Tag Archives: The Feelies

The Feelies’ final Fourth of July at Maxwell’s

Maxwell's in the dim light on Independence Day 2013. (Photos © 2013, Steven P. Marsh)

Maxwell’s in the dim light on Independence Day 2013. (Photos © 2013, Steven P. Marsh)

It’s always a tough, emotional thing to get to Maxwell’s in Hoboken, N.J.,  for The Feelies‘ annual Fourth of July show. You’re fighting for access to the Mile Square City with thousands trying to get to the waterfront to watch the Macy’s fireworks show in Manhattan.

But the Fourth of July 2013 was particularly tough, even with showtime pushed back to the throwback hour of 10 p.m. (Remember when rock shows didn’t really get started until nighttime had really settled in?)

It was the very last Independence Day that The Feelies would be playing the venerated Maxwell’s music club.

For fans and newbies alike, the night — the first of the band’s three-day holiday stand — was a touching one.

Glenn Mercer, Bill Million and Brenda Sauter onstage at Maxwell's on July 4.

Glenn Mercer, Bill Million and Brenda Sauter onstage at Maxwell’s on July 4.

For their part, members of the band — Glenn Mercer on guitar, Bill Million on guitar, Brenda Sauter on bass, Stan Demeski on drums and Dave Weckerman on percussion — didn’t get maudlin and sentimental. They just did what they always do, playing a solid, well-planned set of crowd favorites, mixing their own turns — the older, nervous one and the new, slightly more melodic numbers — with a bunch of rock covers that they’ve added to their bag of tricks over the years.

They brought up a longtime friend and associate, John Baumgartner (of The Trypes and Speed the Plough, and also involved in a graphics business with sister Janice Demeski), to join them on “Bluer Skies” early in the evening.

They ended with three encores, featuring a surprise guest in the first set: Glenn Morrow, a longtime partner in Hoboken’s Bar/None Records and a member of Hoboken heyday bands like The Individuals, Rage to Live, and A, the band that later morphed, without Morrow, into The Bongos. Morrow joined The Feelies for The Monkees hit “I’m a Believer” and the Feelies favorite Beatles track, “Everybody’s Got Something to Hide Except Me and My Monkey,” to cement the simian theme.

There were no surprises. But that’s not what Feelies fans want at the band’s shows. They want the satisfaction of a rock-solid set of favorites old and new. And that’s what they get.

And that’s a better tribute to the soon-to-be-gone club than a bucket of salty tears and maudlin speeches could ever be.

Click through to the jump for more photos. Continue reading

Hanukkah with Yo La Tengo at Maxwell’s in Hoboken — Sunday and Monday

YLT 2

Yo La Tengo jammed with Fred Armisen on a second drum kit. (Photos © 2012, Steven P. Marsh)

Yo La Tengo continued its massively wonderful holiday tradition, kicking off the first of eight shows — one for each night of Hanukkah — on Saturday night. The proceeds from tickets and most merchandise goes to charity. (This year all the charities support Superstorm Sandy recovery efforts.)_

Will You Miss Me When I’m Gone? managed to score tickets to four of the eight nights — not an easy thing to do the way TicketFly is set up.

Our first night was Night 2, when the amazing Sun Ra Arkestra (imagine a DOZEN musicians on the tiny Maxwell’s stage!) was the opener and Fred Armisen of “Saturday Night Live” and “Portlandia” was both the comedian and a musical guest.

Night 3 featured Hoboken’s hometown heroes The Feelies, which opened with a very strong set, and the members of which sat in at various points of YLT’s set. Guitarist and vocalist Glenn Mercer was absolutely on fire all night. And Brenda Sauter did a great job on vocals for “You Ain’t Goin’ Nowhere.” “SNL” writer John Mulaney was the comic for Night 3.

We’ll be back tonight, but wanted to share some images of nights 2 and 3 with you now.

This is a tradition that has been going on for 11 years, YLT’s Ira Kaplan pointed out last night. We hope it continues for many years to come.

Click through to the jump for lots of photos from Sunday and Monday nights’ shows.

