Category Archives: Music

Lincoln Center Out of Doors lineup announced!

Patti Smith at Lincoln Center Out of Doors 2008.

Patti Smith at Lincoln Center Out of Doors 2008. (Photo by SPM. All rights reserved.)

It’s here and it’s awesome. Clear you calendars and pray for good weather. This year’s edition of free music at Lincoln Center Out of Doors kicks off Aug. 5, and may be the best yet! Among other things, it features the debut of Bang on a Can’s Asphalt Orchestra — performing, in a special treat for Passing Strange fans (Strange Freaks), the world premiere of a piece by Stew and Heidi Rodewald the Dave Brubeck Quartet, another shot at Rhys Chatham‘s A Crimson Veil for 200 electric guitarists, which was canceled at the last minute last year, PLUS a performance by Stew and Heidi and The Broadway Problem!

Now that I’ve had time to chew on the schedule all day, I have to point out a few more not-to-be-missed performers: the amazing Liquid Liquid — the NYC post-punk combo whose percussive sounds have long been club faves and whose track “Cavern” formed the heart of Grandmaster Flash and Melle Mel‘s “White Lines (Don’t Do It)” — The Derek Trucks Band, Plastic People of the Universe, and Otto, the Brazilian singer and percussionist who brought the house down at the Red, Hot + Rio 2: The Next Generation of Samba Soul show at BAM last December.

It’s Bill Bragin‘s second season as director of public programming at Lincoln Center, a position he took in January 2008 after more than six years as director of Joe’s Pub at the Public Theater downtown. His uptown job makes him responsible for Lincoln Center’s two major alfresco programs  — Midsummer Night Swing and Lincoln Center Out of Doors — but keeps him involved in other projects as well.

Bill Bragin

Bill Bragin

Bill’s choices for both series were great last season. And his proprietorship of the outdoor programming brought with it an emphasis on interactivity and lots of online features including links to information and sound samples and videos of the artists and thorough background on how to get there, what to bring and what to do in case of bad weather.

His outdoor dance program, Midsummer Night Swing, (free to listen, $145 for a season pass onto the dance floor, with single tickets priced at $15) has already been announced. It kicks off on July 7 with Kermit Ruffin and the Barbecue Swingers, and just gets better as the month goes on.  Chubby Checker is in the mix, along with Occidental Brothers Dance Band International, Samba Mapangala & Virunga and closing the dance season on July 25 with the Harlem Renaissance Orchestra. Bill worked his downtown connections last year to bring artists like Nellie McKay to the outdoor dance floor in a swing-combo format.

Last year’s OOD lineup ranged from the likes of Soledad Barrio, flamenco company Noche Flamenca, “gypsy jam” guitarist Stephane Wrembel to the 25th Annual Roots of American Music Festival, which includeded Music Maker Blues Revue from New Orleans, Irma Thomas, “Soul Queen of New Orleans,” the debut of bassist Charlie Haden’s all-star  traditional country project and rock goddess (and soon to be Meg White’s mother in law) Patti Smith.

His most ambitious idea last season, a highly anticipated all-star program titled “Wordless Music: 800 Years of Minimalism-The Spiritual Transcendent,” was marred by heavy rains. The weather forced Bill to make a crushing last-minute decision to pull the plug, quite literally, on the advertised performance of Rhys Chatham’s A Crimson Veil, played by 200 electric guitarists. But Bill’s taking another shot at the weather gods, and has included it in this year’s schedule.

See the complete lineup (NOW IMPROVED AND EASIER TO READ!) after the jump: Continue reading

The CBGB irony

Gawkers at CBGB.

Gawkers at CBGB.

Earlier tonight, the New York Dolls returned to their roots on NYC’s Bowery to celebrate the release of their reunion album ‘Cause I Sez So.

They played a private show (broadcast live on Sirius XM satellite radio’s Faction channel) at the John Varvatos boutique at 315 Bowery. And I don’t quite know how to feel about that. The address may sound familiar to some of you. It’s the longtime address of CBGB’s, a place that the Dolls frequented their first time around, in the Seventies.

John Varvatos's boutique replaced the legendary club.

John Varvatos's boutique replaced the legendary club.

Let me explain. Hilly Kristal opened CBGB in December 1973. It quickly became home to many of NYC’s most amazing punk and punk-influenced bands, nurturing the Ramones, the Patti Smith Group, Blondie, Richard Hell & the Voidoids, Television and the New York Dolls.

