Tag Archives: Maxwell’s

Hoboken rallies for Los Straitjackets guitarist Danny Amis

Danny Amis, also known as Daddy-O Grande of the legendary surf instrumental group Los Straitjackets (and who once played with Hoboken surf instrumental band The Raybeats), was diagnosed with multiple myeloma recently. He was uninsured at the time, but he managed to get help through the new Affordable Care Act and through the assistance of his music-industry friends.

One of the things his friends have done is throw benefit concerts. His Hoboken buddies got together at Maxwell’s on Wednesday night, June 2. It was a blast-from-the-past show with an amazing lineup: Tall Lonesome Pines, The Purple Knif, The Schramms, The Raybeats (joined briefly by Adele Bertei, former keyboard player and singer with James Chance and the Contortions), The Individuals and an unannounced set by Yo La Tengo.

It was announced at the show that Danny’s had a stem cell transplant and is doing well. Danny writes about his situation on his website.

It was a fantastic show, with a lot of crossover among the bands. It went on until after midnight, a tough thing for some people at a midweek show, but it was worth the long night. Those who left after Bar/None founder Glenn Morrow’s band, The Individuals, wrapped up missed the YLT set.

Click through to the jump for exclusive photos of the show from Will You Miss Me When I’m Gone?

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The Feelies gear up to play

The Feelies at Maxwell's in Hoboken, N.J., in 2009. (Photo copyright 2009, Steven P. Marsh)

Now who could possibly know better what The Feelies are up to than the daughter of one of the band members? (Well, maybe her dad, but don’t tell her that!)

With that in mind, I reached out to the delightful Katie Demeski, daughter of the great New Jersey band’s drummer Stanley Demeski and his wife Janice. One of Katie’s blogs, How Strange, Innocence, is a leading source of reliable information about what the band is up to. It’s not the quantity so much as the quality of her information that makes the blog worth checking.

But a day or two ahead of the release of Here Before, the band’s first new album in 19 years, I checked in and realized she hadn’t blogged about The Feelies since last Sept. 8, when she reported the band was going into the studio. Granted, she’s in college and holding down a job, so it’s not like she has a ton of free time.

Luckily, when I messaged her, she was just about to do a quick update. It’s live on her blog now, with pretty much everything you need to know about their upcoming shows, plus some info about Speed the Plough, a band that’s part of The Feelies’ extended family. .

Suffice it to say The Feelies aren’t in any huge hurry to hit the road simultaneously with the release of their album. In fact, the band’s first public show (not counting a students-only gig this month at SUNY Purchase) comes at The Bell House in Gowanus, Brooklyn, on May 13, a full month after the album’s release! That show, not surprisingly, appears to be sold out.

Please go to Katie’s blog for more details, including some tantalizing information about an outdoor gig in Brooklyn. I don’t want to spoil it for you.

New Speed the Plough — live on the Fourth of July

True fans of The Feelies will remember Speed the Plough fondly, given that many Feelies played in Toni and John Baumgartner‘s band during its existence in the early 1990s. Like The Feelies, STP is back making music. Earlier this year, the band released its first album in 15 years, Swerve.

On the Fourth of July, before heading to Maxwell’s in Hoboken for the third and final Feelies show of the holiday weekend, the members of STP visited the Cathedral Church of Saint John the Divine in the Morningside Heights section of Manhattan. There, tucked away on the plaza surrounding sculptor Greg Wyatt’s Peace Fountain (1985), the band gathered around the public piano that was one of 60 installed around NYC as part of the Play Me, I’m Yours art project. The Fourth of July was the last day of the installation, and the members of STP thought it would be fun to take advantage of it as a group. (STP wasn’t the only band to think of this. The Bill Murray Experience did something quite similar, as Will You Miss Me When I’m Gone? reported previously.)

They did an acoustic rendering of “Kentucky Moon” that was captured on video by Katie Demeski. Enjoy!

Catching up with The Feelies

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The Feelies

Since you landed on this post, you’ve probably already checked out the Will You Miss Me When I’m Gone? post about The Feelies‘ Fourth of July weekend shows at Maxwell’s.

But if you’ve fallen behind on your Feelies news, here’s a collection of great items on the web about the shows, the band and the NEW ALBUM, for which the band has been writing new songs for a couple of years. Production is supposed to start any day. Read on for more.

Jim Testa‘s known The Feelies since Day One, so his voice in Jersey Beat is authoritative. Click here for his review and his insights about the new album.

Katie Demeski, daughter of Feelies drummer Stanely Demeski, blogs about a number of things, but mostly ruminates on her dad’s band. She posted some videos of her dad practicing here, gives her impressions of The Feelies demos here, talks about the in-the-works Feelies album here and weighs in on Feelies offshoot band Speed the Plough‘s new album here.

And The NJ Underground, a site aimed at younger music fans, did a good piece on The Feelies. Perhaps this accounted for the rather high percentage of young people in the audience at Maxwell’s last weekend.

Tonight may be your last chance to see The Feelies this year!