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Jersey Fresh: Speed the Plough, Wild Carnation and The Thousand Pities

Photo by Katie Demeski

Speed the Plough (Photo by Katie Demeski)

It’s a great weekend for New Jersey rock and roll. In one fell swoop, three Jersey bands, all with links to The Feelies, are performing on a joint bill in NYC tonight and New Jersey tomorrow.

Shine is due out Aug. 16

Speed the Plough is using the shows to preview the sounds of its wonderful new album, Shine, which as Will You Miss Me When I’m Gone? has been telling you, is due out on Aug. 16. STP is a real family affair, fronted as it is by the husband-and-wife team of Toni and John Baumgartner and includes their son, Mike and STP co-founder Marc Francia and his sons Ian and Dan. New member Ed Seifert, another fixture on the New Jersey music scene,  is the only person in the band who, as far as we know, isn’t related to anyone else in STP.

 You can get a sample of the warm, rhythmic and familiar sounds of STP’s new work with the first single, “Something to Say,” which is streaming on the band website and on the Dromedary Records site.

STP is inextricably linked to The Feelies, in part through former member Brenda Sauter, who’s the longtime Feelies bass player and also a member of Wild Carnation, another band on this weekend’s bill.  STP grew out of the ashes of another legendary band, The Trypes, which also included Feelies members.

Wild Carnation bills itself as “the best Feelies spin-off band you never heard of,” is also on the bill, along with Montclair’s The Thousand Pities — which includes Michael Carlucci, who plays with Feelies singer Glenn Mercer.

Shows are 8 p.m. today (Friday, July 29) at at Piano’s, 158 Ludlow Street, in Manhattan’s Lower East Side ($10, tickets available here), and tomorrow (Saturday, July 30) at 8:30 pm tomorrow at Tierney’s, 138 Valley Road, Montclair, N.J. (No price announced.)

The Feelies feeling independent

The Feelies at Maxwell's on Night 1 of the 2011 Independence Weekend. (Photos © 2011, Steven P. Marsh)

The Feelies kicked off Independence Weekend, as they’ve been doing for ages, at Maxwell’s in Hoboken last night (Friday, July 1)

It was a homecoming as always at Maxwell’s since that was the band’s home club for its entire existence.

Last night was the first of a three-night stand. The hometown crowd was not disappointed, with The Feelies starting just a bit after 9 p.m., the posted showtime, and playing until almost 12:30, with just one short intermission.

Click through to the jump for more photos and info about the first night show. Also, check out a great Paste Magazine slideshow of a day in the life of The Feelies from their recent Philadelphia show at World Cafe Live.

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It’s harvest time for Speed the Plough — and The Trypes, too

Speed the Plough: John Baumgartner, Dan Francia, Ian Francia, Michael Baumgartner, Marc Francia and Toni Baumgartner.

There are some big doings at Speed the Plough HQ. The latest incarnation of the band, a part of network of bands linked to The Feelies, has announced a deal for their new CD.

They’ve signed with Great Meadows, N.J, -based Dromedary Records, which will issue the band’s new disc, Shine, in August.  The lineup for the new album will feature the great guitar and vocal work of new Plough-man Ed Seifert (of Ed Seifert and the Stimulus Package, though you may also recognize Ed as The Feelies’ tech) and guest appearances by two former STPers and current members of Wild Carnation, Brenda Sauter (who’s also in The Feelies) and Rich Barnes.

What’s more, a compilation of tunes from The Trypes, another part of The Feelies’ family, is also nearing completion.

Click through to the jump for the full announcement. And be sure to check out the Speed the Plough website for updates. Continue reading

The Feelies gear up to play

The Feelies at Maxwell's in Hoboken, N.J., in 2009. (Photo copyright 2009, Steven P. Marsh)

Now who could possibly know better what The Feelies are up to than the daughter of one of the band members? (Well, maybe her dad, but don’t tell her that!)

