Category Archives: Contemporary Classical

Guilty: Babe the Blue OX makes its best album ever

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First release from Brooklyn perennial in 15 years

We didn’t really know Babe the Blue OX in its 1990s heyday, when the band was a regular(-ish) feature on bills around New York City. We heard and appreciated some of its recordings, and were charmed by its Paul Bunyan-esque name and Barbra Streisand-ish album titles.

For whatever reason, we never saw Babe live until a couple of years ago, when the members decided to come out of accidental retirement and start playing on a semi-regular basis again.

(Full disclosure: We met and became friendly with singer-guitarist Tim Thomas through his day job as a fund-raiser for a nonprofit long before we even realized he was in Babe.)

Listen to Guilty and read more after the jump. Continue reading

Bang on a Can introduces new compositions at the Peoples Commissioning Fund concert

See what a little cash from a lot of people can do

While we’re generally ecstatic about New Amsterdam Records’ Ecstatic Music Festival, we’re particularly psyched about the latest installment of Bang on a Can’s long-running Peoples Commissioning Fund concert series.

It’s slated for 7:30 p.m. Thursday, March 14, at Merkin Concert Hall in Manhattan.

The contemporary classical organization since 1997 has been collecting contributions, mostly small, from lots and lots of music lovers (that’s the “Peoples” part), aggregating them (the “Fund” part), and using them to commission (the Commissioning part) new work from composers new and established.

Bang on a Can calls this “a radical partnership between artists and audiences” that uses crowd-sourcing to fund new work. While the idea probably never was unique to Bang on a Can , it no doubt opened the door to other funding machines, such as Kickstarter and PledgeMusic.

The concept shatters the longstanding model of big-bucks patrons fueling the production of new work. This crowd-sourcing concept, which predates the social media boom, has raised almost $300,000 since its inception and made it possible for Bang on a Can to help in create more than 50 new works. Continue reading

Sandy can’t stop New Amsterdam from forging ahead with plans for Ecstatic Music Festival 2013

Clogs

Clogs, Bang On a Can, Deerhoof, Shara Worden, Karla Kihlstedt among the acts on adventurous music series’s killer lineup of shows coming up in January and February

Superstorm Sandy did a real number on the New Amsterdam Records headquarters in Red Hook, Brooklyn, a month ago. The good folks at the nonprofit record company/concert presenting organization are still struggling to recover from the devastation. (Please help them with a donation if you haven’t already — or even if you have. Just click here.)

Despite the devastation, they folks at NewAm have forged ahead with plans for a killer lineup for the next installment of their groundbreaking concert series at Merkin Concert Hall in Manhattan. It’s something we here at Will You Miss Me When I’m Gone? always look forward to.

The 2013 edition, which kicks off in late January, offers one of the strongest lineups ever. It’s hard to know where to start.

My Brightest Diamond’s Shara Worden with the Brooklyn Youth Chorus? Check.

Clogs with NewAm founder Sarah Kirkland Snider? Check.

Deerhoof and Dal Niente with Marcos Balter? Check.

Laurel Halo, Julia Holter, Daniel Wohl and Transit (an adventurous ensemble that my pal Andie Springer is involved in)? Yep.

The Bang on a Can People’s Commissioning Fund Concert? Yes, indeed.

I could go on. But you get the idea. Check out the full schedule. And buy tickets. Now. You won’t want to miss any of these shows.

For schedule, tickets and more info, click here. Single tickets are just $25, while a festival pass is a mere $150 — and worth every penny.

Trust me on this one.

Tito Muñoz named music director of Ensemble LPR

Tito Muñoz

New York native takes baton for (le) poisson rouge nightclub’s resident orchestra as it prepares to reveal its first full season of concerts

(Le) Poisson Rouge

(Le) Poisson Rouge today announced the appointment of conductor Tito Muñoz to lead its bespoke house orchestra, Ensemble LPR.

LPR is one of New York City’s leading music venues, featuring everything from rock and folk to classical. But from its inception, LPR has been a champion of modern classical music, or so-called New Music.

Muñoz takes the baton just as the ensemble is preparing its final concert of  2012 as it accompanies British composer-performer Max Richter in the U.S. debut of his “Vivaldi Recomposed: The Four Seasons,” with violin soloist Daniel Hope.

Two performance of “Vivaldi Recomposed” are scheduled at LPR next month. Click here for more details and tickets.

(Both Richter performances will also stream live on LPR’s streaming channel.)

“Ensemble LPR is a special voice in the music world; an ensemble capable of performing anything, breaking barriers and genres,” Muñoz said in a statement released this morning. “I am excited to bring my passion for versatility and artistic excellence to the group, and look forward to all of our future musical adventures.” Continue reading

Donate to help New Amsterdam Records recover from Sandy’s devastation and you’ll be helping the cause of New Music, too

Nonprofit New Music powerhouse is really on the ropes in the wake of the storm

A photo of some of the losses is posted on New Amsterdam’s blog.