Glenn Mercer and Bill Million of The Feelies at Maxwell's in Hoboken, N.J., on Saturday, July 3. (Photos copyright 2009, Steven P. Marsh)

As has been the habit of The Feelies since their comeback in 2008, they booked shows around a holiday — in this case the Fourth of July at the band’s musical home, Maxwell’s in Hoboken, N.J.

Glenn Mercer's singing: strong and clear

This year the band booked three shows starting Friday and ending tonight, on the holiday itself. If you love The Feelies and you haven’t seen them yet this year, now’s the time to book. Will You Miss Me When I’m Gone? made it to last night’s gig, and we’re glad we did.  The set was much the same as always — The Feelies have typically played the same set, with slight variations, at every show since the reunion. This is a band that likes predictability. But frontman Glenn Mercer‘s singing seemed stronger, clearer and more confident than ever, and the overall sound was crisp and clear —something that has not been a hallmark of many recent shows.

One thing worth noting, though. The band did do quite a few new songs — some of which have been in rotation for awhile, with a couple of other, even newer tunes, one of which remains untitled. It was a real treat to hear new material. It sounds strong and very much in keeping with what fans know and love The Feelies for without sounding like retreads.

Bass player Brenda Sauter played and looked great, and wasn't wearing the wrist brace she usually sports.

We’re hearing that it’s not clear when the band will play again, since no other gigs are booked so far this year. And a member of the band’s team says the quintet is going into the studio after tonight work on a new album.

Doors for tonight’s show are at 8 o’clock at Maxwell’s, 1039 Washington St., Hoboken, N.J. Showtime is 9 p.m. There’s no opening band, so get there by 9 or you’ll miss out. Tickets are $25, and still available here.

If you drive, allow extra time. It’s the Fourth of July, and there will be crowds of people out to watch fireworks. It’ll be hellish getting around, and parking will be extremely difficult, especially if you usually count on parking along Sinatra Drive, which is closed for the weekend. Take public transportation if possible.

Click to the jump for more photos from last night’s show.

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The Bongos at Maxwell’s

The Bongos at Maxwell's. (Copyright 2009, Steven P. Marsh)

The Bongos at Maxwell's. (Copyright 2009, Steven P. Marsh)

If you didn’t go see The Bongos at Maxwell’s in Hoboken last night, you missed a magical evening. The band was tight and very much into performing for a (surprisingly light) hometown crowd. You have another chance to see Richard Barone, James Mastro, Rob Norris and Frank Giannini tonight at Hiro Ballroom in Manhattan, where they’re performing a CMJ show.

The Bongos' set list at Maxwell's.

The Bongos' set list at Maxwell's.

They played two solids sets, performing just about every song in their catalogue — which isn’t huge, since they only recorded two full albums and one EP in their 1980s heyday. But they played every one of them with great joy and energy. Plus, they threw in a couple of covers and a couple of their own songs that were never released.

They were joined by Dennis Kelly, who played synthesizer in the band’s early days, and Nick Celeste, a singer and guitarist who worked with Richard on his first post-Bongos project, Cool Blue Halo, in 1987.

Check out more photos of last night’s show after the jump.

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The Bongos dates and ticket information announced

The Bongos

The Bongos

The Bongos’ frontman Richard Barone has announced the dates of the band’s two shows next month: Thursday, Oct. 22, at Maxwell’s in Hoboken, N.J., and Friday, Oct. 23, at Hiro Ballroom in Manhattan.

Although Barone piqued fans’ interest by announcing on Twitter and facebook that the two shows were coming up next month, he slyly announced the dates by replying to a comment in his facebook thread rather than make a separate announcement:

Maxwell’s on Thursday, OCT. 22nd… Hiro Ballroom on Friday, OCT. 23… Hope to see you there!
Yesterday at 5:13pm
Tickets for the 8:30 pm show at Maxwell’s on Oct. 22 are $15 and available on TicketWeb. Tickets for the Hiro Ballroom show the following night are not on sale as of this posting, but should be available soon through TicketWeb as well.

It’s time for The Bongos

Richard Barone just Twittered about a Bongs reunion next month.

Richard Barone just Twittered about a Bongs reunion next month.

What can I say? Bongos frontman and rock raconteur Richard Barone just an hour ago used his Twitter feed to forward a message that will thrill many NYC-Hoboken rock fans:

RICHARDBARONE: The Bongos at Hiro Ballroom and Maxwell’s in October? Stay tuned….

Original Tweet: http://twitter.com/RICHARDBARONE

How awesome is that news? There couldn’t be a more appropriate venue than Maxwell’s for The Bongos, and Hiro will do just fine too.

As the man said, stay tuned…

An insider’s view of The Feelies

Glenn Mercer and Stanley Demeski.

Glenn Mercer and Stanley Demeski.

