Category Archives: Pop and Rock

More video of Stew, Heidi and The Negro Problem at Joe’s Pub

It’s time for a better taste of The Negro Problem‘s fantastic show at Joe’s Pub on Jan 7 .

Here’s all the video Will You Miss Me When I’m Gone? managed to shoot in the crowded room.

The first clip is just an excerpt, the last minute or so of one of my favorite Stew/TNP songs, “Peter Jennings,” performed with as much joy and excitement as I’ve ever seen.

After that is “Willow Song,” a Stew and Heidi number that many in the audience hadn’t heard before. It was written for last summer’s production of Othello for Shakespeare on the Sound, an outdoor community Shakespeare program in Connecticut. (Stew and Heidi tackle Shakespeare’s Much Ado About Nothing for SotS Artistic Director Joanna Settle this summer.) It’s a beautiful, dreamy number that worked well in the play, but also stands alone surprisingly well.

Finally, for all you Passing Strange fans, there’s “Amsterdam.”

Enjoy!

The Negro Problem at Joe’s Pub: Video

I promised video of The Negro Problem‘s fantastic show at Joe’s Pub on Jan 7 . Here’s the first one, with more to come as soon as the overworked staff at Will You Miss Me When I’m Gone? can find the time to process it.

This clip is just an excerpt, the last minute or so of one of my favorite Stew/TNP songs, “Peter Jennings,” performed with as much joy and excitement as I’ve ever seen.

Clips still to come are longer. But this will give you a good idea of the show’s energy.

The Negro Problem: Stew, Heidi and friends come home to Joe’s Pub

Stew, Heidi Rodewald and The Negro Problem at Joe's Pub on Friday, Jan. 7, 2011. (Photos copyright 2011, Steven P. Marsh)

Stew, Heidi Rodewald and their current incarnation of The Negro Problem came home to NYC — to Joe’s Pub at The Public Theater — on Jan. 7.

What a homecoming it was.  The show was rocking and well-paced, with old favorites — many reimagined in one way or another — and newer material from last fall’s Brooklyn Omnibus, a show premiered at the Brooklyn Academy of Music.

“Ken,” the never-fails-to-get-laughs tune about Barbie’s boyfriend Ken secretly being gay, was done with a reggae feel to it. And they did “Willow Song” from their music for last summer’s Shakespeare on the Sound production of Othello. They also did a great rendition of Stew’s self-proclaimed best song ever, “Gary Come Home,” written for TV’s SpongeBob SquarePants cartoon show.

The current incarnation of The Negro Problem, Stew and Heidi’s first project together, is really just the pair of them backed by Joe McGinty‘s Loser’s Lounge crew plus awesome longtime guitarist Jon Spurney. (Spurney wasn’t in the earliest incarnations of The Negro Problem, but then again, neither was Heidi. Spurn was, however, involved from the beginning with the material that eventually became the acclaimed musical, Passing Strange.)

The place was packed. The show was great. And it seemed to go by in a flash.

Will You Miss Me When I’m Gone? was thrilled to be there. We’ll shut up now so you can look at the photos. (Video will come later!)

Stew in his Utilikilt with a new approach to hairstyling, and Heidi at Joe's Pub.

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Maybe we haven’t seen the last of The Last Town Chorus

It was a real shock to go through the Will You Miss Me When I’m Gone? photo library and discover that there’s not a single image socked away of one of our absolute favorite bands ever: The Last Town Chorus.

And since Megan Hickey, the awesome lap-steel guitar-playing heart and soul of TLTC, stopped gigging nearly two years ago, we had the feeling we might never get a chance to correct that omission.

A new single

Now there’s hope. On Christmas Eve, Megan finally released a new recording, the single “Keep Burnin’,” on iTunes. It seems to be a song she’s been working on since 2008. And it’s the first new track she’s released in that time. Her last new release was the single “Loud and Clear,” which she put out in 2008 as an”album version,” though the album clearly that hasn’t come together yet. (TLTC’s last album, “Wire Waltz,” came out way back in March 2007!)

The new tune is worth the wait. Her voice sounds a little different, more natural and a touch less dressed up than on her previous recordings. It’s a voice that’s as beautiful and clear as a bell as possible. She’s retained her amazing ability to bring tears to our eyes in the way few singers can. We’re looking forward to more track, soon!

So, with a new song out, can performing be far behind? WYMMWIG is eager to see and hear Megan play again. And other fans are eager too.

Even her guitars have been asking questions:

Megan divorced herself from New York City in a long, slow process. You could track it pretty clearly on her blog, The Last Town Chorus’ Travelogue. She started spending more and more (nontouring) time away from New York in early 2009. She started downsizing, selling equipment and finally gave up her record collection. That was a clear sign she was done, done, done with New York, at least for now, if not forever.

But Megan clearly did get the urge for going (as Tom Rush wrote), and so she finally did.

We should have seen it coming. We won’t get into her reasons. She’s told us some of them, and we’re sure there are many more. She can explain it herself if she wants to. The reasons don’t matter. What matters is that Megan seems to be finding her muse again. And our lives will be richer as a result.

