Category Archives: Pop and Rock

Sharon Van Etten: It may be twisted love, but it’s definitely love

 

Sharon Van Etten and her band at The Rock Shop in Park Slope, Brooklyn, on Oct. 8, 2010. (Photos copyright 2010, Steven P. Marsh)

 

We liked Sharon Van Etten from the very first time we heard her, just her with her guitar, strumming her introspective songs. Her style and sound reminded us from the first of anti-folkie Diane Cluck (who has a date at Zebulon in Williamsburg, Brooklyn, at 9 p.m. on Wednesday, Oct. 13). And sure enough, on her MySpace page Sharon lists Diane as one of her influences.

 

Sharon Van Etten's harmonium powers the wall-of-sound that is "Love More," the signature song from her new album, Epic.

 

And now, with her new band and a second album under her belt, Sharon seems to really be coming into her own.

Her songs veer between powerful, emotionally draining near-howls to intimate prayers. Love is a regular theme.

Despite some initial technical problems, Sharon exuded charm and talent on Friday night, Oct. 8, at The Rock Shop in Park Slope, Brooklyn, one of the newest music venues in the area. (And home of what seems to me to be the first rock club I’ve encountered to chard $7 for a 10-ounce draft beer!)

Sharon spent much time on the material from her new album, Epic (BaDaBing Records). But she wasn’t afraid to hit the audience with something so new that it’s still untitled. Go here to listen to the new song. And she spent the end of her set alone onstage, with the band watching from the wings, as she recapped her earlier solo material.

She left the sold-out crowd thrilled and wanting more. And it made us, to borrow a phrase, love more.

If you can, go to The Mercury Lounge tonight (Saturday, Oct. 9) for more of Sharon. She’s continuing her CD-release celebration there at 10:30 on a bill with Kyp Malone of Rain Machine and TV on the Radio fame. The Mercury Lounge is at217 East Houston St New York, NY. Click here for a  map. $12.

 

Sharon Van Etten.

 

Happy Birthday, John Lennon

It’s hard to believe that today is John Lennon’s 70th birthday.

We’ve come a long way since his tragic assassination 30 years ago, but we still have a long way to go.

Please enjoy Yoko Ono‘s touching video tribute to her husband.

Let’s all give peace a chance!

Will You Miss Me When I’m Gone? recommends…

Shows we think you should check out during the week of Oct. 3-9

Composer Julia Wolfe (Photo by Peter Serling)

The Music of Julia Wolfe at (Le) POISSON ROUGE

Julia Wolfe is a composer of rare talent. The Bang on a Can cofounder is able to write in a classical idiom for string quartet as easily as in a rock mode for percussion ensemble.

On Oct. 3, she’ll be presenting a sampling of her work, including Stronghold for eight double basses, the string quartet Dig Deep, and LAD for bagpipes.  at (Le) Poisson Rouge. Julia will be in the house to discuss her work.

Performers include JACK Quartet, Robert Black and the Hartt Bass Band, and piper Matthew Welch.

6:30 p.m., Sunday, Oct. 3. (Le) Poisson Rouge, 158 Bleecker Street, Manhattan. (212) 505-FISH (3474) $15. Tickets available here.

Kronos Quartet (Photo by Jay Blakesberg)

Kronos Quartet at (Le) Poisson Rouge

Kronos Quartet, the pioneering modern string quartet, make two rare club appearances in New York City this week.

On Friday and Saturday, Oct. 8 and 9, Kronos is appearing at (Le) Poisson Rouge.

The program for Oct. 8 includes the New York premiere of Maria Schneider‘s String Quartet No. 1, a world premiere by Aleksandra Vrebalov, the premiere of Bang on a Can cofounder Michael Gordon‘s Exalted with the Young People’s Chorus of New York City and works by Bryce Dessner and Missy Mazzoli. On Oct. 9 Kronos is joined by special guest vocalist Judith Berkson for several pieces. Also featured are Clouded Yellow by Gordon as well as works by Clint Mansell, J.G. Thirlwell, and Dan Visconti.

7 p.m. Friday, Oct. 8. (Le) Poisson Rouge, 158 Bleecker Street, Manhattan. $25. Tickets available here.

Also 7 p.m. Saturday, Oct. 9. Tickets available here.

Ólöf Arnalds at The Bell House in Brooklyn on March 24, 2010. (Photo by Steven P. Marsh)

Ólöf Arnalds at Joe’s pub

Ólöf Arnalds seemed to be an uncertain, nervous performer when we saw her at The Bell House in March. But the Icelandic singer-songwriter writes lovely songs and makes delicately beautiful records.

We’re hoping she’ll be more confident when she stops in at Joe’s Pub,

9:30 p.m., Saturday, Oct. 9. Joe’s Pub, 425 Lafayette Street, Manhattan. $15. Click here or call (212) 967-7555 for tickets and more information.