In October 2006, after a battle with the landlord over rent increases in the rapidly gentrifying neighborhood, Kristal closed CBGB. And the final concert, by Patti Smith, was broadcast by Sirius satellite radio.

After that, the property sat empty for 18 months, mocking passersby. Then Varvatos opened his shop there.

So consider this: CBGB, a club where the Dolls often played, couldn’t survive.  It was replaced by an upscale clothing boutique, whose fashions would have been rejected by most of the Dolls’ original fan — even if they could have afforded them.

So now, things have come full circle: the clothing boutique is hosting the Dolls in concert. Isn’t it ironic?

I don’t mean for a second to pass judgment. Or even to suggest that CBGB should have somehow been preserved. That battle was fought, and lost, by others more dedicated than I to the memory of what the crusty club once was.

That’s life in  Manhattan, after all, where almost nothing lasts but the memories. And, unlike the physical objects themselves, the memories can last forever and belong to anyone who wants to hold onto them.

The English Beat are ready to rock steady

Vintage Dave Wakeling

Vintage Dave Wakeling

The English Beat, Dave Wakeling’s American version of the original UK 2 Tone band The Beat, makes a three-night stop at Maxwell’s in Hoboken, N.J., next week (May 13-15). If you’re a fan of the infectious, British-style reworking of Ska and Reggae, this is your chance. Although the shows are barely a week off, it looks like tickets are still available for two of the shows.

The first show is $75, but it’s for a good cause. It’s a benefit for the 5P- Society, an organization that supports families with children suffering from a rare genetic defect known as 5P- Syndrome or Cri du Chat Syndrome. And when you consider that the price includes dinner — the food at Maxwell’s is good — it seems like a decent value.

Be prepared for a wild, and lengthy, evening. Maxwell’s writes about the band’s last visit to the intimate club:

Dave Wakeling’s bouncy combo played for over 3 hours their last time in Hoboken, sounding great for the duration. Black and white attire optional!

The English Beat shows are scheduled to start at 7 pm  Wednesday (May 13), 8:30 p.m. Thursday (May 14) and 9:30 p.m. Friday (May 15). At Maxwell’s, 1039 Washington Street, Hoboken, NJ.  (201) 653-1703. $75, May 13, (includes dinner), $25 May 14 and 15. (May 15 is sold out.)

Last-minute Monday music: Lipbone Redding

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Looking for a way to supercharge your week with some great music tonight? Check out Lipbone Redding and the Lipbone Orchestra tonight at Bar Tabac in Brooklyn tonight.

I hate to admit that I haven’t seen Lipbone live yet, but I have listened to his albums over and over. I just can’t get enough. His sonic trademark is his ability to make his voice sound just like a trombone. But to leave it there would be to peg him as a mere novelty act. The former subway busker also has a warm, soulful voice. And his eye for quirky beauty — as in “Dogs of Santiago,” on his 2007 album Hop the Fence —  a quirky lyrical sensibility and a funky Memphis-meets-New-Orleans-in-New-York-City musical sensibility and you’ve got a remarkable artist. (You can check out his recordings on BePop Records,  a boutique label run by Jeff Eyrich, a talented producer and bass player who’s worked with the likes of The Plimsouls, Rank and File, The Blasters, T Bone Burnett and Dave’s True Story.)

Continue reading

Updated sneak peek at the Celebrate Brooklyn! lineup

Legendary Mexican rock band Cafe Tacuba rocked the Prospect Park Bandshell in the 2003 edition of Celebrate Brooklyn! (Photo by SPM. All rights reserved.)

Legendary Mexican rock band Cafe Tacuba rocked the Prospect Park Bandshell in the 2003 edition of Celebrate Brooklyn! (Photo by SPM. All rights reserved.)

Brooklyn’s Prospect Park Bandshell is a great place for a summer concert, and it looks like Celebrate Brooklyn! is offering a killer lineup this year.

David Byrne

David Byrne

Festivities kick off at 8 p.m. on Monday, June 8, with a FREE ($3 suggested donation) show featuring David Byrne. That’s just the first of many great free concerts.

