Tag Archives: Maxwell’s

Maxwell’s adds Bern & The Brights, Val Emmich to final schedule

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Bern and The Brights and Val Emmich are the latest acts to join the schedule in Maxwell’s final days.

They’re playing Monday, July 29.

Bern & The Brights is a Montclair-based nerd-rock trio made up of Bernadette Malavarca, Catherine McGowan and Shawn Fafara. It’s a independent band that Tris McCall of The Star-Ledger recently called “the sort of act that is likely to be hurt by the closing” of Maxwell’s.

You may know Emmich best from his acting on “30 Rock” or “Ugly Betty.” But he’s also a Manalapan, N.J., native who has had an extensive career as a singer-songwriter.

For more information about the acts, click or tap here (http://ticketf.ly/12LqzXz).

Click or tap here (http://ticketf.ly/1bpawrN) for tickets. which are $10. Door time is 8 p.m., with the music scheduled to start at 8:30.

Speed the Plough joins Bar/None’s July 24 farewell to Maxwell’s

Speed the Plough at Maxwell's on Oct. 20, 2012. (Photo © 2012, Steven P. Marsh)

Speed the Plough at Maxwell’s on Oct. 20, 2012. (Photo © 2012, Steven P. Marsh)

STP is part of a promised ‘cavalcade of mystery stars’ joining Headliners Freedy Johnston and Band, James Mastro’s Health & Happiness Show and Chris Stamey with Anton Fier and Gene Holder

Myrna and the Hangar Boys (Human Switchboard’s Myrna Marcarian, Jared Michael Nickerson, Dave Schramm and Ron Metz) join lineup

WFMU to broadcast live from the lounge

Even before Maxwell’s closing was announced, Speed the Plough was gearing up get active again. The band, which can trace its lineage back to The Feelies through The Trypes, became active in 2009 after a long hiatus, but has been picking up steam lately in anticipation of a new album — a compilation of some of its long-out-of-print music from the early days plus six brand-new tracks.

But now they’re preparing to say goodbye to the venerated Hoboken club with one last gig there, on Thursday, July 24, as part of a Bar/None record label lineup.

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Jon Langford and a Maxwell’s memory lapse

The Jon Langford Threesome, from left, at Maxwell's: Tony Maimone, Steve Goulding, Jon Langford. (Photo © 2013, Steven P. Marsh)

The Jon Langford Threesome, from left, at Maxwell’s: Tony Maimone, Steve Goulding, Jon Langford. (Photo © 2013, Steven P. Marsh)

Jon Langford looked truly puzzled on the stage of Maxwell’s.

The Jon Langford Threesome's set list at Maxwell's. (Photo © 2013, Steven P. Marsh)

The Jon Langford Threesome’s set list at Maxwell’s. (Photo © 2013, Steven P. Marsh)

The Welsh-born rocker has played at the Hoboken, N.J., club many times — “37 1/2… the half because tonight’s not done yet” — over the years in many bands, from the Mekons to the Three Johns.

On Tuesday, July 9, his show was billed as “Jon Langford’s Threesome feat. Tony Maimone and Steve Goulding performing Mekons, Waco Bros. and Jon Langford songs from throughout the centuries

“Did the Waco Brothers ever play here,” he asked, during a portion of the set where his cranked out several of that band’s best-loved tunes.

“Three times!” came the cry from the crowd.

The crowd gathers in the back room at Maxwell's for the Jon Langford Threesome. (Photo © 2013, Steven P. Marsh)

The crowd gathers in the back room at Maxwell’s for the Jon Langford Threesome. (Photo © 2013, Steven P. Marsh)

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Saying goodbye to Maxwell’s: Share your ideas for the final show

Patrons enter Maxwell's at 11th and Washington streets in Hoboken, N.J., on July 5, 2013, (Photo © 2013, Steven P. Marsh)

Patrons enter Maxwell’s at 11th and Washington streets in Hoboken, N.J., on July 5, 2013, (Photo © 2013, Steven P. Marsh)

We’ve been thinking a lot about closing night at Maxwell’s, the well-loved Hoboken, N.J., music club that hosts its last show on July 31.

