Monthly Archives: May 2009

Lincoln Center turns 50

Lincoln Center Plaza, pre renovations.

Lincoln Center Plaza, pre-renovation.

Lincoln Center for the Performing Arts, the world’s largest performing arts complex. The party kicks off this morning at 10:30 with a ceremony that you can watch live from your computer by clicking on Lincoln Center’s web site. You can also learn about the storied complex’s history on the site.

And tonight, the Empire State Building will be lit in in Lincoln Center’s 50th Anniversary colors of purple, orange and white.

Renovations at Juilliard School and Alice Tully Hall, and continued improvements elsewhere on the campus are breathing new life into this important part of the New York’s cultural scene.

Happy Birthday, Lincoln Center!

Two takes on meditation: MONO and the Wordless Music Orchestra

Bodies in motion: MONO at the Society for Ethical Culture. (Photo by SPM. All Rights reserved.)

Bodies in motion: MONO at the Society for Ethical Culture. (Photo by SPM. All Rights reserved.)

Perhaps it was the venue (the churchlike Society for Ethical Culture on Central Park West in Manhattan), or perhaps it was the fact that the opening act was a string orchestra, but the crowd at Japanese noise rock band MONO‘s sold-out 10th anniversary show last night (the show repeats tonight at Le Poisson Rouge in the West Village) was about as reverential as they come. One fan positioned near the front in the center section insisted on standing up during the performance and was eventually ejected.

It was good to see a rock audience pay attention to the music, remarkable, in fact. It’s in part due to the decisive impact that Wordless Music, which presented last night’s show, is having on New York’s music scene. Promoter Ronen Givony is certainly not the first person to pair classical and rock artists on a bill or to bring those two divergent musical worlds together. (Think of Procol Harum recording an album with Edmonton Symphony Orchestra, for instance, or many of Bang on a Can’s show, to name just two.) But Wordless Music has really struck a chord over and over again in its short life.  (The inaugural Wordless Music show as Sept. 18, 2006, and featured Glenn Kotche, Nels Cline, Jenn Lin and Elliot Sharp.)

The instrumental quartet MONO has a huge cult following here in the U.S. Continue reading

EXCLUSIVE: Meredith Monk added to Bang on a Can benefit lineup

Meredith Monk

Meredith Monk

Meredith Monk has just agreed to perform at this year’s Bang on a Can Benefit, the annual dinner raise money for the NYC-based New Music collective and its wide-ranging efforts to bring cutting-edge, genre-bending music to the world, Will You Miss Me When I’m Gone? can exclusively report.

Meredith is an integral part of the New Music scene and a longtime collaborator with Bang on a Can. It’s exciting news that she’s joining an already impressive  roster that already includes performances by 2009 Pulitzer Prize winning composer Steve Reich (with Bang on a Can All Star’s percussionist, David Cossin), pipa master Wu Man, amazing cellist Maya Beiser, the explosive percussion quartet Talujon, and video by celebrated artist Doug Aitken.

This annual fund-raising concert and dinner is moving to a new venue this year — (le) poisson rouge, the young club on Bleecker Street in NYC’s West Village that has quickly established itself as a home for New Music. The benefit has been a floating party over the last few years since its inception, making stops at the World Financial Center’s Winter Garden, the Angel Orensanz Cultural Center on the Lower East Side and at Pace galleries in Chelsea.

This year’s event honors Joseph Thompson, Founding Director of The Massachusetts Museum of Contemporary Art (MASS MoCA) in North Adams, Mass., which hosts Bang on a Can’s annual Summer Music Festival.

Ban on a Can founding composers Michael Gordon, David Langand Julia Wolfe issued this statement about Thompson:

“Joe envisions art in the world not as a market to be served or as a trend to be spotted, but as an action whose appreciation can ennoble the community of those who appreciate it. Art at MASS MoCA is constantly mixed with performance, theater, dance and even the Bang on a Can Summer Festival, all in the service of bringing art into the community and bringing the community into the museum. It is an optimistic, even utopian, notion that challenging convention through art can link us all together. Joe has always used risky, uncompromising art to highlight the interdependence of people, work, community and industry. With all our hearts, we are rooting for him.”

Stay tuned to WYMMWIG? for more details as the date approaches.

As a warmup for the benefit, don’t forget the free 12-hour Bang on a Can Marathon from noon to midnight on Sunday, May 31 at the World Financial Center’s Winter Garden.

6 p.m. cocktails, 7 p.m. concert and dinner.  Wednesday, June 3. At (le) poisson rouge, 158 Bleecker Street (between Thompson and Sullivan), Manhattan. www.bangonacan.org. $400 (partly tax deductible).

