Category Archives: Recordings

The ‘Portlandia’ effect: Wild Flag rocks Webster Hall in NYC

Wild Flag at Webster Hall in New York City on April 1, 2012. From left, Rebecca Cole, Mary Timony, Janet Weiss and Carrie Brownstein. (Photos 2012, Steven P. Marsh)

Wild Flag is an all-female supergroup whose members are drawn from three ’90s bands — Sleater-Kinney, Helium and The Minders. But thanks to her incredible stage presence (and her seeming ubiquity as a result of her cult hit cable TV show “Portlandia”)  guitarist Carrie Brownstein (Sleater-Kinney), was the one who really owned the stage at Webster Hall in Manhattan on April Fool’s Day.

Carrie Brownstein, with Janet Weiss on drums.

Brownstein shares lead vocals in Wild Flad with Mary Timony (the Lolita-esque former frontwoman of Helium). But only Brownstein behaved like a rock star onstage. She pranced, jumped and stretched like a cat (not much purring, though, as her vocal delivery was aggressive) throughout the band’s tight, well-paced set. Despite being encumbered by her guitar for most of the evening, Brownstein, with her lithe figure, managed to evoke Mick Jagger with her moves.

That’s not to say that the other three were slacking. Timony, keyboard player Rebecca Cole (The Minders) and drummer Janet Weiss (Sleater-Kinney) each held up their end of the bargain quite well. Continue reading

Big talent cultivates big prog-rock sound in Big Farm

Don’t miss the all-star ensemble’s gig at Public Assembly

Who knows when they’ll play again

Big Farm: Jason Treuting, Steven Mackey, Mark Haanstra and Rinde Eckert.

Q. Did you hear the one about the Pulitzer Prize finalist, the Guggenheim fellow, one of the leading new music percussionists and a Dutch Jazz Competition-winning bassist got together to make some garage rock?

A. Big Farm was born.

Janus Trio

Never heard of Big Farm? Go to Public Assembly at 70 North 6th St., Williamsburg, Brooklyn, at 8 p.m. on Saturday, April 7, and you’ll never forget them. (They’re on a bill with Janus Trio, a great Brooklyn-based flute-viola-harp trio.) Admission is $10 at the door.

Time Out NY has called Big Farm “something like a Blind Faith-style supergroup,” given the accomplishments of the individuals in the band. Jason Treuting, the drummer, is perhaps the most recognizable member of the versatile percussion ensemble So Percussion. Steven Mackey, the sizzling lead guitarist, is a former Guggenheim fellow, a Grammy winner and an accomplished New Music composer. Bassist Mark Haanstra is an incredibly talented jazz player from the Netherlands. And Rinde Eckert, the vocalist, was a finalist for the 2007 Pulitzer Prize for his “Orpheus X” and also a Guggenheim fellowship. Continue reading

The La’s remain a phantom on the American music scene

Lee Mavers of The La's

We are gutted. Completely. How could it happen that Lee Mavers, the voice of The La’s, could destroy our hopes of seeing the band in New York City?

One-album-wonders from Liverpool (yes, it’s not just the hometown of The Beatles), The La’s — or perhaps more specifically, lead vocalist Lee Mavers and a band of merry hired guns — were supposed to show up at Webster Hall in Manhattan’s East Village for a long-awaited show on March 12.

But an unhappy email arrived in our inbox on Thursday:

“It is with regret that The La’s have had to cancel their show at the Webster Hall on Monday, March 12th, 2012. Unfortunately, front man Lee Mavers has damaged the tendons in his index (playing) finger.  He has been to see a doctor and been informed that it will not have recovered in time for his New York show.”

Continue reading

Bachelorette playing an intimate show in Brooklyn before hitting the road with The Magnetic Fields

Annabel Alpers of Bachelorette

One-woman act makes dreamy, psychedelia-tinged pop

There’s something about Bachelorette, the nom de rock of New Zealander Annabel Alpers, that’s immediately appealing. Our very first impression of her is that she’s a self-directed Beth Orton who charts her own course without being at the mercy of producers and DJs.

If your first exposure to this Drag City recording artist’s dreamy, pyschedelic girl-group sound is via her most recent recordings, you might not agree. But check out this video, recording in someone’s living room, on the Australian music blog Polaroids of Androids, and you’re more likely to understand.

She’s not as folkie as Beth Orton, but she has a dreamy, somewhat fragile voice and a knack for lovely melody that evokes an Orton for a new generation, one who knows how to loop and manipulate sound live.