We don’t know what’s next for Megan, and we haven’t yet asked. Chances are, Megan, who’s extraordinarily talented, beautiful and an all-around good person, will let us know soon.

Andy maybe we’ll get to fill that blank in our photo library.

In the meantime, we have “Keep Burnin’ ” to keep us going. Thanks, Megan.

Great news: As predicted, Wilco’s Solid Sound Festival returns to MASS MoCA in 2011

When Wilco arrived at MASS MoCA last summer, the band even took over the museum's sign. (Photos copyright 2010, Steven P. Marsh)

Fantastic festival can only get better

We don’t like to brag (well, okay, sometimes we do), but Will You Miss Me When I’m Gone? predicted that Wilco’s Solid Sound Festival would become an annual event — even before this year’s inaugural gathering wrapped up.

Wilco HQ announced the news with an email this morning:

Greetings and Happy Holidays. We’ve got a last bit of news before heading home for the break. The big story here is that Solid Sound 2011 is officially ON and happening the weekend of June 24-26, once again at MASS MoCA in North Adams, MA. if you were there last year, we know you’ll be back. If not, well, this year you should know better. Ticket information and more will be announced on January 18. So keep an eye and ear out.

Safe travels and sweet holidays to you all. Thanks again for another great year in Wilcoworld. We’ll see you in 2011 with what will undoubtedly be a whole bunch of news regarding Wilco tours, records, the festival and so on. Cheers.

the HQ Staff

This years three-day event was held  in mid-August. It gave thousands of fans of all ages the run of the Massachusetts Museum of Contemporary Art (MASS MoCA) in the Berkshires town of North Adams, Mass. Participants got to hear lots of music from Wilco, the side projects of band members like Jeff Tweedy, Nels Cline, Pat Sansone, their friends, and got to sample comedians and films along with the spectacular art on the gritty former factory campus. It was well run, well curated and surprisingly chill.

The music was great, the scheduling tight without being overwhelming, the facilities were superb and the food and drink never seemed to run out. Everything worked together to make it one of the best and most memorable festivals around.

Wilco perfoms on the main stage in Joe's Field at MASS MoCA.

Museum management was thrilled to have as many as 5,000 well-behaved patrons on site at once, and obviously saw the festival as something worth bringing back. Museum Director Joe Thompson was singing the praises of the event all weekend, and made no secret of the fact that he supported the idea of doing it again in 2011.

And Cline brimmed with excitement about the festival when we spoke with him at Joe’s Pub in New York City, where he and fiancee Yuka Honda were checking out Sean Lennon and Charlotte Kemp Muhl‘s new project, The Ghost of a Saber Tooth Tiger.

Next year’s festival is earlier in the summer — June instead of August. So save the date and stay tuned for an update in a month.

Nellie McKay vs. Christmas trees

A trippy light show for a trippy artist: Nellie McKay and her quintet at New York's Highline Ballroom. (Photos copyright 2010, Steven P. Marsh)

Nellie McKay never disappoints. She did a spirited show at the Highline Ballroom on Saturday night, Dec. 11 with a full band that was as sharp, charming  and entertaining as any Will You Miss Me When I’m Gone? has seen.

Quirkiness is big part of Nellie’s shtick, but sometimes it hinders enjoyment of her amazing ability to interpret timeless pop songs and make important points with her own tunes. But at times, especially in her solo shows, Nellie’s seemingly absent-mindedness can overwhelm the show a bit.

Nellie McKay and her band.

At the Highline she was organized, focused and well-rehearsed. While there were a couple of false starts, there were no long, awkward pauses while she tried to remember the next song, or find a battered cheat sheet in her homemade fakebook. It was clearly a benefit of working with a band. With bass, guitar, drums, trumpet and trombone all depending on her for cues, there was less room for stumbling.

Nellie McKay duets with Rudolph the Red Nosed Reindeer.

Nellie never pulls punches when addressing things that are important to her: the environment, animal rights, the horrors of fur. But even when she goes a bit too far, she never loses her charm. She performed an anti-Christmas Tree song, with lines like “please don’t chop another Christmas Tree” and “please don’t ax another evergreen.”  Okay, I can see the moral problems with Christmas Tree production and reasons not to support that system, but she lost me with the line “please don’t kill another living thing.” I don’t want to get political about it, but something has to die for every meal — even a vegetarian or vegan repast.

Click through to the jump for more photos and details.

Vince Giordano joins Nellie McKay.

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Lucinda Black Bear: tonight’s the night

Lucinda Black Bear at the Knitting Factory in Brooklyn. (Copyright 2010, Steven P. Marsh)

Lucinda Black Bear‘s new album, Knives, was officially released on Election Day, Tuesday, Nov. 2. But for the Brooklyn-based band’s New York fans, Friday, Nov. 5, is the day to elect LBB to most-favored-band status.

If you don’t know Lucinda Black Bear, you should. Check out “Percival,” a track from the new album, by following this link. The new disk is full of great tunes. And read more about the band right here on Will You Miss Me When I’m Gone?

