The Northside Festival in Williamsburg, Brooklyn, brought one of our favorites, Beirut, back home on Friday night, June 17. It was a great evening of music that came off beautifully. Early downpours that threatened the whole night cleared just in time for the first of the three bands to hit the stage and stayed away.
Yellow Ostrich and Sharon Van Ettenplayed amazing sets. But most people in the audience were there for one thing only: Beirut. And they were not disappointed.
Here’s a taste of the touching, musically nuance performance, with a solo number at the encore by bandleader Zach Condon.
Beirut played all the old favorites, but threw in a couple of tunes from its upcoming album, The Rip Tide, which the band is releasing on its own label, Pompeii Records, on Aug. 30.
Beirut clearly had a lot of fun at this show, and the crowd ate up the energy. It was a beautiful homecoming.
For us, Van Etten’s set was the real treat of the evening. Not to take anything away from either of the other bands, but her music touches us in ways that few artists ever have. Her raw, honest lyrics and beautiful, rough-edged vocals can —and do — make grown men cry.
Van Etten really delivered. Despite a problematic sound mix early on, she overcame it and won over the crowd with a solid set of ve us a strong — and loud — set of her classics like “Love More,” “Save Yourself” and “Consolation Prize.” But she also gave the audience of a taste of what’s next, performing a couple of new tunes that seemed to further develop the the sinuous, near-dronelike vocal path of her recent material. Guitar wizard Aaron Dessner of The Nationaljoined her for the first new song.
Yellow Ostrich, which became a trio in January when former Beirut-er and drummer/multi-instrumentalist Jon Natchez joined guitarist/vocalist Alex Schaaf and drummer Michael Tapper, took the stage first, around 6:30 p.m. The rain stopped just in time.
The band, based in New York with roots in Wisconsin (Schaaf studied at the Wisconsin Conservatory of Music) , played a pleasant, tight set of songs that prominently featured some of Schaaf’s skillful live-looping of vocals.