New York Jazzharmonic Trad-Jazz Sextet at Union Arts Center, Sparkill, New York, on Jan. 6, 2017. (Photo © 2017. Steven P. Marsh/willyoumissme.com)
In reflecting on my concert-going of 2016 and looking at what’s already on the docket for 2017, I’ve finally come to grips with the fact that I should be keeping list of the concerts, shows, and other performing arts events I attend.
It’s not that I haven’t thought about this before. I used to dismiss it because I take photos at most shows and keep my tickets stubs, or what pass for stubs. But in the past year or so, more and more venues, at least in the rock world, are opting for total will call operations.
Granted, there’s usually a receipt generated for each faux ticket purchase, but a receipt is a poor substitute for a ticket in the scrapbook — even if, as in my case, it’s a shoebox with scrapbook aspirations.
So my logging begins in earnest in 2017, and kicked off Friday night with Rocklander Ron Wasserman’s New York Jazzharmonic Trad-Jazz Sextet in an uplifting, well-played program of early jazz at the Union Arts Center in Sparkill, New York. It was a marked contrast to my last show of 2016, a Brooklyn New Year’s Eve bash featuring Guided By Voices.
Nyack composer and electro-acoustic violist 
Will You Miss Me When I'm Gone? 