Category Archives: Concerts

People’s Commissioning Fund: Make your own music

Want to feel like a Medici or some other patron of the arts but don’t have the treasury to make it happen?

Everyone who gives — even just a few dollars — to Bang on a Can’s People’s Commissioning Fund is a minimogul responsible for the creation of a handful of musical works every year.

Commissioners, as Bang calls its donors to the PCF, get to hear the fruits of their efforts in concert in Manhattan on Thursday evening, Feb. 10. This year’s commissioned composers are Nick Brooke, hometown hero Bryce Dessner of the Brooklyn-based rock band The National and tabla-electronic-hip hop wizard Karsh Kale

This year’s concert is programmed as part of the Ecstatic Music Festival, a two-month cornucopia of music by like-minded composers and performers being presented at Merkin Concert Hall near Lincoln Center.

If you’ve already donated and have some free time at 5 p.m. on the day before the concert, you can see the musicians, and some or all of the composers, up close in a free dress rehearsal. You’ll even get the chance to ask questions and rub elbows with the artists and other commissioners at an informal reception afterward. Contact BoaC’s director of development, Tim Thomas, tim@bangonacan.org, for more info.

The Bang on a Can All-Stars, the house band, handles the playing duties for virtually all the commissions. They also be filling out the program with some other great music, including Steve Martland‘s Horses of Instruction, Convex/Concave/Concord by Danish minimalist Pelle Gudmundsen Holmgreen, and Believing by BoaC cofounder Julia Wolfe.

Here’s how BoaC cofounder David Lang describes the PCF process in a nutshell: “Over 14 years the People’s Commissioning Fund (PCF) is as liberating a force in music as we had imagined it would be. We are still pooling together the contributions large and small of hundreds of music lovers from around the world, adding penny to penny, combining lonesome individual gifts into awe inspiring communities of power and cold cash.  And then we give that money to bold, innovative, questioning, dedicated and highly inventive composers. We commission them, we rehearse their music intensively, we hold special events so that the members of the PCF can meet the musicians and composers that their generosity supports, and then we play that music in New York and often all around the world.  It is an amazing and beautiful thing.”

Beautiful, indeed. We here at Will You Miss Me When I’m Gone? have supported the PCF from the beginning. We couldn’t be more proud of what our pennies have helped create.

The details:

7:30 p.m., Thursday, Feb. 10. Bang on a Can 2011 People’s Commissioning Fund Concert, Merkin Concert Hall, 129 W. 67th St. (between Broadway and Amsterdam), Manhattan. $25.

More video of Stew, Heidi and The Negro Problem at Joe’s Pub

It’s time for a better taste of The Negro Problem‘s fantastic show at Joe’s Pub on Jan 7 .

Here’s all the video Will You Miss Me When I’m Gone? managed to shoot in the crowded room.

The first clip is just an excerpt, the last minute or so of one of my favorite Stew/TNP songs, “Peter Jennings,” performed with as much joy and excitement as I’ve ever seen.

After that is “Willow Song,” a Stew and Heidi number that many in the audience hadn’t heard before. It was written for last summer’s production of Othello for Shakespeare on the Sound, an outdoor community Shakespeare program in Connecticut. (Stew and Heidi tackle Shakespeare’s Much Ado About Nothing for SotS Artistic Director Joanna Settle this summer.) It’s a beautiful, dreamy number that worked well in the play, but also stands alone surprisingly well.

Finally, for all you Passing Strange fans, there’s “Amsterdam.”

Enjoy!

The Negro Problem at Joe’s Pub: Video

I promised video of The Negro Problem‘s fantastic show at Joe’s Pub on Jan 7 . Here’s the first one, with more to come as soon as the overworked staff at Will You Miss Me When I’m Gone? can find the time to process it.

This clip is just an excerpt, the last minute or so of one of my favorite Stew/TNP songs, “Peter Jennings,” performed with as much joy and excitement as I’ve ever seen.

Clips still to come are longer. But this will give you a good idea of the show’s energy.

TwoSense: Old guard piano meets new guard cello

Australian pianist Lisa Moore and American cellist Ashley Bathgate join forces as TwoSense.

We at Will You Miss Me When I’m Gone? can’t think of a better way to kick off the New Year than with New Music.