The melodic, country-inflected folk-rock ensemble is celebrating the new album with a show at 92Y Tribeca, 200 Hudson Street. You can be sure that frontman Christian Gibbs and his stalwart bandmates will rock the house with selections from the great new album (available now on iTunes, eMusic, CD Baby and, of course, at the venue) and old favorites.

8 p.m., Friday, Nov. 5. 92Y Tribeca, 200 Hudson St., Manhattan. Tickets for the show are $12. Call (212) 601-1000 or click here. Cheyenne frontman Beau Jennings performing a solo set at 9. LBB is slated to take the stage at 10.

Buke and Gass: watch the new video for ‘Page Break’ (plus tour dates)

Buke and Gass (Photos copyright 2010, Steven P. Marsh)

You sure can’t accuse Brooklyn duo Buke and Gass (Arone Dyer plays the buke, a seriously modified baritone ukelele, and Aron Sanchez on gass, as in guitar-bass) of being ordinary. The just-released video for “Page Break,” a song from the band’s fantastic new album Riposte (on the Brassland label), is as choppy and head-spinningly wonderful as the music.

This band is loud and sweetly folkie all at once, and this video really brings things together nicely.

Here’s what Arone says about the video: “Intentions are best left at the base of one’s backbone, unless heeding to impulses actually gets one somewhere, in which case, trouble might arise and one must be prepared with ones pants belted tightly.”

Check it out for yourself:

And since this video is most definitely a road video, it makes sense to announce the band’s newly announced tour dates, too, which bring them back to NYC in early December:

Thu. Nov. 4 — Princeton University Art Museum
Thu. Dec. 2 — Boston, MA @ TT the Bears w/ Talk Normal
Fri. Dec. 3 — Montreal, PQ @ Casa Del Popolo w/ Talk Normal
Sat. Dec. 4 — Toronto, ON @ Sneaky Dee’s w/ Talk Normal
Mon.  Dec. 6 — Chicago, IL @ Empty Bottle w/ Talk Normal
Tue. Dec. 7 — Cleveland, OH @ Grog Shop w/ Talk Normal
Thu. Dec. 9 — Washington, DC @ Rock and Roll Hotel w/ Talk Normal
Fri. Dec. 10 — Philadelphia, PA @ Kung Fu Necktie w/ Talk Normal
Sat. Dec. 11 — New York, NY @ Mercury Lounge w/ Talk Normal

The Extra Lens (John Darnielle & Franklin Bruno) and John Vanderslice at the Mercury Lounge

John Darnielle makes a point at The Mercury Lounge on Oct. 21, 2010. (Photos copyright 2010, Steven P. Marsh)

Dan Mangan played, too

Once again, we missed Dan Mangan. The up-and-coming Canadian singer-songwriter opened the John Vanderslice-The Extra Lens early show at The Mercury Lounge on Thursday night, Oct. 21. But we arrived too late to hear him. This is the second or third show we’ve attended recently where Mangan finished his set before we arrived.

The Extra Lens

Luckily, though, we still got to talk to Dan Mangan. Well, the other Dan Mangan, who’s not a singer-songwriter at all (at least as far as we know), but a writer for the New York Post.

But there was little time to waste, as John Vanderslice had already taken the stage. Vanderslice did an all-too-short set of song from all parts of his fictional storytelling repertoire, charming the audience but failing to pass any baked goods or announce a dance party location. (When he headlines, Vanderslice typically has some form of home baked goods to distribute to the crowd and follows his set with a DJ dance party.)

The highlight of the evening was The Extra Lens (former The Extra Glenns), a band that sounds an awful lot like The Mountain Goats — mostly because the Goats’ frontman, John Darnielle, is half of the ensemble. The extremely talented and unassuming Franklin Bruno of Nothing Painted Blue is the other half. (Bruno is a visiting professor of philosophy at Bard College.)

Darnielle fixes the mic for Professor Bruno.

The Extra Lens rocked out with occasional help from Matt Houser, a drummer formerly with Palomar.

The only real downside to this is is the fact that it was part of the CMJ Music Marathon, so all the sets were way too short and the room to crowded — making it tough to get close enough for good photography without being a total jerk. Surprisingly, the audience was less chatty and more respectful than you sometimes find at CMJ shows and other showcases. That was a blessing.

John Vanderslice at The Mercury Lounge.

Carolina Chocolate Drops: New music at the Bowery Ballroom

Rihannon Giddens of CCD and Adam Matta, the Human Beatbox, join forces on a tune so new it doesn’t yet have a title

The Carolina Chocolate Drops knocked the crowd dead at The Bowery Ballroom in New York City on Friday night, Oct. 12. We have plenty of great visuals to come, but we’ll whet your appetite with this video of a great new tune from CCD’s Rhiannon Giddens and the Human Beatbox, Adam Matta.

Rhiannon explained the her husband is Irish, and she learned some Irish vocal techniques while visiting his family. She put them to great use.

Enjoy.