There’s a selfish motive, in part, of course: How can WE get to be there. Surely with all the bands and fans that have passed through the Washington Street club over the last 35 years there will be far, far more people trying to get in than the small (capacity 200) venue can possibly hold. With closing a bit over three weeks away, Todd Abramson, the club’s booker and co-owner, is working on a plan.

Todd Abramson with the New York Post's Mary Huhn in Austin in 2003.

Todd Abramson with the New York Post’s Mary Huhn at South by Southwest in Austin, Texas, in 2003.

But, as he told us by phone this morning, “there’s no news here” just yet. He definitely has some ideas about ways to make it accessible to more people and to level the playing field for those who want to be there. But he says he still has a lot to work out.

What we know is that “a,” the first band to play Maxwell’s, is supposed to reunite for the farewell show. And The Bongos, the much better-known band that grew out of “a,” will also be on the bill. But after that, just about everything is pure speculation.

Since things are in flux, you have a chance to weigh in with ideas of your own.

How should the final show be handled? Should it run all day. Should it be free on a first-come, first-served basis, a normal Maxwell’s price ($15-$25 from TicketFly) or should it be premium priced, a la Neil Young at the Capitol Theatre in Port Chester, N.Y., where’s the best seats are tabbed at $285? (Then again, when speaking of Maxwell’s, there are no SEATS, really.)

What about timing? July 31 is a weekday. Should the show start at 9 and go all night? Or should it start in the early afternoon and go on and on?

Who else — band, solo artist, influential individual or fan — be a part of the show in some way?

Don’t just tell us who or what. Tell us why — make a case for your idea. There should be a good reason for every eulogy and every participant in the farewell proceedings.

The sky’s the limit. Share you ideas in the comments section. Get a conversation going. Have fun thinking of the wildest ways possible to pay tribute to Maxwell’s incredible legacy.

Meanwhile, The Bongos promise details of some sort about the show on their Facebook page soon. And keep an eye on Will You Miss Me When I’m Gone? We’ll be sure to let you know of any developments as soon as we can dig them up.

Os Mutantes played a Maxwell’s farewell show five days after appearing at Wilco’s Solid Sound Festival

The inimitable Sérgio Dias is the founding member who has kept Os Mutantes alive all these years. (Photos © 2013, Steven P. Marsh)

The inimitable Sérgio Dias is the founding member who has kept Os Mutantes alive all these years. (Photos © 2013, Steven P. Marsh)

We’re definitely old enough to have experienced Brazilian rock band Os Mutantes in its first incarnation in the mid-Sixties.

But timing isn’t really everything.

We grew up in a household where listening to rock ‘n roll (aka The Devil’s Music) was, shall we say, not encouraged. And we lived in a community outside of Philadelphia where conformity ruled. And being 11, or so when Os Mutantes started making music, we were at a tender age where that type of pressure was pretty effective in keeping us in line.

Sérgio Dias plays sitar at Maxwell's, Hoboken, N.J., on June 28, 2013.

Sérgio Dias shows off his sitar skills.

On top of everything else, Brazil might as well have been the other side of the moon.

So, all in all, it’s no surprise that we didn’t know anything at all about Os Mutantes — founded by brothers Arnaldo Baptista on bass, keyboards and vocals and Sérgio Dias Baptista on guitar and vocals — until the psychedelic band started its Second Act when it reunited in 2006.

We’re sorry we missed the band’s First Act, but we were hardly alone among American music fans. And we’re thrilled we didn’t miss the Second Act.

Singer Esmeria Bulgari with Sérgio Dias of Os Mutantes at Maxwell's. (Photo © 2013, Steven P. Marsh)

Singer Esmeria Bulgari with Sérgio Dias of Os Mutantes at Maxwell’s.