So we’ll be at (Le) Poisson Rouge in Manhattan on Tuesday night, Jan. 4, for the New York City debut of TwoSense. It’s a New Music Super Duo and commissioning powerhouse comprising Lisa Moore, the superb Australian pianist who was a longtime member of the Bang on a Can All-Stars, and Ashley Bathgate, the Saratoga Springs, N.Y., native who’s the All-Stars’ latest cellist. Oh, and in addition to playing their primary instruments, both women will sing. Lisa will also play melodica, while Ashley adds kick drum to the duo’s sound.

Ashley and Lisa are both passionate about New Music and are a joy to watch and hear.

Ashley Bathgate at (Le) Poisson Rouge in September, 2010. (Copyright 2010, Steven P. Marsh)

Here’s how they describe the mission of TwoSense:

TwoSense is a concert series and commissioning venture established by Ashley Bathgate and Lisa Moore presenting new, experimental commissions paired with mainstream works for cello and piano and guest artists. Both emerging and distinguished composers are writing works for TwoSense. The TwoSense mission seeks to ensure the inclusion of this music in the library of great chamber music. Please join us! PS – all the composers who are alive will be there!

And if the mere presence of Ashley and Lisa isn’t enough to persuade you to attend, check out the guest performers: Iva Bittová, voice/violin, Kelli Kathman, flute and Andy Akiho, steel pans.

Iva Bittová, Czech violinist, vocalist and composer, will join TwoSense at (Le) Poisson Rouge. (Copyright 2010, Steven P. Marsh)

And then, as TwoSense says, all the living composers on the program will be in attendance. That list includes: Akiho, Bittová, Stephen Feigenbaum, Paul Kerekes, Jerome Kitzke, and Kate Moore. They’re also performing music by Leos Janacek.

TwoSense. 6:30 p.m. (show at 7:30), Le Poisson Rouge, 158 Bleecker St., Manhattan. Tickets are $15 and available by clicking here, or call (212) 505-FISH (3474).

Great news: As predicted, Wilco’s Solid Sound Festival returns to MASS MoCA in 2011

When Wilco arrived at MASS MoCA last summer, the band even took over the museum's sign. (Photos copyright 2010, Steven P. Marsh)

Fantastic festival can only get better

We don’t like to brag (well, okay, sometimes we do), but Will You Miss Me When I’m Gone? predicted that Wilco’s Solid Sound Festival would become an annual event — even before this year’s inaugural gathering wrapped up.

Wilco HQ announced the news with an email this morning:

Greetings and Happy Holidays. We’ve got a last bit of news before heading home for the break. The big story here is that Solid Sound 2011 is officially ON and happening the weekend of June 24-26, once again at MASS MoCA in North Adams, MA. if you were there last year, we know you’ll be back. If not, well, this year you should know better. Ticket information and more will be announced on January 18. So keep an eye and ear out.

Safe travels and sweet holidays to you all. Thanks again for another great year in Wilcoworld. We’ll see you in 2011 with what will undoubtedly be a whole bunch of news regarding Wilco tours, records, the festival and so on. Cheers.

the HQ Staff

This years three-day event was held  in mid-August. It gave thousands of fans of all ages the run of the Massachusetts Museum of Contemporary Art (MASS MoCA) in the Berkshires town of North Adams, Mass. Participants got to hear lots of music from Wilco, the side projects of band members like Jeff Tweedy, Nels Cline, Pat Sansone, their friends, and got to sample comedians and films along with the spectacular art on the gritty former factory campus. It was well run, well curated and surprisingly chill.

The music was great, the scheduling tight without being overwhelming, the facilities were superb and the food and drink never seemed to run out. Everything worked together to make it one of the best and most memorable festivals around.

Wilco perfoms on the main stage in Joe's Field at MASS MoCA.

Museum management was thrilled to have as many as 5,000 well-behaved patrons on site at once, and obviously saw the festival as something worth bringing back. Museum Director Joe Thompson was singing the praises of the event all weekend, and made no secret of the fact that he supported the idea of doing it again in 2011.

And Cline brimmed with excitement about the festival when we spoke with him at Joe’s Pub in New York City, where he and fiancee Yuka Honda were checking out Sean Lennon and Charlotte Kemp Muhl‘s new project, The Ghost of a Saber Tooth Tiger.

Next year’s festival is earlier in the summer — June instead of August. So save the date and stay tuned for an update in a month.