With that in mind, I reached out to the delightful Katie Demeski, daughter of the great New Jersey band’s drummer Stanley Demeski and his wife Janice. One of Katie’s blogs, How Strange, Innocence, is a leading source of reliable information about what the band is up to. It’s not the quantity so much as the quality of her information that makes the blog worth checking.

But a day or two ahead of the release of Here Before, the band’s first new album in 19 years, I checked in and realized she hadn’t blogged about The Feelies since last Sept. 8, when she reported the band was going into the studio. Granted, she’s in college and holding down a job, so it’s not like she has a ton of free time.

Luckily, when I messaged her, she was just about to do a quick update. It’s live on her blog now, with pretty much everything you need to know about their upcoming shows, plus some info about Speed the Plough, a band that’s part of The Feelies’ extended family. .

Suffice it to say The Feelies aren’t in any huge hurry to hit the road simultaneously with the release of their album. In fact, the band’s first public show (not counting a students-only gig this month at SUNY Purchase) comes at The Bell House in Gowanus, Brooklyn, on May 13, a full month after the album’s release! That show, not surprisingly, appears to be sold out.

Please go to Katie’s blog for more details, including some tantalizing information about an outdoor gig in Brooklyn. I don’t want to spoil it for you.

New Speed the Plough — live on the Fourth of July

True fans of The Feelies will remember Speed the Plough fondly, given that many Feelies played in Toni and John Baumgartner‘s band during its existence in the early 1990s. Like The Feelies, STP is back making music. Earlier this year, the band released its first album in 15 years, Swerve.

On the Fourth of July, before heading to Maxwell’s in Hoboken for the third and final Feelies show of the holiday weekend, the members of STP visited the Cathedral Church of Saint John the Divine in the Morningside Heights section of Manhattan. There, tucked away on the plaza surrounding sculptor Greg Wyatt’s Peace Fountain (1985), the band gathered around the public piano that was one of 60 installed around NYC as part of the Play Me, I’m Yours art project. The Fourth of July was the last day of the installation, and the members of STP thought it would be fun to take advantage of it as a group. (STP wasn’t the only band to think of this. The Bill Murray Experience did something quite similar, as Will You Miss Me When I’m Gone? reported previously.)

They did an acoustic rendering of “Kentucky Moon” that was captured on video by Katie Demeski. Enjoy!

Catching up with The Feelies

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The Feelies

Since you landed on this post, you’ve probably already checked out the Will You Miss Me When I’m Gone? post about The Feelies‘ Fourth of July weekend shows at Maxwell’s.

But if you’ve fallen behind on your Feelies news, here’s a collection of great items on the web about the shows, the band and the NEW ALBUM, for which the band has been writing new songs for a couple of years. Production is supposed to start any day. Read on for more.

Jim Testa‘s known The Feelies since Day One, so his voice in Jersey Beat is authoritative. Click here for his review and his insights about the new album.

Katie Demeski, daughter of Feelies drummer Stanely Demeski, blogs about a number of things, but mostly ruminates on her dad’s band. She posted some videos of her dad practicing here, gives her impressions of The Feelies demos here, talks about the in-the-works Feelies album here and weighs in on Feelies offshoot band Speed the Plough‘s new album here.

And The NJ Underground, a site aimed at younger music fans, did a good piece on The Feelies. Perhaps this accounted for the rather high percentage of young people in the audience at Maxwell’s last weekend.

Tonight may be your last chance to see The Feelies this year!

Glenn Mercer and Bill Million of The Feelies at Maxwell's in Hoboken, N.J., on Saturday, July 3. (Photos copyright 2009, Steven P. Marsh)

As has been the habit of The Feelies since their comeback in 2008, they booked shows around a holiday — in this case the Fourth of July at the band’s musical home, Maxwell’s in Hoboken, N.J.

Glenn Mercer's singing: strong and clear

This year the band booked three shows starting Friday and ending tonight, on the holiday itself. If you love The Feelies and you haven’t seen them yet this year, now’s the time to book. Will You Miss Me When I’m Gone? made it to last night’s gig, and we’re glad we did.  The set was much the same as always — The Feelies have typically played the same set, with slight variations, at every show since the reunion. This is a band that likes predictability. But frontman Glenn Mercer‘s singing seemed stronger, clearer and more confident than ever, and the overall sound was crisp and clear —something that has not been a hallmark of many recent shows.