The full schedule is out tomorrow, but here’s a taste of what’s to come.The listed times are when the gates open. Go early to claim a good spot and check out the great food. And don’t forget to donate at the gate, or better yet, become a member, and help keep this amazing free program alive:

Saturday, June 20, 6:30 p.m.: LA NAVE DE LOS MONSTRUOS, with live score by ETHEL and GUTBUCKET. In a special Celebrate Brooklyn! commission, the nation’s premier rock-infused, postclassical string quartet, the immensely acclaimed Ethel, teams up with the wild art-rock group Gutbucket to perform a new original score to the vintage Mexican science fiction classic La Nave De Los Monstruos (The Monsters’ Ship, 1959). In the film, the last male on Venus has died, and two Venusian hotties embark on a quest to find men on other planets. The bands premiere the new work this evening after developing the project at a BRIClab residency this spring. Gutbucket will also perform an opening set.

Friday, June 26, 6;30 p.m.: BLONDE REDHEAD. The vaunted NYC underground sensualists Blonde Redhead have shape-shifted from dissonant noise explorations to ethereal, dreamy pop over the course of their career, always inspiring intense devotion from their fans. PopMatters says of them, “It is as if they are pressing on piano keys and each key is a trigger that tugs a wire within the listener. There are keys for longing, possession, despair, and ecstasy—and Blonde Redhead travel fast and skillfully over the whole keyboard.”

Sunday, July 19, 1 p.m.: AFRICAN FESTIVAL with King Sunny Adé and many others! Celebrate Brooklyn!’s annual all-day festival of music, food and crafts features a lineup of music selected to keep dancers moving into the night. Tthe great King Sunny Adé of Nigeria is this year’s headliner, but the bill also includes a rare U.S. appearance by South Africa’s Freshly Ground; The Mandingo Ambassadors, from NYC by way of Guinea, whose music “has been structured to make you feel good” (The New York Times); the wild Senegalese drum troupe Cheikh M’Baye & Sing Sing; the powerful Brooklyn-born, Ghanaian vocalist Abena Koomson; and whirling traditional Egyptian dancer, Yasser Darwish.

Saturday, Aug. 1, 6:30 p.m.: DEAN & BRITTA: 13 Most Beautiful…Songs for Andy Warhol’s Screen Tests with CRYSTAL STILTS. Dean & Britta, who are beloved as one of the sexiest duo’s in rock, in addition to being alumni of the groundbreaking alt-rock band Luna, perform original scores to Warhol’s rarely seen short silent film portraits, which captured Factory superstars, celebrities, and anonymous teenagers in mesmerizing four-minute shots. The New York Times says, “The music unabashedly translates the ominous drone of early Velvet Underground songs like I’m Waiting for the Man and Venus in Furs into a more modern electronic mode reminiscent of Giorgio Moroder’s chic torture-chamber disco.” Commissioned by the Andy Warhol Museum, the project is like an archeological dig unearthing NYC’s 1960s art scene, complete with an unforgettable soundtrack. Brooklyn’s Crystal Stilts, whom Pitchfork describes as “moody-sounding fuckers who make fabulous stripped-down garage-pop,” will set the tone for the night.

Friday, Aug. 7, 6 p.m.: GRACE POTTER & THE NOCTURNALS with DEER TICK. Fronted by the Joplin-like vocals and the Hammond B-3 playing of the group’s fearless frontwoman, Grace Potter & The Nocturnals play “blues-based rock with glorious passion.” The music of Deer Tick is hard to categorize—folk? indie rock? alt-country? Americana?—but easy to love. They “write and play some of the most soulful, inspired music around, littered with lyrics as sharp as a shot of whiskey and rapid-fire guitar solos strong enough to blow the dust off your boots.” (Brooklyn Vegan)

Welcome aboard Air Amsterdam Flight Zero

Spike Lee's crew filming the very last performance of <i>Passing Strange</i> on Broadway.

Spike Lee's crew filming the very last performance of Passing Strange on Broadway. (All photos by SPM. All rights reserved.)


stew-autograph

Stew outside the Belasco Theater after Passing Strange's final curtain.

In just hours, Passing Strange will launch almost 450 fans on a cinematic journey at the Directors Guild Theater just down the block from Carnegie Hall in Midtown Manhattan. After the trip, director Spike Lee and co-creators Stew and Heidi Rodewald will talk with the audience about the show. Although not scheduled to be onstage, most of the members of the cast will be at the theater.

Stew's Chuck Taylors.

Stew's Chuck Taylors.

This Tribeca Film Festival event is sold out. But if you don’t have tickets and want to go, you can gamble on picking up a spare ticket from somebody at the theater. I know there are a few extras around, so if you are really desperate for a ticket, leave a message on my contact page, with your name and mobile number or email address, and I’ll see

Colman Domingo, who grabbed some video of his own at the last show,says he'll be at tonight's screening.

