Monthly Archives: July 2014

Blues great Paul Geremia sidelined by stroke

 

Paul Geremia's "Love My Stuff," issued in 2011, is a superb collection of many of his most familiar tunes in live performance.

Paul Geremia’s “Love My Stuff,” issued in 2011, is a superb collection of many of his most familiar tunes in live performance.

Acoustic blues musician Paul Geremia had a stroke in late June, family and friends confirm.

Geremia, who is 70, spent a few days a hospital after he had the stroke the weekend of June 28, and was moved to an Ohio rehab facility. Friends who have spoken with or visited Paul say he seems to be progressing well.

Geremia, a native of Providence, R.I., is a first-rate bluesman, a songwriter and a scholar of early jazz and blues — one who has worked steadily at his craft since the 1960s. He has produced 11 albums since 1968 and has toured steadily

He is an amazing guitarist and is considered one of the best country blues fingerpickers on six and twelve-string guitar — acoustic only, he doesn’t record on electric — a soaring harmonica-player, and has a husky soulful voice.

He’s shared the stage with Babe Stovall, Yank Rachel,Son House, Skip James, Howlin’ Wolf, and most importantly, Carolina bluesman Pink Anderson, who had something of a career rebirth thanks to Geremia’s efforts. Geremia also absorbed the music of Leadbelly, Percy Mayfield, Charlie Patton, Blind Lemon Jefferson, Robert Johnson, Willie McTell, Scrapper Blackwell, Blind Blake, and many more. He also writes songs that fit neatly into that rich musical niche.

Blues musician Roy Bookbinder said recently, “Paul is the king of all of us.” The late Dave Van Ronk called Geremia “the best acoustic blues musician in America.” Acoustic Guitar magazine named Geremia “one of the best country blues fingerpickers ever.”

Terri Thal, who managed Van Ronk and Geremia in the 1960s, tells this story about Geremia:

“Recently, when Martus, the man I live with, and I went to the Turning Point in Piermont, N.Y., to hear Paul, as we do whenever he plays there, Martus asked, ‘Do you thing he’ll play anything new?’

“Of course, I didn’t know what Paul’s set would comprise. Lo and behold, the entire set was music we hadn’t heard before–or at least, for a long time–and we’ve heard Paul often.

“I think his memory is stashed with such a huge variety of songs and stories that he could go for many hours playing without repeating anything.”

Fans are encouraged to write to Geremia during his long recuperation. He’s reachable by email at  at paulgeremia@gmail.com or by post at:

Ohio Health and Rehabilitation
1087 Dennison Ave.
Columbus, OH 43201
Attn: Paul Geremia

 

Amy Helm’s Hudson Valley roots keep her anchored

Amy Helm

Amy Helm

I was thrilled to chat with Amy Helm the other day ahead of her appearance this Saturday at the 10th annual Pleasantville Music Festival in lovely downtown Pleasantville in Westchester County, N.Y.

Helm talked about her famous surname and her recent move out of ensemble work and into the spotlight as the leader of her own band, Amy Helm & The Handsome Strangers.

Read the full interview with Helm at lohud.com by tapping or clicking here, or see it in print in Friday’s editions of The Journal News.

 

Update: Rodeo Bar announces shutdown

Rodeo Bar is ending its policy of free live music at the end of July.

New York’s Longest-Running Honky-Tonk to shut down at the end of July; The Eugene Chrysler Band to play the venue’s final show

UPDATE: Around 11:45 a.m. Thursday, just hours after Will You Miss Me When I’m Gone? posted an item confirming that Manhattan’s Rodeo Bar was no longer booking bands, the bar posted a notice on Facebook  that it’s shutting down altogether  after July 27. This is the full post:

Dear Rodeo Bar patrons and music lovers,

We are deeply saddened to announce that after 27 years in business, Rodeo Bar and Grill is closing its doors after July 27, 2014.

Here at New York’s longest-running honky-tonk, we stayed open during some of the city’s toughest times — Hurricane Sandy, the 2003 blackout, 9/11 — but recent rent increases, combined with a changing landscape, have made it impossible for us continue.

For the past three decades, Rodeo Bar has been home to thousands of bands, and we’re proud to have helped define the country, Americana and rockabilly scene in New York City for all these years. But more than that, we were supported by an incredible community of people from New York and all over the world who helped make this bar great. We can’t thank y’all enough.

For the rest of July, we’re open every night, and the music schedule is killer — and free, as it always has been. So come on down and join us for every show, every Shiner, and every moment with the horse trailer we call home. We’re going out with our boots on.

Much Love, and Until the Buffalo Sings,

Rodeo Bar

The final show at the Rodeo has just been announced: The Eugene Chrysler Band at 10 p.m. on Saturday, July 26. The announcement promises free CDs and guest stars.

My original post appears after the jump.

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Mary Bridget Davies: More than a Janis Joplin tribute artist

Mary Bridget Davies does Janis Joplin and a whole lot more at B.B. King's Blues Club in Manhattan. (© 2014 Steven P. Marsh/willyoumissme.com)

Mary Bridget Davies does Janis Joplin and a whole lot more at B.B. King’s Blues Club in Manhattan. (© 2014 Steven P. Marsh/willyoumissme.com)

If you go to see Mary Bridget Davies‘ show at B.B. King’s Blues Club in Manhattan, don’t count on an evening of Janis Joplin.

If you do, you’ll be setting yourself up for disappointment, like the woman standing near me at the bar on Monday night. She was wearing a muumuu and a multicolored headband, which made her look like she was ready for a psychedelic Sixties sort of evening.

But when Davies kicked into a set that was heavier on non-Joplin songs, including some massive versions of some Amy Winehouse hits, the woman started getting antsy, asking people around her if they knew whether Davies would be doing “songs from the show” at some point. Continue reading