Category Archives: News

Signal tackles Helmut Lachenmann tonight

Composer Helmut Lachenmann joins Signal Enselmble and JACK Quartet to celebrate his 75th birthday on Saturday night.

German composer Helmut Lachenmann celebrates his 75th birthday at Columbia University’s Miller Theatre tonight when he joins Signal Ensemble and  JACK Quartet for the final Composer Portrait concert of the Miller season.

Lachenmann says he believes in “music which, in order to be grasped, does not require a privileged intellectual training, but can rely uniquely upon its compositional clarity and logic.”

The audience will have the rare chance to hear Lachenmann playing 2 of his solo piano works, and he will also be joining Signal as the spoken text soloist on one piece.

Additionally, cellist Lauren Radnofsky (Signal’s executive director) will be playing Pression, a wild 1969 piece for solo cello, The JACK Quartet (which includes violist John Pickford Richards, well known to New York audiences for his work with Alarm Will Sound) will be joining Signal in the ensemble and also performing his most difficult string quartet.

Here’s a video of Lachenmann speaking about his work:

And go to YouTube to see and hear Lachenmann playing his Wiegenmusick, which is on tonight’s program.

This is one of Signal’s biggest projects to date, and is expected to lead to a CD/surround sound DVD release.

It’s also a chance to hear the wonderfully flexible and talented Signal, directed by Brad Lubman, perform Lachenmann’s challenging compositions, which are somewhat different than its typical repertoire.

The program covers four decades of Lachenmann’s composing life with these pieces: Wiegenmusik for solo piano (1963), Pression for solo cello (1969-1970), Ein Kinderspiel for solo piano (1980), String Quartet No. 2 Reigen seliger Geister (1989) and …Zwei Gefühle… featuring Lachenmann himself as spoken-text soloist (1991-1992).

The evening will also include a discussion with Lachenmann and Yale professor Seth Brodsky. It should be an amazing evening of music.

Composer Portrait: Helmut Lachenmann, 8 pm tonight, Thursday, April 1, Miller Theatre,  116th St. & Broadway on the campus of Columbia University. Tickets $25, available online and at the door.

Sufjan Stevens, Shara Worden guest with the Clogs

Bryce Dessner, Shara Worden and Padma Newsome. (Photos copyright 2010, Steven P. Marsh)

Sufjan Stevens joins the Clogs on banjo.

The Clogs, with Padma Newsome on vocals, violins, harmonium, keyboard and a few other instruments, and Bryce Dessner (The National) on guitars and other strummed strings, entranced the crowd at The Bell House in Brooklyn on Wednesday night.

A very pregnant Shara Worden (My Brightest Diamond) added her own beautiful, haunting vocal vocal touches. Other permanent members of Clogs are Rachael Eliott on bassoon and Thomas Kozumplik on percussion. The Bell House performance was supplemented by a second percussionist and horn section at times.

But the real surprise of the evening was greeted by an audible gasp when Sufjan Stevens appeared onstage to play banjo on one song.

Clogs music is a bit difficult to pigeonhole. It’s definitely not rock, but it’s not classical. It bridges the two and winds up being unique. At one point Bryce made reference to a review that called one of the group’s songs “knotty.” Shara promised to try to sing in as knotty a fashion as possible.

Click through to the jump for more information and photos. Continue reading

Karen Elson conquers NYC

Karen Elson and her band at Manhattan's (Le) Poisson Rouge, including (to her right) Rachelle Garniez on accordion and vocals and brother brother-in-law Jackson Smith on guitar. (Photos copyright 2010, Steven P. Marsh)

Call me jaded, but my expectations for Karen Elson‘s NYC solo debut at (Le) Poisson Rouge last night were not extremely high.

I expected a short, but entertaining set of competent singing and playing. But what I got was much better than that. Supermodel Karen’s vocal chops are as shimmering and lovely as her amazing good looks.

Cover art for Karen's album, The Ghost Who Walks.

While it remains to be seen whether Karen (the willowy redheaded model also known as Mrs. Jack White) has staying power as a solo artist, she showed us that she certainly has the chops.