Buke and Gass: rock and roll inventions

DIY noise-rock duo, plus Xylos and ArpLine open for Efterklang

Buke and Gass (Photos copyright 2010, Steven P. Marsh)

Buke and Gass.

The name is slightly mystifying. The Buke part not so much, just say it like the second syllable of rebuke. Easy enough.

But Gass? That’s a little difficult, But if you close attention to the cover of the duo’s self-produced, self-released and self-printed EP, +/-, you might notice the horizontal line over the a in Gass. That’s your first clue. It’s not gas, like the voiceover feature of my iPod would have it. It’s a long a.

The band name comes from the duo’s principal instruments — both of them jury-rigged, homemade, crazily honest.

Arone Dyer on buke.

Aron Sanchez on gass.

Arone Dyer plays the buke, a seriously modified baritone ukelele — b for baritone, uke for ukelele.

Then there’s Aron Sanchez on the gass. That’s g for guitar and ass for bass, as in bass guitar. Get it?

They also throw in some foot-driven percusson, with Aron on a juiced-up kick drum and Arone on bells and foot cymbals. Arone also does the majority of the singing, with a super flexible voice that can go from a purr to a shriek in a split second. Although there’s punk attitude and a touch of Riot Grrrl aesthetic in there, this is thoroughly modern music. Everything’s pretty wildly processed and synthesized, in the tradition of other DIY experimental duos like WOOM.

They sound like so much of what you’ve heard before, and yet like nothing at all you’ve heard.

They’re quite a pair. Arone (a bicycle mechanic) and Aron (who builds instruments for Blue Man Group) came onto the radar at Will You Miss Me When I’m Gone? at this spring’s Bang on a Can Marathon. We missed their performance at the marathon, but heard such good buzz that we picked up a copy of the EP. And we have been playing it constantly since.

Buke and Gass keep their feet busy.

Their music is celebratory, strangely melodic, enormously cathartic and just plain fun. And now, thanks to Brassland, there’s a full-length album that just dropped, Riposte.

Buke and Gass opened for Danish indie-rockers Efterklang at Santos Party House in Manhattan’s Chinatown on Friday, Oct. 1.

(Click here for a fun, insightful Stereogum interview with Buke and Gass.)

With four bands on the bill, we figured this show could make for a very long night. Luckily, all the bands were quite good — although Buke and Gass was the band we came to hear. And they didn’t disappoint.

More about the other bands, plus more photos, after the jump. Continue reading

Best Coast: California noise rock rules

Best Coast at The Bowery Ballroom. (Photos copyright 2010, Steven P. Marsh)

We here at Will You Miss Me When I’m Gone? had been looking forward to Best Coast‘s return to New York for months.

We missed the California stoner/noise-rock band’s free show at South Street Seaport because of scheduling conflicts — imagine that! — and so we jumped on tickets for the Wednesday, Sept. 29, show at the Bowery Ballroom as soon as they became available.

Bethany Cosentino: No longer California-girl blond

Bethany Cosentino, Bobb Bruno and Ali Koehler did not disappoint. (Okay, truth be told, Ali, the Vivian Girls drummer who became an official member of Best Coast didn’t exactly set the world on fire, but that’s a relatively minor quibble.)

Bethany, who said she’d been sick, still managed to sing her simple but charming lyrics well, and Bobb set the room on fire with his amazing playing. We have hopes that Ali will wake up and start really playing her kit, but in the meantime she did a decent job of keeping time. Or maybe she could just try to look like she’s not totally bored by the proceedings.

Is Ali Koehler bored or just projecting a chill image?

Comedian Eugene Mirman hanging out in the Bowery Ballroom bar.

Oh, and indie-rock comic Eugene Mirman was there for the show. He spent a lot of time in the downstairs bar, and pacing from there to the smoking area outside — we didn’t see whether he was smoking  — while checking his smartphone.

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Belle and Sebastian’s triumphant return to New York

Belle and Sebastian at The Williamsburg Waterfront: Undaunted by the threatening storm. (Photos copyright 2010, Steven P. Marsh)

UPDATE: The dancing fool in our video (scroll down)has identified himself via YouTube as “deandempseync” on YouTube. He tells Will You Miss Me: “Who’s the handsome devil on the left of the screen? ME! I’m the ‘tall one with the curly hair [who] got a bit carried away by the whole thing.’ Somehow rather proud… And [that] was a bottle of gin.”

The impending fury of Tropical Storm Nicole wasn’t enough to keep the fans away from showing up in droves at The Williamsburg Waterfront on Thursday, Sept. 30, to for Belle and Sebastian‘s first New York show in four years.

In fact, the threat of a storm brought B&S onstage a bit earlier than scheduled in hopes of beating the rain. That turned out to be a boon for the audience, as B&S played a longer set, going right up to the venue’s 10 p.m. curfew

Teenage Fanclub played a tight and tuneful opening set.

