking should visit us on a different weekend or arrive as early in the day as possible.

Starting at 8 on Friday night, the complex will be filled with thousands of Wilco fans intent on seeing their favorite band’s only East Coast show of the summer. But this event is special, because Wilco has managed to line up a place where all its side projects and friends’ bands can play too.

If you can’t make it to the festival, or even if you’re there, be sure to check back for updates on Will You Miss Me When I’m Gone? and our Twitter feed.

(Festival details and links after the jump.) Continue reading

Lauren Pritchard plays the Mercury Lounge

Lauren Pritchard, with drummer Simon Lea, at the Mercury Lounge in New York City on Aug. 5. (Photos copyright 2010, Steven P. Marsh)

Lauren Pritchard conquered Broadway as Lise in the fantastic original company of the Tony Award-winning rock musical Spring Awakening. On Thursday, the Tennessee native, who’s just 22 years old, returned to New York City to conquer the pop scene.

Lauren, who played keys and sang, got subtle backing from drummer Simon Lea and guitarist Paul Sayer. She blew the roof off the Mercury Lounge with her powerful voice. She sang a very short, showcase set —just eight songs — in a bluesey style with country touches. Her delivery was just the right balance of Broadway power and authentic saloon-singer sloppiness.

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