I’ll be at the new BRIC House tonight to check out Stew’s Listening Party, a work-in-progress show.
Interestingly, this was originally billed as Stew and Heidi’s Listening Party, and was supposed to be a collaboration with his longtime collaborator Heidi Rodewald. But her name has disappeared from the program.
I haven’t heard reports from last night’s premiere, but I’m sure it was a trip. I’m booked at the7:30 pm show, which originally was scheduled to he the second andfinal gig. However, another show was added at 10 pm.
So if you got shut out before, you may be able to get tickets for tonight’s late
show by tapping here.
I’ll try to get take some photos and post them here later.
There was a lot to celebrate at Symphony Space in Manhattan on Monday night.
First, it was the reason everybody was there: a musical tribute to Kurt Weill’s longest-running Broadway show, One Touch of Venus, with an amazing orchestra and a fabulous array of singers.
First, it was the 70th anniversary of the snappy show — down to the day!
Second, it turned out to be the eve of the release of the decade-delayed Jay Records cast recording of the full show, which features quite a few of the singers from the Symphony Space performance — including a transcendent Melissa Errico (who noted “I’m wearing same dress I word 20 years ago … after three kids,” referring to her star turn in the lead role of the 1996 Encores! revival), the always- welcome Ron Raines, and the smooth-voiced Brent Barrett. (It’s available now on iTunes, with a CD release to follow at an unspecified date.)
Third, the chief dancer from the original production, Sono Osato— whose work we got to see in a wonderful collage of moving and still images at the top of the show — was in the audience and took the spotlight for a hearty round of applause. Continue reading
Revealing interview comes ahead of Hudson Valley premiere of his Whitecaps On The Hudson album Friday at The Turning Point
Block, a longtime Hudson Valley resident,
will be doing his first Hudson Valley concert in ages at The
Turning Point in Piermont on Friday, Sept. 27. It’ll be the first
time he and his band have played the songs from his latest album,
Whitecaps On The Hudson, in a Hudson River venue. He sat down with
me for a candid discussion of his comeback and his music for
lohud.com/The Journal News. Read
the full interview here.
Friday’s show starts at 8:30 p.m., with doors at 7:30, at The
Turning Point Cafe, 468 Piermont Ave., Piermont. Tickets
are $15 and available by clicking or tapping here. Visit
The Turning Point wesbsite or call 845-359-1089 for more
Heidi Rodewald and Stew, creators of Broadway’s Passing Strange, are presenting a Brooklyn house party in November to share their works in progress.
Creators of Passing Strange and collaborators in The Negro Problem join the inaugural season at BRIC House
BRIC (Brooklyn Information and Culture), the organization behind the great Celebrate Brooklyn! concert series, is opening the BRIC Arts | Media House to provide a permanent stage for new and established artists to explore their work.
BRIC House, at 647 Fulton Street, next door to the BAM Harvey Theater, formally opens Oct. 3. And it already has a great lineup scheduled, including two-nights of creative mashups from Tony and OBIE Award winner Stew and longtime collaborator and OBIE Award winner Heidi Rodewald.
They’re the people behind Broadway’s Passing Strange and the core members of the band The Negro Problem.
In two performances in November, the pair will unveil a show that includes pieces of several projects they have in development, including three musicals, a video-art work, two song-cycles and poems and songs that likely will show up on their next record in some form.
More information and ticket links after the jump. Continue reading
I was expecting a good show from Sarah Lee Guthrie and Johnny Irion on Tuesday night. But what I and a criminally
small audience gotvat the Mercury Lounge was a sweet, spot on show that focused on songs
from their new Jeff Tweedy/Patrick Sansone-produced album
While focusing on the news material — which sounds fantastic live, with the super-tight band supporting the lovely married couple — the show didn’t scrimp on older songs.
They even went a bit further afield, throwing in a cover of Neil Young’s “Unknown Legend.”
They closed by getting off the stage to do a couple of closing numbers, including the lovely “When the Lilacs Are in Bloom.”
The Melodic opened the early show with a nicely textured, Nick Drake-influenced set.
Timing really is everything. If Tommy Keene’s new album had been ready just two months sooner, he would have been touring in July.
And if Keene — one of the iconic guitarist and shockingly overlooked songwriters of ‘80s indie rock — had been touring in July, he surely would have been on the schedule to play at Maxwell’s during the Hoboken music club’s final days.
“It’s too bad my tour was a little later, or I might have tried to get on one of those last shows. We played there [Maxwell’s] quite a bit,” Keene told Will You Miss Me When I’m Gone? recently by phone.
“I used to read the New York Rocker in the early ‘80s, like ‘81, and I used to read all about this place. And it seemed like this secret, special, VIP kind of place that people would go to,” he recalled.
It’s too bad, because the classic Keene-penned tune “Places That Are Gone” would have been a fitting tribute to Maxwell’s final days.
Former Cowsills member to share bill with legendary singer-songwriter at Barclays Center on Oct. 9
I’m sitting here wondering why I don’t have any photos of Susan Cowsill.
Even before starting this blog, I often took photos at shows to create lasting memorabilia. I’m not sure if I’ve even seen her since 2009, when this blog started. I know I saw her at least once on her own in New York, after catching her perform numerous times with her old band, the late, lamented Continental Drifters.
But nevermind that.
She and her lusty, raggedly-pushed-to-the-edge vocal style will be back in New York in October, when she opens a Barclays Center show for Rodriguez (aka Detroit-based 1970s singer-songwriter Sixto Díaz Rodríguez), who rediscovered the spotlight via the award-winning 2012 documentary Searching for Sugar Man. Continue reading
Posted in Concerts, Country, Folk, Music, News, Pop and Rock
Tagged Barclays Center, Continental Drifters, entertainment, Sixto Díaz Rodríguez, Susan Cowsill, The Cowsills