One thing worth noting, though. The band did do quite a few new songs — some of which have been in rotation for awhile, with a couple of other, even newer tunes, one of which remains untitled. It was a real treat to hear new material. It sounds strong and very much in keeping with what fans know and love The Feelies for without sounding like retreads.

Bass player Brenda Sauter played and looked great, and wasn't wearing the wrist brace she usually sports.

We’re hearing that it’s not clear when the band will play again, since no other gigs are booked so far this year. And a member of the band’s team says the quintet is going into the studio after tonight work on a new album.

Doors for tonight’s show are at 8 o’clock at Maxwell’s, 1039 Washington St., Hoboken, N.J. Showtime is 9 p.m. There’s no opening band, so get there by 9 or you’ll miss out. Tickets are $25, and still available here.

If you drive, allow extra time. It’s the Fourth of July, and there will be crowds of people out to watch fireworks. It’ll be hellish getting around, and parking will be extremely difficult, especially if you usually count on parking along Sinatra Drive, which is closed for the weekend. Take public transportation if possible.

Click to the jump for more photos from last night’s show.

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An insider’s view of The Feelies

Glenn Mercer and Stanley Demeski.

Glenn Mercer and Stanley Demeski.

Katie Demeski

Katie Demeski

Katie Demeski, daughter of The Feelies drummer Stan Demeski, has come through as I hoped with a fastastic post on her blog about The Feelies’ Fourth of July Weekend shows at Maxwell’s. I’ll let her tell the story and try to get out of the way. Go, Katie:

So the Feelies shows came and went and, again, they were amazing. On the first night, three of my friends came. One of them, Matt, was even at the sound check. The sound check itself ran a little late, but in the first hour or so, Glenn started playing “Billie Jean”. Then Dave started singing in falsetto and playing his snare to the beat. It was absolutely hilarious and kind of made my day.

Anyway, so we ate at Maxwell’s and my other friends, Dan and Liebold arrived. It was pretty packed that night, but we were able to get pretty good spots. As for the actual show, this year the Feelies started things out with some more mellow songs like “When Company Comes,” and a cover of “Sunday Morning.” New additions to the lineup included “Egyptian Reggae”, “Moscow Nights”, “Everybody’s Got Something to Hide Except for Me and My Monkey,” and “Invitation” (although, as mentioned in a previous entry, they added that song on New Year’s Eve). There was even one new song, “Bluer Skies” on which Brenda’s husband, Rich Barnes of Wild Carnation, even played keyboard on it while sitting on the little crate that is used as a step to get to the stage at Maxwell’s.

Friday night I went to the sound check with my dad because my mom and my brother were going to take the train after my mom got out of work. Anyway, Dave again started singing Michael Jackson when Andy the sound man told him he could sing into his mic if he wanted. So he sang “Thriller” and I felt the need to text Matt and inform him about it. I just chilled at Maxwell’s for most of the afternoon, reading Under the Banner of Heaven by John Krakauer. The show was pretty much the same as the day before, except I was standing next to a particularly obnoxious tall drunk man who got more and more drunk as the night progressed. Regardless it was fun.

On the Fourth of July, I took the train to Hoboken with my mom and brother and it was pretty damn crowded especially for the Hawthorne train station. My dad had asked me earlier in the week if I would help Bill’s nephew, Ben, film for his Feelies concert movie. Ben and his friend (Nick, I think?) had attatched a camera holder-thing to a pole and I was instructed to put the end of the pole in my pocket and film from a little farther away than I had been standing, using the screen on the camera to keep track of the shot. Ben also had all of the Feelies go into the dressing room alone and he filmed each of them for five minutes, not asking them any questions or anything. When Bill came out he said, “I feel violated.”

Thanks, Katie. You are awesome. Click here to read the rest of Katie’s entry.