Lincoln Center Out of Doors: More to Come!

Be sure to keep checking back here at Will You Miss Me When I’m Gone? for updates to the already jam-packed Lincoln Center Out of Doors schedule of free music. If you look closely at the schedule I posted here yesterday morning, you’ll notice several mentions of “additional artists tba.”

Word is that these top-secret additional artists are going to be just as hot as the performers who are already booked. WWMMWIG will fill you in on the additions as soon as they’re announced.

Stay tuned…

Lincoln Center Out of Doors lineup announced!

Patti Smith at Lincoln Center Out of Doors 2008.

Patti Smith at Lincoln Center Out of Doors 2008. (Photo by SPM. All rights reserved.)

It’s here and it’s awesome. Clear you calendars and pray for good weather. This year’s edition of free music at Lincoln Center Out of Doors kicks off Aug. 5, and may be the best yet! Among other things, it features the debut of Bang on a Can’s Asphalt Orchestra — performing, in a special treat for Passing Strange fans (Strange Freaks), the world premiere of a piece by Stew and Heidi Rodewald the Dave Brubeck Quartet, another shot at Rhys Chatham‘s A Crimson Veil for 200 electric guitarists, which was canceled at the last minute last year, PLUS a performance by Stew and Heidi and The Broadway Problem!

Now that I’ve had time to chew on the schedule all day, I have to point out a few more not-to-be-missed performers: the amazing Liquid Liquid — the NYC post-punk combo whose percussive sounds have long been club faves and whose track “Cavern” formed the heart of Grandmaster Flash and Melle Mel‘s “White Lines (Don’t Do It)” — The Derek Trucks Band, Plastic People of the Universe, and Otto, the Brazilian singer and percussionist who brought the house down at the Red, Hot + Rio 2: The Next Generation of Samba Soul show at BAM last December.

It’s Bill Bragin‘s second season as director of public programming at Lincoln Center, a position he took in January 2008 after more than six years as director of Joe’s Pub at the Public Theater downtown. His uptown job makes him responsible for Lincoln Center’s two major alfresco programs  — Midsummer Night Swing and Lincoln Center Out of Doors — but keeps him involved in other projects as well.

Bill Bragin

Bill Bragin

Bill’s choices for both series were great last season. And his proprietorship of the outdoor programming brought with it an emphasis on interactivity and lots of online features including links to information and sound samples and videos of the artists and thorough background on how to get there, what to bring and what to do in case of bad weather.

His outdoor dance program, Midsummer Night Swing, (free to listen, $145 for a season pass onto the dance floor, with single tickets priced at $15) has already been announced. It kicks off on July 7 with Kermit Ruffin and the Barbecue Swingers, and just gets better as the month goes on.  Chubby Checker is in the mix, along with Occidental Brothers Dance Band International, Samba Mapangala & Virunga and closing the dance season on July 25 with the Harlem Renaissance Orchestra. Bill worked his downtown connections last year to bring artists like Nellie McKay to the outdoor dance floor in a swing-combo format.

Last year’s OOD lineup ranged from the likes of Soledad Barrio, flamenco company Noche Flamenca, “gypsy jam” guitarist Stephane Wrembel to the 25th Annual Roots of American Music Festival, which includeded Music Maker Blues Revue from New Orleans, Irma Thomas, “Soul Queen of New Orleans,” the debut of bassist Charlie Haden’s all-star  traditional country project and rock goddess (and soon to be Meg White’s mother in law) Patti Smith.

His most ambitious idea last season, a highly anticipated all-star program titled “Wordless Music: 800 Years of Minimalism-The Spiritual Transcendent,” was marred by heavy rains. The weather forced Bill to make a crushing last-minute decision to pull the plug, quite literally, on the advertised performance of Rhys Chatham’s A Crimson Veil, played by 200 electric guitarists. But Bill’s taking another shot at the weather gods, and has included it in this year’s schedule.

See the complete lineup (NOW IMPROVED AND EASIER TO READ!) after the jump: Continue reading

The CBGB irony

Gawkers at CBGB.

Gawkers at CBGB.

Earlier tonight, the New York Dolls returned to their roots on NYC’s Bowery to celebrate the release of their reunion album ‘Cause I Sez So.

They played a private show (broadcast live on Sirius XM satellite radio’s Faction channel) at the John Varvatos boutique at 315 Bowery. And I don’t quite know how to feel about that. The address may sound familiar to some of you. It’s the longtime address of CBGB’s, a place that the Dolls frequented their first time around, in the Seventies.

John Varvatos's boutique replaced the legendary club.