Colman Domingo, who grabbed some video of his own at the last show,says he'll be at tonight's screening.

what I can do. There will be a standby line at the theater, as well, so one way or another, it’s probably worth the gamble.

If you can’t get into tonight’s show,  don’t worry. There’s another screening — albeit without the Q&A — at 10 p.m. tomorrow at the AMC Loews Village VII  in the East Village. The movie is also expected to have  a limited theatrical release later this year. And, as Will You Miss Me When I’m Gone? reported yesterday, the movie has been picked up by PBS for broadcast next year.

7 p.m. today. At Directors Guild Theater, 110 West 57th Street (between Sixth and Seventh avenues); sold out, some rush tickets available at the theater. (Also 10 p.m. Suday, May 3. AMC Village VII, 66 Third Ave.; rush tickets available.)

Nick Katzman’s got the country blues

Nick Katzman

Nick Katzman

Terri Thal, a friend with impeccable musical taste — and who knows the Greenwich Village folk and blues scene of the Sixties through her personal involvement with some of the giants of the era — says there’s another show tomorrow night that’s not to be missed.

The artist in question is New York City-born country bluesman Nick Katzman. And judging from what I’ve read and heard, Terri is on the money.

Decisions, decisions! I can’t be in two places at once. But if I could be, I’d be in Piermont for Jon Pousette-Dart and at Brooklyn’s Good Coffee House to hear Katzman.

I’ll get out of the way and let Terri tell you the rest:

Nick Katzman is fantastic! A few years ago, friends said I had to hear him, so I went to his annual Brooklyn performance, figuring I would mumble nice phrases about him. I didn’t have to mumble anything — the guy was wonderful!

He’s gotten even better. His music has texture and depth. He studied with Reverend Gary Davis, Mississippi John Hurt, Mance Lipscomb and some younger musicians, and became a virtuoso guitarist and master of a lot of styles. Now, his mix of traditional blues, ragtime and his own songs takes me back to when folksingers played because they loved the music and listeners listened because we loved where the music took us.

Nick lives in Germany, where he plays concerts, festivals, clubs. Just completed a new CD. He’s in the US for a short while. When he performs, he’s joined by Thomasina Winslow, a young, also wonderful blues singer who lives in Albany and is building a large following there — for good reason.

If you miss this performance, you’ll have another chance to hear Nick when he comes back to the U.S. late in June or sometime in September for a special appearance in Rockland County.

Check out some mp3s of Nick and Thomasina here. Or watch them on video:

7 p.m. meet-the-artist, 8 p.m. peformance, Friday, May 1. At Good Coffee House, Brooklyn Society for Ethical Culture, 53 Prospect Park West, Brooklyn;  (718) 768-2972. $15 for adults, $6 for children.

EXCLUSIVE: Jon Pousette-Dart was born to make music!

Jon Pousette-Dart (Photo by talisman.com)

Jon Pousette-Dart (Photo by talisman.com)

It’s nice to meet a rock musician like Jon Pousette-Dart who’s really in it for the long haul. He’s been playing music since he was a young boy in Suffern, N.Y.

Jon, who continued to tour and play even when the major-label spotlight shifted away from him in the early Eighties, tells Will You Miss Me When I’m Gone? what keeps him going:

“I do it because him have to do it. It’s kind of who I am,” Jon. And while Jon is clearly a smart guy, who no doubt would be successful at almost anything he might tackle, he modestly suggests he has little choice of vocation because “I don’t know if there’s anything else I could do.”

Evidence from Jon's scrapbook shows he was playing music in 1962, when he was about 10 years old.

Evidence from Jon's scrapbook shows he was playing music in 1962, when he was about 10 years old.

Jon, the son of Abstract Expressionist painter Richard Pousette-Dart, began playing musici with friends when he was quite young, even forming a band  called Tony and the Tigers with Tony and Hunt Sales, sons of TV comedian (and neighbor) Soupy Sales. (The Sales boys later comprised the rhythm section on Iggy Pop‘s classic album Lust for Life, before becoming part of David Bowie‘s Tin Machine.)

“I knew even when I was a kid that this was what I was going to be doing,” says Jon, a self-taught guitarist who learned most of his chops from his older sister’s record collection. “It’s always been about being in music for the long run.”

