Category Archives: News

Marah’s Dave Bielanko and Christine Smith returning to New York for benefit show

Marah: Christine Smith and Dave Bielanko

In recent years, the wild, Philadelphia-born rock band Marah has stripped down. Essentially, it’s now just Dave Bielanko and Christine Smith at the core, performing as a duo at time and recruiting bandmates for bigger shows.

After a stint in Brooklyn, they’ve have moved into an old farmhouse in the wilds of central Pennsylvania, with a phone line for incoming calls only. They’ve been working on a couple of records, about which more in our next post.

But for now, let’s focus on this week. Marah is coming out of wilderness to do a few shows, one of which is this Sunday, April 29, at The Bowery Electric at 327 Bowery in Manhattan.

They’re performing on the first night of two-evening benefit concert for a friend who took her own life last year and left two teenage children behind.

Marah to play at Benefit for Lucinda’s Kids

It looks like this benefit will be a real blast, with a lot of other amazing artists.

It’s all to raise money for the children of Lucinda Gallagher, a 37-year-old super music fan from Hoboken who took her life in December.

In an exclusive Will You Miss Me When I’m Gone? interview (which we’ll share fully in our next post), Christine spoke about Marah’s connection with Gallagher:

Continue reading

New World Stages responds to talk that The Scottsboro Boys will make a New York comeback there

New World Stages marquee, 340 West 50th Street, Manhattan. (Photo courtesy New World Stages)

‘No conversations’ about staging the Kander and Ebb musical, says NWS managing director

When we reported the news that one of the producers of The Scottsboro Boys publicly proclaimed the show was returning soon to an NYC stage, Will You Miss Me When I’m Gone? offered it with a grain of salt.

It’s a good thing, because the the people at New World Stages, the house specifically named by the producer, are denying shooting down the idea — at least for now.

Michael Coco, NWS managing director, got back to us with this response:

Currently, all five theaters at NWS are filled with successful productions all with open ended contracts.  We do not anticipate any changes in our programming in the near future.

We followed up with Coco on this to clarify further. Continue reading

New World Stages responds to talk that The Scottsboro Boys will make a New York comeback there

New World Stages marquee, 340 West 50th Street, Manhattan. (Photo courtesy New World Stages)

‘No conversations’ about staging the Kander and Ebb musical, says NWS managing director

When we reported the news that one of the producers of The Scottsboro Boys publicly proclaimed the show was returning soon to an NYC stage, Will You Miss Me When I’m Gone? offered it with a grain of salt.

It’s a good thing, because the the people at New World Stages, the house specifically named by the producer, are denying shooting down the idea — at least for now.

Michael Coco, NWS managing director, got back to us with this response:

Currently, all five theaters at NWS are filled with successful productions all with open ended contracts. We do not anticipate any changes in our programming in the near future.

We followed up with Coco on this to clarify further.

Continue reading

The Public Theater announces its promising new season

How can any theater lineup featuring the talents of David Byrne, Fatboy Slim, Colman Domingo, Michael John LaChiusa, Edna Ferber and more go wrong?

New York’s Public Theater has just announced its schedule for the 2012-2013 theater season.

We’re particularly excited to see the world premiere of  David Byrne and Fatboy Slim’s musical Here Lies Love on the bill and are looking forward to the New York premiere of the musical Giant, based on Edna (Show Boat) Ferber’s novel with lyrics and music by Michael John LaChiusa.

But then there’s Colman Domingo‘s play Wild With Happy getting its world premiere, too!

See for yourself, after the jump.

Continue reading

UPDATED: Provocative musical ‘The Scottsboro Boys’ returning soon to the New York stage?

The cast of The Scottsboro Boys.

BREAKING NEWS: New World Stages reacts. Click HERE.

UPDATED: An earlier version of this post conflated the Broadway show where this news was overheard with the source’s current Broadway credits. This update clarifies the source’s credits and reflects that Will You Miss Me When I’m Gone? has now reached out to New World Stages and the producer for comment.