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The Feelies’ final Fourth of July at Maxwell’s

Maxwell's in the dim light on Independence Day 2013. (Photos © 2013, Steven P. Marsh)

Maxwell’s in the dim light on Independence Day 2013. (Photos © 2013, Steven P. Marsh)

It’s always a tough, emotional thing to get to Maxwell’s in Hoboken, N.J.,  for The Feelies‘ annual Fourth of July show. You’re fighting for access to the Mile Square City with thousands trying to get to the waterfront to watch the Macy’s fireworks show in Manhattan.

But the Fourth of July 2013 was particularly tough, even with showtime pushed back to the throwback hour of 10 p.m. (Remember when rock shows didn’t really get started until nighttime had really settled in?)

It was the very last Independence Day that The Feelies would be playing the venerated Maxwell’s music club.

For fans and newbies alike, the night — the first of the band’s three-day holiday stand — was a touching one.

Glenn Mercer, Bill Million and Brenda Sauter onstage at Maxwell's on July 4.

Glenn Mercer, Bill Million and Brenda Sauter onstage at Maxwell’s on July 4.

For their part, members of the band — Glenn Mercer on guitar, Bill Million on guitar, Brenda Sauter on bass, Stan Demeski on drums and Dave Weckerman on percussion — didn’t get maudlin and sentimental. They just did what they always do, playing a solid, well-planned set of crowd favorites, mixing their own turns — the older, nervous one and the new, slightly more melodic numbers — with a bunch of rock covers that they’ve added to their bag of tricks over the years.

They brought up a longtime friend and associate, John Baumgartner (of The Trypes and Speed the Plough, and also involved in a graphics business with sister Janice Demeski), to join them on “Bluer Skies” early in the evening.

They ended with three encores, featuring a surprise guest in the first set: Glenn Morrow, a longtime partner in Hoboken’s Bar/None Records and a member of Hoboken heyday bands like The Individuals, Rage to Live, and A, the band that later morphed, without Morrow, into The Bongos. Morrow joined The Feelies for The Monkees hit “I’m a Believer” and the Feelies favorite Beatles track, “Everybody’s Got Something to Hide Except Me and My Monkey,” to cement the simian theme.

There were no surprises. But that’s not what Feelies fans want at the band’s shows. They want the satisfaction of a rock-solid set of favorites old and new. And that’s what they get.

And that’s a better tribute to the soon-to-be-gone club than a bucket of salty tears and maudlin speeches could ever be.

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Hanukkah, Night 4, with Yo La Tengo at Maxwell’s in Hoboken (with set list)

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Check out lots of photos from Hanukkah Night 4, with Yo La Tengo, Kid Millions, Todd Barry and Real Estate at Maxwell’s in Hoboken, N.J.

Will You Miss Me When I’m Gone? was pleased to see a relatively young local band, Real Estate, on the bill for Night 4.

We love the old favorites, like The Feelies. But there are more than a few upstarts out there, and some of them are really good. Real Estate qualifies. The band’s singer-guitarist, Martin Courtney, clearly loves many of the same musical influences that Yo La Tengo‘s members revere.

Real Estate did a solid set and gave us our first opportunity ever to see them perform. We already liked their recorded sound. We need to see them again.

Todd Barry gave a perfectly timed, just-long-enough performance. He’s a musician’s comedian whose wry humor fit well with the feel of the evening.

Yo La Tengo.

Yo La Tengo.

We have dozens out more images from last night’s show after the jump, including a gallery of an Ira Kaplan organ freakout!
But before we get there, take a moment to check out the new video from YLT’s upcoming album, Fade, which drops on Jan. 15.

Good stuff, with the ever-wonderful Georgia Hubley on lead vocal, and great animation by her sister, Emily Hubley.