John Varvatos's boutique replaced the legendary club.

Let me explain. Hilly Kristal opened CBGB in December 1973. It quickly became home to many of NYC’s most amazing punk and punk-influenced bands, nurturing the Ramones, the Patti Smith Group, Blondie, Richard Hell & the Voidoids, Television and the New York Dolls.

In October 2006, after a battle with the landlord over rent increases in the rapidly gentrifying neighborhood, Kristal closed CBGB. And the final concert, by Patti Smith, was broadcast by Sirius satellite radio.

After that, the property sat empty for 18 months, mocking passersby. Then Varvatos opened his shop there.

So consider this: CBGB, a club where the Dolls often played, couldn’t survive.  It was replaced by an upscale clothing boutique, whose fashions would have been rejected by most of the Dolls’ original fan — even if they could have afforded them.

So now, things have come full circle: the clothing boutique is hosting the Dolls in concert. Isn’t it ironic?

I don’t mean for a second to pass judgment. Or even to suggest that CBGB should have somehow been preserved. That battle was fought, and lost, by others more dedicated than I to the memory of what the crusty club once was.

That’s life in  Manhattan, after all, where almost nothing lasts but the memories. And, unlike the physical objects themselves, the memories can last forever and belong to anyone who wants to hold onto them.

The English Beat are ready to rock steady

Vintage Dave Wakeling

Vintage Dave Wakeling

The English Beat, Dave Wakeling’s American version of the original UK 2 Tone band The Beat, makes a three-night stop at Maxwell’s in Hoboken, N.J., next week (May 13-15). If you’re a fan of the infectious, British-style reworking of Ska and Reggae, this is your chance. Although the shows are barely a week off, it looks like tickets are still available for two of the shows.

The first show is $75, but it’s for a good cause. It’s a benefit for the 5P- Society, an organization that supports families with children suffering from a rare genetic defect known as 5P- Syndrome or Cri du Chat Syndrome. And when you consider that the price includes dinner — the food at Maxwell’s is good — it seems like a decent value.

Be prepared for a wild, and lengthy, evening. Maxwell’s writes about the band’s last visit to the intimate club:

Dave Wakeling’s bouncy combo played for over 3 hours their last time in Hoboken, sounding great for the duration. Black and white attire optional!

The English Beat shows are scheduled to start at 7 pm  Wednesday (May 13), 8:30 p.m. Thursday (May 14) and 9:30 p.m. Friday (May 15). At Maxwell’s, 1039 Washington Street, Hoboken, NJ.  (201) 653-1703. $75, May 13, (includes dinner), $25 May 14 and 15. (May 15 is sold out.)

2009 Tony nominees announced

2009-tony-awards

Billy Elliot, The Musical ties the record with 15 Tony nominations, announced this morning in New York. It’s great to see Karen Olivo, who was so spectacular in In the Heights, get a nod for West Side Story. And Constantine Maroulis is proving American Idol wrong every time he walks on stage in Rock of Ages. But how did Daniel Breaker get overlooked for his turn as Donkey in Shrek The Musical?

The nominees in the top categories for the 2009 Tony Awards come after the jump: Continue reading

It’s Tony Tuesday

Lin-Manuel Miranda

Lin-Manuel Miranda

Cynthia Nixon

Cynthia Nixon

Stay tuned for Broadway’s 63rd annual Tony Awards this morning, to be announced by Cynthia Nixon and Lin-Manuel Miranda at 8:30 a.m. from the New York Library for the Performing Arts at Lincoln Center.

Check back at Will You Miss Me When I’m Gone? for the full list shortly after 8:30.

Last-minute Monday music: Lipbone Redding

600x600

Looking for a way to supercharge your week with some great music tonight? Check out Lipbone Redding and the Lipbone Orchestra tonight at Bar Tabac in Brooklyn tonight.

I hate to admit that I haven’t seen Lipbone live yet, but I have listened to his albums over and over. I just can’t get enough. His sonic trademark is his ability to make his voice sound just like a trombone. But to leave it there would be to peg him as a mere novelty act. The former subway busker also has a warm, soulful voice. And his eye for quirky beauty — as in “Dogs of Santiago,” on his 2007 album Hop the Fence —  a quirky lyrical sensibility and a funky Memphis-meets-New-Orleans-in-New-York-City musical sensibility and you’ve got a remarkable artist. (You can check out his recordings on BePop Records,  a boutique label run by Jeff Eyrich, a talented producer and bass player who’s worked with the likes of The Plimsouls, Rank and File, The Blasters, T Bone Burnett and Dave’s True Story.)

Continue reading