In 1973, Jon formed the Pousette-Dart Band (PDB for short), and quickly was signed to Capitol Records. PDB brought bring Jon’s warm voice to bear on a string of countryish folk-rock tunes like “Amnesia” and a cover of the 1961 rock standard, “Stand By Me.” PDB’s sound was cheeful, bright and overall a little less polished than similar work by the Eagles, James Taylor or even Orleans, another band with New York roots. PDB was perfectly positioned as an alternative to the over-hyped sound of some of the big artists of the day.

The band broke up in 1981, but Jon has continued to perform, as a solo artist and with bands, ever since. He’s managed to stay afloat while dealing with huge changes in the music business. All while, Jon says, his approach to making music remains pretty steadfast. “It really hasn’t consciously changed, it has organically evolved. Over time, you become open and receptive to other things. But I was kind of rooted in roots, blues and rock-and-roll.” And even though he’s a Northerner (born in New York City in 1952, and a resident of its northwestern suburbs on and off for much of his life), he has a deep affinity for the South. “Almost everything I’ve drawn from, musically, is from down South. There’s a real layer of depth in the South.”

The one thing that has changed is Jon’s writing habits. “When I was starting out, I  wrote everything on my own. But then in the early Nineties, my manager brought me to Nashville and got me started collaborating. I really enjoyed that. It opened up a whole new perspective.”

Jon is still actively recording (a new album is due later this year) and playing shows. “Live performance is invaluable to a songwriter. It’s part of the process. You start to play a song out and it shifts and changes.” But finding places to play is the tough part in a market that Jon calls “oversaturated” with bands. So he’s thrilled to be bringing his sound back home to Rockland County with a gig in Piermont tomorrow and in Nyack next month.

The Jon Pousette-Dart Band plays at 9 p.m., Friday, May 1.  At  The Turning Point, 468 Piermont Ave., Piermont, N.Y.; (845) 359-1089. $25. (Also June 13 at Riverspace in Nyack, N.Y.)


You’ll be sorry if you miss…

  • Angela’s Mixtape: You have only four chances left to see this musical journey written by and starring 2007 Pulitzer Prize drama-award finalist
    Eisa Davis in <i>Passing Strange</i>.

    Eisa Davis in Passing Strange.

    Eisa Davis (who’s also an accomplished actor and singer, who made waves as the mother in Passing Strange). Davis’ music-driven autobiographical show is an affectionate look at her compliated relationship with her namesake aunt, Seventies radical Angela Davis.  (The actress’ full name is Angela Eisa Davis.) 8 p.m. daily, through Saturday, May 2. (Thursday and Friday are already sold out, so hurry!) At the Ohio Theater, 66 Wooster Street, Manhattan; (212) 868-4444 or www.smarttix.com. $20-$35.

  • The Last Goodbye: The first of three concert readings of this in-development musical marriage between William Shakespeare’s Romeo and Juliet and Jeff Buckley’s music is already sold out. Tickets are rapidly disappearing for the remaining two shows. It has a talented young cast and a strong creative team. It seems like a combination that can’t be bad, and could be sublime. 9:30 p.m., May 11 (sold out), May 25, and June 1. At Joe’s Pub, 425 Lafayette Street, Manhattan; 212-967-7555 or www.joespub.com. $12.

Up for a Passing Strange road trip?

So glad he's not on Broadway: Stew and his adoring fans after the final Broadway performance of <i>Passing Strange</i> on July 20, 2008. (Photo by SPM, all rights reserved.)

He’s so glad he’s not on Broadway: Stew and his adoring fans after the final Broadway performance of Passing Strange on July 20, 2008. (Photo by SPM, all rights reserved.)

Just a month after hitting the Tribeca Film Festival, Spike Lee‘s film of Passing Strange will be screened at the Seattle International Film Festival on Saturday, May 23.

Spike Lee at the final Broadway performance of Passing Strange on July 20, 2008. (Photo by SPM, all rights reserved.)

Spike Lee at the final Broadway performance of Passing Strange. (Photo by SPM, all rights reserved.)

They’re doing an interview and Q&A session, oddly, before the screening, which no doubt will help avoid the really thorny audience queries, like what co-creator and narrator Stew really meant by “What’s inside is just a lie.”

Spike is also slated to get the SIFF’s 2009 Golden Space Needle Award for Outstanding Achievement in Directing.

Think that means they really, really wanted him to show up?