Garnerville plays unsung role supporting Adam Driver in Jim Jarmusch movie ‘Paterson’ (now with video)

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Adam Driver behind the wheel in “Paterson” (Photo by Mary Cybulsky)

I finally saw Jim Jarmusch‘s latest movie, “Paterson” with , last Sunday afternoon at the Fabian 8 Cinema, only movie theater left in the City of Paterson, New Jersey.

Adam Driver and Golshifteh Farahani in "Paterson" (Photo by Mary Cybulsky)

Adam Driver and Golshifteh Farahani in “Paterson” (Photo by Mary Cybulsky)

I have known the city for a long time, but can’t say I’m intimately acquainted with it.

Even so, I was hit with a strange feeling early in my viewing of “Paterson” that something wasn’t quite right — aside from the fact that the family bulldog, a male named Marvin, was a gender-bending role for a female named Nellie.

It was more than the occasional script misstep, like the reference indicating that that Driver’s character, Paterson, worked for the city when his bus is clearly marked NJ Transit, a statewide transit agency.

Some of the settings, while authentically gritty, reminded me of somewhere else.

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Look familiar? This scene from the movie “Paterson” wasn’t shot in the movie’s namesake city. (Photo by Mary Cybulsky)

Take, for instance, Paterson’s walk home from the Paterson bus depot, which took him through a brick archway past a “Paterson” sign painted on the wall. Something about the location reminded me of the Garnerville Arts & Industrial Center just a couple of miles from my home in Rockland County, New York.

Click through to the jump for the photographic evidence.

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Bang on a Can Marathon moving to Brooklyn with promise of ‘politics, resistance and love’

Asphalt Orchestra performing at the 2015 Bang on a Can Marathon at the Winter Garden in Manhattan on June 21. (© 2015 Steven P. Marsh/willyoumissme.com)

Asphalt Orchestra performing at the 2015 Bang on a Can Marathon at the Winter Garden in Manhattan on June 21. (© 2015 Steven P. Marsh/willyoumissme.com)

Bang on a Can, the premiere purveyor of New Music in New York City, is rebooting its  iconic Marathon concert with a move to Brooklyn in May, after a year off. Organizers promise it will be an “8-hour marathon concert of politics, resistance, and love.”

The Marathon lost its downtown Manhattan home of a decade at the Winter Garden of the World Financial Center (now renamed Brookfield Place). The organizers skipped a 2016 edition, but promised a new location for the its 30th anniversary this year.

They delivered on that promise Thursday, announcing that the genre-busting musical celebration lands at the Brooklyn Museum on May 6, from 2-10 p.m.

The Marathon was somewhat itinerant prior to its 10-year run at the Winter Garden, spending time at mostly Manhattan venues, ranging from the Soho art gallery where it started in 1987, to the Abrons Arts Center in the Lower East Side, to Lincoln Center’s Alice Tully Hall.

Despite its Manhattan roots, this won’t be the first time the Marathon was held in Brooklyn. In 2000 and 2001, it was staged at BAM, just a block or two away from Bang on a Can’s longtime headquarters on Hanson Place in Fort Greene. Continue reading

Kelly Flint bringing ‘lots of new songs’ to Rye on Thursday

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Kelly Flint, who once was the voice of the New York City-based postmodern lounge group Dave’s True Story, is performing her own music in a show in Rye  on Thursday.

She’ll be one of a trio of singer-songwriters taking performing as on a Rye Arts Center Live! Coffeehouse bill at Le Pain Quotidien.

2439965Paul Sforza and George Kilby Jr. will also perform.

Flint, a Scarsdale resident, will be joined on the upright bass by fomer DTS bandmate Jeff Eyrich, who promises Flint will be performing “lots of new songs.”

Flint started performing her own folk-inflected songs in earnest after DTS broke up in 2007, though she was writing songs long before she started singing bandmate Dave Cantor‘s jazzy songs in DTS beginning in the mid 1990s.

Catch up with  what Kelly’s been doing lately by reading the interview she did with me 14 months ago for The Journal News/lohud.com.

IF YOU GO

What: Kelly Flint. Paul Sforza, and George Kilby Jr. in performance

Where: Rye Arts Center Live! Coffeehouse at Le Pain Quotidien, 30 Purchase Street, Rye, New York

When:  7 p.m. Thursday, Jan. 26 (Doors at 6 p.m.)

Tickets: $10 in advance (GO HERE to buy online), $12 at the door.