Will You Miss Me When I’m Gone? has heard an interesting bit of theater gossip. We’re not generally given to reporting gossip, but the source of this one seems impeccable.

At intermission during the matinee performance of Leap of Faith on Broadway Saturday, April 7, a man greeted some friends near the bar. We couldn’t help but hear him reveal to his friend that he’s a Broadway producer. We didn’t immediately recognize him, but he mentioned that he’s producing Clybourne Park, a straight play now on Broadway, as well as a current Broadway musical comedy.

As the conversation went on, the subject of the short-lived Kander and Ebb musical The Scottsboro Boys,came up. It turns out the guy also was a producer of that provocative, somewhat unsettling minstrel-style musical about an infamous racist incident involving accusations of rape by a white girl against nine black teenage boys in 1931.

“It’s coming back, soon, to New World Stages,” he said with obvious pride. Lately, New World is where Broadway shows that, for one reason or another are no longer viable in a Broadway house, take on new life. Rent was revived there, Avenue Q and Million Dollar Quartet live on there. And soon, it seems, The Scottsboro Boys will find new life there, too.

We didn’t recognize the producer who was doing all the talking. T-+here are only one or two producers whose images who are seared in our memory, including Elizabeth McCann and Steve Klein, both of whom were involved with Passing Strange. But a few minutes of research on IBDB.com and Google Images helped us figure out that the guy was, indeed, a producer of the shows in question. So we’re guessing he knows what he’s talking about.

Scottsboro got good reviews in its off-Broadway run at the Vineyard Theatre. (Full disclosure: Will You Miss Me When I’m Gone? is friend and huge fan of Colman Domingo, one of its stars.) It took us a bit of time to get past our feeling that it was somehow wrong to laugh at such a serious true story from the sad history of race relations in the United States. But once we set that aside and got into the spirit of the show, we really enjoyed it. But others in our audience, including a black couple we encountered nearby after the show, left feeling more uncomfortable than entertained.

The show fell flat when it moved to Broadway, running for just 29 previews and 49 regular  performances in the fall of 2010. The feelings of discomfort dogged it from the beginning of its run, and the show drew protesters who claimed it was racist. It also earned 12 Tony Award nominations and gained some rabid fans who continue to beat the drum for its return.

The Scottsboro Boys hasn’t disappeared. It got an extended run in Philadelphia earlier this year, and is set to begin performances April 29 at the Old Globe Theatre in San Diego, Calif. And it’s scheduled to play at the American Conservatory Theater in San Francisco starting June 21.

Continue reading

Big talent cultivates big prog-rock sound in Big Farm

Don’t miss the all-star ensemble’s gig at Public Assembly

Who knows when they’ll play again

Big Farm: Jason Treuting, Steven Mackey, Mark Haanstra and Rinde Eckert.

Q. Did you hear the one about the Pulitzer Prize finalist, the Guggenheim fellow, one of the leading new music percussionists and a Dutch Jazz Competition-winning bassist got together to make some garage rock?

A. Big Farm was born.

Janus Trio

Never heard of Big Farm? Go to Public Assembly at 70 North 6th St., Williamsburg, Brooklyn, at 8 p.m. on Saturday, April 7, and you’ll never forget them. (They’re on a bill with Janus Trio, a great Brooklyn-based flute-viola-harp trio.) Admission is $10 at the door.

Time Out NY has called Big Farm “something like a Blind Faith-style supergroup,” given the accomplishments of the individuals in the band. Jason Treuting, the drummer, is perhaps the most recognizable member of the versatile percussion ensemble So Percussion. Steven Mackey, the sizzling lead guitarist, is a former Guggenheim fellow, a Grammy winner and an accomplished New Music composer. Bassist Mark Haanstra is an incredibly talented jazz player from the Netherlands. And Rinde Eckert, the vocalist, was a finalist for the 2007 Pulitzer Prize for his “Orpheus X” and also a Guggenheim fellowship. Continue reading

The Mountain Goats and Anonymous 4 bridge the centuries at Merkin Concert Hall

Anonymous four and John Darnielle, right, of the Mountain Goats at Merkin Concert Hall

UPDATE: Audio link to full concert added

Hear the full concert by clicking here.