Katie Demeski

Katie Demeski

Katie Demeski, daughter of The Feelies drummer Stan Demeski, has come through as I hoped with a fastastic post on her blog about The Feelies’ Fourth of July Weekend shows at Maxwell’s. I’ll let her tell the story and try to get out of the way. Go, Katie:

So the Feelies shows came and went and, again, they were amazing. On the first night, three of my friends came. One of them, Matt, was even at the sound check. The sound check itself ran a little late, but in the first hour or so, Glenn started playing “Billie Jean”. Then Dave started singing in falsetto and playing his snare to the beat. It was absolutely hilarious and kind of made my day.

Anyway, so we ate at Maxwell’s and my other friends, Dan and Liebold arrived. It was pretty packed that night, but we were able to get pretty good spots. As for the actual show, this year the Feelies started things out with some more mellow songs like “When Company Comes,” and a cover of “Sunday Morning.” New additions to the lineup included “Egyptian Reggae”, “Moscow Nights”, “Everybody’s Got Something to Hide Except for Me and My Monkey,” and “Invitation” (although, as mentioned in a previous entry, they added that song on New Year’s Eve). There was even one new song, “Bluer Skies” on which Brenda’s husband, Rich Barnes of Wild Carnation, even played keyboard on it while sitting on the little crate that is used as a step to get to the stage at Maxwell’s.

Friday night I went to the sound check with my dad because my mom and my brother were going to take the train after my mom got out of work. Anyway, Dave again started singing Michael Jackson when Andy the sound man told him he could sing into his mic if he wanted. So he sang “Thriller” and I felt the need to text Matt and inform him about it. I just chilled at Maxwell’s for most of the afternoon, reading Under the Banner of Heaven by John Krakauer. The show was pretty much the same as the day before, except I was standing next to a particularly obnoxious tall drunk man who got more and more drunk as the night progressed. Regardless it was fun.

On the Fourth of July, I took the train to Hoboken with my mom and brother and it was pretty damn crowded especially for the Hawthorne train station. My dad had asked me earlier in the week if I would help Bill’s nephew, Ben, film for his Feelies concert movie. Ben and his friend (Nick, I think?) had attatched a camera holder-thing to a pole and I was instructed to put the end of the pole in my pocket and film from a little farther away than I had been standing, using the screen on the camera to keep track of the shot. Ben also had all of the Feelies go into the dressing room alone and he filmed each of them for five minutes, not asking them any questions or anything. When Bill came out he said, “I feel violated.”

Thanks, Katie. You are awesome. Click here to read the rest of Katie’s entry.

The Feelies on the Fourth

Glenn Mercer, Stanley Demeski and Bill Million of The Feelies at Maxwell's on July 4, 2009. (Copyright 2009, Steven P. Marsh)

Glenn Mercer, Stanley Demeski and Bill Million of The Feelies at Maxwell's on July 4, 2009. (Copyright 2009, Steven P. Marsh)

It would be easy to get used to making a tradition out of celebrating the Fourth of July with The Feelies.

Although their long-awaited comeback started at Maxwell’s in Hoboken

Bill Million and bassist Brenda Sauter.

Bill Million and bassist Brenda Sauter.

on June 30-July 2,  2008 (and those shows thrilled me) , they announced their return in a big way  two days later, opening for Sonic Youth in NYC’s Battery Park on the Fourth of July. The sun, sweat, humidity and the huge crowd just made the experience more intense. The band did not disappoint.

Percussionist Dave Weckerman seems content to stay in the background.

Percussionist Dave Weckerman seems content to stay in the background.

As you’ve probably read here earlier, The Feelies took over Maxwell’s for three nights this month, from July 2-4.

On that last night, thousands crammed the streets and waterfront of Hoboken to see the Macy’s fireworks, while dozens of true believers ignored the holiday hoopla and chose to watch the guitar pyrotechnics of Glenn Mercer and Bill Million instead.

I didn’t mind missing the fireworks outside, not at all.

Glenn Mercer

Glenn Mercer

The Feelies are a band that doesn’t offer too many surprises. Their shows are like your favorite jeans, well-worn, broken in  and perfectly comfortable. They feel good — and just right. They don’t throw many curve balls — even the multiple covers they did as encores over the three nights had little variation from night to night. But none of that matters to a true Feelies fan. In fact, curve balls might ruin the equilibrium.

At the July 4 show, I was positioned very close to the stage. That made for clearer shots of individual band members or pairings of players, but didn’t give me a chance to shoot an overview. So this will give you a very different perspective than the previous night’s shots.

Rich Barnes of Wild Carnation (and Brenda's husband) helped out on keyboard.

Rich Barnes of Wild Carnation (and Brenda's husband) helped out on keyboard.

My position made it tough to spot local heroes in the audience. But at the end of the night, I spotted Georgia Hubley and Ira Kaplan of Yo La Tengo returning to the music room as the majority of the crowd was filing out. You can always count on them being at a Feelies show. The only other face I wish had been in the crowd was filmmaker Jonathan Demme, who featured The Feelies as “The Willies” in his 1986 movie Something Wild. I guess that was his payback for making  Stop Making Sense two years earlier about the Talking Heads instead of The Feelies!