 

 

Maggie Roche, gentle, New Jersey native singer-songwriter dies at 65 (Videos)

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Maggie, Suzzy, and Terre Roche (Photo by Irene Young via The Roches Facebook page)

Maggie Roche, the eldest of the three folk-singing sisters from Bergen County, New Jersey, who performed as The Roches, died Saturday morning.

Maggie, who always seemed like the sensible, quiet sister, was 65 when she lost her battle with cancer.

Younger sister Suzzy Roche confirmed the death in a loving Facebook farewell, saying she and Maggie spent  “the last month and a half helping each other through her final journey.”

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Getting 2017 off to a good start with the New York Jazzharmonic Trad-Jazz Sextet

New York Jazzharmonic Trad-Jazz Sextet at Union Arts Center, Sparkill, New York, on Jan. 6, 2017. (Photo © 2017. Steven P. Marsh/willyoumissme.com)

New York Jazzharmonic Trad-Jazz Sextet at Union Arts Center, Sparkill, New York, on Jan. 6, 2017. (Photo © 2017. Steven P. Marsh/willyoumissme.com)

In reflecting on my concert-going of 2016 and looking at what’s already on the docket for 2017, I’ve finally come to grips with the fact that I should be keeping  list of the concerts, shows, and other performing arts events I attend.

It’s not that I haven’t thought about this before. I used to dismiss it because I take photos at most shows and keep my tickets stubs, or what pass for stubs. But in the past year or so, more and more venues, at least in the rock world, are opting for total will call operations.

Granted, there’s usually a receipt generated for each faux ticket purchase, but a receipt is a poor substitute for a ticket in the scrapbook — even if, as in my case, it’s a shoebox with scrapbook aspirations.

So my logging begins in earnest in 2017, and kicked off Friday night with Rocklander Ron Wasserman’s New York Jazzharmonic Trad-Jazz Sextet in an uplifting, well-played program of early jazz at the Union Arts Center in Sparkill, New York. It was a marked contrast to my last show of 2016, a Brooklyn New Year’s Eve bash featuring Guided By Voices.

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Music for the End of the World (VIDEO)

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However we feel about what happened Tuesday, we all could use some decompression right about now.

What’s better than music for soothing the savage breast, after all?

There’s a perfect opportunity in Nyack, New York, at 4 p.m. Sunday, Nov.13, when TRANSIT, a New Music collective, presents a program that includes a rare — for this 21st Century-oriented group — performance of Olivier Messiaen’s “Quartet for the End of Time” at GraceMusic.

TRANSIT describes itself this way:

A New Music collective based in NYC, TRANSIT takes a comprehensive twenty-first century approach to new and experimental music by performing, commissioning, and recording the music of emerging composers, while also fostering strengthened relationships between living composers and the general public through TRANSIT-produced concert series and special initiatives.
TRANSIT’s members include a resident composer (Daniel Wohl) and five performers who are amongst the most vibrant young players in the NYC New Music scene. Its core ensemble consists of a mixed chamber
instrumentation: violin (Andie Springer), cello (Evelyn Farny), clarinet (Sara Budde), piano (David Friend), and percussion (Joe Bergen), and
often incorporates electronics, non-traditional instruments, and multimedia components.
TICKET INFO AND DETAILS AFTER THE JUMP

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The one NYC show you must see tonight: Marah at the Bowery Ballroom (Updated: Now with VIP ticketholder schedule)

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If you need a reason to see Marah at the Bowery Ballroom in New York City on Friday night, Sept. 23, check out Rolling Stone’s story:

How Marah Made the Best Americana Album You’ve Never Heard

Marah’s 2008 performance on Late Night With Conan O’Brien should have been the ultimate coming-out party, a shot of high-profile national PR to launch an ambitious new album and U.S. tour. Instead, the January 9th appearance was a death knell for both the Philadelphia roots-rock band and their sixth studio record Angels of Destruction!, released only the day before.

Within a week of the Conan spotlight, Marah split up, with band discord to blame. All of their U.S. dates were scrapped, squandering their best chance yet at the brass ring.

GO HERE TO READ THE REST ON ROLLINGSTONE.COM

GO HERE FOR TICKETS: $25 GA/$50 VIP

If you’re going, here’s the schedule:

VIP Ticket Holder Hour: Soundcheck, NYC gig poster, meet/greet, enlightenment etc etc) is 6:30pm-7:30pm (After party for wrist-banded VIP ticket holders is immediately after the show in the Bowery Ballroom’s basement bar.)

MARAH SHOWTIME is 8:30pm! (no support bands).