Who knew John Darnielle had a secret wish to work with Anonymous 4, the a cappella quartet that specializes in music of the 12th through 15th centuries? The Ecstatic Music Festival, created by New Amsterdam RecordsJudd Greenstein, gave him a shot, and the result was Transcendental Youth, a song cycle presented Saturday,  March 24, at Merkin Concert Hall.

Darnielle, the writer and singer who performs as the Mountain Goats (and for this evening, he was the lone Goat) got the “why” question out of the way first.
As he was getting ready to finish college, his dad gave him a gift — a CD of A4’s 1993 An English Ladymass— an intense listen, he said, and one he returned to over and over as he coped with the more mundane stresses of completing two thesis papers (in English and Classics).

The Mountain Goats set list is after the jump.

John Darnielle (Photo © 2010, Steven P. Marsh)

Continue reading

Have you seen The Total Bent yet?

Stew, Heidi and members of The Loser's Lounge at Barbés in Park Slope, Brooklyn. (Photos © Steven P. Marsh)

Will You Miss Me When I’m Gone? was supposed to see The Total Bent, the new show by Stew and Heidi Rodewald of Passing Strange fame, in one of its very first Public Lab performances at The Public Theater in downtown Manhattan last month. But then construction delays at the theater — the Public is undergoing a massive, and much-needed, facelift — got in the way.

That created some pretty massive chaos, forcing The Total Bent‘s schedule to push back. Some shows, including ours, were canceled and rebooked.

So we haven’t seen the show yet. We’ll be there for the penultimate performance on Sunday afternoon, March 18.

All the changes also forced the scuttling of interviews and press access to the creative team.

Continue reading

Charli XCX cuts loose at Santos Party House

Charli XCX at Santos Party House in Manhattan. (Photos © 2102, Steven P. Marsh)

British phenomenon Charli XCX is, at the ripe old age of 19, a seasoned veteran of the pop music scene. After all, she exploded on the dance scene in the UK all of four years ago, at the tender age of 15, self-releasing two EPs, Emelline/Art Bitch and !Franchesckaar! in 2008.

Charli XCX (real name Charlotte Aitchison) has supported Robyn and The Ting Tings, and just wrapped up a tour opening for Sleigh Bells. Now she’s ready to take on the U.S. Her first official U.S. release is due this spring. So she decided to check out the lay of the land with a show in Philadelphia and two in New York City before heading to Austin for the South By Southwest music conference.

Her second stop in NYC was at Santos Party House in Chinatown on Monday night, March 12. The line of fans waiting outside the 400-plus capacity club stretched up the block on Lafayette Avenue and around the corner for the absurdly early set.

She eased the pain of the wait a bit when she came outside to smoke a cigarette after her rather belated soundcheck and saw the fans queued up. She stopped and chatted with fans, and even posed for some snapshots before going off to the smoking corral. Very attentive, sweet, personable and normal,

Onstage Charli adopted a much more in-your-face persona, which suited her overall delivery.

Read on for more photos, info and a set list after the jump.

Continue reading

The La’s remain a phantom on the American music scene

Lee Mavers of The La's

We are gutted. Completely. How could it happen that Lee Mavers, the voice of The La’s, could destroy our hopes of seeing the band in New York City?

One-album-wonders from Liverpool (yes, it’s not just the hometown of The Beatles), The La’s — or perhaps more specifically, lead vocalist Lee Mavers and a band of merry hired guns — were supposed to show up at Webster Hall in Manhattan’s East Village for a long-awaited show on March 12.

But an unhappy email arrived in our inbox on Thursday:

“It is with regret that The La’s have had to cancel their show at the Webster Hall on Monday, March 12th, 2012. Unfortunately, front man Lee Mavers has damaged the tendons in his index (playing) finger.  He has been to see a doctor and been informed that it will not have recovered in time for his New York show.”

Continue reading