She performed 13 tunes, backed by a five-piece band that included Jackson Smith (daughter of punk goddess Patti and Karen’s brother-in-law, by way of his marriage last year to Meg White, Jack White’s ex-wife) and the super-talented accordionist/vocalist/keyboard player Rachelle Garniez, a longtime cohort from the downtown NYC cabaret group The Citizens Band. All but one song is from her upcoming album, The Ghost Who Walks, out May 25 on Jack White’s Third Man/XL Recordings. She also did her interpretation of “Milk and Honey,” a tune written by a New York folkie, the late Jackson C. Frank, and made more famous via covers by Nick Drake and Sandy Denny.

Karen Elson at (Le) Poisson Rouge.

The crowd at (Le) Poisson Rouge was not the usual NYC music audience. There were clearly a lot of people there from the music industry and the fashion world, including magazine editors like Vogue’s Grace Coddington (a famous redhead like Karen) and photographer Annie Leibovitz. Most everyone it the sold-out house seemed pretty respectful and paid attention to the music — something that’s often not the case when it comes to curiosity shows like this one.

Those who attended last night hoping that Karen’s husband would show up were disappointed. There was no sign of Jackie White, of Jesse and Jackson’s mom, or Jackson’s wife. But that was a good thing, keeping the focus on the music.

The opening act was an unannounced duo of a woman on keyboard and man on xylophone. Since they never introduced themselves and barely said a word during their largely instrumental set, I’m willing to bet that many people in the audience had no idea that they were hearing from Jesse Smith (daughter of Patti) and her musical partner Michael Campbell. They are an enormously talented duo. But their performing style and dour stage presence don’t make for an interesting set. Their music would be great for meditation or as a sonic backdrop, but their lack of dynamism hampers their ability to present themselves as a strong live act.

Please click through to the jump for more, including Karen’s set list.

Continue reading

Missy Mazzoli’s making an uproar

Composer and performer Missy Mazzoli. (Photo by Stephen Taylor)

Composer Missy Mazzoli‘s having a great year — and it’s only February. She’s been working hard to get her music heard, and it’s really coming together.

Tomorrow night and Sunday, her chamber opera Song from the Uproar is being performed by students from the Bard College Conservatory of Music Graduate Vocal Arts Program, run by the estimable soprano Dawn Upshaw. It’s part of an opera triple bill, which also includes Vinkensport, or The Finch Opera, a world premiere by David T. Little, and L’Enfant et les sortilèges by Maurice Ravel  in the amazing Sosnoff Theater on the Bard College campus in Annandale-on-Hudson. For more info about those shows and to buy tickets, priced from $20-$75, click here. If you’re willing to take a randomly assigned seat, you can pay just $10 by clicking here and using the password “triplebill.”

The lyrical piece examines the life of 19th Century Swiss explorer Isabelle Eberhardt, with text inspired by and responding to her journals, which Missy set to music for soprano and small ensemble, against a backdrop of film by Stephen Taylor. A 40-minute version of the piece presented last May at Galapagos Art Space in Brooklyn was enchanting and provocative entertainment.

Missy’s opera will be heard again in New York City in the spring, when it’s presented as part of New York City Opera’s Vox showcase of new operas. Although Vox hasn’t formally announced its season yet, Time Out New York‘s Olivia Giovetti reveals in an interview with Missy that it’ll be held April 30 and May 1 this year. Although the venue has not been announced, Vox has been presented for the past four years at Skirball Center for the Performing Arts at New York University.

Missy Mazzoli and her quintet Victoire.

Then, in her rock-club guise as leader of the quintet Victoire, Missy will be performing in March and April with American Composers Orchestra.

The first show is at 4 pm Sunday, March 21, at Dweck Center at the Brooklyn Public Library, Grand Army Plaza, Brooklyn.  Admission is free. Call (718) 230-2100 or click on www.brooklynpubliclibrary.org for more information.

The second show (on a bill also featuring Arp & Anthony Moore) is presented as part of the Wordless Music Series at 7:30 pm on Wednesday, April 7 at (Le) Poisson Rouge, 158 Bleecker Street, Manhattan.  Tickets are  $15. Call (212) 505-FISH or click here.

A Klezmer/Funkadelic storm hits (Le) Poisson Rouge

David Krakauer, Socalled and Fred Wesley are Abraham Inc.