Continue reading

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Last chance to see Stew & The Negro Problem in NYC

Stew, Heidi Rodewald and The Negro Problem at Joe’s Pub on Jan. 23, 2012. (Photo © 2012, Steven P. Marsh)

If you didn’t get to Joe’s Pub last night to see Stew &  The Negro Problem and grab a copy of the new album, Making It, all is not lost. 

They’ve got another CD-release show at Joe’s at 9:30 tonight (Tuesday, Jan. 24). Tickets, $30, are available here. Book now. If you miss it, you’ll be sorry.
 

Stew just can’t shed his Negro Problem

Stew in his breakup show, "Making It," at St. Ann's Warehouse in February 2010. (Copyright 2010, Steven P. Marsh)

Three shows at Joe’s Pub mark Tuesday’s release of Stew & The Negro Problem’s new album, Making It

The cover of Making It features a photo by Stew's daughter, Bibi.

First of all, let’s say “welcome black” to Stew & The Negro Problem.

It’s been 10 long years since Stew (born Mark Stewart in 1961) and his band The Negro Problem made a proper, official album: 2002’s Welcome Black. But on Tuesday, Jan. 24, the wait is officially over when Making It gets its official release.

Thank goodness. It’s long overdue. But you’ll surely find it worth the wait.

It’s a crazy, creative look at the breakup of Stew’s relationship with his longtime girlfriend and musical collaborator Heidi Rodewald. The breakup came in the run-up to the pair’s amazing theater project,  Passing Strange, which briefly thumbed its nose at the Broadway establishment from the Belasco Theatre over six months in 2008. (It also lives on in a Spike Lee film of the show’s final performances.)

Heidi Rodewald and Stew. (Copyright 2009, Steven P. Marsh)

Stew and Heidi managed to survive the breakup and continue their artistic relationship, albeit not without some problems. This album documents the breakup, and in some ways, the promise of their continued collaboration.

This is Stew’s fourth album under the rather provocative name of The Negro Problem, though on  this release on TNP records, the band is billed as “Stew & The Negro Problem.” And even though Stew seemed to abandon the band name in favor of his own moniker, Stew and Heidi haven’t released a rock album since 2003’s Something Deeper Than These Changes, billed simply to Stew. (Yes, there was a Passing Strange soundtrack in 2008, but that wasn’t a Stew record, let alone a Negro Problem record!)

Let’s just say it’s about time! It’s always seemed to me that Stew needs The Negro Problem to fuel his angry-not-as-young-as-he-used-to-be-man persona. (Truth be told, he’s used The Negro Problem name occasionally in recent years, but this seems to be a definitive return home.) Continue reading

A hint about Wilco and the future of the Solid Sound Festival

As Will You Miss Me When I’m Gone? told you on Friday, Wilco‘s Solid Sound Festival v.3 won’t happen until next year. But in announcing the one-year hiatus, the band also announced that it’ll be performing a benefit concert at the festival venue, MASS MoCA this summer.

While no date for the concert has been announced, you can get first dibs on information and tickets if you’re willing to front some cash to become a MASS MoCA member. (Or you can just keep your eyes on Will You Miss Me When I’m Gone?)

Up to you. But click here for MASS MoCA membership information.

No Solid Sound Festival for 2012 — Wilco skips a year

Wilco's first takeover at MASS MoCa. (© 2010 Steven P. Marsh)

Band plans benefit concert for MASS MoCA instead

Will You Miss Me When I’m Gone? is never happy to be the bearer of bad news. But you need to know that Wilco announced today that the band is taking a year off from presenting the Solid Sound Festival at MASS MoCA, the awesome art musuem in North Adams, Mass.

Jeff Tweedy and his Wilco bandmates have with great success presented the three-day Solid Sound Festival for the past two years, bringing music, art and friends together on the low-key industrial campus in Western Massachusetts.

We’ve been watching since before Christmas for an announcment of the dates of the next three-day music fest. Finally, around 1 p.m. today, came a tweet from @WilcooftheDay listing the long-awaited info:

#SolidSound Update: The next Solid Sound Festival will be held June 21-23, 2013 at MASS MoCA in North Adams, Ma.

2013? Huh? What happened to 2012? Before we could ask the question, almost as if somebody could read our minds, came this tweet:

The 3 day event will take a 1 year hiatus, but Wilco will perform at the North Adams museum this summer in a benefit concert for MASS MoCA.

And when will that concert happen? Came the reply to our unasked question:

not announced yet

Sigh.

Stay tuned for details on why Wilco’s taking a year off and details about the benefit concert at soon as they become available.

Thanks a lot, Chris Isaak

Bimbo's 365 Club (© 2011, Steven P. Marsh)

Bimbo's 365 Club (© 2011, Steven P. Marsh)

Will You Miss Me When I’m Gone? made a pilgrimage to the West Coast a couple of weeks ago. And this time, we were determined to hit a San Francisco music club we’d missed previously. It’s the supper club and music venue with the potentially provocative name: Bimbo’s 365 Club.