Here’s the set list, courtesy Frank & Earthy:

Spec Bebop
We’re An American Band
The Crying of Lot G
20th Century Boy (T-Rex)
Out the Window
The Point of It
The Summer
Don’t Have To Be So Sad
Double Dare (acoustic)
Big Day Coming (fast)
Nothing To Hide
Decora
Mushroom Cloud of Hiss

*(encore)*
Burnin’ For You (Blue Öyster Cult) (with Todd Barry on drums)
Our Way To Fall (with Martin Courtney of Real Estate on vocals)

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Hanukkah with Yo La Tengo at Maxwell’s in Hoboken — Sunday and Monday

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Yo La Tengo jammed with Fred Armisen on a second drum kit. (Photos © 2012, Steven P. Marsh)

Yo La Tengo continued its massively wonderful holiday tradition, kicking off the first of eight shows — one for each night of Hanukkah — on Saturday night. The proceeds from tickets and most merchandise goes to charity. (This year all the charities support Superstorm Sandy recovery efforts.)_

Will You Miss Me When I’m Gone? managed to score tickets to four of the eight nights — not an easy thing to do the way TicketFly is set up.

Our first night was Night 2, when the amazing Sun Ra Arkestra (imagine a DOZEN musicians on the tiny Maxwell’s stage!) was the opener and Fred Armisen of “Saturday Night Live” and “Portlandia” was both the comedian and a musical guest.

Night 3 featured Hoboken’s hometown heroes The Feelies, which opened with a very strong set, and the members of which sat in at various points of YLT’s set. Guitarist and vocalist Glenn Mercer was absolutely on fire all night. And Brenda Sauter did a great job on vocals for “You Ain’t Goin’ Nowhere.” “SNL” writer John Mulaney was the comic for Night 3.

We’ll be back tonight, but wanted to share some images of nights 2 and 3 with you now.

This is a tradition that has been going on for 11 years, YLT’s Ira Kaplan pointed out last night. We hope it continues for many years to come.

Click through to the jump for lots of photos from Sunday and Monday nights’ shows.

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Rock out at Maxwell’s while you help young adults adapt to life after foster care

If you can’t picture yourself at Maxwell’s in Hoboken, N.J., at 3 o’clock on a Saturday afternoon, it’s time to make an exception.

Tomorrow, Aug. 13, that’s exactly where you should be. If you’re there, you’ll be helping young adults who have aged out of New Jersey’s foster-care system through the Roots & Wings foundation and listening to four great bands in the process: Speed the Plough, Yung Wu (a side project of Feelies percussionist Dave Weckerman), Wild Carnation (which includes Feelies bassist Brenda Sauter) and Charlotte Sometimes.

Of course this is just one of three shows, featuring 12 bands, being staged at the legendary Hoboken club this weekend as part of CamelFest 2011 in support of Roots & Wings. It’s sponsored by Great Meadows, N.J., -based Dromedary Records.

Photo by Katie Demeski

Speed the Plough (Photo by Katie Demeski)

Tonight’s show’s, which starts at 8, features Richard Barone, Robbers on High Street, Readymade Breakup and The Mommyheads. Tomorrow night, also at 8, it’s The 65’s, The Library is on Fire, Varsity Drag and Stuyvesant.

Tickets are $10 per show. They’re available online (click here for tonight, tomorrow afternoon, tomorrow night) and at the door.

The Feelies feeling independent

The Feelies at Maxwell's on Night 1 of the 2011 Independence Weekend. (Photos © 2011, Steven P. Marsh)

The Feelies kicked off Independence Weekend, as they’ve been doing for ages, at Maxwell’s in Hoboken last night (Friday, July 1)

It was a homecoming as always at Maxwell’s since that was the band’s home club for its entire existence.

Last night was the first of a three-night stand. The hometown crowd was not disappointed, with The Feelies starting just a bit after 9 p.m., the posted showtime, and playing until almost 12:30, with just one short intermission.

Click through to the jump for more photos and info about the first night show. Also, check out a great Paste Magazine slideshow of a day in the life of The Feelies from their recent Philadelphia show at World Cafe Live.

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