Nellie McKay vs. Christmas trees

A trippy light show for a trippy artist: Nellie McKay and her quintet at New York's Highline Ballroom. (Photos copyright 2010, Steven P. Marsh)

Nellie McKay never disappoints. She did a spirited show at the Highline Ballroom on Saturday night, Dec. 11 with a full band that was as sharp, charming  and entertaining as any Will You Miss Me When I’m Gone? has seen.

Quirkiness is big part of Nellie’s shtick, but sometimes it hinders enjoyment of her amazing ability to interpret timeless pop songs and make important points with her own tunes. But at times, especially in her solo shows, Nellie’s seemingly absent-mindedness can overwhelm the show a bit.

Nellie McKay and her band.

At the Highline she was organized, focused and well-rehearsed. While there were a couple of false starts, there were no long, awkward pauses while she tried to remember the next song, or find a battered cheat sheet in her homemade fakebook. It was clearly a benefit of working with a band. With bass, guitar, drums, trumpet and trombone all depending on her for cues, there was less room for stumbling.

Nellie McKay duets with Rudolph the Red Nosed Reindeer.

Nellie never pulls punches when addressing things that are important to her: the environment, animal rights, the horrors of fur. But even when she goes a bit too far, she never loses her charm. She performed an anti-Christmas Tree song, with lines like “please don’t chop another Christmas Tree” and “please don’t ax another evergreen.”  Okay, I can see the moral problems with Christmas Tree production and reasons not to support that system, but she lost me with the line “please don’t kill another living thing.” I don’t want to get political about it, but something has to die for every meal — even a vegetarian or vegan repast.

Click through to the jump for more photos and details.

Vince Giordano joins Nellie McKay.

Continue reading

Yale Percussion Group coming to Zankel Hall on Dec. 12

Members of the Yale Percussion Group rehearsing Thierry de Mey's Musique des Tables. (Photo by Bob Handelman)

We at Will You Miss Me When  I’m Gone? have a soft spot for percussion music and the ensembles that play it well.

So it should be no surprise that we’re excited about the Yale Percussion Group’s visit to New York on Sunday, Dec. 12. This exciting group of performers — Michael Compitello, John Corkill, Ian Rosenbaum, Yun-Chiu Candy Chiu, Leonardo Gorosito  and Adam Rosenblatt, directed by founder Robert van Sice — will be bringing four major percussion classics to the stage of Zankel Hall at Carnegie Hall.

Included is Mauricio  Kagel’s rarely performed Dressur to the Balinese-flavored mysticism in James Wood’s Village Burial With Fire.  Add to that Thierry de Mey’s Musique des Tables, played on amplified table, which is as much fun to watch as it is to hear and top it off with Steve Reich’s Sextet, and you’ve got a great evening of percussion music performed by top-notch players.

If you need proof, check out performance videos of YPG at work by clicking here.

Ticket contest

Boosey & Hawkes, Steve Reich’s publisher, is running a contest for free tickets. You have until 2 p.m. on Friday, Dec. 10, to enter. Click here to enter.  If you don’t win, read on for ticket-buying information.

musand Yale Percussion Group performs at 8 p.m. Sunday, Dec. 12. Zankel Hall at Carnegie Hall,  Seventh Avenue at 57th Street, Manhattan. Tickets, which are $15-25, are available at the box office or by clicking here.

Acclaimed for its virtuosity and electrifying stage presence, the Yale Percussion Group and its director, Robert Van Sice, perform four challenging and theatrical works that explore the limitless potential of percussion instruments, written by four singular contemporary composers: Mauricio Kagel, Steve Reich, Thierry de Mey, and James Wo

Lucinda Black Bear: tonight’s the night

Lucinda Black Bear at the Knitting Factory in Brooklyn. (Copyright 2010, Steven P. Marsh)

Lucinda Black Bear‘s new album, Knives, was officially released on Election Day, Tuesday, Nov. 2. But for the Brooklyn-based band’s New York fans, Friday, Nov. 5, is the day to elect LBB to most-favored-band status.

If you don’t know Lucinda Black Bear, you should. Check out “Percival,” a track from the new album, by following this link. The new disk is full of great tunes. And read more about the band right here on Will You Miss Me When I’m Gone?