Please donate now to help New Amsterdam, if you can

Superstorm Sandy wasn’t kind to anyone in the New York metro area. But our friends at New Amsterdam Records, which became the virtual center of the New Music universe here in recent years, has really taken it on the chin.

Their Brooklyn headquarters at 98A Van Dkye St. in Red Hook — where they’ve been for just six month or so — has been devastated by the storm. The nonprofit New Amsterdam (they’ve had 501 (c)(3) status for a year) lost all its financial records. And the storm wiped out 70% of their CDs, which New Amsterdam held and distributed for the artists, who actually owned them.

Yes, this all really, really sucks. But New Amsterdam ‘s co-founders, Judd Greenstein, William Brittelle and Sarah Kirkland Snider didn’t get this far by being wussies. They’re a plucky bunch and they’re already looking toward brighter days.

Here’s where we come in: Let’s help them get to those brighter days faster. If you care about New Music, especially the artists that New Amsterdam has brought to attention in New York and the world with its CDs and its amazing Ecstatic Music Festival at Merkin Concert Hall, kick in some cash. Help them out.

Click on their Hurricane Recovery page to make a tax-deductible donation.

And don’t forget to buy New Amsterdam products. Go to a record store, if you remember what that is. Or go online and buy from any of the wonderful online sites that carry NewAm CDs and downloads. Given the tremendous loss of product at HQ, it’s unlikely NewAm will be shipping anything anytime soon. But if you want to see what’s in the NewAm catalog, click here.

Much of the money goes directly to the artists, but New Amsterdam benefits from ever sale as well.

Once you’ve done your bit, follow New Amsterdam’s recovery on Facebook and Twitter, and check out photos on its Flickr stream.

And if you’re nearby, offer your time, too. Judd, Bill and Sarah are going to need all the help they can get.

Evan Ziporyn leaving Bang On A Can All-Stars

Composer and super versatile clarinet player Evan Ziporyn, is leaving the Bang On A Can All-Stars after two decades, the New Music organization announced today.

He’s a founding member and has long been the anchor and frequently the most public face of the sextet. We’re pleased about his personal success, which takes more and more of his time. But we’ll sorely miss his solid, quiet influence in the group.

Here’s the letter from Michael Gordon, Julia Wolfe and David Lang, the founders of Bang On A Can:

October 31

Dear Friends,

We wanted to let you know that Evan is leaving the Bang on a Can All-Stars. Evan has been such a big part of everything we have done for the last 25 years. He played on the first festival, and every festival afterwards. He was a founding member of the All-Stars – featured as a composer, performer, scholar, and often as the commentator between pieces, and his compositions have been a highlight of 100’s of the concerts we have done, all around the world. The formal note announcing his moving on is copied below, so you can see how active he is – he is writing music for all sorts of great performers, he is starting a new world-class center for art and technology at MIT, where he teaches. The guy is busy! But we didn’t want Evan to go without pointing out how much we all accomplished together, how close our connection has been, and especially that we wish him all the best.

Sincerely,
Michael Gordon, David Lang, Julia Wolfe

After 20 years, capped by the recent achievements of Bang on a Can’s 25th year, long-time founding composer/clarinetist Evan Ziporyn is leaving the Bang on a Can All-stars to pursue independent projects and devote himself to his new position as Director of MIT’s Center of Arts, Science & Technology. As a composer, Ziporyn continues to receive commissions from leading new musicians and ensembles: current projects include new works for Yo-Yo Ma, Brooklyn Rider, Maya Beiser, Sentieri Selvaggi, and his own ensemble, Gamelan Galak Tika. As a performer, he will this spring premiere a new clarinet concerto by Don Byron; in February he will unveil his own new performing trio, Eviyan, with Czech violinist/singer Iva Bittova and guitarist Gyan Riley.

Ziporyn’s sound and sensibility have been a major part of Bang on a Can from the beginning. He appeared as a clarinet soloist on the first Bang on a Can Marathon in 1987 and appeared on every subsequent marathon. He was a founding member of the All-stars in 1992; with the group he toured over three dozen countries, and premiered over 100 new works. He also co-produced three of their seminal recordings, 1998’s Music for Airports, 2001’s Renegade Heaven, and 2012’s Big Beautiful Dark & Scary. His solo recordings appeared on the group’s Cantaloupe label. In 2009/10 Bang on a Can produced his opera, A House in Bali, in performances in Bali, Berkeley, Boston, and at the Brooklyn Academy of Music’s Next Wave Festival; this year his own ensemble, Gamelan Galak Tika, was featured at the organization’s 25th anniversary gala performance at Alice Tully Hall.

A bright, musical — and FREE — way to end a dull, gray Tuesday

Miller Theatre’s Pop-Up Concerts are back

Ugh. It’s pretty grim to realize it’s only Tuesday. And what a nasty Tuesday it has turned out to be.

But there’s something happening tonight that’ll put a drink in your hand, a smile on your face and send you back out into the world with a head full of music: Pop-Up Concerts at Columbia University’s Miller Theatre.