Klezmer king David Krakauer, the tirelessly inventive clarinetist who leads Klezmer Madness!, trombonist Fred Wesley (whose credits include stints with James Brown, George Clinton’s Parliament/Funkadelic and the Count Basie Orchestra) and frequent Krakauer collaborator Socalled (a DJ whose real name is Josh Dolgin), are coming together at Manhattan’s (Le) Poisson Rouge tomorrow night to celebrate the release of Tweet Tweet, their debut CD as Abraham Inc.

If you’re one of those people who still thinks that the clarinet isn’t cool, and that klezmer is the music of your grandparents— something you’ve worked hard to escape — think again. Krakauer has been at the forefront of a modern movement to make klezmer cool, and he succeeds more every day.

Watch the video below, then check out this show, or get the CD, and you’ll be convinced. Sure, they’re three kinda goofy guys, but when they start grooving, they skillfully weave together elements of klezmer, funk and hip hop to create a really fresh sound.

Abraham Inc. with Girls in Trouble. 7 pm tomorrow (Thursday, Feb. 25) at (Le) Poisson Rouge, 158 Bleecker Street, Manhattan. $25 in advance. Tickets available here.

EXCLUSIVE: How you can attend a reading of The Last Goodbye

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Daily Variety reported last night that The Last Goodbye, New York director Michael Kimmel’s musical play pairing Shakespeare’s Romeo and Juliet with the music of Jeff Buckley, is headed to the stage next season. The item also said there would be a developmental reading in NYC soon. What Variety didn’t tell you is when that reading will be and how you can attend. But Will You Miss Me When I’m Gone? has those answers for you exclusively.

The reading will be held at 2 pm on Friday, March 12. The New York City venue hasn’t been named yet, though the creative team will have that finalized soon.

As for getting tickets, it’s a bit of a crap shoot, but the rules are simple: Just drop an email, including your full name, email address and telephone number to newsletter@jeffbuckley.com by 12 am ET on March 1. That will put you in the running for a free pair of tickets.

I’ve been a huge fan of Jeff’s work for ages. After I saw the concert version of this show at Joe’s Pub last year, I wrote that it blew my mind and I couldn’t wait to see it develop. That time is fast approaching!

Care Bears on Fire playing Nassau Coliseum

Care Bears on Fire, Izzy, Sophie and Jena (from left) rock Cake Shop on Saturday afternoon. (Photos copyright 2009, Steven P. Marsh)

Amazingly fun teen pop-punkers Care Bears on Fire pulled together the second in their series of Saturday afternoon showcases on Feb. 6 at Cake Shop on Manhattan’s Lower East Side. The tiny basement club is a perfect place for the girls to work on their sound and snarl in front of hardcore fans and with little to distract them from the music.

Things will be very differen this Saturday, when CBoF is on the Pop-Con bill at Nassau Coliseum opening for riot-inducing kiddie pop star Justin Bieber. Saturday’s show is probably one for parents to drop off their children and pick them up later. It’s not the kind of show that even I, a hardcore CBoF fan, will probably be able to tolerate. But it’s a great opportunity for the high-energy trio. And you can catch their next Let Them Eat Cake show at Cake Shop, 152 Ludlow St., on the Lower East Side on Saturday, March 6.

Check out more photos of the Cake Shop show and the other bands that performed at the showcase to benefit Haiti after the jump. Continue reading

Stew sez: The Negro Problem is touring this fall!

Stew and Heidi perform as The Broadway Problem at Lincoln Center Out of Doors last summer. (Copyright 2009, Steven P. Marsh)

Deep in his critique of the New York Magazine‘s piece about his upcoming show Making It, composer and bon vivant Stew lets drop a little bomb that is sure to please his fans, especially those outside of New York City: “The Negro Problem will be on tour this Fall.”

Stew, is that a promise? Or a tease? Let’s hope it’s the former.

Some form of The Negro Problem —  with Stew and Heidi Rodewald at the core but under names like The Broadway Problem — has played around NYC in the last year. But fans elsewhere have had to rely on the movie version of Passing Strange (on the big screen, on PBS, On Deman, or on DVD) to get anything resembling a TNP fix. So this is nothing but good news.