The melodic, country-inflected folk-rock ensemble is celebrating the new album with a show at 92Y Tribeca, 200 Hudson Street. You can be sure that frontman Christian Gibbs and his stalwart bandmates will rock the house with selections from the great new album (available now on iTunes, eMusic, CD Baby and, of course, at the venue) and old favorites.

8 p.m., Friday, Nov. 5. 92Y Tribeca, 200 Hudson St., Manhattan. Tickets for the show are $12. Call (212) 601-1000 or click here. Cheyenne frontman Beau Jennings performing a solo set at 9. LBB is slated to take the stage at 10.

Buke and Gass: watch the new video for ‘Page Break’ (plus tour dates)

Buke and Gass (Photos copyright 2010, Steven P. Marsh)

You sure can’t accuse Brooklyn duo Buke and Gass (Arone Dyer plays the buke, a seriously modified baritone ukelele, and Aron Sanchez on gass, as in guitar-bass) of being ordinary. The just-released video for “Page Break,” a song from the band’s fantastic new album Riposte (on the Brassland label), is as choppy and head-spinningly wonderful as the music.

This band is loud and sweetly folkie all at once, and this video really brings things together nicely.

Here’s what Arone says about the video: “Intentions are best left at the base of one’s backbone, unless heeding to impulses actually gets one somewhere, in which case, trouble might arise and one must be prepared with ones pants belted tightly.”

Check it out for yourself:

And since this video is most definitely a road video, it makes sense to announce the band’s newly announced tour dates, too, which bring them back to NYC in early December:

Thu. Nov. 4 — Princeton University Art Museum
Thu. Dec. 2 — Boston, MA @ TT the Bears w/ Talk Normal
Fri. Dec. 3 — Montreal, PQ @ Casa Del Popolo w/ Talk Normal
Sat. Dec. 4 — Toronto, ON @ Sneaky Dee’s w/ Talk Normal
Mon.  Dec. 6 — Chicago, IL @ Empty Bottle w/ Talk Normal
Tue. Dec. 7 — Cleveland, OH @ Grog Shop w/ Talk Normal
Thu. Dec. 9 — Washington, DC @ Rock and Roll Hotel w/ Talk Normal
Fri. Dec. 10 — Philadelphia, PA @ Kung Fu Necktie w/ Talk Normal
Sat. Dec. 11 — New York, NY @ Mercury Lounge w/ Talk Normal

The Extra Lens (John Darnielle & Franklin Bruno) and John Vanderslice at the Mercury Lounge

John Darnielle makes a point at The Mercury Lounge on Oct. 21, 2010. (Photos copyright 2010, Steven P. Marsh)

Dan Mangan played, too

Once again, we missed Dan Mangan. The up-and-coming Canadian singer-songwriter opened the John Vanderslice-The Extra Lens early show at The Mercury Lounge on Thursday night, Oct. 21. But we arrived too late to hear him. This is the second or third show we’ve attended recently where Mangan finished his set before we arrived.

The Extra Lens

Luckily, though, we still got to talk to Dan Mangan. Well, the other Dan Mangan, who’s not a singer-songwriter at all (at least as far as we know), but a writer for the New York Post.

But there was little time to waste, as John Vanderslice had already taken the stage. Vanderslice did an all-too-short set of song from all parts of his fictional storytelling repertoire, charming the audience but failing to pass any baked goods or announce a dance party location. (When he headlines, Vanderslice typically has some form of home baked goods to distribute to the crowd and follows his set with a DJ dance party.)

The highlight of the evening was The Extra Lens (former The Extra Glenns), a band that sounds an awful lot like The Mountain Goats — mostly because the Goats’ frontman, John Darnielle, is half of the ensemble. The extremely talented and unassuming Franklin Bruno of Nothing Painted Blue is the other half. (Bruno is a visiting professor of philosophy at Bard College.)

Darnielle fixes the mic for Professor Bruno.

The Extra Lens rocked out with occasional help from Matt Houser, a drummer formerly with Palomar.

The only real downside to this is is the fact that it was part of the CMJ Music Marathon, so all the sets were way too short and the room to crowded — making it tough to get close enough for good photography without being a total jerk. Surprisingly, the audience was less chatty and more respectful than you sometimes find at CMJ shows and other showcases. That was a blessing.

John Vanderslice at The Mercury Lounge.