Mavis Staples: Only the Lord knows, and he ain’t you

Mavis Staples draws a huge crowd on Saturday evening at the Solid Sound Festival at MASS MoCA in North Adams, Mass.

Her new album, produced by Jeff Tweedy, is out Sept. 14.

Click here to view a video about the new album.

Mountain Man: What a difference a few months make

Mountain Man, a trad-ish female trio from Bennington, Vt., was really interesting @MercuryLoungeNY in the spring, but seemd not yet ready for prime time. On Saturday afternoon at Solid Sound Festival, Mountain Man was poised, strong and very much ready for the limelight. (Though they still have only one guitar among them, and they had to borrow it from somebody else!)

What a difference time can make. Nice going!

Vetiver rocks out at Solid Sound Festival

Vetiver played a short but solid set this afternoon, under beautiful blue skies at the Solid Sound Festival at MASS MoCA in the Berkshires city of North Adams, Mass.

Solid Sound Festival: Wilco takes over MASS MoCA

Wilco has already begun taking over the Massachusetts Museum of Contemporary Art. The three-day Solid Sound Festival, curated by Wilco, starts Friday.

A weekend of music and art, side by side in the Berkshires

If you haven’t made your weekend plans yet, you really should think about heading to the Berkshires for the Solid Sound Festival in North Adams, Mass.

Solid Sound is the band Wilco‘s takeover of the entire complex occupied by the Massachusetts Museum of Contemporary Art (MASS MoCA), a fantastic 19th Century factory complex with an ever-changing lineup of modern art.

Wilco

While the museum is no stranger to hosting music events and other performing arts, the Solid Sound Festival is likely the first event that turns over the entire place — in fact, a good chunk of downtown North Adams, to a single event. As the museum website notes:

Just want to visit the galleries? We recommend you come a different weekend.

We anticipate that more than 5000 people will attend the Wilco Solid Sound Festival August 14 + 15. While the galleries will be open to non-festival goers that weekend, visitors who are looking for a contemplative time in the galleries and easy parking should visit us on a different weekend or arrive as early in the day as possible.

Starting at 8 on Friday night, the complex will be filled with thousands of Wilco fans intent on seeing their favorite band’s only East Coast show of the summer. But this event is special, because Wilco has managed to line up a place where all its side projects and friends’ bands can play too.

If you can’t make it to the festival, or even if you’re there, be sure to check back for updates on Will You Miss Me When I’m Gone? and our Twitter feed.

(Festival details and links after the jump.) Continue reading

Revival of Maxwell Anderson’s ‘High Tor’ play to be performed on the slopes of High Tor

See A free reading of the play that helped save this rockland County peak from destruction

In just 10 days from today, on Saturday, Aug. 21 and Sunday, Aug. 22, we’ll get a chance to see a performance of High Tor, a play that really did change the world.

The West Branch Conservation Association, Rockland County’s Land Trust,  is producing two performances of Maxwell Anderson’s New York Drama Critics’ Circle Best Play Award winner for 1937 on the on mountain the play was written to save and from which it takes its name.

Write what you know

The old adage for writing is that you do your best when you “write what you know.” That’s what famed playwright Maxwell Anderson did in 1936.

Maxwell Anderson, left, accepts the 1936 New York Drama Critics Circle Award in 1936, a year before he won it again, this time for "High Tor."

Anderson was a resident of South Mountain Road in New City, an area that had become artists colony over the years, attracting creative folks such as Kurt Weill and Lotte Lenya, John Houseman, cartoonist Milton Caniff — along with Burgess Meredith and Alan Jay Lerner, who lived just over South Mountain in Pomona. Continue reading

Hello again: The Last Goodbye

Jeff Buckley Meets William Shakespeare

Romeo (Damon Daunno) and Juliet (Kelly Barrett) in the Williamstown Theatre Festival production of The Last Goodbye. (Photo by Sam Hough)

When The Last Goodbye blossomed on the stage of downtown Manhattan nightspot Joe’s Pub in April 2009, Will You Miss Me When I’m Gone? knew director Michael Kimmel (who also conceived and adapted this show) and his collaborators were onto something good. The idea of pairing the lyrics and music of tragic pop star Jeff Buckley with Shakespeare’s story of tragic lovers, Romeo and Juliet, had an instant appeal.

And it took shape well onstage. My mind was blown by that early reading. It went through some changes, was re-presented in New York City this March, and now it’s taking a polished form at the Williamstown Theatre Festival in Massachusetts.

Many members of that original Joe’s Pub cast remain with the show. And that’s for good reason. They’re great.

Word of mouth

We haven’t yet seen this fully staged version, which opened on Saturday and runs through Aug. 20. But the word is very good. A friend of this blog who saw the Joe’s Pub version calls the Williamstown production “quite good,” with “much better integration of the bard’s language.”

Audience reaction was good:

Check out the first review

The first detailed review we’ve found, on the blog This Is Somewhere, is also quite positive.

For more about this show, and details on how you can see it, click through to the jump. Continue reading

Chekhov under an open sky

Ivanov (Rob Campbell) dances on the water of Lake Lucille in the magical conclusion to Chekhov's Ivanov. (Photos copyright 2010, Steven P. Marsh)

Lake Lucille echoed with the sounds of stagecraft for five days last week as a company of 60 actors, musicians and various other theater professionals put together a free, outdoor production of Ivanov, by Anton Chekhov, performed from a new translation by Curt Columbus.