More on Making It, which begins its six-show run at St. Ann’s Warehouse in Dumbo, Brooklyn on Feb. 17, will follow. I just wanted to get this tidbit on the table.

Music raises money for Haiti

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The Young Peoples Chorus of New York City kicked off the evening at City Winery on Wednesday. (Photos copyright 2010, Steven P. Marsh)

John Wesley Harding

The Carolina Chocolate Drops

Michael Stipe didn't sing, but his mere presence got the crowd stirred up.

Patti Smith and Lenny Kaye are always there for a good cause.

Glen Hansard and Markéta Irglová, aka The Swell Season

Yo La Tengo

Joshua Bell and friends

There was a bit of irony in a crowd gathering at City Winery in TriBeCa to feast on great food and wine and listen to some of the most-loved bands around play to raise funds for those suffering in Haiti. But Wednesday night’s show, the first of four aimed at raising $100,000 for Haiti by charging $75 a head ($200 for VIP).

The irony quickly faded to the background once the part started Wednesday. There was a real feeling of joy from the performers and artists alike. This tremendous tragedy seems to have galvanized New Yorkers in gratifying ways.

The sets were all too-short, but consistently well-done. It was a very impressive effort.

Will You Miss Me When I’m Gone? didn’t have a prime spot for photography, but got some images that will help us remember the great night

Tim Griffin got some truly awesome photos, which you can check out by clicking here.

And please consider attending on of the two remaining shows. Mystifyingly, ticket prices are lower for the remaining shows than for the first. Rosanne Cash, Nada Surf, Tabou Combo and others are performing at 8 pm tomorrow (click here for more information and tickets at $50; $200 VIP), while piano-based singer-snogwriter Vienna Teng and guitarist singer-songwriter Ari Hest are two of the better-known indie artists on Monday night’s show, which also starts at 8 (click here for more information and tickets at $20; $75 VIP).

City Winery is at 155 Varick St. (between Spring and Vandam). Doors open for dinner at 5 pm. Seating is first-come, first-served, so if position matters, be early. Showtimes are pretty accurate.

Meanwhile, if the City Winery lineups do nothing for you, check out A Night of Comedy and Music to Benefit Haiti at the Music Hall of Williamsburg tonight. It’s presented by Bowery Presents and BrooklynVegan. It features short sets by: Zach Galifianakis, Britt Daniel (of Spoon), Justin Vernon (Bon Iver), St. Vincent, Janeane Garofalo, Wyatt Cenac (of the Daily Show), the live debut of John Shade (ex Dave Godowsky) & possibly more. Advance tickets appear to be sold out, but some may be available at the door for $40. The Music Hall of Williamsburg is at 66 North Sixth Street in Williamsburg, Brooklyn.

RIP Kate McGarrigle

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Canadian folksinger Kate McGarrigle, the head of a musical dynasty, who’s best known known by younger music fans as the mother of Rufus and Martha Wainwright, died last night. She was 63, and died of clear-cell carcinoma.

Kate, a Juno award winner and Member of the Order of Canada, was diagnosed with cancer in 2006.

Click here for a blog post on her death from the National Post, a Canadian newspaper, and here for the Toronto Star report.

Kate gave birth to Martha and Rufus, two gifted singers, during her marriage to singer-songwriter Loudon Wainwright III.

Kate performed for many years in a duo with her sister Anna as Kate and Anna McGarrigle, passing their folk-music traditions along to a large, extended family family of musicians, which, in addition to Loudon, Rufus and Martha, includes Maggie, Terre and Suzzy Roche who perform together as The Roches (the link: Suzzy had a daughter, singer-songwriter Lucy Wainwright Roche, with Loudon). The family had a tradition of gathering annually for Christmas concerts, sometimes at New York’s Carnegie Hall. The last McGarrigle Family Christmas concert, A Not So Silent Night, was held last Dec. 9 at London’s Royal Albert Hall. Here’s a video of Kate singing a new song, “Proserpina,” at that show:

Last Friday, Rufus’ web site announced that he was canceling his February/March tour of Australia and New Zealand “due to an illness in the family.”  Martha’s site indicates she has no upcoming concert dates.

Will You Miss Me When I’m Gone? sends best wishes to Kate’s extended family at this time of loss.