OK, we admit we weren’t put off by the name — it’s what Tuscan immigrant Agostino Giuntoli’s boss at a San Francisco restaurant called him because he couldn’t pronounce the kid’s name. (“Bimbo,” pronounced beem-bo, is Italian for boy.)  Giuntoli was a smart guy, who apparently didn’t have any problem with the nickname. And it turned out to be a much catchier name for the nightclub he opened with Monk Young, his name-challenged s former boss, now his partner, in 1931.

We really didn’t know much about the place until the advent of singer Chris Isaak‘s Showtime network sitcom, The Chris Isaak Show. If you don’t remember the show, it ran from 2001-2004 and pretty much purported to be a fly-on-the-wall look at Isaak’s life in San Francisco — although the show was actually shot in Vancouver. One of the show’s most endearing and curious features was Isaak’s regular pilgrimage to Bimbo’s basement to visit Mona, who in the show played the club’s mermaid Dolphina, for advice about his love life.

The mermaid — created through projections, not real women in tanks of water — was and still is a feature of the real Bimbo’s. Mona (actress BobbyJo Moore) appeared nude on a turntable in the basement. Her image was projected into a “tank” in the club’s lounge.

We needed to see Bimbo’s and check out the mermaid. And luckily, it turned out that Laura Marling was performing there while we were in town. (Don’t be misled by the “365” in the club’s name. It comes from the club’s former address at 365 Market St. and doesn’t refer to being open every night of the year.)

Laura Marling at Bimbo's 365 Club. (Photo © 2011, Steven P. Marsh)

Laura Marling and her band at Bimbo's 365 Club. (Photo © 2011, Steven P. Marsh)

It was great fun. Laura Marling was awesome, delivering a confident, rocking set. And her opener, Alessi’s Ark, a singer-songwriter with one backup player, did a surprisingly lovely performance.

Alessi's Ark at Bimbo's 365 Club. (Photo © 2011, Steven P. Marsh)

Alessi's Ark at Bimbo's 365 Club. (Photo © 2011, Steven P. Marsh)

But we couldn’t find any sign of the “real” Dolphina. Sure, there was a statue in the swanky lobby. But we couldn’t even immediately figure out where the mermaid tank was based.

Before the evening was over, we finally — and to our slight disappointment — discovered that Dolphina appears only occasionally at Bimbo’s, projected into a faux aquarium that spends most of its time behind curtains on the back bar. The rest of the time, there’s a small aquarium with some fish in it behind bar in the retro-elegant lounge.

The club has a no-cameras rule that they did try to enforce, so we had to rely on crappy BlackBerry photos inside the place. But here’s the tiny fish tank that had to suffice on Sept. 18:

The resident fishtank at Bimbo's is behind the cash register in the cocktail lounge, providing a point of reference to show how small the tank is. (© 2011, Steven P. Marsh)

The resident fish tank at Bimbo's is behind the cash register in the cocktail lounge, providing a point of reference to show how small the tank is. (© 2011, Steven P. Marsh)

By the way, don’t forget to check out music from Laura Marling, Alessi’s Ark, and Chris Isaak, who has a new album, Beyond the Sun, a tribute to the classic recordings of Sun Records of Memphis, out this month.

Rock out at Maxwell’s while you help young adults adapt to life after foster care

If you can’t picture yourself at Maxwell’s in Hoboken, N.J., at 3 o’clock on a Saturday afternoon, it’s time to make an exception.

Tomorrow, Aug. 13, that’s exactly where you should be. If you’re there, you’ll be helping young adults who have aged out of New Jersey’s foster-care system through the Roots & Wings foundation and listening to four great bands in the process: Speed the Plough, Yung Wu (a side project of Feelies percussionist Dave Weckerman), Wild Carnation (which includes Feelies bassist Brenda Sauter) and Charlotte Sometimes.

Of course this is just one of three shows, featuring 12 bands, being staged at the legendary Hoboken club this weekend as part of CamelFest 2011 in support of Roots & Wings. It’s sponsored by Great Meadows, N.J., -based Dromedary Records.

Photo by Katie Demeski

Speed the Plough (Photo by Katie Demeski)

Tonight’s show’s, which starts at 8, features Richard Barone, Robbers on High Street, Readymade Breakup and The Mommyheads. Tomorrow night, also at 8, it’s The 65’s, The Library is on Fire, Varsity Drag and Stuyvesant.

Tickets are $10 per show. They’re available online (click here for tonight, tomorrow afternoon, tomorrow night) and at the door.