And it won’t cost you a dime.

Here’s the deal: One Tuesday a month, this very cool program takes over the theater for a quick, casual get-together that ends in a very cool concert. Doors open at 5:30 p.m. Grab a free drink (thanks to Harlem Brewing Co.) when you get there, and hang out with fellow music lovers until the show starts at 6.

Tonight’s program is Minimalism’s Evolution. Sure, it sounds a little heady, maybe even academic. This is happening on an Ivy League campus, after all. But this series isn’t like any college course you might remember. Pop-Up Concerts let you get up close and personal with the artists in an informal performance that lasts just an hour.

Be sure to save the dates of the next two installments of Pop-Up Concerts: Nov. 13 of 120 Years of Solo Piano and Dec. 11 for John Zorn for Strings.

Tonight you’ll get three members of the awesome Ensemble Signal: Courtney Orlando on violin, Lauren Radnofsky on cello and Paul Coleman on sound.

Read on for the full program and all the details you need to get there. Continue reading

David T. Little’s ‘Dog Days’ will blow you away

John Kelly as Prince and Lauren Worsham as Lisa in the world premiere performance of "Dog Days." (Photo: James Matthew Daniel)

John Kelly as Prince and Lauren Worsham as Lisa in the world premiere performance of “Dog Days.” (Photo: James Matthew Daniel)

Be prepared to hold onto your seat if — as you really should — go to see “Dog Days,” the new opera from composer David T. Little and librettist Royce Vavrek now in its world premiere run at the Alexander Kasser Theater in Montclair, N.J.

Composer David T. Little (Photo by Merri Cyr)

Composer David T. Little (Photo: Merri Cyr)

While the extremely dark, comedic piece is clearly a team effort (Jim Findlay‘s scenery, live video and video design lend the piece extra oomph), it’s Little’s powerfully dramatic music that makes the tale so compelling. The emotional score, with spiky, jarring moments, never loses its lyrical bearings. “Dog Days” signals Little as one of the great compositional voices of his generation.

(Click here for a video preview.)

Focusing on one American family that has, so far, survived a vaguely described apocalypse, the opera grapples with questions of human relationships, their limits and even what it means to be human.

The opera is based on a short story of the same title by Judy Budnitz. While the opera makes the story arc understandable, I regret not reading the story before seeing the sold-out first performance at the Kasser, a jewel of a theater on the campus of Montclair State University.

Continue reading

Big talent cultivates big prog-rock sound in Big Farm

Don’t miss the all-star ensemble’s gig at Public Assembly

Who knows when they’ll play again

Big Farm: Jason Treuting, Steven Mackey, Mark Haanstra and Rinde Eckert.

Q. Did you hear the one about the Pulitzer Prize finalist, the Guggenheim fellow, one of the leading new music percussionists and a Dutch Jazz Competition-winning bassist got together to make some garage rock?

A. Big Farm was born.

Janus Trio

Never heard of Big Farm? Go to Public Assembly at 70 North 6th St., Williamsburg, Brooklyn, at 8 p.m. on Saturday, April 7, and you’ll never forget them. (They’re on a bill with Janus Trio, a great Brooklyn-based flute-viola-harp trio.) Admission is $10 at the door.

Time Out NY has called Big Farm “something like a Blind Faith-style supergroup,” given the accomplishments of the individuals in the band. Jason Treuting, the drummer, is perhaps the most recognizable member of the versatile percussion ensemble So Percussion. Steven Mackey, the sizzling lead guitarist, is a former Guggenheim fellow, a Grammy winner and an accomplished New Music composer. Bassist Mark Haanstra is an incredibly talented jazz player from the Netherlands. And Rinde Eckert, the vocalist, was a finalist for the 2007 Pulitzer Prize for his “Orpheus X” and also a Guggenheim fellowship. Continue reading

The Mountain Goats and Anonymous 4 bridge the centuries at Merkin Concert Hall

Anonymous four and John Darnielle, right, of the Mountain Goats at Merkin Concert Hall

UPDATE: Audio link to full concert added

Hear the full concert by clicking here.

Who knew John Darnielle had a secret wish to work with Anonymous 4, the a cappella quartet that specializes in music of the 12th through 15th centuries? The Ecstatic Music Festival, created by New Amsterdam RecordsJudd Greenstein, gave him a shot, and the result was Transcendental Youth, a song cycle presented Saturday,  March 24, at Merkin Concert Hall.

Darnielle, the writer and singer who performs as the Mountain Goats (and for this evening, he was the lone Goat) got the “why” question out of the way first.
As he was getting ready to finish college, his dad gave him a gift — a CD of A4’s 1993 An English Ladymass— an intense listen, he said, and one he returned to over and over as he coped with the more mundane stresses of completing two thesis papers (in English and Classics).

The Mountain Goats set list is after the jump.

John Darnielle (Photo © 2010, Steven P. Marsh)

Continue reading