This production of Chekhov on Lake Lucille was particularly welcomed because it marked the return of a neighborhood tradition. The annual run was broken last summer when host-producers Melissa Kievman and Brian Mertes moved to the West Coast for personal and professional reasons. But they kept their wonderful brownstone house — which is the centerpiece of the set for each Chekhov production — and managed to return this summer with a bigger-than-ever performance and neighborhood cookout and potluck supper at intermission.

Melissa Kievman, Brian Mertes and the band.

You could call it summer camp for theater professionals. Most of the volunteer staff spent the week living in tents, eating meals alfresco in the neighborhood and working to create a context for Chekhov’s drama in the suburban landscape of the Lake Lucille neighborhood.

It drew hundreds of guests to enjoy the creative staging under clear skies with moderate summer temperatures.

Dozens of neighbors and local businesses provided support for an undertaking that costs thousands of dollars. This year, the West Branch Conservation Association, Rockland’s Land Trust, helped produce the play with a grant obtained by the office of Assemblyman Kenneth P. Zebrowski and the late state Sen. Thomas P. Morahan. The Tisch East Alumni Council help with a microgrant for costuming.

The production uses the natural features. Here Ivanov makes an entrance from the lake itself.

Ivanov emerges, dripping wet.

Ivanov walks through the audience toward the stage.

As is often the case in Chekhov, the characters complain of boredom.

But Jesse J. Perez, who played Kosikh, choreographed some great routines to keep things interesting:

Check out more photos after the jump.

Continue reading

Lauren Pritchard plays the Mercury Lounge

Lauren Pritchard, with drummer Simon Lea, at the Mercury Lounge in New York City on Aug. 5. (Photos copyright 2010, Steven P. Marsh)

Lauren Pritchard conquered Broadway as Lise in the fantastic original company of the Tony Award-winning rock musical Spring Awakening. On Thursday, the Tennessee native, who’s just 22 years old, returned to New York City to conquer the pop scene.

Lauren, who played keys and sang, got subtle backing from drummer Simon Lea and guitarist Paul Sayer. She blew the roof off the Mercury Lounge with her powerful voice. She sang a very short, showcase set —just eight songs — in a bluesey style with country touches. Her delivery was just the right balance of Broadway power and authentic saloon-singer sloppiness.

Continue reading

Ethel Fair Launches Lincoln Center Out Of Doors

Crews were making the final preparations to Damrosh Park on Tuesday night for Wednesday's premiere of the 2010 edition of Lincoln Center Out Of Doors. (Copyright 2010, Steven P. Marsh)

The fabulous Lincoln Center Out of Doors festival starts Wednesday night with a bit of Civil Rights Movement street theater at 6:30 at Barclays Capital Grove (the sponsored name for the plaza between Lincoln Center Theater and Avery Fisher Hall and moves into full-bore music mode at 7:30 in Damrosch Park with Ethel Fair: The Songwriters.

Ethel is Ralph Farris (viola), Mary Rowell (violin), Dorothy Lawson (cello) and Cornelius Dufallo (violin).

Ethel is a string quartet like no other string quartet you’ve seen or heard. These four skilled players, who are quite active together and separately on the international contemporary music scene, have been working in collaborative mode over the past several years. Their latest project, which has its world premiere at the Lincoln Center Out of Doors festival,  features the quartet yoked with songwriters who are quite well known on their own. Pop tunesmith Adam Schlesinger (a member of pop bands Fountains of Wayne and Ivy and composer of Broadway’s “Cry Baby”), assisted by Mike Viola (Candy Butchers), has created a work with Ethel. Other collaborators include folk-blues dynamo Dayna Kurtz, punk-New Wave pioneer Tom Verlaine (Television) and folky Argentine singer-songwriter Juana Molina.

Ethel always pushes boundaries with its work. This collaborative effort appears to reach for a broader, more mainstream appeal than some of the band’s more left-of-center efforts, such as its ongoing TruckStop project, which takes the band on the road to work with and celebrate indigenous cultures. But it’s certain to provide a richly entertaining evening.

No Snakes In This Grass is the title of the theater piece, written by James Magnuson and directed by Mical Whitaker, that kicks off the evening. It’s a comedy set in the Garden of Eden that deals issues of race and the Fall.

This is just the first night of a jam-packed schedule of fabulous free music and performance art that runs through Aug. 15. For the full Lincoln Center Out of Doors schedule, read the press release after the jump. Continue reading

BREAKING NEWS: Phosphorescent’s stolen van recovered, complete with gear!

Matthew Houck of Phosphorescent.

In a matter of days, Matthew Houck and his band Phosphorescent have had their lives turned upside down and now, suddenly, uprighted again!

The band publicist announced Tuesday morning that the Brooklyn-by-way-of-Athens, Ga., band’s rental van, stolen from a Greenpoint, Brooklyn, street last Thursday night, hast turned up, complete and unharmed.

Phosphorescent’s publicists at 7-10 Music just blasted this note from the band:

this is insane!
the police have recovered the van
and
all of our gear is in there
and appears to be un-damaged

speechless right now,
more soon, love phos

note from label/management: we will of course return everyone’s generous donations. thanks so much for your love and support!

If you missed the backstory to this amazing turnaround, click through to the jump. Continue reading