Amazingly, with the help of a tight and lively set by fellow Scots Teenage Fanclub, B&S managed to keep the bad weather at bay (Nicole behaved herself until early the next morning) and put on a show that was nothing short of spectacular.

Aside from some terrible sartorial choices — with Sarah Martin, Stuart, and Stevie Jackson all unwittingly donning very similar black-and-white horizontal stripe shirt, causing Stevie to keep his coat on all night, Stuart’s unfortunate man-scarf — it was quite a spectacle in every respect.

B&S played plenty from the forthcoming album, Belle and Sebastian Write About Love, but didn’t beat it to death. The band focused on keeping the fans happy with a wide range of songs from its huge catalogue. And that effort paid off well.

It was satisfying to see that B&S didn’t call on any celebrity friends to make guest appearances at the show. Given that New York’s Norah Jones duets with B&S on the new album’s “Little Lou, Ugly Jack, Prophet John,” it was plausible to think she might show up. But B&S kept things strictly in the family for this show.

Stuart even invited seven fans onstage to clap and dance along with a classic number, “The Boy with the Arab Strap.” Here’s a video of that amusing interlude. Pay particular attention to the tall guy with the curly hair:

Check out a great new interview with the band by Laura Barton for The Guardian. And click through to the jump for more Will You Miss Me When I’m Gone? photos from the show.

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Lucinda Black Bear gearing up for new album release

Lucinda Black Bear (Chad Hammer, Christian Gibbs, Kristin Mueller, Mike Cohen) onstage at the Knitting Factory in Brooklyn in February. (Photos copyright 2010, Steven P. Marsh)

Read on to download a free track

It’s good to see Lucinda Black Bear gearing up for a new album. And the first track, “Percival,” is out and it’s great. It’s also a song that conveniently references bears — in this case dancing bears, a subject that might get PETA interested!

Lucinda Black Bear is an energetic country-folk-rock band fronted by one of Will You Miss Me’s favorite musicians, Christian Gibbs. We discovered him when he joined the band for Passing Strange on Broadway, and quickly revealed himself as a fantastic guitarist and an all-around charismatic presence.

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Get ready for Belle & Sebastian’s take on love

New Belle & Sebastian music is long overdue

Tickets still available for Sept. 30 Williamsburg Waterfront show

Scottish twee band Belle & Sebastian are well overdue for a new album. Fans have really missed them and have been hoping for great things from Belle and Sebastian Write about Love, due out on Oct. 12 on Matador.

Will You Miss Me When I’m Gone? has long been a big supporter of B&S. We’ve been listening to some of the tracks from Belle and Sebastian Write about Love that have been leaking on the internet.

But do they deliver what fans hunger for? Read on to find out.

Continue reading

Kristin Hersh reads and sings

Journalist Katherine Lanpher interviews Kristin Hersh. (Photos copyright 2010, Steven P. Marsh)

Kristin Hersh, founder of the legendary band Throwing Muses, who’s now performing solo when she’s not fronting her new band 50FOOTWAVE, is on the road talking about her amazing new memoir, Rat Girl. It’s based on her teenage diaries and gives a look into her beautifully messy mind and crazy life.

She visited Barnes & Noble on Union Square in New York City on Tuesday, where she spent an hour chatting with journalist Katherine Lanpher, reading excerpts from her gripping memoir and playing some songs.

Kristin Hersh sings

Kristin has had quite a life, and deals with much of it in the memoir. She nearly died when she was hit by a car while riding her bicycle in Providence, R.I., when she was 16 — her face, reflected in the mirrored sunglasses of a Good Samaritan at the scene, was “hamburger with hair,” she recounts. She was diagnosed with bipolar disorder. She started college at age 15, younger than everyone else and out of place, and bonded with another out-of-place student, the much older actress Betty Hutton. Continue reading

Marah and The Madison Square Gardeners rock The Bowery Electric

Marah at The Bowery Electric on Aug. 20, 2010. (Photos copyright 2010, Steven P. Marsh)

Marah’s personnel may change, but the sound remains solid

Dave Bielanko of Marah.

Dave Bielanko is the only original member left in roots-rock band Marah. The Philadelphia-area native has always had trouble keeping a stable lineup, though until the 2008 release of Angels of Destruction!, his older brother and co-songwriter Serge Bielanko (click here for his blog) was a constant.

Dave Bielanko and Christine Smith.

Nowadays the core of the band, based in Brooklyn, naturally, is Dave and South Ozone Park, Queens, native Christine Smith, who’s been with the band for a few years now. It’s pretty clear that Dave is the driving force, because Marah has kept its artistic core through almost every change in rhythm section (except for that brief Britpop detour on 2002’s Float Away With The Friday Night Gods, which was really just an unfortunate product of Dave choosing the wrong producer).

More on Marah and The Madison Square Gardeners after the jump

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